Pulled by: Odyssey Borrower: VMW TN #: 26939 11111111111111111111111111111111111 Lending String: *VHC,VGM,FGM,GPM,IAC,MBB,STO,TFW Location: ,WEL,BBH,UMK,SYB,SBM HU general collection ILL Number: 147314558 Call#: 1111111111111111111111111111111111111111111111111111111 PN1995.9.S66955 J66 2013 Patron: Book/ Journal Title: Charge IFM: No Torture porn: popular horror after Saw / Part I Maxcost: 30.ooIFM Email:
[email protected] of the bookTorture porn: popular horror after Saw / Odyssey:199.111.91.11 Volume: Hollins University Issue: 540-362-6239 (phone)
[email protected] Month: Notes: Borrowing Notes: LVIS CCC #100- Year: 3042-109];[BLDSC Customer code:51-8694] (maxCost: $25) Pages: 13-57 Article Title: Part I of the book Article Author: Jones, Steve, 1979- The Past Catches Up to Everyone':1 eage and Nostalgia aim of the following three chapters is to establish how 'torture porn' been constructed as a category, outlining characteristics that have becolne associated with the subgenre. Part I will establish what 'torture porn' means, and the conditions under which those meanings are defined. The aim of examining 'torture porn' discourse is to clarify what subgenre 'is' according to the critics who have propagated the term. a starting point, this chapter addresses a paradox that arises within 'torture porn' discourse. 'Torture porn' appears to refer to a coherent cate~~ory formed by films that exhibit mutual conventions and values. By providing a point of similarity, the label brushes over numerous discrepancies. At the most basic level, torture porn films have been conceived as a root commonality: torture porn is a sub-category of the horror Yet, by distinguishing this subgenre as a unique grouping, the label fosters the sense that torture porn is different to other horror subgenres.