DOCSLIB.ORG

Neal Adams Wanted to Paint, “True” Not the Traditional Weaved Wastra

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Neal Adams Wanted to Paint, “True” Not the Traditional Weaved Wastra What Neal Adams wanted to paint, “true” not the traditional weaved wastra. Also Neal did not intended to be an artist, whom also “freelance” in planning the textile design. If the order was as such, then there would have been long names of artists, who have done that. Even many among them, who has names which is pretty famous in the map of World’s fine art, from various era and style. Not to mntion : Picasso, Joan Miro, Salvador Dali, Marc Chagall, Fernand Leger, Sonia Delaunay, Henry Moore, Alexander Calder, and the king of pop art – Andy Warhol. Apart from doing paintings and statue carving, those artists also recorded as inventor of textile designs to be put into production process. And Neal Adams? No. This London man who was born in 1968, did not wish to be like his seniors. He did not want to be freelance textile designer. He have started to live in Bali since 30 years go (1998), from then up to now. Although he has the creative Neal Adams passion as artist, Neal Adams did not drown himself in Bali’s “exotic” like his seniors. Neal do not like to be in the same line as Le Mayeur, Theo Meier, Bonnet, Blanco, or even Arie Smit, as their paintings from the object side, only sell the exotic of Bali. Two decade already, that Neal has been living in Bali. But he never has the interest for example to view paintings with object “kain gringsing dari Tenganan” – weaved exotic fabric although that is one of a kind in the World, apart from Japan’s Kimono and India’s Patola. God’s colour”. Neal feels comfortable, there. Not on the “gold” inside Gustave Klimt artworks (Autria’s Neal’s teak tree does not have a name, but they came from deep forest of Yorkshire, and in the first artist whom has gone internationally as a character at Art Nuveau), that seems to be materialistic. From decade around the year of 2000, manipulating the picture size “giant” by te old David Hockney. Neal’s Neal Adams also reluctant to continue to carry baton of Hendri Matisse (1869-1954). This important man here, new artworks which are more towards abstract, born. tree also not the colourful syrup tree that was great and being stated in the fine art history book World- from modern era, who has greatness in-line with Picasso is wastra collector ever since he was still a wide, with the other artworks as followings : A Bigger Splash (1967) dan Mr and Mrs Clark and Percy student and all his life. Matisse collect textile liketoile de jouy from France, carpet from Persia, also wastra Different case with “songket” that mostly is abstract, Neal Adam’s teak tree is closer to “realistic”. But not (1967). from Africa and the Middle East. Textile collection is the visual key for himself to come to an imagination like previous works, here Neal Adams no longer draw a tree character. Which identified as tree coming space. A solo exhibition in 2001, “Matisse : The Fabric of Dream – His Art and Textiles”, that exhibited 60 from who knows where. Teak tree belongs to Neal Adams are trees which grow with its body, soul, spirit, characteristic, and identi- of his works, clearly states that. ty, known as “gold trees”. Royal trees Neal Adams trees this time are teak tress. This tree have grown all over Indonesia, in Java, then developed In Still Life with Blue Tablecloth (1909), for example, Matisse combined something from the nature with in Sumatera (Kalimantan, Sulawesi, and Papua). It now has spread to Bali, Lombok, Sumba, Sumbawa, also Neal Adams’ gold have move forward to the creative path, towards abstract paintings that was inspired blue table cloth made from toile de jouy textile, which was luxurious. Although on the painting The Pink Flores. Because of that, Indonesia has become one of the biggest teak producer in the World, after by songket from Palembang, and to various symbolic sides of teak tree which are painted realistically. The Studio or L'Atelier Rose (1911), Matisse exhibited his exotic wastra from his list of collection, which was Burma. creativity path is contemporary – do not stick to only a style or theme. Dan free creativity in movement used as background when he do some painting, with Persia carpet that he loves, existed on his studio across tradition, modernism. Because we are able to appreciate Not only teak tree of course. It is because that Neal believe that known adage from Pluto : ars imitatur floor. And there are a lot more Matisse own collection, which appears on his paintings during the time naturam". What seems to be the problem for Neal now is, how to interpret the word “imitatur”. Character Matisse was alive, until in the last years before he passed away. Duplication or Spiritual Duplication, Physic Duplication or Soul Duplication. Duplication based on Eyes of Eddy Soetriyono, curator also fine arts writer and designer, scarf and jewelry designer, poet; residing But the wastra is still some kind of clothing, veil, table cloth, car seat upholstery, separator, wall cover, the Brain or Eyes of the Mind. Duplication based on bare eyes consideration only, Brain Duplication, or in Jakarta curtain, or carpet One of the specialty of Matisse and one of his aspect of renewal is the “colourist Duplication”with eyes of the mind and eyes of the heart”. genious” himself : “According to me, subject or background has one same scoring.” Matisse subject and According to Neal Adams, he is one of the strongest tree in the World, Tectona Grandis where its unyield- background of the wastra are both dominant. Natural item and table cloth : still alive and textile; human ing living in the dry land. it is able to put his happiness behind : for example with free heart it falls their figure and master, both exist with same power, appear and equally dominant among the artworks. leaves in order to survive to live and turn as “gold tree. The goldness not coming from the flowers, leave, Referring to the above, Neil Adams still does not have the intention to follow Matisse’s path. Neal will not or even the fruits, but from the woods. Able to survive, stand strong tirelessly for many years, teak will paint wastra, as he does not want to draw on fabric. Even designing hope. But that is not the purpose. continue to grow on dry land. Teak stand straight, big, and tall reaching the sky, straight and do not make branches. It characteristic, give symbolic values that Neal will elaborate on his works on the teak series, Neal require some stimulus, from Palembang vintage songket, which uses gold thread as symbol of coated this time with gold. “spiritual energy”, as source of inspiration to those making artworks. Traditional songket needed “spirit” according to what he have learnt from Wastra Collector – Quoriena Ginting, which recently was preparing Teak tree Neal is not cypress, a tree which symbolizes death and the under World, where on Van Gogh’s an exhibition in London. hands appeared long skinny and sharpen in the end, showing the silence comes and when n longer surviv- ing to reach something unreachable. Neal teak tree is not pollard Van Gogh dry heads with withered Neal Adams does note “physically draw” motives from gold thread which had to be sewed to the weave branches, screaming “one hundred years of solitude". Neal’s teak tree also is not poplars tree, where Van machine / equipment. Wastra with full of gold, stimulus visual willingness to do more paintings towards Gogh visualizing silent roads with inner self towards life’s “zero point” “abstract”. Just like Neal own opinion, gold in a traditional Nusantara songket, also reveal that Gold“ is Published as a supplement of Painting Art Exhibition “UNLIMITed” By Neal Adams At VIP Fine Arts Jalan Karang Tengah Raya no 7 Lebak Bulus Jakarta Selatan Telp : 021 227 65481 Email : vipfi[email protected] 7th April 2018 - 28th April 2018 What Neal Adams wanted to paint, “true” not the traditional weaved wastra. Also Neal did not intended Curated and Written by Eddy Soetriyono to be an artist, whom also “freelance” in planning the textile design. If the order was as such, then there Written by Arif Bagus Prasetyo would have been long names of artists, who have done that. Even many among them, who has names English by Harny Suryandari which is pretty famous in the map of World’s fine art, from various era and style. Not to mntion : Picasso, Joan Miro, Salvador Dali, Marc Chagall, Fernand Leger, Sonia Delaunay, Henry Moore, Alexander Calder, Organized by VIP Fine Art and IndonesianPainter.com and the king of pop art – Andy Warhol. Apart from doing paintings and statue carving, those artists also All works of art by artist, used by permission recorded as inventor of textile designs to be put into production process. Photograph artworks by The Artist their self And Neal Adams? No. This London man who was born in 1968, did not wish to be like his seniors. He did Design and Catalog Concept by Aneka Design and IndonesiaPainter.com not want to be freelance textile designer. He have started to live in Bali since 30 years go (1998), from then up to now. Although he has the creative Printed in Indonesia passion as artist, Neal Adams did not drown himself in Bali’s “exotic” like his seniors. Neal do not like to Printed by Aneka Design be in the same line as Le Mayeur, Theo Meier, Bonnet, Blanco, or even Arie Smit, as their paintings from Publish by IndonesianPainter and VIP Fine Arts Copyright © 2017 Indonesianpainter.com the object side, only sell the exotic of Bali.
Load more

Recommended publications
  • Decentralization, Local Government and Citizen Participation in Cuba
    DECENTRALIZATION, LOCAL GOVERNMENT AND CITIZEN PARTICIPATION IN CUBA Nelson Amaro The collapse of socialist regimes after 1989 reflects Lenin’s “New Economic Policy (NEP)” relatively more bankruptcy than political change. The “old rev- soon after socialism began in the Soviet Union. olutionaries” and/or “counter-revolutionaries”— depending on the perspective—have been left un- Former socialist countries followed this same pattern employed. Before, a subversive agenda existed for in 1989. The degree to which they allowed autono- “would be” destroyers or builders of “Ancient Re- my at the enterprise level varied, permitting some de- gimes,” “Betrayed Revolutions,” and “Restorations.” cisions to be based partly on costs, prices and earn- Their prescriptions were very similar to the way Fidel ings. Recent research suggests that these reforms Castro seized power in Cuba. These prescriptions come in cycles. They intend to solve critical short- were summarized, with historic descriptions, in term economic problems, but in the long run they do Curzio Malaparte’s (1932) classic book on “coup not address the root of the problem. These deeper d’etat techniques,” a very popular book in Cuba pri- obstacles were related to the basic premises of the so- 2 or to Batista’s departure.1 cialist system itself. They attempted to correct the “Stalinist” version of socialism derived from the ex- The demise of socialism does not come about in this periences of the former Soviet Union since 1917, lat- way. At some point in time, the parties in power real- er extended to Eastern European countries after the ize that the system does not function as it was antici- Second World War.
    [Show full text]
  • Arie Smit: Mencari Cahaya Di Bali
    ID Khazanah : Tulisan Lepas Source : http://majalah.tempointeraktif.com/id/arsip/1993/07/24/MEM/mbm.19930724.MEM5846. id.html Date of publication : 24 Juli 1993 Capture date : 2 April 2012 24 JULI 1993 Arie Smit: mencari cahaya di Bali Pelukis asal Belanda yang menetap di Bali, Arie Smit, tak cuma melukis dan mencari harta lewat karyanya. Dalam pergaulannya dengan penduduk setempat, ia menyumbangkan sebuah aliran yang sampai kini tetap punya pengikut: Young Artist. Inilah aliran yang lahir dari pergaulan Smit dengan anak-anak desa di sekitar Ubud, yang memberikan warna lain pada lukisan-lukisan tradisional Bali. Pengikutnya kini tak cuma anak-anak. Berkat jasa itu, antara lain, tahun lalu Smit mendapat penghargaan Dharma Kusuma dari Pemda Bali. Dalam usia 77 tahun sat ini, Smit memang tidak aktif berkeliling untuk merekam suasana Bali. Tapi ia tetap melukis di Vila Sanggingan, yang ia sebut pondok, di Desa Peliatan, Ubud. Di situlah ia menuturkan perjalanan hidupnya kepada Putu Wirata dari TEMPO. Aku memang gemar bertualang, tetapi aku tak menyangka akan menyerahkan seluruh hidupku pada Bali. Aku lahir di Zaandam, kota industri di Belanda, 15 April 1916. Ayahku Johanes Smit dan ibuku Elisabeth Ahling mewarisi perusahaan keluarga ''Smit Expeditie'', sebuah perusahaan transpor dan trailer yang sudah berumur 200 tahun lebih. Kami delapan bersaudara, empat lelaki dan empat perempuan. Ketujuh saudaraku bekerja di bidang bisnis dan pendidikan. Hanya aku sendiri yang ditarik oleh pesona dewi kesenian. Memang, sejak di bangku SD aku sudah menyukai pelajaran ilmu bumi dan mengetahui nama beberapa kota, pulau, dan danau di Indonesia. Waktu di kelas enam, aku punya teman baru dari Pulau Sumatera.
    [Show full text]
  • Commonwealth Leaders Welcome Guerra by Dan Phillips Consultations." Department
    UNIVERSITY OP HAWAII LIBRARY Senate Resolution Agrees To Forgive $945,000, Defaulted Student loans by Patty Jacob» program." DiaZsaid, "Ourdefaultrateon They may or may not be back on student loan cannot be Ray DiaZ, Northern Marianas student loans is about 90%. In the island. We usually have a dischargedby bankruptcy and LastFriday.SenatorJoseph; College Controller said, "The other words, about 10% have grace period of six to nine that the person must prove Inos introduced a resolution : default onloans is nothing unique repaid their loans. months. hardship in order for a judge which would "forgive and: to the CNMI. In the USA there "I think part of the problem is "Then we send them a letter. to allow a student loan to be cancel all outstanding is more than $10 million that people in the CNMI have. When a letter is sent care of included in the bankruptcy. delinquent student loan outstanding in defaulted student customarily been used to a cash 'General Delivery' anyone can However, DiaZ said, judges payments." loans. It’s a problem system. They are not used to pick up the mail. We’re never do it all the time and the Tlte resolution, No. 6-35, everywhere." credit and may not be familiar sure that the mail reaches the Department of Education in would also "uigethe Board of According to statistical with the obligation which it right people," he said, Washington, D.C., even Regents of the Northern information, more than 600 entails/he said., DiaZ explained that the loan though they guaranteed Marianas College toabandon people have received more than "This whole thing with trying program at NMC was set up student loans through banks, its repayable student loan $945,000 in student loans, dating to collect on these loans is so under Federal guideline under there is still a high percentage program and to adopt a non­ back to 1981, which have not difficult here," he said.
    [Show full text]
  • The Philippines: Prospects in Business and the Arts
    THE PHILIPPINES: PROSPECTS IN BUSINESS AND ARTS Sponsored by the Philippine Cultural Society (Singapore) In cooperation with Philippine Airlines. 26 TH October 2002, Hilton Hotel I am really happy to be here this afternoon with all my kababayans. I know you will be given a lot of talk about investment opportunities but I like to talk about some smaller investments that you might be interested namely Filipino artists. I can guarantee you that these investments will give you less risk, more enjoyment and the investment amount is very small. I am talking about investing in paintings specifically paintings by Filipino artists. I would like to show you some of the slides of our artists and as much as I would like to show many artists, I am afraid with the short notice and the time constraints, I am limited to what I have that is available. INTRODUCTION For me art is very personal and being brought up in the Philippines, living in the United States and Southeast Asian countries I have witnessed and interacted with many of our artists who are either visiting or working abroad. My views on the subject are probably very different from the rest of the panelists as I categorized the artists in a way that maybe different from academics and art critics. As you may have noticed, we have a great diversity when it comes to art as we have many different groups with many different influences. I am proud to say that we are rich when it comes to art and 1 that we, probably, have as many artists as we have islands in the Philippines.
    [Show full text]
  • Balinese Cosmology: Study on Pangider Bhuwana Colors in Gianyar’S Contemporary Art
    How to Cite Karja, I. W., Ardhana, I. K., & Subrata, I. W. (2020). Balinese cosmology: Study on pangider bhuwana colors in Gianyar’s contemporary art. International Journal of Humanities, Literature & Arts, 3(1), 13-17. https://doi.org/10.31295/ijhla.v3n1.127 Balinese Cosmology: Study on Pangider Bhuwana Colors in Gianyar’s Contemporary Art I Wayan Karja Indonesian Hindu University, Denpasar, Indonesia Corresponding author email: [email protected] I Ketut Ardhana Universitas Hindu Indonesia, Denpasar, Indonesia Email: [email protected] I Wayan Subrata Universitas Hindu Indonesia, Denpasar, Indonesia Email: [email protected] Abstract---Adat (custom) and religion cannot be separated in the context of Balinese culture. One of the aspects of Balinese culture is the concept of mandala, called pangider bhuwana. Based on Balinese culture and religion, the Balinese mandala, is formally known as pangider bhuwana. The main focus of this essay is to explore the way the artist expresses and visualizes, using the colors of the mandala. A comprehensive analysis was conducted on the methods that the colors of the Balinese mandala are visualized in Gianyar's contemporary painting. Keywords---contemporary painting, cosmology, pangider bhuwana colors, visualization. Introduction Balinese cosmology is depicted in mandala form as religious and cosmic symbology, which is used to unify the Self. Based on the Balinese Hindu beliefs and tradition, each direction of the compass embodies specific characteristics (Bandem, 1986; Cameron, 2016; Chopra & Kafatos, 2017; Casas et al., 1991). The most important characteristic is color, while other characteristics include a protective entity, a script, a form of movement, and a balancing force, to name just a few.
    [Show full text]
  • Philippine Documents in Mexico 587
    PHILIPPINE D'OCUMENTS IN MEXICO CARLOS QUIRINO As AN INTEGRAL PART OF THE CELEBRATION IN 1964 OF THE Philippine..Mexican Friendship' Year, we were able to secure a complete list of documents on the Philippines from the Archivo General de la Naci6n and the Biblioteca Nacional in Mexico City, totaling in all 4,129 documents and manuscripts. These were made after examining index cards of some 229,260 documents, and ex.. elude those in the Ramo de Filipinas which we had acquired several years earlier. Out of the 4,129, documents listed, we secured the microfilm copies of 798 which we considered of importance or interest to local historiographers. For some generations, 0111'" scholars have' suspected that in Mexico there existed countless documents on the Philippines that would greatly broaden our knowledge of the Spanish colonial re­ gime. Dr. James A. Robertson, co-editor of the monumental. 55­ volume set "The Philippine Islands, 1493-1898" and incidentally the first Director of the National Library, failed to visit Mexico in his extensive trips of research, and-merely repeated what he had heard existed there from Dr. H. E. Bolton of Texas State' University. (See Bibliography, Vol. LIII,pp. '38-40.) In 1957 two Filipino scholars visited that country for the purpose of finding what documents of interest to Filipinos were to be found there. Dr. Gregorio F. Zaide, author of numerous textbooks on history, reported enthusiastically to the Philippine Historical Association on the existence of "valuable" documents there. As he was working alone for' a short time, he was able to make only a sketchy listing, and' unfortunately permitted enthu­ siasm to override accuracy.
    [Show full text]
  • Lost Paradise
    The Newsletter | No.61 | Autumn 2012 6 | The Study Lost paradise DUTCH ARTIST, WIllEM GERARD HOFKER (1902-1981), Bali has always been popular with European artists; at the beginning was also found painting in pre-war Bali; he too painted lovely barely-dressed Balinese women. His fellow country- of the previous century they were already enjoying the island’s ancient man, Rudolf Bonnet (1895-1978) produced large drawings, mostly character portraits, in a style resembling Jan Toorop. culture, breathtaking nature and friendly population. In 1932, the aristocratic Walter Spies (1895-1942), a German artist who had moved permanently to Bali in 1925, became known for his mystical Belgian, Jean Le Mayeur (1880-1958), made a home for himself in the tropical and exotic representations of Balinese landscapes. It is clear that the European painters were mainly fascinated paradise; he mainly painted near-nude female dancers and was thus known by the young Balinese beauties, who would pose candidly, and normally bare from the waist up. But other facets of as the ‘Paul Gauguin of Bali’. His colourful impressionist paintings and pastels the island were also appreciated for their beauty, and artists were inspired by tropical landscapes, sawas (rice fields), were sold to American tourists for two or three hundred dollars, which was temples, village scenes and dancers. The Western image of Bali was dominated by the idealisation of its women, a substantial amount at that time. These days, his works are sold for small landscape and exotic nature. fortunes through the international auction houses. Arie Smit and Ubud I visited the Neka Art Museum in the village Ubud, Louis Zweers which is a bubbling hub of Balinese art and culture.
    [Show full text]
  • Disadvantaged Business Enterprise (Dbe) Program Plan
    OREGON DEPTARTMENT OF TRANSPORTATION DISADVANTAGED BUSINESS ENTERPRISE (DBE) PROGRAM PLAN September 2012 1. DBE PROGRAM GENERAL REQUIREMENTS 1.1 Objectives (§§ 26.1, 26.23) The Disadvantaged Business Enterprise (DBE) Program objectives are found in the DBE Policy statement on the first page of this program. To achieve the objectives of the Oregon Department of Transportation (ODOT) DBE policy, ODOT will circulate the DBE policy as follows: To The Oregon Transportation Commission (OTC) – The Office of Civil Rights (OCR) provides annual updates to the OTC and as required. OCR will include the DBE policy with each annual update. To the Business Community – OCR will circulate the DBE Policy statement at key stakeholder events. Examples of key events include, the annual ODOT-AGC (Association of General Contractors) meeting, and “Doing Business with ODOT” small business workshops. Additionally, when the DBE Program plan update is posted to the OCR webpage, OCR will announce the plan update to the OCR list-serve and include the DBE Policy statement in the announcement. The policy will also be sent electronically to all sub-recipients of Federal Transit Authority (FTA) funded grants and included in the FTA required State Management Plan (SMP). Also, OCR will work with the Office of Procurement (OPO) and Office of Project Letting (OPL) to include the policy statement with project and proposal DBE provisions. To ODOT Personnel – OCR will coordinate an annual update on Inside ODOT (the agency’s internal newsletter) and periodic updates in the agency’s internal Diversity Newsletter. OCR will also circulate the DBE Policy statement at internal OCR and DBE-related training sessions.
    [Show full text]
  • Megamendung to Do in Ubud Indonesian Batik
    KOMANEKA Update Home Wedding Spa Promotion Vol. 9 No. 7, Oct. 2019 A SLICE OF THE GODS KOMANEKA FAMILY ODALAN - Exclusive Deal - Temple Ceremony 25% OFF ...bring togetherness ...Perfect for couple and to each individual family... with the others and of course with God Almighty... In every temple, there are days called ‘odalan’ or Book Direct, Stay Longer and Get Exclusive 25% OFF days of anniversary of the temple. The ceremony will for Specific Stay Period. either be lasted in just one-day for the small one or a larger ceremony and stretching over several days. click to continue click to continue LIFESTYLE ARTS & CRAFTS 10 Things Megamendung to do in Ubud Indonesian Batik ...explore during ...megamendung your escape to Bali’s suggested rain, and central of arts and therefore life, for an culture... often parched land... Many people say that Ubud is Bali’s cultural artistic One of the most famous Cirebon batik motives is and cultural heartland. Allow us to recap 10 things to Megamendung. This cloud motif is also combined do in Ubud that you can explore during your escape to with roosters hidden among a tracery of leaves and Bali’s central of arts and culture. vines. This motif is dominated by layers of blue with different shades. click to continue click to continue About Us Location Contact Us Awards Komaneka on Magazine Komaneka Fine Art Gallery KOMANEKA Update Home Wedding Spa Promotion Vol. 9 No. 7, Oct. 2019 A SLICE OF THE GODS ODALAN – TEMPLE CEREMONY In every temple, there are days called ‘odalan’ or days of anniversary of the temple.
    [Show full text]
  • Museums As Cultural Tourism Attractions in Ubud Bali Indonesia
    International Journal of Scientific & Engineering Research, Volume 6, Issue 10, October-2015 278 ISSN 2229-5518 Museums as Cultural Tourism Attractions in Ubud Bali Indonesia Ida Bagus Kade Subhiksu Udayana University, Bali, Indonesia Email: [email protected] I Wayan Ardika Udayana University, Bali, Indonesia I Nyoman Madiun Udayana University, Bali, Indonesia Abstract— This study explores museum management using five museums located throughout Ubud as case studies, including The Blanco Museum, Museum Puri Lukisan, Agung Rai Museum of Art (ARMA), The Rudana Museum, and Neka Art Museum. The research was conducted between January and June 2014 involving 82 foreigner museum visitors, 79 domestic museum visitors, and five museum owners as participants. Museum management, from the perspective of foreign and domestic visitors, are measured based on visitors’ perception on the architecture, collection, service quality, cleanliness, ambiance, and hospitality of the museum and the degree to which the museum meets the expectations of both foreign and domestic visitors. Museum management from the perspective of managers are based on the founders’ idealism, uniqueness, cultural preservation, and the museum’s role in supporting and sustaining tourism in Ubud, which can be described as follows: Each museum has noble idealism, although there are variance among the museums, still these variance implies noble significance which is to support the sustainability of tourism in Ubud. The role of museums in becoming the main tourism attractions for Ubud, while at the same time as an institution for cultural preservation, is well supported by the local government. The development of Ubud museums as tourism attractions is closely related to the development of other sectors, evidenced by several museum managers creating cooperative packages with several hotels in the area to promote their museums as tourism attractions.
    [Show full text]
  • All You Need to Know About Blanco Renaissance Museum.PDF
    https://www.canyoningbaliadventure.com WhatsApp:+6287866232446 Email:[email protected] All You Need To Know About Blanco Renaissance Museum Ubud isn't only well-known for spots with impressive natural view and soothing atmosphere, but also places with amazing artworks. There are many popular art museums that you can visit to see the masterpiece of the famous artist in Ubud, as one of the most visited is Blanco Renaissance Museum. Translate ke Bahasa Indonesia: Blanco Renaissance, Museum Bergaya Bali dan Eropa di Ubud Blanco Renaissance Museum Interior of Blanco Renaissance Museum - instagram/blancomuseum Blanco Renaissance Museum was built by Don Antonio Blanco in 1998, exactly at his residence with beautiful environment. Don Antoni Blanco - instagram/blancomuseum Don Antonio Blanco was a famous painter, born on September 15, 1911, in Manila, the capital of Philippines. In 1952, He moved to live in Ubud and married with Ni Ronji, a Balinese woman dancer. 300 Artworks of Don Antonio Blanco And His Son Ubud Museum - - instagram/blancomuseum Blanco Renaissance Museum displays 300 Artworks of Don Antonio Blanco, and some artworks of Mario Blanco, his son. Most of his artwork of Don Antonio Blanco are inspired by beauty of Balinese woman, while Mario Blanco’s artworks display beauty of nature. It is a recommended place for paint art enthusiast. The visitor can explore museum building with 2 levels while seeing the artworks of the artist. Need to note that the visitor can’t be allowed to take pictures in the museum. In the end, the visitor can visit at Rondji Restaurant that is located not far from museum building and offers Balinese dishes.
    [Show full text]
  • To Download Quench Curriculum
    curriculum grades 3-5 curriculum Teachers, Teacher’s Guide WaterStep believes that all people in the world deserve to have access Curriculum and Web Highlights to a safe water supply and that the global water crisis can be solved » Standards Based/Cross-Curricular by people just like you. Our goal is to see the day when no child has to drink unsafe water. Water promotes the ability for more children » Differentiated Tasks/ECE/ELL to attend school worldwide. We train individuals to provide solutions » Grades: 3-5 Lesson Plans through water treatment, health and hygiene, and sanitation. » Dual-Language What Can You Do To Help? » Extension: Community Connections-Program Service Learning » Students need to know the facts about water. They need to know » Helpful Educational Links the importance of water and how greatly it effects life. » Lessons Written by Teachers » Use our standards based lessons to teach your students water facts. » Middle and High School Lessons are being » Get your students involved in a community program service project. developed. Help support global water projects by giving and recycling used shoes. » Demonstrate your enthusiasm by forming your own WaterStepper dance or step team routine. » Participate in an International Communication Exchange with other students in your classroom via live telecommunications Our Best, The WaterStep Team Table of Contents Hello! My name is Oscar! Let me be your guide on a journey to learn about water and how amazing it truly is. Like millions of others in the world, I live in a water- stressed region. Unsanitary conditions, unsafe drinking water, and limited availability to safe drinking water are just a few of the issues that millions of people struggle with every single day all over the world.
    [Show full text]