DOCSLIB.ORG

Libero Colimberti CV5

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Libero Colimberti CV5 Libero Colimberti AMPS Boom Operator, London Represented by EXEC +44(0)1753 646677 +44(0)77760 87337 - www.liberocolimberti.com - [email protected] Spoken Languages English, Italian, French, Spanish and Portuguese - all fluent Untitled Christian Viola and Piano Feat. Katie Holmes, Jean Reno, Camargo Project LLC William Hurt, Allison Janney, Michael Feature film (ALEXA) Nyqvist, Mark Rylance Connecticut/New York City, NY Dir. Christian Camargo USA Sound Mixer Allison R. Jackson Prod. Juliet Rylance DoP Steve Cosens The Paradise BBC Feat. Sarah Lancashire, Elaine TV drama (ALEXA) Cassidy, Matthew McNulty Durham, UK Dir. David Drury (dailies/2nd unit) Sound Mixer Reg Mills Prod. Simon Lewis DoP Sam Smith Franny Franny the Movie Feat. Steve Howey, Frances Fisher, Feature film (RED) LLC Jen Ponton, Adam LeFevre Greenwood Lake/New York Dir. Ash Christian City, NY USA Sound Mixer Allison R. Jackson Prod. Jordan Yale Levin DoP Sam Chase Hairbrained Brains and Brains Feat. Brendan Fraser, Alex Wolff Feature film (ALEXA) inc Dir. Billy Kent New York City, NY USA Sound Mixer Allison R. Jackson Prod. Sarah Bird DoP Charles Libin Lost in Italy Lost in Italy Ltd Feat. Ray Winstone, Glen Murphy, Feature film (RED) Serena Iansiti Italy/UK Dir. Craig Viveiros Sound Mixer Danilo Romancino Prod. Glen Murphy DoP James Friend That’s What She Said Daisy 3 Pictures Feat. Anne Heche, Alia Shawkat Feature film (16mm) Dir. Carrie Preston New York City, NY USA Sound Mixer Allison R. Jackson Prod. Carrie Preston, Joshua Astrachan DoP William Klayer Quel che Resta Augustus Color Feat. Giancarlo Giannini, Franco Feature film (S16mm) Nero Rome, Italy Dir. Laszlo Barbo Sound Mixer Danilo Romancino Prod. Michelangelo Stancarone DoP Adolfo Troiani Sound Mixer Credits A Long Way From Home February Films/ Feat. James Fox, Brenda Fricker, Feature film (ALEXA) Superbe Films Natalie Dormer Nimes, France Dir. Virginia Gilbert Prod. Junyoung Jang DoP Ed Rutherford Human Beings Stink TV Dir. Jonathan Entwistle Short film (35mm) Sup. Sound Editor Anna Bertmark West Yorkshire, UK Prod. Charlie Kemball DoP Justin Brown Borrowed Time Film London/ Feat. Philip Davis, Warren Brown Feature film (S16mm) BBC Films/ Dir. Jules Bishop London Parkville Pictures Prod. Olivier Kaempfer DoP David Rom Me or the Dog February Films Feat. Edward Hogg, Martin Clunes Short film (RED) Dir. Abner Pastoll London Prod. Junyoung Jang DoP Kate Reid Thomas Tomboy Films/ Feat. Jay Simpson Short film (35mm) Working Title/ Dir. Alex Winckler Devon, UK Parkville Pictures Prod. Olivier Kaempfer DoP Jean-Louis Schuller The First Days of Spring Tomboy Films/ Feat. ‘Noah and the Whale’ Feature film (16mm) Parkville Pictures Dir. Charlie Fink London Prod. Olivier Kaempfer DoP Steve Annis April Erica Herbert Feat. Valene Kane, Howard Swinson Short film (HD) Dir. Erica Herbert London Prod. Ranita Charitkul DoP Neaw Rangsyawath Fanatic Little Us Films Feat. George Appleby, Aida Short film (35mm) Mussach Barcelona, Spain Dir. Paul Robinson Prod. Paul Robinson DoP Paul Robinson TV Collaborations include: RTE, ABC, VIVA, BBC, Reef TV, Stink TV, Lion TV, Channel 4, Large Blue TV, VCL Video Corporate and Commercial clients include: Park Village, UBM, Vice Magazine, Waitrose, the European Film Academy, Bupa, Diesel, 55DSL, the Weinstein Company, Tiger of Sweden, Granta Magazine, Comfort Ultra, the Mirror, Airbus, Tomboy Films Education and Certificates 2012 Masterclass ‘The Sound of the Image’ - European Film Academy - Berlin/Potsdam, Germany 2011 Lectures ‘The School of Sound’ - South Bank Centre - London 2009 Masterclass ‘Sound & Music Techniques for Narrative Filmmaking’ with Gustavo Costantini - the London Film School 2009 Masterclass 'Post Production Sound with Steve Haynes’ - the London Film School 2008 (MA) Master of Arts in Sound at the London College of Communication - University of the Arts London 2004 Diploma in Sound Engineering, at Scuola di Alto Perfezionamento Musicale - Saluzzo, Italy 2003 Diploma in Sound Engineering - Ass. Culturale ‘Alibi Club’ - Palermo, Italy Sound Kit • Schoeps CCM 41 microphone w/accessories. • Neumann Kmr82i long gun microphone w/accessories. • Lectrosonics IFBT4+R1a monitoring system with NP1 battery system. • 4x boompoles • Sony MDR 7506 headphones w/talkback feature. • Denecke TS-C digital timecode slate. • Ambient ACL 203 TC lockit box. • Rycote undercover and overcover radiomic wind shields. • Miscellaneous clamps, tapes, carpets, adapters, sound blankets, stands, suspensions, straps and tools. • Volksvagen Transporter 4 van with mini kit room and on-board repair station. References Reg Mills AMPS, Production Sound Mixer - Newcastle/London +44 (0)7831 214071 [email protected] Giancarlo Dellapina AMPS, Production Sound Mixer - London +44 (0)7785 572229 [email protected] Allison R. Jackson, Production Sound Mixer c/o Iatse Local 52 - New York City +1 347 873 2491 [email protected] .
Load more

Recommended publications
  • Desiring Dexter: the Pangs and Pleasures of Serial Killer Body Technique
    Desiring Dexter: The pangs and pleasures of serial killer body technique Author Green, Stephanie Published 2012 Journal Title Continuum DOI https://doi.org/10.1080/10304312.2012.698037 Copyright Statement © 2012 Taylor & Francis. This is an electronic version of an article published in Continuum, Volume 26, Issue 4, 2012, Pages 579-588. Continuum is available online at: http:// www.tandfonline.com with the open URL of your article. Downloaded from http://hdl.handle.net/10072/48836 Griffith Research Online https://research-repository.griffith.edu.au Desiring Dexter: the pangs and pleasures of serial killer body technique Stephanie Green1 School of Humanities, Griffith University, Gold Coast, Australia Abstract The television series Dexter uses the figure of appealing monstrosity to unfold troubled relationships between corporeality, spectatorship and desire. Through a plastic-wrapped display of body horror, lightly veiled by suburban romance, Dexter turns its audience on to the consuming sensations of blood, death and dismemberment while simultaneously alluding to its own narrative and ethical contradictions. The excitations of Dexter are thus encapsulated within a tension between form and content as ambivalent and eroticised desire; both for heroic transgression and narrative resolution. Arguably, however, it is Dexter’s execution of a carefully developed serial killer body technique which makes this series so compelling. Through an examination of Dexter and his plotted body moves, this paper explores the representations of intimacy and murderous identity in this contemporary example of domestic screen horror entertainment. Keywords: Dexter, body-technique, desire, crime television, horror 1 [email protected] Launched in 2006, the television drama series Dexter has been a ratings record- breaker for its network producers (Showtime, CBS 2007-2011).
    [Show full text]
  • 2010 16Th Annual SAG AWARDS
    CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Losing a Home Over a Trivial Debt Young and Old Property Owners Alike Said That He, Along with a D.C
    Vol. VI, No. XXXIX Thursday September 26, 2013 $1.00 Westchester’s Most Influential Weekly SHERIF AWAD To Their Posterity Welcoming Business Page 7 PEGGY GODFREY Carrington Arms Apt. to Bronxville Renovation Proceeds Page 8 RAYMOND IBRAHIM Latest Excuse to Kill Minorities Page 9 INTERNATIONAL By Mayor MARY C. MARVIN, Page 3 Syrian High Wire By BOB K. BOGEN Minimum Losing a Page 5 Wage is Not BOB PUTIGNANO The 34th Detroit the Issue Home Jazz Festival Page 10 By Prof. OREN LEVIN-WALDMAN, By LARRY M. ELKIN, Page 4 BOB WEIR Page 4 The Nature of Prejudice Page 14 WWW.WESTCHESTERGUARDIAN.COM Page 26 THE WESTCHESTER GUARDIAN THURSDAY, FEBRUARY 23, 2012 CLASSIFIED ADS LEGAL NOTICES Office Space Available- FAMILY COURT OF THE STATE OF NEW YORK Prime Location, Yorktown Heights COUNTY OF WESTCHESTER 1,000 Sq. Ft.: $1800. Contact Wilca: 914.632.1230 In the Matter of ORDER TO SHOW CAUSE SUMMONS AND INQUEST NOTICE Prime Retail - Westchester County Chelsea Thomas (d.o.b. 7/14/94), Best Location in Yorktown Heights A Child Under 21 Years of Age Dkt Nos. NN-10514/15/16-10/12C 1100 Sq. Ft. Store $3100; 1266 Sq. Ft. store $2800 and 450 Sq. Ft. Store $1200. Adjudicated to be Neglected by NN-2695/96-10/12B Suitable for any type of business. Contact Wilca: 914.632.1230 FU No.: 22303 Page 26 Tiffany Ray and Kenneth Thomas,THE WESTCHESTER GUARDIAN THURSDAY, FEBRUARY 23, 2012 Respondents. X HELP WANTED NOTICE: PLACEMENT OF YOUR CHILD IN FOSTER CARE MAY RESULT IN YOUR LOSS OF YOUR A non profit Performing Arts Center is seeking two job positions- 1) Direc- RIGHTS TO YOUR CHILD.
    [Show full text]
  • Author: Elisabete Lopes Affiliation: ULICES (University of Lisbon
    Author: Elisabete Lopes Affiliation: ULICES (University of Lisbon Centre for English Studies) / IPS (Polytechnic Institute of Setúbal) The Curious Case of Vanessa Ives: The Portrait of a Witch in Penny Dreadful “I see things sometimes. I am affected by forces beyond our world” (Miss Ives, “Ressurection”). Penny Dreadful as Vanessa’s Journey into the Demimonde Penny Dreadful (2014-2015)1 is a TV show written and created by John Logan that takes the viewers to the Victorian London and revisits some epistolary Gothic literary works, bringing back to life characters such as the charismatic Dracula, Dr. Victor Frankenstein or Dorian Gray. Although remarkably influenced by the plots of these and other Gothic novels of the epoch, it is Bram Stoker’s Dracula that stands out as being the fundamental spinal cord of this reanimated literary and visually outstanding visual narrative. Indeed, capturing the sensational thrills provided by the penny dreadful cheaply sold in the streets at that period, the show is also enriched by the superb quality inherent in the characters’ dialogues and sublimely tainted with blood, gore and supernatural horrors. Emerging from this Gothic narrative’s mist, is the slender figure of Miss Vanessa Ives (Eva Green), the protagonist of the show and one of the characters that John Logan creatively crafted. Emanating strangeness and being the owner of a profound gaze, she is liable to stand out amidst the crowd due to a dress code that verges on steam punk, elegance and lady-like manners. On the other hand, the intricacies of her intellect, her preternatural talents and the aura of mystery that surrounds her like a transparent veil, lend her an enigmatic nature.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • Press Release Wednesday 18 January 2017 Royal Court
    PRESS RELEASE WEDNESDAY 18 JANUARY 2017 ROYAL COURT THEATRE CASTING ANNOUNCEMENT: THE KID STAYS IN THE PICTURE Thomas Arnold, Heather Burns, Christian Camargo, Max Casella, Clint Dyer, Danny Huston, Ajay Naidu and Madeleine Potter cast in The Kid Stays in the Picture based on the life story of legendary Hollywood producer Robert Evans directed by Simon McBurney. Patrick Milling Smith, Barbara Broccoli, Michael G Wilson, Brian Carmody and the Royal Court Theatre in association with Complicite announce that Thomas Arnold, Heather Burns, Christian Camargo, Max Casella, Clint Dyer, Danny Huston, Ajay Naidu and Madeleine Potter have been cast in new play The Kid Stays in the Picture which is based on the life of Robert Evans adapted from his memoir. It runs in the Royal Court Jerwood Theatre Downstairs from Saturday 11 March 2017 – Saturday 8 April 2017 with press invited from Monday 20 March and the embargo lifted from Thursday 23rd 11.59pm. Directed by Simon McBurney and adapted by Simon McBurney and James Yeatman. Co- Director James Yeatman with set design by Anna Fleischle, costume design by Christina Cunningham, video design by Simon Wainwright, lighting design by Paul Anderson and sound design by Pete Malkin. "There are three sides to every story: my side, your side, and the truth. And no one is lying. Memories shared serve each one differently." In the 1960s and 70s, Robert Evans became one of the most powerful figures in Hollywood. He saved Paramount Pictures from collapse and produced films including The Godfather and Chinatown. By the 1980s he was broke, with his personal and professional life spiralling at epic proportions.
    [Show full text]
  • CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake
    CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) MEJOR ACTRIZ SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) MEJOR ACTOR DE REPARTO MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey - "THE LOVELY BONES" (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MEJOR ACTRIZ DE REPARTO PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MEJOR ELENCO AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. J.T.
    [Show full text]
  • Penny Dreadful's Queer Orientalism
    humanities Article Penny Dreadful’s Queer Orientalism: The Translations of Ferdinand Lyle Jamil Mustafa Department of English Studies, Lewis University, Romeoville, IL 60446, USA; [email protected] Received: 8 August 2020; Accepted: 3 September 2020; Published: 9 September 2020 Abstract: Cultural expressions of Orientalism, the Gothic, and the queer are rarely studied together, though they share uncanny features including spectrality, doubling, and the return of the repressed. An ideal means of investigating these common aspects is neo-Victorian translation, which is likewise uncanny. The neo-Victorian Gothic cable television series Penny Dreadful, set mostly in fin-de-siècle London, employs the character Ferdinand Lyle, a closeted queer Egyptologist and linguist, to depict translation as both interpretation and transformation, thereby simultaneously replicating and challenging late-Victorian attitudes toward queerness and Orientalism. Keywords: Gothic; neo-Victorianism; Orientalism; Penny Dreadful; queerness; the uncanny 1. Queerness, Orientalism, and the Gothic in Penny Dreadful Orientalism, neo-Victorianism, the Gothic, the queer, and the uncanny coalesce in Penny Dreadful (2014–2016), a cable television series set mostly in 1891 and 1892 London whose title references the nineteenth-century “penny dreadfuls,” mass-market, one-penny serials that featured mysterious tales of “violence, torture, blood and gore” (Killeen 2012, p. 46). This title, which portrays Penny Dreadful as a contemporary intermedial adaptation of cheap Victorian
    [Show full text]
  • Private Romeo Movie
    Title: PRIVATE ROMEO (feature film, 98mins) Writer/Director: Alan Brown Based on William Shakespeare’s Romeo and Juliet When eight cadets are left behind at an isolated military high school, the greatest romantic drama ever written seeps out of the classroom and permeates their lives. Incorporating the original text of Romeo and Juliet, YouTube videos, and lip-synced indie rock music, Private Romeo takes us to a mysterious and tender place that only Shakespeare could have inspired. Cast: Seth Numrich, Matt Doyle, Hale Appleman, Chris Bresky, Sean Hudock, Adam Barrie, Bobby Moreno, and Charlie Barnett Distributors View the trailer: www.youtube.com/user/privateromeomovie Visit the website for updated news, background: www.privateromeothemovie.com/ http://www.facebook.com/pages/Private-Romeo/123162147748863 http://twitter.com/privateromeo The soundtrack features songs from the indie-rock group Bishop Allen. Listen for their hit songs, The Magpie and Busted Heart. Private Romeo is Alan’s fourth film. His first, the half-hour narrative O Beautiful (Strand Releasing, Boys Life 4), won the Future Filmmaker Award at the 2002 Palm Springs International Short Film Festival, and was an official selection of the 2003 Sundance Film Festival. It was singled out by critics as “a rare piece of film making.” His feature debut, Book of Love (Sundance Channel Home Entertainment) which stars Simon Baker, Frances O’Connor, and Bryce Dallas Howard, was praised for its “creepy eroticism and sly intelligence” and for being “a movie that feels about as real as it’s possible to be.” It was nominated for a Grand Jury Prize at the 2004 Sundance Film Festival.
    [Show full text]
  • The Performance of Gender with Particular Reference to the Plays Of
    The Performance of Gender with particular reference to the plays of Shakespeare A thesis submitted to Middlesex University in partial fulfilment of the requirements for the degree of Doctor of Philosophy Luke Dixon School of Drama and Theatre Arts Middlesex University April 1998 MX 7309012 3 IIIýýWII IIIIIXVýýýwýýllllýý ABSTRACT An analytical history of the representation of gender on the English stage from Shakespeare to modern times is followed by a detailed examination of the National Theatre of Great Britain's production of `As You Like It' in 1967, the first production of a play by Shakespeare for over three hundred years in which the female parts were played by male actors. Subsequent cross-cast productions of Shakespeare's plays by Glasgow Citizen's Theatre, Prospect theatre Company, Lindsay Kemp, Theatre du Soleil and Goodman Theatre Chicago are discussed and the views of directors and critics of those productions analysed. The thesis then presents the results of a series of workshops with actors into the playing of gender and examines, by means of an experiment employing Gender Schema Theory, how actors construct gender in a production of `Twelfth Night'. The final part of the thesis describes a controlled experiment into audience perception of gender using a scene from `Hamlet'. Theories are presented about the nature of the performance of gender on stage and the use of theatrical conventions, the relationship between social conventions and stage conventions, about the way in which an actor builds a character, the influence of biological sex on actors' creativity, and about audience perception. TABLE OF CONTENTS Chapter I Contexts, methodology, terminology.
    [Show full text]
  • Christian Camargo Ironbound
    Media Contact: Ashley Bodul, Geffen Playhouse [email protected] 310.966.2405 FOR IMMEDIATE RELEASE CHRISTIAN CAMARGO JOINS THE CAST OF “IRONBOUND” PREVIEWS BEGIN JANUARY 30; OPENING NIGHT IS FEBRUARY 7 LOS ANGELES (January 9, 2018) – The Geffen Playhouse today announced that Christian Camargo (Penny Dreadful, The Hurt Locker) has joined its West Coast Premiere of Martyna Majok’s Ironbound, directed by Tyne Rafaeli (Actually). Camargo will play Tommy alongside Tony Award nominee Marin Ireland (Broadway’s reasons to be pretty, Amazon’s Sneaky Pete) as Darja and Josiah Bania (The Good Wife) as Maks, both of whom are reprising their Off- Broadway roles in the Geffen production, and Marcel Spears (The Mayor) as Vic. Previews for Ironbound begin Tuesday, January 30, 2018 in the Gil Cates Theater at the Geffen Playhouse, with opening night on Wednesday, February 7. The production closes Sunday, March 4, 2018. At once humorous and heartrending, Ironbound spans 22 years to tell the story of Darja, a Polish immigrant getting by on a cleaning job, aggressive pragmatism and sheer will. In this wry drama, award-winning playwright Martyna Majok points out that sometimes survival is the only measure of success. Ironbound had its world premiere at the Round House Theatre as part of the Women’s Voices Theater Festival in September 2015. Nelson Pressley of The Washington Post said, “Majok writes with such energy and charisma that the play’s four characters feel vivid and real.” Majok’s script was awarded the National New Play Network Smith Prize and the David Calicchio Emerging American Playwright Prize.
    [Show full text]