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In and out of Africa She Was the Girl Who Lost It All – the Father, the Husband, the Farm and the Love of Her Life – but Won It Back by Writing About It
SCANDINAVIAN KAREN BLIXEN LEGENDS Bror and Karen Blixen as big game hunters in 1914. In and out of Africa She was the girl who lost it all – the father, the husband, the farm and the love of her life – but won it back by writing about it. KAREN huNtINg BLIXEN chose not to take her own life and against all odds she survived the syphilis she got from her husband – but died from undernourishment. Marianne Juhl tells the spectacular story of the foR A LIfE Danish author who became world famous for her novel Out of Africa. 2 SCANORAMA MARCH 2007 SCANORAMA MARCH 2007 3 n April 10, 1931, Karen Blixen sat down at Finch Hatton. Before long the two of them were embroiled in a the desk on her farm in the Ngong Hills in passionate affair. But Blixen was to lose Hatton, too. In 1931, his Kenya to write the most important letter little Gypsy Moth biplane crashed in flames in Kenya. Even if of her life. It was one week before her 46th there was much to suggest that the initial ardor in their relation- LEGENDS birthday and 17 years after she first came ship had cooled by this time, she nevertheless lost a close and to the country and the people whom she had grown to love with much-loved friend in the most dramatic of circumstances. oall her heart. Now, however, her coffee plantation was bankrupt She received the news of Hatton’s plane crash shortly before and had been sold. Karen had spent the past six months toiling learning she must leave the coffee farm in the Ngong Hills that she to gather in the final harvest and trying to secure the prospects had spent 17 years of her life running and fighting for – first with for her African helpers. -
1843 KMS Kenya Past and Present Issue 43
Kenya Past and Present Issue 43 Kenya Past and Present Editor Peta Meyer Editorial Board Marla Stone Patricia Jentz Kathy Vaughan Kenya Past and Present is a publication of the Kenya Museum Society, a not-for-profit organisation founded in 1971 to support and raise funds for the National Museums of Kenya. Correspondence should be addressed to: Kenya Museum Society, PO Box 40658, Nairobi 00100, Kenya. Email: [email protected] Website: www.KenyaMuseumSociety.org Statements of fact and opinion appearing in Kenya Past and Present are made on the responsibility of the author alone and do not imply the endorsement of the editor or publishers. Reproduction of the contents is permitted with acknowledgement given to its source. We encourage the contribution of articles, which may be sent to the editor at [email protected]. No category exists for subscription to Kenya Past and Present; it is a benefit of membership in the Kenya Museum Society. Available back issues are for sale at the Society’s offices in the Nairobi National Museum. Any organisation wishing to exchange journals should write to the Resource Centre Manager, National Museums of Kenya, PO Box 40658, Nairobi 00100, Kenya, or send an email to [email protected] Designed by Tara Consultants Ltd ©Kenya Museum Society Nairobi, April 2016 Kenya Past and Present Issue 43, 2016 Contents KMS highlights 2015 ..................................................................................... 3 Patricia Jentz To conserve Kenya’s natural and cultural heritage ........................................ 9 Marla Stone Museum highlights 2015 ............................................................................. 11 Juliana Jebet and Hellen Njagi Beauty and the bead: Ostrich eggshell beads through prehistory .................................................. 17 Angela W. -
Newsletter 15/10 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 15/10 DIGITAL EDITION Nr. 278 - September 2010 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/10 (Nr. 278) September 2010 editorial Hallo Laserdisc- und DVD-Fans, auch jede Menge Filme auf dem liebe Filmfreunde! Fantasy Filmfest inspiziert. Diese sind Herzlich willkommen zum ersten jedoch in seinem Blog nicht enthalten, Newsletter nach unserer Sommer- sondern werden wie üblich zu einem pause. Es ist schon erstaunlich, wie späteren Zeitpunkt in einem separaten schnell so ein Urlaub vorbeigehen Artikel besprochen werden. Als ganz kann. Aber wie sollten wir es auch besonderes Bonbon werden wir in ei- merken? Denn die meiste Zeit ha- ner der nächsten Ausgaben ein exklu- ben wir im Kino verbracht. Unser sives Interview mit dem deutschstäm- Filmblogger Wolfram Hannemann migen Regisseur Daniel Stamm prä- hat es während dieser Zeit immer- sentieren, das unser Filmblogger wäh- hin auf satte 61 Filme gebracht! Da rend des Fantasy Filmfests anlässlich bleibt nicht viel Zeit für andere Ak- des Screenings von Stamms Film DER tivitäten, zumal einer der gesichte- LETZTE EXORZISMUS geführt ten Filme mit einer Lauflänge von 5 hat. ½ Stunden aufwartete. Während wir dieses Editorial schreiben ist er Sie sehen – es bleibt spannend! schon längst wieder dabei, Filmein- führungen für das bevorstehende Ihr Laser Hotline Team 70mm-Filmfestival der Karlsruher Schauburg zu schreiben. Am 1. Ok- tober geht’s los und hält uns und viele andere wieder für drei ganze Tage und Nächte auf Trab. -
KENYA in COUNTRY INFORMATION GEOGRAPHY Kenya Lies on the Equator and Shares Common Borders with Tanzania and Uganda, Which Make up the Region of ‘East Africa’
KENYA IN COUNTRY INFORMATION GEOGRAPHY Kenya lies on the equator and shares common borders with Tanzania and Uganda, which make up the region of ‘East Africa’. Its location allows for access to Kenya’s beautiful beaches and the Indian Ocean, Kenya’s wild plains and mountain ranges and its enchanting rift valley. Kenya is roughly the size of Texas or Spain. PEOPLE There are 52 tribes in Kenya each with their own tribal language though most people in the country speak Kiswahili as well as their own tribal language. English is the commercial language; therefore, it is commonly spoken in the major towns and at all lodges and hotels. CLIMATE Kenya is on the equator therefore we do not have major seasons. The climate is very pleasant and variations in altitude and terrain can create contrasts. Generally, in the Highlands the climate is cool and temperate; elsewhere the temperatures can reach approximately 35’C during the day. The coast is quite humid and balmy. Over most of the country there are two rainy seasons: • The “short rains” which occur from late October through November • The “long rains” which occur from late March to early June • It is perfectly possible to visit Kenya during the rainy season, few roads are affected, the park is fresh and green and there are fewer people and vehicles. Rain usually falls in the late afternoon preceded by bright, sunny and fresh days • July and August are the coolest months and are often overcast especially in the morning • December-Mid March is the warmest time of the year PASSPORT/VISA All tourists entering Kenya must have a tourist visa, which can either be obtained through the Kenya High Commission or via the e-visa portal on www.ecitizen.go.ke. -
Whites Writing Landscape in Savannah Africa
The Art of Belonging: Whites Writing Landscape in Savannah Africa DAVID McDERMOTT HUGHES Department of Human Ecology, Rutgers University Presented to the Program in Agrarian Studies, Yale University, New Haven, Connecticut, 6 October 2006 “I had a farm in Africa …[where] the views were immensely wide. Everything that you saw made for greatness and freedom, and unequally nobility … you woke up in the morning and though: Here I am, where I ought to be.” Isak Dinesen, Out of Africa (1937:3-4). “I have sometimes thought since of the Elkingtons’ tea table – round, capacious, and white, standing with sturdy legs against the green vines of the garden, a thousand miles of Africa receding from its edge. It was a mark of sanity …” Beryl Markham, West with the Night (1942:60) “Their frontier became a heaven and the continent consumed them … And they can never write the landscapes out of their system.” Breyten Breytenbach, The Memory of Birds in Times of Revolution (1996:108) Imperial colonizers do not seize land with guns and plows alone. In order to keep it, especially after imperial dissolution, settlers must establish a credible sense of entitlement. They must propagate the conviction that they belong on the land they have just settled. At the very least – and this may be difficult enough – settlers must convince themselves of their fit with the landscape of settlement. In other words, all the while 1 excluding natives from power, from wealth, and from territory, overseas pioneers must find a way to include themselves in new lands. Two factors interfere with such public and private persuasion: pre-existing peoples and the land itself. -
LANDS of LEISURE: RECREATION, SPACE, and the STRUGGLE for URBAN KENYA, 1900-2000 by Caleb Edwin Owen
LANDS OF LEISURE: RECREATION, SPACE, AND THE STRUGGLE FOR URBAN KENYA, 1900-2000 By Caleb Edwin Owen A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of History-Doctor of Philosophy 2016 ABSTRACT LANDS OF LEISURE: RECREATION, SPACE, AND THE STRUGGLE FOR URBAN KENYA, 1900-2000 By Caleb Edwin Owen The movement of people to cities has been a significant trend in the recent history of Africa; in the year 2000, the urban population in Africa superseded the rural. African cities are nonetheless underrepresented and misunderstood in historical scholarship. The predominant narrative of the city and urban life, particularly in the post-colonial context, has been one of impoverishment, social disjuncture, and state failure. My dissertation challenges this metanarrative, highlighting how non-elite Kenyan actors, through their struggles for public parks, playgrounds, and other spaces of leisure, had a stake in urban life and contributed to the production of the city. This dissertation highlights the role of recreation as a governing and community interest that shaped the development of urban policy and land use in Nairobi and Mombasa, Kenya’s two largest cities. Through allocation of land for clubs, the state affirmed its authority as an arbitrator of multiple interests and constituencies. During the 1940s and 1950s, the state, viewing African boredom as a cause of social delinquency, promoted the development of new spaces of leisure— social halls, playing fields, and public gardens. Rather than reaffirming the state’s position as the paternalistic guardian of African interests, these spaces were sites of social and cultural negotiation between urban Kenyans and colonial welfare officers. -
Peetz: Erzählen Und Erzählungen in Blixen-Filmen
BERLINER BEITRÄGE ZUR SKANDINAVISTIK Titel/ »Erzählen und Erzählungen in Blixen-Filmen« title: Autor(in)/ Heike Peetz author: In: Heike Peetz, Stefanie von Schnurbein und Kirsten Wechsel (Hg.): Karen Blixen/Isak Dinesen/Tania Blixen. Eine internationale Erzählerin der Moderne. Berlin: Nordeuropa-Institut, 2008 ISBN: 3-932406-27-3 978-3-932406-27-0 Reihe/ Berliner Beiträge zur Skandinavistik, Bd. 12 series: ISSN: 0933-4009 Seiten/ 77-96 pages: © Copyright: Nordeuropa-Institut Berlin und Autoren © Copyright: Department for Northern European Studies Berlin and authors Diesen Band gibt es weiterhin zu kaufen. HEIKE PEETZ Erzählen und Erzählungen in Blixen-Filmen I Men muligheden for filmatiseringer af hendes arbejder interesserede hende al- tid, skønt hun selv var en sjælden gæst i biografen. Som sagt var hun helt naturligt interesseret i de indtægter, filmatiseringer kunne medføre, men alligevel var hun først og fremmest skeptisk overfor, hvad »filmmagere nu kunne finde på af fordrejninger«, som hun engang sagde.1 [Karen Blixen war immer an möglichen Verfilmungen ihrer Arbeiten interes- siert, auch wenn sie selbst selten ins Kino ging. Natürlich war sie an den Ein- nahmen aus den Verfilmungen interessiert, aber dennoch fragte sie sich vor al- lem skeptisch »auf was für Verdrehungen die Filmemacher kommen würden«, wie sie einmal sagte.] So äußert sich Keith Keller in seinem 1999 erschienenen Buch Karen Bli- xen og Filmen. Keller, der als Filmjournalist sowohl für dänische Tages- zeitungen als auch für das amerikanische Branchenblatt Variety schreibt, kannte die Autorin aus familiären Beziehungen. In seinem Buch stellt er diverse, häufig nicht verwirklichte Filmprojekte vor, die sich auf Blixen und ihre Werke beziehen. -
Study on out of Africa from the Perspective of Heterotopia
International Journal of Languages, Literature and Linguistics, Vol. 3, No. 4, December 2017 Study on Out of Africa from the Perspective of Heterotopia Yan Wang and Xiaolan Lei Abstract—Out of Africa gives us different imaginations of II RESEARCH STATUS spaces from the literal meaning, and many scholars have analyzed it from different perspectives. However, never has Karen Blixen has high visibility in European literary Foucault’s theory of heterotopia. This paper tries to give an circles. The British critic John Davenport spoke highly of analysis about the thinking spaces in this article combined with her,” In our time, few writers like her write less but refined the six features of Foucault's heterotopia, then shows us a [3]”. The Atlantic Monthly commended Karen “One of the different Africa and different ways of thinking. most elegant and unique artists of our time [3].” “The New York Times” commented that Karen was “a writer with Index Terms—Out of Africa, foucault, heterotopias. extraordinary imagination, smart and intelligent [3].” The literary critic, Jacques Henriksen, said that Karen is “the messenger of the distant journey, to tell people that there is I INTRODUCTION hope in the world [3].”For out of Africa, the British Victor·Hugo once said, “Africa is the most mysterious “Guardian” commented on it “depicts a passionate story, place in areas that people do not know [1].” In literature with the idyllic language to recall the lost homeland [3]”. field, this magic field also attracted many writers, and the Karen and Andersen are known as the Danish “literary famous Danish woman writer Isak Dinesen was one of treasures” and she is the winners of the Andersen Award them. -
Liebe Lesende
Vorwort 1 Liebe Lesende, wieder einmal wird es Winter und die Sonne scheint nicht mehr lange den lie- ben langen Tag. Aber da es auch abends und nachts noch schön ist, haben wir un- serem Heft diesmal einen dunklen Farbton gegeben, sodass Ihr es Euch damit auch im herbstlichen Park, der Bar oder zu Hause auf dem Sofa oder dem Bett gemütlich machen könnt, ohne dass Ihr unter dem grauen Himmel auffallt. Vielleicht wundert Ihr euch, wieder etwas von uns zu hören, doch obwohl un- sere Anschubfinanzierung durch die Ernst-Reuter-Gesellschaft mit dem letzten Heft endete, sind wir immer noch da. Der Dank dafür gilt den Instituten für Allgemeine und Vergleichende Literaturwissenschaften, Kunstgeschichte und Germanistik der Freien Universität Berlin und dem Bücherbasar e.V., die mit ihrer freundlichen finan- ziellen Unterstützung den Druck dieser Ausgabe ermöglicht haben. Dadurch könnt ihr auch in diesem Sommer einen Einblick in die Arbeit Eurer KommilitonInnen erhalten, und dafür geben wir Euch wieder eine Auswahl herausragender Texte aus dem weiten Feld der Geisteswissenschaften. Damit nicht genug – erstmals geben wir unserem Heft eine neue Ausrichtung und suchen unsere Beiträge jetzt auch bei den Geschichts- und Kulturwissenschaf- ten. Die Antworten auf unseren call-for-notes aus diesem Fachbereich blieben lei- der noch recht vereinzelt, aber aller Anfang ist schwer. Wenn Ihr also dieses Heft in Händen haltet und Euch die eine oder andere eigene Hausarbeit in den Sinn kommt, oder aber wenn Ihr nach der Lektüre Lust bekommen habt, an der nächsten Ausgabe mitzuwirken, schreibt uns einfach eine Mail – wir freuen uns über jede Einsendung, die unser nächstes Heft bereichern und über jeden interessierten Helfer. -
History of the Karen Blixen Coffee Garden & Cottages
HISTORY OF THE KAREN BLIXEN COFFEE GARDEN & COTTAGES LTD. BY DR. BONNIE DUNBAR The Historic Swedo House was built around 1908 by the Swedo-African Coffee Company. Dr. Dunbar purchased the property and re- stored the old house in 1999. The Historic Swedo-House is a typical example of the architecture that existed during the pio- neering days of Kenya. It was built raised on stilts (still in place today with re-enforcement) which were to protect the building from water and termite damage. From “Letters From Africa The house was smaller than it is today, and consisted of 3 rooms and a veranda with a kitchen some yards away. It had corrugated iron walls lined with wood inside and a railed veranda and arched roof . In later years the walls outside “Swedo House” were “modernized” by removing the corrugated iron and replacing it with cement plastered over chicken wire. Inside the walls were paneled with Hessian which was painted with a thin layer of cement and finally white washed. The “prefabricated” slotted wood walls were imported from Europe sometime before the 1920s.The original colored lead windows remain intact today as they are shown with the original settlers. Anecdotal information from a neighbor (Mr. Russel) in Ka- ren is that his father built his house in 1908 and he knew that the Swedo house was two years older. (That house is no longer standing) It is told that United States President Theodore Roosevelt who was hosted by Sir Northrup McMillan hunted out of the Swedo House dur- ing his famous visit to Kenya in 1908 to collect specimens for the National Museums in Ameri- ca. -
Celebrate Santa Catalina 2020 Virtual Live Auction Item
Celebrate Santa Catalina 2020 Virtual Live Auction item 7 nights/8 days Luxurious African Adventure ($40,000 value) This once-in-a-lifetime adventure begins in Kenya's capital city of Nairobi with a rejuvenating all-inclusive one night stay at the storied, colonial Muthaiga Country Club, famous for the footsteps of characters like Denys Finch Hatton, Karen Blixen, and Beryl Markham and featured in the film Out of Africa. A commercial flight to Masai Mara and a chauffeur on arrival will take guests to a private home in the exclusive Naretoi estate of 1000 fenced acres along the Mara River and Enonkishu Conservancy. These areas are home and habitat to an extraordinary number and variety of wild animals. Plains game such as zebra, giraffe, waterbuck, Thomson’s gazelle, Grant’s gazelle and a huge variety of birdlife live within Naretoi. Enjoy a lavish safari lifestyle for three nights at this stunning residence. The property features a pool, hot tub, gym, pickleball court, basketball, and mountain bikes. Guests will be well cared for by a full staff including a cook, an in-house spa lady for treatments day and evening, and a guide/driver on demand for daily game drives outside the gates of Naretoi into hundreds of miles into the Masai Mara to see the “big five” and a host of other animals. Excursions to a nearby traditional Masai village, and to the Mara Training Center will teach about the work underway on sustainability, human/wildlife relations, education, women’s business development, health care, and ranger training. Take to the skies on a private charter flight for a perspective of the vast and beautiful landscape on the way to the next installment of this African adventure in the Lake Naivasha region. -
Review of out of Africa
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2010 Review of Out of Africa Michael Adams City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/146 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Out of Africa (Blu-ray) (Universal, 4.27.2010) When people complain about the films undeservedly receiving the best-picture Oscar, Out of Africa is one of the frequent targets. As with The English Patient and Shakespeare in Love, Sydney Pollack’s film is the kind of lush, romantic drama that drives some, especially fanboys, nuts. Often dismissed a slick piece of Hollywood kitsch, Out of Africa succeeds in part because it’s a slick piece of Hollywood kitsch, with echoes of The Letter, Casablanca, The African Queen, and Lawrence of Arabia. One could easily imagine Katharine Hepburn or Ingrid Bergman playing Danish writer Karen Blixen, aka Isak Dinesen, but Meryl Streep is much better. Regardless of how you feel about the rest of Out of Africa, its main asset is Streep. I’m not sure how accurate her Danish accent is, but while some actors use accents as a crutch, even Streep herself at times (“A dingo ate my baby”), here it is simply one of several tools helping her to explore a complex character. Certainly Streep’s mannered, but when is she not? Her mannerisms are actually much subtler than usual.