45 With the band With Bobby Cory, CAA Cory, Bobby : Feb. 5-March 22 5-March : Feb. MUSIC AUGUSTINES AGENT: AGENT: DATES Rock trio Augustines will hit 4 to the Feb. the road push sopho- of its self-titled release with LP on Votiv/Oxcart, more Artists Creative help from Cory. Agency’s Bobby Augustines will Routing: North America in acircle counterclockwise direction, tour The hitting markets. 30 Venue at starts in Vancouver in and hits 5) Stubb’s (Feb. and U Street 18) Austin (Feb. in Washington, Music Hall ending at before 26) (Feb. D.C. City Lake Sound Club in Salt 22). Due to (March previous supportingruns Band of Rabbit, and Frightened Skulls the band won’t new hit any excited to but it’s markets, worth of new an album’s have “It’s fans. to for material play possible tomore be dynamic as a headliner when you have to songs choose20-plus Billy Mc- frontman from,” says. Carthy the kept Cory Audience: venue capacity on par with past headlining the band’s betweenruns, and 600. 300 just the a step not up—it’s “It’s move to first seeright what connects. If it does, take we’ll the next tour step.” The will itspeak at second the stop, 600-cap in Seattle Neumos home- 7), the group’s (Feb. town. “We it would be knew just them, an easy sellout for says. Cory to of,” things kick Promotion: up tostill its working way says Cory promoters, national past from word-of-mouth strongest tours is Augustines’ a great tool. “It’s promotional we which is why show, live supportingthought the right tours would be a good move though, them. McCarthy, for is focused the on keeping distance between him and as possible. as small the fans he us,” for “Twitter is great ‘Ugh, like, “If someone’s says. we I didn’t get into the show,’ it up to ‘We’ll make can say, you.’” —Nick Williams FEBRUARY 8, 2014 | WWW.BILLBOARD.BIZ | 2014 8, FEBRUARY , brought the band to the label’s ofce an for label’s the the band to , brought And if the Highline audience’s efusive singalongs to singalongs efusive And if the Highline audience’s fll these shoes, to a new voice looking for are “People will be campaign Heroes Town the Small says Salter with folk is saturated the market that concedes Salter pounding mash-ups with Avicii’s compared Besides, a Puerto assume you the music ft into Ri- “I don’t the Carter Family tribute “Blue Ridge Mountain” are Ridge Mountain” “Blue tribute the Carter Family heartfelt storytelling rootsy, Segarra’s indication, any is hitting a vein. ATO [Case’s],” or Neko Thompson’s Linda it’s whether the Rif for Hurray heard frst He says. Salter John GM through Shakes acts Alabama Raf—which knew ATO Bomb Nashville’s at producer/engineer Tokic, Andrija studios—whenShelter Lee, product Kirby manager Lookout 2012’s them since had beenwho following Mama something felt acoustic performance. “I immediately recalls. Salter special,” and noncommer- and college by press driven largely “I Know charmer country will get which cial radio, NPR 3. So far, Alright)” on Feb. That’s (But Wrong It’s on airplay with choice responded have and its afliates and in-studio performances Songs Considered” “All “World Philadelphia’s WXPN Edition,” “Morning at “Soundcheck.” York’s New and WNYC Cafe” recent & Sons Avicii’s Mumford to and Americana, from not but he’s Up!,” Me banjo-techno chart-topper “Wake he the clutter,” cut through to “They’re going worried. over.” and cross transcend can that Americana “It’s says. bombast, which arena-ready & Sons’ and Mumford in- Segarra’s “bro-folk,” labeled Times York the New freight-hop- while political Americana, forged timate, its humble to back the genre ping and busking, brings roots—with twist. her own I “But says. she would play,” from girl can sounds—and the old love use we those sounds with a modern message.”

WorldMags.netWorldMags.net In 2007, with encouragement from her friends— from with encouragement In 2007, teeth!” she says—hopped a freight train with some train says—hopped she a freight teeth!” the to the rails rode She the punk scene. from friends trav- from about music learning Coast and back, West Segarra Eventually on the way. encountered she elers a band named the forming Orleans, in New settled met she with musicians Orchestra Street Man Dead atmo- a familial such was “It tracks. the train near of the and doing “Instead drinking says. she sphere,” like, be to were do bad, we teenagers normal things tune.’” this fddle play ‘Let’s band in backing some in her rotating now of are whom the Rif for Raf—SegarraHurray up the banjo, picked with it, go to and voice world-weary and an alluringly of the lines along songwriters started material writing Zandt. music The early Van and Townes Dylan Bob like indies—fve out on smaller startedshe albums churning this American from 2008—has drawn since always weaves Heroes Town songwriting but Small tradition, a more into doo-wop, zydeco blues and even country, with feminist, flled blend, politically aware cohesive Orleans , New up from picked references in between. “The personal is political and her travels “Seeing of [Hurricane] the aftermath says. she me,” to and seeing in their day-to-day peopleKatrina, struggle some to kind of of back idea normalcy, get trying to life, a symbol of was our country.” I just that thought WorldMags.net Josh Josh Feb. 11 Feb. Wooden Wings Wings Wooden Andrew Bizer Andrew @HFTRR Town Small

ATO Records ATO RELEASE DATE: RELEASE LABEL: MANAGER: PUBLISHING: BOOKING AGENT: TWITTER: Hurray for the Riff for Raff Hurray ARTIST: ALBUM: Brinkman, Monterey Monterey Brinkman, International Publishing —ALYNDA LEE SEGARRA, HURRAY FOR THE RIFF RAFF RIFF THE FOR HURRAY SEGARRA, LEE —ALYNDA

AMERICANA Born and raised in the Bronx to Puerto to in the Bronx Born and raised Rican parents, funking was Segarra turned 17, the time she By and long, banged So features Segarra, whose facial “I think about my past and then I think, ‘Wow, I’m I’m past and then I think, ‘Wow, “I think about my

like, ‘Let’s play this fiddle tune.’” tune.’” fiddle this play ‘Let’s like, things teenagers do to be bad, we were were we be bad, do to teenagers things

back home Of A for the Rifffor Raff is bringing folk sitting here drinking a soy drinking an cappuccino here sitting and having the day City Bakery York’s New at says she interview,’” house the Rif a packed to for Raf plays Hurray before cool.” pretty “That’s the Highline Ballroom. at along singing age, a young at music discovered Segarra Story” Side and “The “West Wizard of like musicals to Side East with the Lower in love falling Oz” later before aspect the political to drawn really “I was punk scene. “I loved says. she of aspect,” the feminist their music, empowered.” and being dancing really girls some- was there like “I felt restless. school and feeling “I says. she supposed I was be to doing,” thing greater yet.” it was know what just didn’t the same have even Mitchell—“We Joni hair favor Just a few years ago, Alynda Lee Alynda Segarra, the engag- ago, years a few Just for outft folk Hurray Orleans New for ing frontwoman wash- playing trains, freight the Rif hitching was Raf, Quarter band, scrounging for street board in a French she’s houses.food Now in abandoned and sleeping on a ma- album frst her band’s release up to gearing 11 in the United , due Feb. Heroes Town Small jor indie, will release (PIAS Recordings Records. on ATO States 1.) on April internationally the album

By Harley Brown Led by a Bronx-raised, Puerto Led Bronx-raised, a by Hurray rocker, Rican ex-punk Regeneration The Voice The Voice

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