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JOLIAN BLEVINS PRODUCER FEATURES BRITTANY RUNS A MARATHON Picture Films Prod: Margot Hand, Matthew Plouffe Dir: Paul Downs Colaizzo (Co-Producer) Tobey Maguire *Official Selection – Sundance Film Festival, 2019 LATE NIGHT (Production Supervisor) Fox 2000 Prod: Eli Bush, Michael Cerenzie, Gino Falsetto Dir: Nisha Ganatra *Official Selection – Sundance Film Festival, 2019 THE CHAPERONE (Co-Producer/ UPM) Anonymous Content/PBS Prod: Nic Izzi, Kelly Carmichael, Rose Ganguzza Dir: Michael Engler LIFE ITSELF FilmNation Entertainment/ Prod: Marty Bowen, Wyck Godfrey Dir: Dan Fogelman (Production Supervisor) Temple Hill Entertainment Isaac Klausner, Aaron Ryder, Ben Smith *Official Selection – Toronto Film Festival, 2018 SIDNEY HALL (Co-Producer) Super Crispy Films Prod: Jonathan Schwartz, Fielder Jewett Dir: Shawn Christensen BUSHWICK (Line Producer) Bullet Pictures/XYZ Films Prod: Adam Folk, Nate Bolotin Dir: Jonathan Milott Cary Murnion ALL WE HAD (Line Producer) Tribeca Productions Prod: Jane Rosenthal, Berry Welsh Dir: Katie Holmes Katie Mustard BORDER CROSSING The Film Community Prod: Jamin O’Brien, Daniel Blanc Dir: Bette Gordon (Line Producer) CHRONICALLY METROPOLITAN The Film Community Prod: Jamin O’Brien, Daniel Blanc Dir: Xavier Manrique (Line Producer) HELLO, MY NAME IS DORIS Red Crown Productions/ Prod: Daniela Taplin Lundberg, Riva Marker Dir: Michael Showalter (Line Producer) Haven Entertainment Jordana Mollick, Kevin Mann THE PREPPIE CONNECTION Bullet Pictures Prod: Adam Folk, Eric Schultz, Billy Raftery Dir: Joseph Castelo (Line Producer) Charlie Bunting BEIJING, NEW YORK (UPM) The Film Community Prod: Jamin O’Brien, Robert Ogden Barnum Dir: Rain Li GOD’S POCKET (UPM) Park Pictures Prod: Sam Bisbee, Jackie Kelman Dir: John Slattery Lance Acord INFINITELY POLAR BEAR (UPM) Paper Street Films Prod: Benji Kohn, Bingo Gubelman Dir: Maya Forbes Sam Bisbee TWO NIGHT STAND (UPM) Flynn Picture Co. Prod: Beau Flynn, Ruben Fleischer Dir: Max Nichols DAYS AND NIGHTS Viola and Piano LLC Prod: Barbara Romer, Juliet Rylanc Dir: Christian Camargo (Production Supervisor) TELEVISION GOD FRIENDED ME (Season 1) Warner Bros/CBS Prod: Bryan Wynbrandt, Steven Lilien Dir: Various (UPM) Marcos Siega, Joe Zolfo MURDER (Pilot) (UPM) Warner Bros/CBS Prod: Dan Lin, Lindsey Liberatore, Joe Zolfo Dir: Anthony Hemingway THE JINX: THE LIFE AND DEATHS HBO Prod: Andrew Jarecki, Marc Smerling Dir: Andrew Jarecki OF ROBERT DURST (Line Producer) UNDER MILK WOOD Belladonna Productions/BBC Prod: Rene Bastian Dir: Jim Mickle (Production Manager) THE KELLY CUTRONE PROJECT Picture This TV/MTV Prod: Lisa Tucker, Jerry Kolber (Production Manager) COMMERCIALS/PROMOS Samsung, Fox, TVGN, Google, Bloomingdale’s, Chobani, Investigation Discovery, Showtime, Collective Media, Oppenheimer Funds 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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Teacher Notes
Media Series - TV Teacher Notes Television in the Global Age Teachers’ Notes The resources are intended to support teachers delivering on the new AS and A level specifications. They have been created based on the assumption that many teachers will already have some experience of teaching Media Studies and therefore have been pitched at a level which takes this into consideration. Other resources are readily available which outline e.g. technical and visual codes and how to apply these. There is overlap between the different areas of the theoretical framework and the various contexts, and a “text-out” teaching structure may offer opportunities for a more holistic approach. Slides are adaptable to use with your students. Explanatory notes for teachers/suggestions for teaching are in the Teachers’ Notes. The resources are intended to offer guidance only and are by no means exhaustive. It is expected that teachers will subsequently research and use their own materials and teaching strategies within their delivery. Television as an industry has changed dramatically since its inception. Digital technologies and other external factors have led to changes in production, distribution, the increasingly global nature of television and the ways in which audiences consume texts. It is expected that students will require teacher-led delivery which outlines these changes, but the focus of delivery will differ dependent on texts chosen. THE JINX: The Life and Deaths of Robert Durst Episode Suggestions Episode 1 ‘The Body in the Bay’ is the ‘set’ text but you may also want to look at others, particularly Episode 6 with its “shocking” conclusion.
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The Look of Silence and Last Day of Freedom Take Top Honors at the 2015 IDA Documentary Association Awards
Amy Grey / Ashley Mariner Phone: 818-508-1000 Dish Communications [email protected] / [email protected] The Look of Silence and Last Day of Freedom Take Top Honors at the 2015 IDA Documentary Association Awards Best of Enemies, Listen to Me Marlon & HBO’s The Jinx Also Pick Up Awards LOS ANGELES, December 5, 2015 – Winners in the International Documentary Association’s 2015 IDA Documentary Awards were announced during tonight’s program at the Paramount Theatre, giving Joshua Oppenheimer’s THE LOOK OF SILENCE top honors with the Best Feature Award. This critically acclaimed, powerful companion piece to the Oscar®-nominated The Act of Killing, follows a family of survivors of the Indonesian genocide who discover how their son was murdered and the identities of the killers. Also announced in the ceremony was the Best Short Award, which honored LAST DAY OF FREEDOM, directed by Dee Hibbert-Jones and Nomi Talisman. The film is an animated account of Bill Babbitt’s decision to support and help his brother in the face of war, crime and capital execution. Grammy-nominated comedian Tig Notaro hosted the ceremony, which gathered the documentary community to honor the best nonfiction films and programming of 2015. IDA’s Career Achievement Award was presented to Gordon Quinn, Founder and Artistic Director of Kartemquin Films. He has produced, directed and/or been cinematographer on over 55 films across five decades. A longtime activist for public and community media, Quinn was integral to the creation of ITVS, public access television in Chicago; in developing the Documentary Filmmakers Statement of Best Practice in Fair Use; and in forming the Indie Caucus to support diverse independent voices on Public Television.
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Desiring Dexter: the Pangs and Pleasures of Serial Killer Body Technique
Desiring Dexter: The pangs and pleasures of serial killer body technique Author Green, Stephanie Published 2012 Journal Title Continuum DOI https://doi.org/10.1080/10304312.2012.698037 Copyright Statement © 2012 Taylor & Francis. This is an electronic version of an article published in Continuum, Volume 26, Issue 4, 2012, Pages 579-588. Continuum is available online at: http:// www.tandfonline.com with the open URL of your article. Downloaded from http://hdl.handle.net/10072/48836 Griffith Research Online https://research-repository.griffith.edu.au Desiring Dexter: the pangs and pleasures of serial killer body technique Stephanie Green1 School of Humanities, Griffith University, Gold Coast, Australia Abstract The television series Dexter uses the figure of appealing monstrosity to unfold troubled relationships between corporeality, spectatorship and desire. Through a plastic-wrapped display of body horror, lightly veiled by suburban romance, Dexter turns its audience on to the consuming sensations of blood, death and dismemberment while simultaneously alluding to its own narrative and ethical contradictions. The excitations of Dexter are thus encapsulated within a tension between form and content as ambivalent and eroticised desire; both for heroic transgression and narrative resolution. Arguably, however, it is Dexter’s execution of a carefully developed serial killer body technique which makes this series so compelling. Through an examination of Dexter and his plotted body moves, this paper explores the representations of intimacy and murderous identity in this contemporary example of domestic screen horror entertainment. Keywords: Dexter, body-technique, desire, crime television, horror 1 [email protected] Launched in 2006, the television drama series Dexter has been a ratings record- breaker for its network producers (Showtime, CBS 2007-2011).
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2010 16Th Annual SAG AWARDS
CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt.
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Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
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Losing a Home Over a Trivial Debt Young and Old Property Owners Alike Said That He, Along with a D.C
Vol. VI, No. XXXIX Thursday September 26, 2013 $1.00 Westchester’s Most Influential Weekly SHERIF AWAD To Their Posterity Welcoming Business Page 7 PEGGY GODFREY Carrington Arms Apt. to Bronxville Renovation Proceeds Page 8 RAYMOND IBRAHIM Latest Excuse to Kill Minorities Page 9 INTERNATIONAL By Mayor MARY C. MARVIN, Page 3 Syrian High Wire By BOB K. BOGEN Minimum Losing a Page 5 Wage is Not BOB PUTIGNANO The 34th Detroit the Issue Home Jazz Festival Page 10 By Prof. OREN LEVIN-WALDMAN, By LARRY M. ELKIN, Page 4 BOB WEIR Page 4 The Nature of Prejudice Page 14 WWW.WESTCHESTERGUARDIAN.COM Page 26 THE WESTCHESTER GUARDIAN THURSDAY, FEBRUARY 23, 2012 CLASSIFIED ADS LEGAL NOTICES Office Space Available- FAMILY COURT OF THE STATE OF NEW YORK Prime Location, Yorktown Heights COUNTY OF WESTCHESTER 1,000 Sq. Ft.: $1800. Contact Wilca: 914.632.1230 In the Matter of ORDER TO SHOW CAUSE SUMMONS AND INQUEST NOTICE Prime Retail - Westchester County Chelsea Thomas (d.o.b. 7/14/94), Best Location in Yorktown Heights A Child Under 21 Years of Age Dkt Nos. NN-10514/15/16-10/12C 1100 Sq. Ft. Store $3100; 1266 Sq. Ft. store $2800 and 450 Sq. Ft. Store $1200. Adjudicated to be Neglected by NN-2695/96-10/12B Suitable for any type of business. Contact Wilca: 914.632.1230 FU No.: 22303 Page 26 Tiffany Ray and Kenneth Thomas,THE WESTCHESTER GUARDIAN THURSDAY, FEBRUARY 23, 2012 Respondents. X HELP WANTED NOTICE: PLACEMENT OF YOUR CHILD IN FOSTER CARE MAY RESULT IN YOUR LOSS OF YOUR A non profit Performing Arts Center is seeking two job positions- 1) Direc- RIGHTS TO YOUR CHILD.
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Author: Elisabete Lopes Affiliation: ULICES (University of Lisbon
Author: Elisabete Lopes Affiliation: ULICES (University of Lisbon Centre for English Studies) / IPS (Polytechnic Institute of Setúbal) The Curious Case of Vanessa Ives: The Portrait of a Witch in Penny Dreadful “I see things sometimes. I am affected by forces beyond our world” (Miss Ives, “Ressurection”). Penny Dreadful as Vanessa’s Journey into the Demimonde Penny Dreadful (2014-2015)1 is a TV show written and created by John Logan that takes the viewers to the Victorian London and revisits some epistolary Gothic literary works, bringing back to life characters such as the charismatic Dracula, Dr. Victor Frankenstein or Dorian Gray. Although remarkably influenced by the plots of these and other Gothic novels of the epoch, it is Bram Stoker’s Dracula that stands out as being the fundamental spinal cord of this reanimated literary and visually outstanding visual narrative. Indeed, capturing the sensational thrills provided by the penny dreadful cheaply sold in the streets at that period, the show is also enriched by the superb quality inherent in the characters’ dialogues and sublimely tainted with blood, gore and supernatural horrors. Emerging from this Gothic narrative’s mist, is the slender figure of Miss Vanessa Ives (Eva Green), the protagonist of the show and one of the characters that John Logan creatively crafted. Emanating strangeness and being the owner of a profound gaze, she is liable to stand out amidst the crowd due to a dress code that verges on steam punk, elegance and lady-like manners. On the other hand, the intricacies of her intellect, her preternatural talents and the aura of mystery that surrounds her like a transparent veil, lend her an enigmatic nature.
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2010 Holiday Movie Guide - in Theaters November 28-December 4 - Movies - News - IFC.Com 11/29/10 11:17 AM
Page 7 - 2010 Holiday Movie Guide - In Theaters November 28-December 4 - Movies - News - IFC.com 11/29/10 11:17 AM IFC.com > News > Movies > 2010 Holiday Movie Guide - In Theaters November 28-December 4 > Page 7 KEEPIN' IT INDIE SINCE 1994 MOVIES | TV | MUSIC | GAMES SHARE Like permalink In theaters the week ending December 4 NATALIE PORTMAN IN "BLACK SWAN," FOX SEARCHLIGHT, 2010 "Black Swan" (IMDb, trailer, Facebook) The Cast: Natalie Portman, Vincent Cassel, Mila Kunis, Barbara Hershey, Winona Ryder Director: Darren Aronofsky Fest Cred: Venice, Telluride, Toronto, AFI The Gist: If Aronofsky's "The Wrestler" was an uplifting comeback story of a man trying to his best chase away his demons, "Black Swan" is the story of a young woman encouraged to embrace hers in the pursuit of perfection. Yet contrary to early comparisons to his last film, Aronofsky's latest is far more in line with "Requiem for a Dream" by way of Brian De Palma thrillers of the late '70s and early '80s, starring Portman as a strait-laced ballerina who vies for lead in the Lincoln Center's production of "Swan Lake" against a fun-loving newcomer (Kunis), but is suspected by the company's artistic director (Cassel) of not having the inherent danger and daring to play the Black Swan as well as the purer White. (Opens on December 1st.) "All Good Things" (IMDb) The Cast: Kirsten Dunst, Ryan Gosling, Kristen Wiig, Frank Langella, Diane Venora, Zoe Lister Jones, Trini Alvarado, Philip Baker Hall http://www.ifc.com/news/2010/10/2010-holiday-movie-guide-theaters.php?page=7 Page 1 of 3 Page 7 - 2010 Holiday Movie Guide - In Theaters November 28-December 4 - Movies - News - IFC.com 11/29/10 11:17 AM Director: Andrew Jarecki The Gist: Sometimes being the founder of Moviefone has its advantages as Jarecki was able to buy back the rights to his much anticipated narrative feature debut from the Weinstein Company over the summer and resettled with Magnolia Pictures after this murder mystery sat in completed form since 2008.
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Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
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Press Release Wednesday 18 January 2017 Royal Court
PRESS RELEASE WEDNESDAY 18 JANUARY 2017 ROYAL COURT THEATRE CASTING ANNOUNCEMENT: THE KID STAYS IN THE PICTURE Thomas Arnold, Heather Burns, Christian Camargo, Max Casella, Clint Dyer, Danny Huston, Ajay Naidu and Madeleine Potter cast in The Kid Stays in the Picture based on the life story of legendary Hollywood producer Robert Evans directed by Simon McBurney. Patrick Milling Smith, Barbara Broccoli, Michael G Wilson, Brian Carmody and the Royal Court Theatre in association with Complicite announce that Thomas Arnold, Heather Burns, Christian Camargo, Max Casella, Clint Dyer, Danny Huston, Ajay Naidu and Madeleine Potter have been cast in new play The Kid Stays in the Picture which is based on the life of Robert Evans adapted from his memoir. It runs in the Royal Court Jerwood Theatre Downstairs from Saturday 11 March 2017 – Saturday 8 April 2017 with press invited from Monday 20 March and the embargo lifted from Thursday 23rd 11.59pm. Directed by Simon McBurney and adapted by Simon McBurney and James Yeatman. Co- Director James Yeatman with set design by Anna Fleischle, costume design by Christina Cunningham, video design by Simon Wainwright, lighting design by Paul Anderson and sound design by Pete Malkin. "There are three sides to every story: my side, your side, and the truth. And no one is lying. Memories shared serve each one differently." In the 1960s and 70s, Robert Evans became one of the most powerful figures in Hollywood. He saved Paramount Pictures from collapse and produced films including The Godfather and Chinatown. By the 1980s he was broke, with his personal and professional life spiralling at epic proportions.
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The Jinx, the Imposter, and Re-Enacting the Digital Thriller in True Crime Documentaries
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-23-2017 "You want it all to happen now!": The inxJ , The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries Brett ichM ael Phillips University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Other Film and Media Studies Commons Scholar Commons Citation Phillips, Brett ichM ael, ""You want it all to happen now!": The inxJ , The mposI ter, and Re-enacting the Digital Thriller in True Crime Documentaries" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6743 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “You want it all to happen now!”: The Jinx, The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries by Brett Phillips A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Amy Rust, Ph.D. Maria Cizmic, Ph.D. Andrew Berish, Ph.D. Date of Approval: March 10, 2017 Keywords: True crime, Documentary, Digital, Thriller, Reenactment, Affect Copyright © 2017, Brett Phillips ACKNOWLEDGEMENTS First and foremost, thank you to Amy, Maria, and Andrew for not only helping me shape this thesis—with both tiny chisel and sledgehammer—but for guiding me through an entire discipline with kindness and understanding.
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Why Documentaries Matter Recognised As an Innovative Cultural Form
RISJ CHALLENGES CHALLENGES Documentaries have for many decades inhabited the schedules of public Why Documentaries Matter Why broadcasters. They have chronicled the lives and institutions of western democracies. In the past two decades, however, documentaries have become Why Documentaries Matter recognised as an innovative cultural form. Instead of being exclusively funded by television channels, documentaries receive money from a number of sources, including film funds, private investors and foundations. Rather than observing, documentaries are now thought capable of changing the world. Is this what they really do? How do we define a documentary? What does it mean to be the ‘author’ of a film? Nick Fraser has been editor of the BBC’s Storyville series since 1997; here he looks at the history of documentaries, showing how definitions of documentaries have changed – and how fragile is their funding. If we want good documentaries, he concludes, we have to find ways of encouraging their creators. “Nick Fraser writes about documentaries with unique authority. Not only has he made some good ’uns, he has commissioned more than practically anyone else on earth (for the BBC’s Storyville) and - as this book shows - he Nick Fraser has watched docs from their earliest days. His ideas on what the growth of the web and the decline of public service broadcasters mean for doc-makers are informed, imaginative and challenging.” Brian Lapping Chairman and Executive Producer, Brook Lapping “The rise of documentaries over the past two decades owes more to Nick Fraser than to any other single person. For so many of us who make non-fiction films, Nick’s peerless brand of tough love and mischievous curiosity have inspired us to aim higher as we try to promote greater understanding of the major events and issues of our time.” Eugene Jarecki Documentary film maker “This expert lament is beautifully written.
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