Ducky Revitalizes L.A.'S Rave Scene • New Cameron Crowe Doc
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Vixen Tangerine Mp3, Flac, Wma
Vixen Tangerine mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Tangerine Country: Europe Released: 1998 Style: Hard Rock MP3 version RAR size: 1694 mb FLAC version RAR size: 1912 mb WMA version RAR size: 1191 mb Rating: 4.5 Votes: 930 Other Formats: XM RA DMF MP1 AUD FLAC ADX Tracklist 1 Page 4:35 2 Tangerine 4:32 3 Never Say Never 3:40 4 Peace 4:59 5 Barely Breathin' 4:13 6 Bleed 4:00 7 Stay 5:35 8 Shut Up 4:05 9 Machine 3:43 10 Air Balloon 3:53 11.1 Can't Control Myself 4:29 11.2 no audio 0:06 12 Swatting Flies In Wanker County (Hidden Track) 2:00 Companies, etc. Pressed By – www.VDCGroup.com – 11010 Credits Bass – Mike Pisculli Drums, Clarinet – Roxy Petrucci Engineer – Darren Schneider Guitar, Backing Vocals – Gina Stile Mastered By – Greg Calbi Mixed By – Ed Stasium Producer, Arranged By, Percussion – Vixen Vocals – Janet Gardner Written-By – Gina Stile, Janet Gardner Notes Contains hidden track 'Swatting Flies In Wanker County'. Te disc does have 12 tracks. When you put the CD in a PC. Track 12 is a selectable track but just comes up as [Untitled Hidden Track] There is 6 seconds of no audio at the end of track 11. 2001 Sanctuary Records Group Ltd. Barcode and Other Identifiers Barcode (Text): 5 050159 004126 Barcode (String): 5050159004126 Matrix / Runout: SANCD041 SANCTUARY 11010 www.vdcgroup.com2001 Other versions Category Artist Title (Format) Label Category Country Year Eagle Records, EAGCD028, GAS Eagle Rock EAGCD028, GAS Tangerine (CD, 0000028 EAG, Vixen Entertainment, 0000028 EAG, Europe 1998 Album) EDL EAG 069-2 -
Phone Problems Arena Basketball Seating Loverboy Rocks Arena Mocs
An Independent Student Newspaper Serving the University Community Since 1906 llraiersity Edio ?3 /olume.Tff/Issue 3 The University of Tennessee at Chattanooga September 16, 1983 Billy Weeks/The Echo Inside this week: Phone problems Arena basketball seating Loverboy rocks arena Mocs fall to ASU Echo News 1 The Echo/September 16, 1983 Operational by Monday Storms delay installment of new system By Laurin DeRamus Echo News Writer In response to South Central Bell's announcement complete account number is not dialed within that that student long distance calling services would be It (the storm) virtually time, the student's effort will result in the call being disconnected on Aug. 30, the university is installing its wiped us out. How the immediately cut off. When an entire number has been own long distance system. Joe Johnson, completed there will normally be no problems in superintendant of maintenance, said the system was system stayed on line I reaching the intended party. However, if a student originally scheduled for operation by Sept.l; however hears music, it signifies one of three things: 1) all the a damaging storm on Aug. 23 put the transition behind don't know." lines are busy; 2) their account number isn't in the schedule. —Joe Johnson computer yet; or 3) the student has dialed incorrectly. Johnson said the storm knocked out the whole If one of these events occurs, the student is system—phones, power and computers. "It virtually Superintendent of encouraged to try the number again. wiped us out." The storm, he explained, downed the A new factor has been added to the long-distance computer for the phones and wiped out the programs. -
FX's 'Legit', Jim Jefferies Embraced by Disabled Community
Follow Like 153k Subscribe Industry Tools Newsletters Daily PDF Register Log in Blocked Plug-in MAR -./$0123$2456782$95:;<5$8=5$&;>?7@6$.A$8=5 22 2 DAYS &73;B?5C$).<<D@78E 8:00 AM PDT 3/22/2013 by Aaron Couch SHARE (/pri 28 Comments (#comments) (3 (http://www.hollywoodreporter.com/node/430325#disqus_thread) )nt/4 0 Like 133303 (=5$:.<5CE23$:>5;8.>3$/.>>75C$783$C73;B?5C$:=;>;:85>3$<76=8 25) .AA5@C$F75/5>3G$BD8$A.D@C$8=.35$H.>8>;E;?3$=;F5$5;>@5C$8=5$3=./$3.<5$.A$783 A75>:538$A;@3I FX From left: Dan Bakkedahl, D.J. Qualls and Jim Jefferies in "Legit" Drugs, prostitution and masturbation are among the topics tackled by FX’s freshman comedy Legit. Despite those edgy plot points, it was the show’s multiple characters with disabilities that had co-creators Jim Jefferies and Peter O’Fallon worried they might offend viewers. From series regular Billy (DJ Qualls), a 30- !"#$%&'(!#$#%)!**%+&, something with muscular dystrophy, to Rodney (Nick Daley), a party hound with an intellectual disability, the world of Legit is full of characters trying to make it no matter their circumstances. 'Legit'(http://www.hollywoodreporter.com/live- Creators Spill Secrets of Theirfeed/legit-creators-spill-secrets-abrasive- Abrasive Yet Kind “We were kind of nervous,” Jefferies, the show’s star, Comedy tells The Hollywood Reporter (http://www.hollywoodreporter.com/live- (http://www.hollywoodreporter.com) . “We know we’re not feed/legit-creators-spill-secrets-abrasive- 417069) being nasty, but maybe people won’t see it the same way we see it.” STORY: 'Legit' Creators Spill Secrets of Their Abrasive Yet Kind Comedy Season(http://www.hollywoodreporter.com/live- Finale Scheduler: Your Guidefeed/2013-season-finale-schedule- to What Ends When (http://www.hollywoodreporter.com/live-feed/legit-creators-spill- 429839) (http://www.hollywoodreporter.com/live- secrets-abrasive-417069) feed/2013-season-finale-schedule-429839) But since premiering in January, it’s the characters with disabilities who have won the show some of its fiercest fans. -
Melissa Joan Hart
radar: sketch comedy show. TLC—who wrote the theme song— performed in two of the first three episodes. The pilot aired nearly seven months before their breakout album, CrazySexyCool, was released, giving 12-year-old viewers a chance to hear a new band before they made it big. The first season of the show also featured live performances by fresh faces, including Brandy, Aaliyah, and Usher, who at the point was still going by his full name, Usher Raymond. “If you look at the 10 years [that All That was on air], it’s a who’s who of music,” says Dan Schneider, the show’s creator. Pete & Pete also made a habit of featuring musicians whom you wouldn’t expect to see on any TV show, let alone one marketed to grade schoolers. David Johansen played a police officer; Debbie Harry, a neighbor; Juliana Hatfield, a lunch lady; Kate Pierson (of the B-52s), a blind millionaire; PRIME TIME and Michael Stipe, an ice cream man. Iggy Pop was a series regular, playing the overprotective father of Nona, Michelle Trachtenberg’s character. In the same episode that featured Luscious Jackson, he took to the stage and sang to his melissa daughter, begging her to dance with him. It was a far cry from joan “I Wanna Be Your Dog,” but I’m convinced that moment was influential enough for me to spend the better part of my hart late teens fanatically collecting his albums. The series’ soundtrack was equally important, with Apples in Stereo and Stephin Merritt of the Magnetic Fields, among others, contributing music to the show. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film. -
CANDY L. WALKEN Hair Design/Stylist IATSE 706
CANDY L. WALKEN Hair Design/Stylist IATSE 706 FILM UNTITLED DAVID CHASE PROJECT Department Head, Los Angeles Aka TWYLIGHT ZONES Director: David Chase THE BACK-UP PLAN Department Head Director: Alan Poul Cast: Alex O’Loughlin, Melissa McCarthy, Michaela Watkins NAILED Department Head Director: David O. Russell Cast: Jessica Biel, Jake Gyllenhaal, Catherine Keener, James Marsden THE MAIDEN HEIST Department Head Director: Peter Hewitt Cast: Christopher Walken, Marcia Gay Harden, William H. Macy THE HOUSE BUNNY Hair Designer/Department Head Personal Hair Stylist to Anna Faris Director: Fred Wolf Cast: Emma Stone, Kat Dennings, Katharine McPhee, Rumer Willis DISTURBIA Department Head Director: D.J. Caruso Cast: Shia LaBeouf, Carrie-Anne Moss, David Morse, Aaron Yoo FREEDOM WRITERS Department Head Director: Richard La Gravenese Cast: Imelda Staunton, Scott Glenn, Robert Wisdom MUST LOVE DOGS Personal Hair Stylist to Diane Lane Director: Gary David Goldberg A LOT LIKE LOVE Department Head Director: Nigel Cole Cast: Ashton Kutcher, Amanda Peet CELLULAR Personal Hair Stylist to Kim Basinger Director: David R. Ellis ELVIS HAS LEFT THE BUILDING Personal Hair Stylist to Kim Basinger Director: Joel Zwick UNDER THE TUSCAN SUN Personal Hair Stylist to Diane Lane Director: Audrey Wells THE MILTON AGENCY Candy L. Walken 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 [email protected] www.miltonagency.com Page 1 of 3 SUSPECT ZERO Department Head Director: Elias Merhige Cast: Aaron -
COMMUNITY PROGRAMS JANUARY 2020 All Programs Are Open to the Public at No Charge, Unless Otherwise Noted
9 READING BOULEVARD WYOMISSING, PA 19610 610-374-2385 www.wyopublib.org COMMUNITY PROGRAMS JANUARY 2020 All programs are open to the public at no charge, unless otherwise noted. WED., 1/1 NEW YEAR’S DAY—The library will be closed all day. Happy New Year to you and yours! THURS., 1/2 ****6 PM—YOGA FOR EVERYONE—Unwind your body and your mind with Vinyassa yoga, led by Instructor Amy Sharkey. $12/class or 10 classes for $100. ****every Thursday MON., 1/6 6 PM—MONDAY NIGHT AT THE MOVIES—”ECHO IN THE CANYON” - A documentary about the roots of the music scene in California, featuring the music of The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas. Rated PG-13; 82 minutes WED., 1/8 ***11:30 AM—Meet new friends, sharpen your mind and join in the fun of MAH JONGG, the ancient Chinese tile game. ***every Wednesday WED., 1/15 6 PM—WPL BOOK CLUB—This month’s selection is CLIMATE OF HOPE: HOW CITIES, BUSINESSES & CITIZENS CAN SAVE THE PLANET, by Michael Bloomberg and Carl Pope. If you’ve read the book, come to the library and join the discussion. SAT., 1/18 1 PM—THE 1619 PROJECT—The Berks InterCultural Alliance hosts a discussion of the landmark study by The New York Times and the Pulitzer Organizaion about the arrival of the first slaves in the Colony of Virginia in 1619, and what that has meant to every aspect of the history of this country. John Morgan, President of BICA, will be the moderator. -
The B-52'S Mesopotamia Mp3, Flac, Wma
The B-52's Mesopotamia mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Mesopotamia Country: Europe Style: New Wave, Synth-pop MP3 version RAR size: 1460 mb FLAC version RAR size: 1982 mb WMA version RAR size: 1883 mb Rating: 4.9 Votes: 227 Other Formats: VQF WAV MP4 MPC VOX AUD DMF Tracklist Hide Credits Loveland A1 8:33 Written-By – C. Wilson*, F. Schneider*, K. Strickland*, R. Wilson* Deep Sleep A2 3:30 Written-By – K. Pierson*, K. Strickland*, R. Waldrop* Mesopotamia A3 3:50 Written-By – C. Wilson*, F. Schneider*, K. Strickland*, R. Wilson* Cake B1 7:45 Written-By – C. Wilson*, K. Pierson*, K. Strickland*, R. Wilson* Throw That Beat In The Garbage Can B2 5:46 Written-By – F. Schneider*, K. Strickland*, R. Wilson* Nip It In The Bud B3 3:31 Written-By – C. Wilson*, K. Strickland*, R. Wilson* Companies, etc. Record Company – Ariola Eurodisc GmbH Distributed By – Ariola Group Of Companies Phonographic Copyright (p) – Island Records Inc. Phonographic Copyright (p) – Warner Bros. Records Copyright (c) – Warner Bros. Records Recorded At – Blank Tape Studios Mastered At – Sterling Sound Pressed By – Sonopress Printed By – Mohndruck Graphische Betriebe GmbH Credits Accordion – Charles Rocket Art Direction, Design – Simon Levy Coordinator [Coordination] – Gloria-Veronica Robinson* Crew [Live Sound Engineer] – Mo Slotin Crew [Monitors] – Lyle Chernoff Crew [Roadie] – Keith Bennett Drums – Yogi Horton Engineer – Butch Jones Guitar, Keyboards, Bass, Organ – Ricky Wilson Illustration – Desiree Rohr Keyboards, Bass, Drums, Organ, Piano, Marimba, Guitar – Keith Strickland Management – Gary Kurfirst Mastered By – Greg Calbi Percussion – Steve Scales Producer, Bass [Fretless], Synthesizer, Guitar, Percussion – David Byrne Saxophone – Ralph Carney, Roberto Arron Trumpet – David Buck Vocals – Cindy Wilson, Fred Schneider Vocals, Keyboards, Bass, Organ, Performer [Bird Calls] – Kate Pierson Notes On this edition, there's no barcode, and there are several defining features are visible on the center labels: 1. -
THESIS Gender and Sexuality in Hard Rock
GGeennddeerr aanndd SSeexxuuaalliittyy iinn HHaarrdd RRoocckk aanndd iittss SSuubb GGeennrreess An analysis of image, queerness and the femme fatale idea in glam, sleaze, hair metal and related genres Vanessa Floréal Promoter: Prof. Dr. Gert Buelens Master English 2009-2010 Ghent University The image above represents the much talked-of American hard rock band KISS in the company of their so beloved women. Acknowledgements I would like to show my gratitude to professor Gert Buelens for his interest in my subject matter, his suggestions and the very useful feedback that I have got over the last few months. Without his support this dissertation would not have been possible. I also want to thank Ruben De Baerdemaeker for sharing his thoughts on my ‘pretty glam boys’ and discussing Butler’s Gender Trouble with me. ‘Tack så mycket’ to Lisbeth Hellman for helping me out with Freudian and Lacanian theories. I also want to thank Bob Ruysschaert from the KULeuven and Aurora Van Hamme for their comments and advice . Many thanks also go to librarian Mario Floryn from the department of Art, Music and Theatre Sciences at the UGent. I want to thank my friends Sjar and Staffan for their support, and Jon for transcribing some song lyrics for me. Last but not least I thank Liz from Leaded Fuel and Autostrada Outlaws, G.A. Sinn from Cyanide 4, Lizzy from Lizzy Borden and all the guys from Frenchkiss for talking about their music with me. You guys rock hard! 2 Table of Contents: 0. Introduction 4 1. Gender and Normativity 8 a. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #17 www.razorcake.com It’s strange the things you learn about yourself when you travel, I took my second trip to go to the wedding of an old friend, andI the last two trips I took taught me a lot about why I spend so Tommy. Tommy and I have been hanging out together since we much time working on this toilet topper that you’re reading right were about four years old, and we’ve been listening to punk rock now. together since before a lot of Razorcake readers were born. Tommy The first trip was the Perpetual Motion Roadshow, an came to pick me up from jail when I got arrested for being a smart independent writers touring circuit that took me through seven ass. I dragged the best man out of Tommy’s wedding after the best cities in eight days. One of those cities was Cleveland. While I was man dropped his pants at the bar. Friendships like this don’t come there, I scammed my way into the Rock and Roll Hall of Fame. See, along every day. they let touring bands in for free, and I knew this, so I masqueraded Before the wedding, we had the obligatory bachelor party, as the drummer for the all-girl Canadian punk band Sophomore which led to the obligatory visit to the strip bar, which led to the Level Psychology. My facial hair didn’t give me away. Nor did my obligatory bachelor on stage, drunk and dancing with strippers.