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A 040909 Breeze Thursday
Post Comments, share Views, read Blogs on CaPe-Coral-daily-Breeze.Com Inside today’s SER VING CAPE C ORA L, PINE ISLAND & N. FT. MYERS Breeze APE ORAL RR eal C C l E s MARKETER state Your complete Cape Coral, Lee County 5 Be edroo Acce om Sa real estate guide ess Ho ailboa N om at OR m t TH E e DI e TI ! AP ON ! RI ! L 23, 2 2009 COVER AILY REEZE PRESENTED B D B See Page Y WONDERLAND REA 9 LTY WEATHER: Partly Sunny • Tonight: Clear • Saturday: Partly Sunny — 2A cape-coral-daily-breeze.com Vol. 48, No. 95 Friday, April 24, 2009 50 cents Home prices down, sales up in metro area for March Florida association releases its report “The buyers are going after the foreclosures.” — Paula Hellenbrand, president of the By GRAY ROHRER area fell to $88,500, the lowest of Foreclosures are again the main Cape Coral Association of Realtors [email protected] all the 20 Florida metro areas con- culprit for decreased home prices, A report released Thursday by tained in the report. The number but they are also the reason home the Florida Association of Realtors reflects a 9 percent decrease from sales are increasing. California-based company that gath- Hellenbrand said the sales activi- told a familiar story for the local February and a 58 percent drop “The buyers are going after the ers foreclosure data, the Cape Coral- ty is greater in Cape Coral than in housing market — home prices are from March 2008. foreclosures,” said Paula Fort Myers metro area had the Fort Myers because there was a down, but sales are up, way up. -
Rachel Prusko
Becoming Youth: Coming of Age in Shakespeare and Marlowe by Rachel Prusko A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies University of Alberta © Rachel Prusko, 2014 Abstract While studies in Renaissance childhoods, literary and historical, are becoming more prominent, this work has failed to distinguish between children and adolescents, leaving youth, as such, largely unexamined. My project attends not to the children of early modern drama, but to post-pubescent characters in their teen years, and argues that many plays literalize the ‘re-naissance’ of teenagers (‘adolescents’ or ‘youths’ in early modern England), reimagining what it meant to be young during a period when discourses surrounding youth were already clearly, yet crudely, defined. This thesis is a historicized analysis of young characters in several plays: Marlowe’s Edward II, and Shakespeare’s The Merry Wives of Windsor, Henry IV, Part 1, Henry IV, Part 2, Henry V, Romeo and Juliet, Pericles, The Winter’s Tale, and The Tempest. I argue that these plays intervene in the standard definitions so frequently applied to teenagers during the early modern period. The perception, on the one hand, of youthful behavior as violent, reckless, and rash was commonplace: Protestant preachers and moralists of the day insisted that young people were naturally prone to sin, rebelliousness, and unruly behavior, and so required strict regulation. On the other hand, optimistic portrayals of youth abounded as well: the age of youth was associated with hope and beauty as often as it was with folly and sin. -
On the Purple Circuit with Bill Kaiser Volume 8, Number 1 the MANBITES DOG THEATER ISSUE
On The Purple Circuit With Bill Kaiser Volume 8, Number 1 THE MANBITES DOG THEATER ISSUE The 9th Annual AIDS Theater Festival will be held during the 11th WELCOME TO ON THE PURPLE CIRCUIT! National HIV/AIDS Update Conference in San Francisco Mar 23- 26,1999.In addition the 6th Latino/a AIDS Theater Festival will take Welcome to the first issue of our 8th year of On The Purple Circuit. It place at the same time. Congratulations to the participants and to has been my honor and pleasure to report on the phenomenon of the man that has made it all happen, AD Hank Tavera! For info on Gay, Lesbian, Queer, Bi and Trans theatre, and performance to you events call 415-554-8436 or fax 415-554-8444. from across the US and around the world. It seems strange to me that while so many pundits and Gay playwrights who have made it in I am very concerned about the Bruce Mirkin case that many of you the mainstream say there is no such thing or that it is past (or is it may have read about in The Village Voice or elsewhere. Bruce is a post) that more is happening than ever before! San Francisco journalist who has worked on issues of importance to our community for a long time including that of Gay youth. He I am dedicating this issue to Manbites Dog Theater in Durham, North communicated online with a supposedly Gay teenager and set up a Carolina. I am so proud of these folks in Jesse Helms backyard who meeting to investigate the story when he stumbled into a produce great works of art and succeed at it! They have just opened Sacramento police sting operation. -
Three Forms of Death in David Rabe's the Basic Training of Pavlo
The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Spring 5-2019 Three Forms of Death in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones Sloan Garner University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Dramatic Literature, Criticism and Theory Commons Recommended Citation Garner, Sloan, "Three Forms of Death in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones" (2019). Honors Theses. 625. https://aquila.usm.edu/honors_theses/625 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi Three Forms of Death in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones By Sloan Garner A Thesis Submitted to the Honors College of The University of Southern Mississippi In Partial Fulfillment of Honors Requirements May 2019 ii Approved by Alexandra Valint, Ph.D., Thesis Advisor Associate Professor of English, Director of Graduate Studies Luis Iglesias, Ph.D. Interim Director of School of Humanities Stacy Reischman Fletcher, M.F.A. Director of School of Visual and Performing Arts Ellen Weinauer, Ph.D. Dean of Honors College iii Abstract In this thesis, I argue there are three main forms of death that progress chronologically in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones. -
Spring 2020 Issue
A Publication for Members and Friends of MHAOhio Spring 2020 Kenton Beachy, Executive Director Maureen Traverse, Editor Racism Is a Mental HealthAdvocate Issue by Maureen Traverse Racism is a mental health issue. Repeated experiences of racism, whether direct or vicarious, may lead to racial trauma or race-based traumatic stress, and research shows that trauma impacts both mental and physical wellbeing. Symptoms of race-based trauma can look like those of post-traumatic stress disorder – recurring thoughts of the experience, anger, depression, headaches, chest pains, insomnia – but race-based trauma is not considered a mental health disorder. It is a mental injury caused by living within a racist system or experiencing racist events. Racism is pervasive in the United States, and it takes many forms, from overt expressions of racism like slurs and racial violence to subtler but equally harmful microaggressions like assumptions about education or interests based on race, failing to use a person’s preferred who are white…BIPOC are less likely to have access to name, or claiming that someone talks too much about mental health services, less likely to seek out services, race. At the systemic level, racism takes the form of less likely to receive needed care, more likely to receive voter suppression, income and housing disparities, mass poor quality of care, and more likely to end services incarceration, and aggressive policing of BIPOC (Black, prematurely.” Multiple factors contribute to these Indigenous, people of color) communities. disparities, but distrust of a mental health system that has long misdiagnosed and even abused BIPOC is a part of Vicarious trauma still impacts mental health, and trauma the problem. -
Kellie Martin and Chad Lowe Are Reunited
KELLIE MARTIN AND CHAD LOWE ARE REUNITED FROM ‘LIFE GOES ON’ TO STAR TOGETHER IN ‘HAILEY DEAN MYSTERY: 2+2=MURDER,’ FROM EXECUTIVE PRODUCER NANCY GRACE PREMIERES JUNE 3 ON HALLMARK MOVIES & MYSTERIES Based on characters from New York Times Bestselling Books by Nancy Grace STUDIO CITY, CA – When a teacher goes missing under suspicious circumstances, fan- favorite sleuth Hailey Dean returns in “Hailey Dean Mystery: 2+2=Murder,” premiering Sunday June 3 (7 p.m. ET/PT) on Hallmark Movies & Mysteries. Emmy® nominee Kellie Martin (“Life Goes On,” “ER”) reprises her role as Hailey Dean, and is reunited with guest star Chad Lowe (“Life Goes On,” “Pretty Little Liars”) in this fourth installment of the mystery movie franchise based on characters from Nancy Grace’s New York Times best-selling book series. “Hailey Dean Mystery: 2+2=Murder” is the first of a limited series event of three movies airing back-to-back Sunday nights in June. When a teacher goes missing at her niece’s school, Hailey Dean (Martin) is on the case. With the help of detectives Danny Morgan (Baessato) and Fincher Garland (Leacock), she investigates the mysterious disappearance, which ultimately leads to the discovery of two dead bodies on the construction site owned by her former college friend, Clyde Bennett (Lowe). Suspicious of Clyde, staff at her niece’s school, and the murdered teacher’s ex-boyfriend, Hailey puts her safety on the line to uncover the incriminating secret this brave teacher planned to reveal before her death with hopes of tracking down the killer. With multiple suspects under investigation, Hailey must use her skills to solve the murders. -
Desiring Dexter: the Pangs and Pleasures of Serial Killer Body Technique
Desiring Dexter: The pangs and pleasures of serial killer body technique Author Green, Stephanie Published 2012 Journal Title Continuum DOI https://doi.org/10.1080/10304312.2012.698037 Copyright Statement © 2012 Taylor & Francis. This is an electronic version of an article published in Continuum, Volume 26, Issue 4, 2012, Pages 579-588. Continuum is available online at: http:// www.tandfonline.com with the open URL of your article. Downloaded from http://hdl.handle.net/10072/48836 Griffith Research Online https://research-repository.griffith.edu.au Desiring Dexter: the pangs and pleasures of serial killer body technique Stephanie Green1 School of Humanities, Griffith University, Gold Coast, Australia Abstract The television series Dexter uses the figure of appealing monstrosity to unfold troubled relationships between corporeality, spectatorship and desire. Through a plastic-wrapped display of body horror, lightly veiled by suburban romance, Dexter turns its audience on to the consuming sensations of blood, death and dismemberment while simultaneously alluding to its own narrative and ethical contradictions. The excitations of Dexter are thus encapsulated within a tension between form and content as ambivalent and eroticised desire; both for heroic transgression and narrative resolution. Arguably, however, it is Dexter’s execution of a carefully developed serial killer body technique which makes this series so compelling. Through an examination of Dexter and his plotted body moves, this paper explores the representations of intimacy and murderous identity in this contemporary example of domestic screen horror entertainment. Keywords: Dexter, body-technique, desire, crime television, horror 1 [email protected] Launched in 2006, the television drama series Dexter has been a ratings record- breaker for its network producers (Showtime, CBS 2007-2011). -
2010 16Th Annual SAG AWARDS
CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Gender and Sexuality in Adaptations of Shakespeare Organizer: Deanne Williams, York University
SAA Seminar: Gender and Sexuality in Adaptations of Shakespeare Organizer: Deanne Williams, York University. 1. The Fiendlike Queen: Recuperating the Feminine in Modern Adaptations of Macbeth William C. Carroll Boston University Terry Eagleton’s notorious comment – “To any unprejudiced reader – which would seem to exclude Shakespeare himself, his contemporary audiences and almost all literary critics – it is surely clear that positive value in Macbeth lies with the three witches. The witches are the heroines of the piece, however little the play itself recognizes the fact” (William Shakespeare, p. 2) – is just one of many attempts in recent decades to recast the witches in a more positive light, an effort that has had considerable success. Lady Macbeth has proven to be a harder case to rehabilitate, at least on the stage (as seen recently in Kate Fleetwood’s harrowing depiction with Patrick Stewart in Rupert Goold’s version). In adaptations of the past century, however, especially those written by women and those for younger readers, a very different picture of the “fiend-like queen” has emerged. These representations move far away from earlier texts in which “Lady Macbeth” is little more than a synonym for a murderous woman. Several recent works instead seek explanation or rationale for her participation in Duncan’s murder through reference to her earlier marriage and son by that marriage (both suppressed in Shakespeare’s play), to her situation as a woman in a culture of Celtic masculinity, and even to a supposed daughter (Klein) with whom Lady Macbeth (not dead in this version!) is ultimately reunited. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Russian Doll Netflix Release Date
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