Are the Lords Listening? Creating Connections Between People and Parliament
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The First Major Exhibition of Stage Designs by Celebrated Cartoonist Gerald Scarfe
Gerald Scarfe: Stage and Screen At House of Illustration’s Main Gallery 22 September 2017 – 21 January 2018 The first major exhibition of stage designs by celebrated cartoonist Gerald Scarfe “I always want to bring my creations to life – to bring them off the page and give them flesh and blood, movement and drama.” – Gerald Scarfe "There is more to him than journalism... his elegantly grotesque, ferocious style remains instantly recognisable" – Evening Standard feature 20/09/17 Critics Choice – Financial Times 16/09/17 On 22 September 2017 House of Illustration opened the first major show of Gerald Scarfe’s striking production designs for theatre, rock, opera, ballet and film, many of which are being publicly exhibited for the very first time. Gerald Scarfe is the UK’s most celebrated political cartoonist; his 50-year-long career at The Sunday Times revealed an imagination that is acerbic, explosive and unmistakable. But less well known is Scarfe’s lifelong contribution to the performing arts and his hugely significant work beyond the page, designing some of the most high-profile productions of the last 30 years. This exhibition is the first to explore Scarfe’s extraordinary work for stage and screen. It features over 100 works including preliminary sketches, storyboards, set designs, photographs, ephemera and costumes from productions including Orpheus in the Underworld at English National Opera, The Nutcracker by English National Ballet and Los Angeles Opera’s The Magic Flute. It also shows his 1994 work as the only ever external Production Designer for Disney, for their feature film Hercules, as well as his concept, character and animation designs for Pink Floyd’s 1982 film adaptation of The Wall. -
FACE to FACE Gallery News Issue No
P FACE TO FACE Gallery News Issue no. 6 Autumn 2003 Writing in this issue: Julian Fellowes, Bruce Oldfield and Gerald Scarfe FROM THE DIRECTOR The autumn exhibition Below Stairs: 400 Years of Servants’ Portraits offers an unusual opportunity to see fascinating images of those who usually remain invisible. The exhibition offers intriguing stories of the particular individuals at the centre of great houses, colleges or business institutions and reveals the admiration and affection that caused the commissioning of a portrait or photograph. We are also celebrating the completion of the new scheme for Trafalgar Square with the young people’s education project and exhibition, Circling the Square, which features photographs that record the moments when the Square has acted as a touchstone in history – politicians, activists, philosophers and film stars have all been photographed in the Square. Photographic portraits also feature in the DJs display in the Bookshop Gallery, the Terry O’Neill display in the Balcony Gallery and the Schweppes Photographic Portrait Prize launched in November in the Porter Gallery. Gerald Scarfe’s rather particular view of the men and women selected for the Portrait Gallery is published at the end of September. Heroes & Villains, is a light hearted and occasionally outrageous view of those who have made history, from Elizabeth I and Oliver Cromwell to Delia Smith and George Best. The Gallery is very grateful for the support of all of its Patrons and Members – please do encourage others to become Members and enjoy an association with us, or consider becoming a Patron, giving significant extra help to the Gallery’s work and joining a special circle of supporters. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Summary of U.S. Foreign Intelligence Surveillance Law, Practice, Remedies, and Oversight
___________________________ SUMMARY OF U.S. FOREIGN INTELLIGENCE SURVEILLANCE LAW, PRACTICE, REMEDIES, AND OVERSIGHT ASHLEY GORSKI AMERICAN CIVIL LIBERTIES UNION FOUNDATION AUGUST 30, 2018 _________________________________ TABLE OF CONTENTS QUALIFICATIONS AS AN EXPERT ............................................................................................. iii INTRODUCTION ......................................................................................................................... 1 I. U.S. Surveillance Law and Practice ................................................................................... 2 A. Legal Framework ......................................................................................................... 3 1. Presidential Power to Conduct Foreign Intelligence Surveillance ....................... 3 2. The Expansion of U.S. Government Surveillance .................................................. 4 B. The Foreign Intelligence Surveillance Act of 1978 ..................................................... 5 1. Traditional FISA: Individual Orders ..................................................................... 6 2. Bulk Searches Under Traditional FISA ................................................................. 7 C. Section 702 of the Foreign Intelligence Surveillance Act ........................................... 8 D. How The U.S. Government Uses Section 702 in Practice ......................................... 12 1. Data Collection: PRISM and Upstream Surveillance ........................................ -
Limitless Surveillance at the Fda: Pro- Tecting the Rights of Federal Whistle- Blowers
LIMITLESS SURVEILLANCE AT THE FDA: PRO- TECTING THE RIGHTS OF FEDERAL WHISTLE- BLOWERS HEARING BEFORE THE COMMITTEE ON OVERSIGHT AND GOVERNMENT REFORM HOUSE OF REPRESENTATIVES ONE HUNDRED THIRTEENTH CONGRESS SECOND SESSION FEBRUARY 26, 2014 Serial No. 113–88 Printed for the use of the Committee on Oversight and Government Reform ( Available via the World Wide Web: http://www.fdsys.gov http://www.house.gov/reform U.S. GOVERNMENT PRINTING OFFICE 87–176 PDF WASHINGTON : 2014 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate Aug 31 2005 11:40 Mar 31, 2014 Jkt 000000 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 C:\DOCS\87176.TXT APRIL COMMITTEE ON OVERSIGHT AND GOVERNMENT REFORM DARRELL E. ISSA, California, Chairman JOHN L. MICA, Florida ELIJAH E. CUMMINGS, Maryland, Ranking MICHAEL R. TURNER, Ohio Minority Member JOHN J. DUNCAN, JR., Tennessee CAROLYN B. MALONEY, New York PATRICK T. MCHENRY, North Carolina ELEANOR HOLMES NORTON, District of JIM JORDAN, Ohio Columbia JASON CHAFFETZ, Utah JOHN F. TIERNEY, Massachusetts TIM WALBERG, Michigan WM. LACY CLAY, Missouri JAMES LANKFORD, Oklahoma STEPHEN F. LYNCH, Massachusetts JUSTIN AMASH, Michigan JIM COOPER, Tennessee PAUL A. GOSAR, Arizona GERALD E. CONNOLLY, Virginia PATRICK MEEHAN, Pennsylvania JACKIE SPEIER, California SCOTT DESJARLAIS, Tennessee MATTHEW A. CARTWRIGHT, Pennsylvania TREY GOWDY, South Carolina TAMMY DUCKWORTH, Illinois BLAKE FARENTHOLD, Texas ROBIN L. KELLY, Illinois DOC HASTINGS, Washington DANNY K. DAVIS, Illinois CYNTHIA M. LUMMIS, Wyoming PETER WELCH, Vermont ROB WOODALL, Georgia TONY CARDENAS, California THOMAS MASSIE, Kentucky STEVEN A. -
Scarfe the Wall Live Tour Group.Pages
THE ART OF FROM PINK FLOYD THE WALL PRESENTED BY ROGER WATERS THE WALL LIVE TOUR ARTWORK CATALOGUE THE ART OF GERALD SCARFE - FROM PINK FLOYD THE WALL SAN FRANCISCO ART EXCHANGE LLC Image © Gerald Scarfe Image © Gerald Scarfe Roger Waters, c.2010 The Mother, c.2010 Pen, Ink & Watercolour on Paper Pen, Ink & Watercolour on Paper 33” x 23 ¼” sheet size 32” x 22 ¾” sheet size This illustration of Roger Waters on his The Wall Live A recent concept design, done for Roger Water’s tour (2010-2013) appeared on the front cover of The Wall Live tour (2010-2013) that was based on a Billboard Magazine 24 July, 2012. similar scene in the flm shown during the song The Trial where The Mother morphs into a giant protective wall surrounding a baby Pink. 458 GEARY STREET • SAN FRANCISCO CA 94102 • sfae.com • 415.441.8840 main THE ART OF GERALD SCARFE - FROM PINK FLOYD THE WALL SAN FRANCISCO ART EXCHANGE LLC Image © Gerald Scarfe Crazy Toys in the Attic, c.2010 Watercolor, Pen & Ink Collage on Paper 23 ¼” x 33” sheet size Image © Gerald Scarfe Go On Judge, Shit on Him! c.2010 This drawing is based on a segment of the animated scene of The Trial in The Wall flm. As the line “Crazy…Toys in the Pen, Ink & Watercolour on Paper Attic, I am crazy” is sung, the viewer sees a terrifed Pink 32 ½” x 22 ½” sheet size fade to grey as the camera zooms in on his eye until the scene fades into the next animation sequence. -
Congressional Correspondence
People Record 7006012 for The Honorable Peter T. King Help # ID Opened � WF Code Assigned To Template Due Date Priority Status 1 885995 11/3/2010 ESLIAISON4 (b)(6) ESEC Workflow 11/10/2010 9 CLOSED FEMA Draft Due to ESEC: 11/10/2010 ESEC Case Number (ESEC Use Only): 10-9970 To: Secretary Document Date: 10/25/2010 *Received Date: 11/03/2010 *Attachment: Yes Significant Correspondence (ESEC Use Only): Yes *Summary of Document: Write in support of the application submitted by the (b)(4) for $7,710,089 under the Staffing for Adequate Fire and Emergency Response grant program. *Category: Congressional *Type: Congressional - Substantive Issue *Action to be Taken: Assistant Secretary OLA Signature Status: Action: *Lead Component: FEMA *Signed By (ESEC Use Only): Component Reply Direct and cc: *Date Response Signed: 11/02/2010 Action Completed: 11/04/2010 *Complete on Time: Yes Attachments: 10-9970rcuri 10.25.10.pdf Roles: The Honorable Michael Arcuri(Primary, Sender), The Honorable Timothy H. Bishop(Sender) 2 884816 10/22/2010 ESLIAISON4 (b)(6) ESEC Workflow 11/5/2010 9 OPEN FEMA Reply Direct Final Due Date: 11/05/2010 ESEC Case Number (ESEC Use Only): 10-9776 To: Secretary Mode: Fax Document Date: 10/20/2010 *Received Date: 10/22/2010 *Attachment: Yes Significant Correspondence (ESEC Use Only): No *Summary of Document: Requests an Urban Area Security Initiative designation for seven southern San Joaquin Valley Counties. *Category: Congressional *Type: Congressional - Substantive Issue *Action to be Taken: Component Reply Direct and Cc: Status: -
GLOBAL CENSORSHIP Shifting Modes, Persisting Paradigms
ACCESS TO KNOWLEDGE RESEARCH GLOBAL CENSORSHIP Shifting Modes, Persisting Paradigms edited by Pranesh Prakash Nagla Rizk Carlos Affonso Souza GLOBAL CENSORSHIP Shifting Modes, Persisting Paradigms edited by Pranesh Pra ash Nag!a Ri" Car!os Affonso So$"a ACCESS %O KNO'LE(GE RESEARCH SERIES COPYRIGHT PAGE © 2015 Information Society Project, Yale Law School; Access to Knowle !e for "e#elo$ment %entre, American Uni#ersity, %airo; an Instituto de Technolo!ia & Socie a e do Rio+ (his wor, is $'-lishe s'-ject to a %reati#e %ommons Attri-'tion./on%ommercial 0%%.1Y./%2 3+0 In. ternational P'-lic Licence+ %o$yri!ht in each cha$ter of this -oo, -elon!s to its res$ecti#e a'thor0s2+ Yo' are enco'ra!e to re$ro 'ce, share, an a a$t this wor,, in whole or in part, incl' in! in the form of creat . in! translations, as lon! as yo' attri-'te the wor, an the a$$ro$riate a'thor0s2, or, if for the whole -oo,, the e itors+ Te4t of the licence is a#aila-le at <https677creati#ecommons+or!7licenses7-y.nc73+07le!alco e8+ 9or $ermission to $'-lish commercial #ersions of s'ch cha$ter on a stan .alone -asis, $lease contact the a'thor, or the Information Society Project at Yale Law School for assistance in contactin! the a'thor+ 9ront co#er ima!e6 :"oc'ments sei;e from the U+S+ <m-assy in (ehran=, a $'-lic omain wor, create by em$loyees of the Central Intelli!ence A!ency / em-assy of the &nite States of America in Tehran, de$ict. -
Scarfe Wall Print.Pages
THE ART OF GERALD SCARFE - FROM PINK FLOYD THE WALL SAN FRANCISCO ART EXCHANGE LLC The Wall Commemorative Print, 2017 Hand-Signed, Limited edition (100) Archival Pigment Print on Paper 40” x 30” sheet size Image © Gerald Scarfe 458 GEARY STREET • SAN FRANCISCO CA 94102 • sfae.com • 415.441.8840 main THE ART OF GERALD SCARFE - FROM PINK FLOYD THE WALL SAN FRANCISCO ART EXCHANGE LLC ABOUT THE PRINT This powerful, large-format limited-edition artwork combines two iconic Gerald Scarfe paintings - The Scream and Giant Judge and Marching Hammers - into a stunningly vibrant and expressive work of art. The Scream painting was most notably used for the film poster and is now the most iconic image from the project. It features the main character of the album and film, ‘Pink’ who is illustrated in a rough, expressionistic style. His head is tilted up toward the sky and his mouth hangs wide open in a deeply animalistic and nearly perceptible scream. Pink is based on both Roger Waters (who wrote the songs based in part on his own experiences) and Syd Barrett, both distinctive artists and founding members of Pink Floyd. In the story narrative, Pink is struggling with the pressures and angst of existence in a world of competing hedonistic desires, fame and fortune, and the effects of first-hand experiences of war as a child. The Giant Judge and Marching Hammers painting captures the overall atmosphere of the album and film. It features the mesmerizing marching 'Crossed Hammers' motif that became synonymous with oppressive regimes and over-reaching and extreme governmental power. -
Conservative Parties and the Birth of Democracy
Conservative Parties and the Birth of Democracy How do democracies form and what makes them die? Daniel Ziblatt revisits this timely and classic question in a wide-ranging historical narrative that traces the evolution of modern political democracy in Europe from its modest beginnings in 1830s Britain to Adolf Hitler’s 1933 seizure of power in Weimar Germany. Based on rich historical and quantitative evidence, the book offers a major reinterpretation of European history and the question of how stable political democracy is achieved. The barriers to inclusive political rule, Ziblatt finds, were not inevitably overcome by unstoppable tides of socioeconomic change, a simple triumph of a growing middle class, or even by working class collective action. Instead, political democracy’s fate surprisingly hinged on how conservative political parties – the historical defenders of power, wealth, and privilege – recast themselves and coped with the rise of their own radical right. With striking modern parallels, the book has vital implications for today’s new and old democracies under siege. Daniel Ziblatt is Professor of Government at Harvard University where he is also a resident fellow of the Minda de Gunzburg Center for European Studies. He is also currently Fernand Braudel Senior Fellow at the European University Institute. His first book, Structuring the State: The Formation of Italy and Germany and the Puzzle of Federalism (2006) received several prizes from the American Political Science Association. He has written extensively on the emergence of democracy in European political history, publishing in journals such as American Political Science Review, Journal of Economic History, and World Politics. -
Lab Activity and Assignment #2
Lab Activity and Assignment #2 1 Introduction You just got an internship at Netfliz, a streaming video company. Great! Your first assignment is to create an application that helps the users to get facts about their streaming videos. The company works with TV Series and also Movies. Your app shall display simple dialog boxes and help the user to make the choice of what to see. An example of such navigation is shown below: Path #1: Customer wants to see facts about a movie: >> >> Path #2: Customer wants to see facts about a TV Series: >> >> >> >> Your app shall read the facts about a Movie or a TV Show from text files (in some other course you will learn how to retrieve this information from a database). They are provided at the end of this document. As part of your lab, you should be creating all the classes up to Section 3 (inclusive). As part of your lab you should be creating the main Netfliz App and making sure that your code does as shown in the figures above. The Assignment is due on March 8th. By doing this activity, you should be practicing the concept and application of the following Java OOP concepts Class Fields Class Methods Getter methods Setter methods encapsulation Lists String class Split methods Reading text Files Scanner class toString method Override superclass methods Scanner Class JOptionPane Super-class sub-class Inheritance polymorphism Class Object Class Private methods Public methods FOR loops WHILE Loops Aggregation Constructors Extending Super StringBuilder Variables IF statements User Input And much more.. -
Holders of Ministerial Office in the Conservative Governments 1979-1997
Holders of Ministerial Office in the Conservative Governments 1979-1997 Parliamentary Information List Standard Note: SN/PC/04657 Last updated: 11 March 2008 Author: Department of Information Services All efforts have been made to ensure the accuracy of this data. Nevertheless the complexity of Ministerial appointments, changes in the machinery of government and the very large number of Ministerial changes between 1979 and 1997 mean that there may be some omissions from this list. Where an individual was a Minister at the time of the May 1997 general election the end of his/her term of office has been given as 2 May. Finally, where possible the exact dates of service have been given although when this information was unavailable only the month is given. The Parliamentary Information List series covers various topics relating to Parliament; they include Bills, Committees, Constitution, Debates, Divisions, The House of Commons, Parliament and procedure. Also available: Research papers – impartial briefings on major bills and other topics of public and parliamentary concern, available as printed documents and on the Intranet and Internet. Standard notes – a selection of less formal briefings, often produced in response to frequently asked questions, are accessible via the Internet. Guides to Parliament – The House of Commons Information Office answers enquiries on the work, history and membership of the House of Commons. It also produces a range of publications about the House which are available for free in hard copy on request Education web site – a web site for children and schools with information and activities about Parliament. Any comments or corrections to the lists would be gratefully received and should be sent to: Parliamentary Information Lists Editor, Parliament & Constitution Centre, House of Commons, London SW1A OAA.