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CHANTAL MOORE make-up, hair & men’s grooming [email protected] www.chantalmoore.com 323-717-6036 CELEBRITIES Adam Goldberg Emilie de Ravin Persia White Adrian Pasdar Faith Hill Peter Stormare Aimee Teegarden Giovanni Ribisi Rachel Leigh Cook Alexis Biedel Green Day Raya Meddine Ali MacGraw Guy Pearce Rodrigo Santoro Annalynn McCord Jared Padalecki Rosario Dawson Amber Valletta Jennie Garth Sara Paxton Arianna Huffington Jennifer Garner Saul Williams Gov. Bill Richardson Jorge Garcia Sean Faris China Chow Kristen Bell Shenea Grimes Craig Horner Lindsay Lohan Tim McGraw Daniela Sea Mena Suvari Tom Cavenaugh Dave Navarro Milo Ventimiglia Trent Reznor Don Cheadle Nia Long Vinessa Shaw Ed Helm Nicky Hilton Ed Westwick Paris Hilton PHOTOGRAPHERS/DIRECTORS Amanda Marsalis Firooz Zahedi Nick Leary Art Streiber Giuliano Bekor Richard Reinsdorf Autumn de Wilde Hillary Walsh Sasha Eisenman Cass Bird Marina Chavez Steven Klein Chapman Baehler Mario Testino Susan Anderson Charles Bush Mark Seliger Ture Lillegraven Chris McPherson Matthew Rolston VaVa Ribiero David LaChappelle McG Vincent Skoglund Davis Factor Michael Davis EJ Camp Nick Clements ADVERTISING-EDITORIAL CAMPAIGNS/CLIENTS Cartier Interview Magazine TotalBeauty.com Elle Magazine Los Angeles Magazine VH1 Entertainment Weekly Loreal Paris Viv Magazine Fox Broadcasting Paper Magazine Vogue Franklin & Marshall People Magazine Warner Brothers Records Glamour Magazine PETA WeSC Gucci Raquel Allegra Designs Westime Guilty Brotherhood Spa Magazine GQ Teen Magazine CHANTAL MOORE make-up, hair & men’s grooming [email protected] www.chantalmoore.com 323-717-6036 MUSIC VIDEOS Deep Dish Flashdance, Dir: Paul Minor The Devil’s Gift Shadow Never Ending, Dir: Ben Levine Faith HIll Stealing Kisses Live, Dir: Jeff Johnson The Miracle Dolls Fist Up, Dir: David Yarovesky Mack Winston and The Reflections Manipulator, Dir: Abazar Khayami The May Fire The List, Dir: Dave & Heath Lowbrow FILM Broken Promise, Key Makeup & Hair, Dir: Lionel Coleman EVENTS Faith Hill/Tim McGraw Soul to Soul II Tour, Makeup Artist to Faith Hill & Tim McGraw, 2006 MEDIA OVERVIEW PRINT PRESS • InStyle Magazine, Self-Tanners & Glow Products, April 2008 • InStyle Magazine, Best Beauty Buys, April 2007 • Glamour Magazine, Beauty Q&A, April 2007 • InStyle Magazine, Best Beauty Buys, Spring 2005 • InStyle Magazine, Red Lips, August 2004 • Real Simple, Self-Tanners & Application Tips, May 2004 • Daily Candy Online, Chantal Moore: Makeup Artist, January 20, 2004 WEBSITE • Jolienadine.com, L’Oreal Beauty Lounge/Globes Gifting Suite’s, January 2009 • Amominredhighheels.com, Spring Makeup Trend: Classic Chanel, January 2009 • Jolienadine.com, Jolie’s Finished Golden Globes Hair & Makeup, January 2009 • IVillage.com, Summer Beauty Secrets, June 2008 • TangerineLiving.com, Contributing Beauty Editor, August 2009 TELEVISION APPEARANCES • Fine Living Network, Your Reality Checked • Fine Living Network, Dream Job, Spring 2004 • Fine Living Network, The Insider’s List: Makeover, January 29, 2004.

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Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient.
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M I K E S a R K I S S I a N Credits
MIKE SARKISSIAN CREDITS _____________________________________________________________________________ EXECUTIVE PRODUCER / PRODUCER FILM The White Stripes Under Great White Northern Lights Emmett Malloy Jack Johnson En Concert Emmett Malloy Jack Johnson A Weekend at the Greek Emmett Malloy Jack White Jack White Kneeling at The Anthem Emmett Malloy TV Paramount Dream: Birth of the Modern Athlete The Malloy Brothers National Geographic Breakthrough Season 2 Series Producer Revolution Studios Pilot – Everyday People Tim Wheeler GSN / Revolution Studios Drew Carey’s Improv-A-ganza 40 eps Liz Zannin The Dead Weather Live at the ROXY Tim Wheeler Jack Johnson Kokua Festival 05-09 Emmett Malloy From The Basement Raconteurs / Kills / Fleet Foxes Nigel Godrich From The Basement Queens of the Stone Age Nigel Godrich Sundance Channel 5 Years of Change – KOKUA Emmett Malloy Selena Gomez Girl Meets World – Disney Channel Tim Wheeler James Blunt Live & SPPP Studios Tim Wheeler Disney Channel Radio Disney Concert Special Tim Wheeler Nickelback Live at Home Nigel Dick Marie Digby Live At Rick Ruben Studios Mike Piscitelli Grace Potter Live In Burlington Tim Wheeler Alpha Rev Live @SPPP Studios Tim Wheeler Kate Vogel Live @SPPP Studios Tim Wheeler ZZ Ward Live @ The Troubadour Tim Wheeler Nick Jonas Live @ Capitol Records Giles Dunning Grace Potter Live @ The Waterfront Tim Wheeler R5 Live @ the O2 London Tim Wheeler COMMERCIALS Honda Happy Honda Days ’19 Campain Jed Hathaway Apple Apple TV+ 2019 March Launch Robin Cosimir Waze Waze Carpool Jeff + Pete Accenture Talent, Resilience, Disruption Jordan Bahat Google Google Cloud Jordan Bahat Amazon Fire TV Twin Peaks Pie Shop, Playlist Jeff + Pete Always Prepared, No Chance Whip It, Whip it Good Sharknado by the Sea Chicken Little Fingers Dove Real Moms Acura Emotion Is In IBM / Watson Not Easy Nicolas Davenel Max Factor Miracle Touch Camilla Akrins Visa Snapchat / Olympics Giles Dunning McDonalds Fans vs Critics Jordan Bahat Navy Federal Credit Union Veterans Bond Jeff + Pete Dr.
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DOWNNLOAD PDF ( Curriculum Vitae Firooz Zahedi )
L A L E H J U N E G A L E R I E FIROOZ ZAHEDI b. 1949 in Tehran, Iran Lives and works in Los Angeles and New York since 1970s EDUCATION International Relations Degree, Georgetown University, Washington,D.C. Art Degree,The Corcoran School of Art, Washington, D.C. Firooz Zahedi was born in Iran in 1949, lives and works in Hollywood since 1970's. He started his photographic career in the mid of 1970’s working with Andy Warhol & Interview magazine in New York. He is a graduate of Georgetown University and the Corcoran School of Art in Washington DC where he met and became friends with Elizabeth Taylor. Taylor took him to Hollywood in 1978 as her personal photographer when she signed on to do a movie. Firooz Zahedi decided to stay on in Los Angeles and build his career there. Having grown up loving film and the glamorous portraits of the movie stars he focused on portrait work with a fashionable and stylish slant. His editorial work in Interview magazine drew the attention of other publications including Vanity Fair which began assigning him work and after a couple of years signed him on as a contract photographer. Zahedi's editorial work has graced the covers and inside pages of many magazines besides Vanity Fair such as French and Australian Vogue, Town & Country, Esquire, In Style, Entertainment Weekly, Glamour, Self, Time magazine as well as Tatler, British GQ . Moreover his advertising work ranges from movie posters for Quentin Tarantino’s Pulp Fiction & Jackie Brown to clients such as L’Oreal, Nokia, Coca Cola & Ebel.
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Lost Worlds I
Getty IMAGES. Getty IMAGES. LOST WORLDS From Renoir to Warhol. Rediscovering the legacy of empress and art collector Farah Pahlavi. Words Miranda Darling t’s not every year that you get to spend significance of her role in history. 1979, Tehran, former residence at the Niavaran Palace, in the couple’s portrait of Farah Diba, Warhol’s Andy I Valentine’s Day with an empress. And It was Viola who first sparked my yes, real empresses do still exist, although curiosity about the empress over kombucha this particular one is living in exile in Paris in a vegan cafe: “Have you heard about the – which only adds to the dramatic appeal hidden art collection in Tehran?!” I hadn’t, to anyone (like me) obsessed with history, but with those few words, she had my full geopolitics and espionage. So, on February and undivided attention. 14, my co-conspirator and collaborator Viola Please do go on. and I found ourselves in an elegant, wood- The most valuable collection of Western panelled sitting room in a discreet location in art outside Europe or the United States is lying the heart of the city. hidden in a basement in Tehran. Virtually no The glass coffee table in the centre of the one has seen it in the past 30 years. Not only room held a curated mix of ancient Persian is the collection expensive, it’s also comprised artefacts, books, bowls of pistachio nuts, of the best of the best art: master works by glasses of tea in engraved silver holders, Warhol, Kandinsky, Rothko, Pollock, Bacon, and fairy-tale cakes from Pierre Hermé: red Picasso, Magritte, Henry Moore, Giacometti, macaroons sprinkled with rose petals that the Renoir ..
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JEFF CRONENWETH, ASC Director of Photography
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Puppets from the Past by Elizabeth I. Johnson for His First Personal
!1 " " " " “Talking Heads”: Puppets from the Past "by Elizabeth I. Johnson For his first personal assignment, celebrity photographer and director Matthew Rolston shot portraits of a different breed of entertainers — ventriloquist dummies. In 2009 he read an article in the New York Times about the Vent Haven Museum, which houses retired ventriloquist puppets. Intrigued by the story, Rolston flew to Fort Mitchell, Kentucky, by way of Cincinnati, to visit the one-of-a-kind museum. Matthew Rolston, Uncle Eddie, from the series “Talking Heads.” The faces of the little figures fascinated Rolston. “I’m not a ventriloquism person,” Rolston said. But at the core of what he does with celebrity photography is the human face. And “these were the most fascinating faces.” The museum agreed to give him access to the figures, and his project began. With a crew of five people, a film generator truck driven all the way from New York, a backdrop, lighting and the help of the curators, the puppets’ photo shoot was ready to begin. !2 Based on his personal response to the puppets, Rolston selected 100 of the nearly 750 displayed, most from the 1820s to 1980s, he said. Anyone handling the puppets had to wear cotton gloves to prevent damage. In much the same way that he would direct a Hollywood star, Rolston manipulated the miniature faces. Many of the figures’ mouths, eyelids and eyebrows move; some have tear ducts for crying and holes in their lip for smoking; some can wiggle their ears. But Rolston feels that the eyes make a soulful connection to the camera.
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Aviddiva Editorial Credits Commercials
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Introductory Essay 3 of 3
Hollywood Royale: Out of the School of Los Angeles Introductory Essay 3 of 3: Glamour Reborn: Out of the School of Los Angeles By Charles Churchward HOLLYWOOD, September, 1985 — LA’s oven-like Santa Ana winds blew down from the nearby Mojave Desert on the dusty sidewalks of Melrose Avenue one unseasonably warm evening. The city’s nascent style elite were about to descend on the G. Ray Hawkins Gallery for an exhibition highlighting the work of three local, up-and-coming portrait photographers whose only mutual connection was that their work had been spotted in the pages of Andy Warhol’s proto-celebrity magazine, Interview. The winds of creative change were in the air. Warhol began Interview in New York in 1969 as a clever way to receive invitations to screenings and meet celebrities in society and entertainment. More importantly, it was a new way for Warhol to express his ongoing obsession with the idea of fame. In its bare beginnings, the crudely-printed magazine was an exploration, primarily made up of verbatim interviews with individuals that fascinated Warhol, illustrated with his famous Polaroids, and occasionally, a gratuitous page or two dedicated to campy publicity stills from golden-age Hollywood ﬁlms. But by the late-1970s, Interview had started to show some polish, becoming an important platform for magazine photography. With virtually no budget and fueled by Warhol’s ever growing interest in the concept of Hollywood celebrity, Warhol and his magazine’s editors, Bob Colacello and later, Gael Love, sought out the next generation of young artists and photographers hungry to ﬁnd a showcase for their work.
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