Landscape Astrophotography– the Shot
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Noise and ISO CS 178, Spring 2014
Noise and ISO CS 178, Spring 2014 Marc Levoy Computer Science Department Stanford University Outline ✦ examples of camera sensor noise • don’t confuse it with JPEG compression artifacts ✦ probability, mean, variance, signal-to-noise ratio (SNR) ✦ laundry list of noise sources • photon shot noise, dark current, hot pixels, fixed pattern noise, read noise ✦ SNR (again), dynamic range (DR), bits per pixel ✦ ISO ✦ denoising • by aligning and averaging multiple shots • by image processing will be covered in a later lecture 2 © Marc Levoy Nokia N95 cell phone at dusk • 8×8 blocks are JPEG compression • unwanted sinusoidal patterns within each block are JPEG’s attempt to compress noisy pixels 3 © Marc Levoy Canon 5D II at dusk • ISO 6400 • f/4.0 • 1/13 sec • RAW w/o denoising 4 © Marc Levoy Canon 5D II at dusk • ISO 6400 • f/4.0 • 1/13 sec • RAW w/o denoising 5 © Marc Levoy Canon 5D II at dusk • ISO 6400 • f/4.0 • 1/13 sec 6 © Marc Levoy Photon shot noise ✦ the number of photons arriving during an exposure varies from exposure to exposure and from pixel to pixel, even if the scene is completely uniform ✦ this number is governed by the Poisson distribution 7 © Marc Levoy Poisson distribution ✦ expresses the probability that a certain number of events will occur during an interval of time ✦ applicable to events that occur • with a known average rate, and • independently of the time since the last event ✦ if on average λ events occur in an interval of time, the probability p that k events occur instead is λ ke−λ p(k;λ) = probability k! density function 8 © Marc Levoy Mean and variance ✦ the mean of a probability density function p(x) is µ = ∫ x p(x)dx ✦ the variance of a probability density function p(x) is σ 2 = ∫ (x − µ)2 p(x)dx ✦ the mean and variance of the Poisson distribution are µ = λ σ 2 = λ ✦ the standard deviation is σ = λ Deviation grows slower than the average. -
Process Camera, Stripping, and Platemaking. Teacher Guide. INSTITUTION Mid-America L)Cational Curriculum Consortium, Stillwater, Okla
DOCUMENT RESUME ED 327 663 CE 056 673 AUTHOR Feasley, Sue C., Ed. TITLE Graphic Arts: Process Camera, Stripping, and Platemaking. Teacher Guide. INSTITUTION Mid-America l)cational Curriculum Consortium, Stillwater, Okla. REPORT NO 90-007460 PUB DATE 90 NOTE 285p.; For related documents, see CE 056 671-672. AVAILABLE FROM Mid-America Vocational Curriculum Consortium, Inc., 1500 West Seventh Avenue, Stillwater, OK 74074 (order no. 802001: $22.00). PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Behavioral Objectives; Competency Based Education; Course Descriptions; Curriculum Guides; =Graphic Arts; Learning Activities; =Photographic Equipment; *Photography; Postsecondary Education; Production Techniques; Secondary Education; Units of Study ABSTRACT This curriculum guide is the second in a three-volume series of instructional materials for competency-based graphic arts instruction. Each publication is designed to include the technical content and tasks necessary for a student to be employed in an entry-level graphic arts occupation. Introductory materials include an instructional/task analysis that correlates job training with related information for this course; a list of tools, equipment, and materials; and a list of 12 references. Each of the seven instructional units includes some or all of these basic components: performance objectives; suggested activities for teachers and students; information sheets; assignment sheets; job sheets; visual aids; tests; and answer keys. Units are planned for more than one lesson or class period. Unit topics include the process camera and other darkroom equipment; line photography; halftone photography; other darkroom techniques; overview of procass color photography; stripping procedures; and platemaking procedures. -
A Person Who Creates Still Photographic Images for the Publicity of Films and Television Programs and Other Photography: Producing Still Images
BA Still Photography Still photography refers to unit still photographer: a person who creates still photographic images for the publicity of films and television programs and other photography: producing still images. The liberalization, globalisation and opening up of economy has led to the setting up of a host of 24X7 news channels as well as a large number of entertainment channels. Further, with the mindset of Indian masses undergoing sea change, the working in the entertainment Industry is no more a limitation. More and more young men and women are taking to entertainment industry. Courses of Film and Television is driven by the singular desire to create New Media Communicators using cinema and television as a means of dialogue with their world. We aim to provide a global platform for quality media and film professionals. Eligibility Criteria: 10+2 or equivalent in any stream To earn a BA (Hons) in Still Photography, a student has to earn a minimum of 90 credits. Minimum 24 credits are to be earned from Still Photography subjects and the remaining can be taken from any stream. Every student has to attain a minimum of D grade in all courses; a student may however, and repeat or change any course being offered. Notwithstanding, every student must acquire the desired number of credits. The detailed course structure under different categories is given in succeeding pages. Brief description of the course content follows thereafter. Codes Subject Name Credit 16A.101 Creative Writing 4 16A.102 Still Photography 4 16A.103 Media Appreciation -
Video Tripod Head
thank you for choosing magnus. One (1) year limited warranty Congratulations on your purchase of the VPH-20 This MAGNUS product is warranted to the original purchaser Video Pan Head by Magnus. to be free from defects in materials and workmanship All Magnus Video Heads are designed to balance under normal consumer use for a period of one (1) year features professionals want with the affordability they from the original purchase date or thirty (30) days after need. They’re durable enough to provide many years replacement, whichever occurs later. The warranty provider’s of trouble-free service and enjoyment. Please carefully responsibility with respect to this limited warranty shall be read these instructions before setting up and using limited solely to repair or replacement, at the provider’s your Video Pan Head. discretion, of any product that fails during normal use of this product in its intended manner and in its intended VPH-20 Box Contents environment. Inoperability of the product or part(s) shall be determined by the warranty provider. If the product has • VPH-20 Video Pan Head Owner’s been discontinued, the warranty provider reserves the right • 3/8” and ¼”-20 reducing bushing to replace it with a model of equivalent quality and function. manual This warranty does not cover damage or defect caused by misuse, • Quick-release plate neglect, accident, alteration, abuse, improper installation or maintenance. EXCEPT AS PROVIDED HEREIN, THE WARRANTY Key Features PROVIDER MAKES NEITHER ANY EXPRESS WARRANTIES NOR ANY IMPLIED WARRANTIES, INCLUDING BUT NOT LIMITED Tilt-Tension Adjustment Knob TO ANY IMPLIED WARRANTY OF MERCHANTABILITY Tilt Lock OR FITNESS FOR A PARTICULAR PURPOSE. -
DMC-LC1 Manual
LC1PP.book 1 ページ 2004年1月26日 月曜日 午後6時50分 Digital Camera Operating Instructions Model No.DMC-LC1PP Before use, please read these instructions completely. For USA assistance, please call: 1-800-272-7033 or send e-mail to : [email protected] For Canadian assistance, please call: 1-800-561-5505 or visit us at www.panasonic.ca VQT0G87 LC1PP.book 2 ページ 2004年1月26日 月曜日 午後6時50分 Safety Safety Dear Customer, Carefully observe copyright laws. We would like to take this opportunity to Recording of pre-recorded tapes or thank you for purchasing this Panasonic discs or other published or Digital Camera. Please read these broadcast material for purposes Operating Instructions carefully and other than your own private use may keep them handy for future reference. infringe copyright laws. Even for the purpose of private use, recording of Information for Your certain material may be restricted. Safety • Please note that the actual controls and components, menu items, etc. of your Digital Camera may look WARNING somewhat different from those shown TO REDUCE THE RISK OF FIRE in the illustrations in these Operating OR SHOCK HAZARD AND Instructions. ANNOYING INTERFERENCE, USE • SD Logo is a trademark. ONLY THE RECOMMENDED • Other names, company names, and ACCESSORIES AND DO NOT product names printed in these EXPOSE THIS EQUIPMENT TO instructions are trademarks or RAIN OR MOISTURE. DO NOT registered trademarks of the REMOVE THE COVER (OR BACK); companies concerned. THERE ARE NO USER SERVICEABLE PARTS INSIDE. THE SOCKET OUTLET SHALL BE REFER SERVICING TO QUALIFIED INSTALLED NEAR THE SERVICE PERSONNEL. EQUIPMENT AND SHALL BE EASILY ACCESSIBLE. Notice: This product has parts that contain a small amount of mercury. -
Shooting the Stars: an Intro to Astrophotography
Temperatures are dropping and fall has fallen, bringing with it colorful leaves changing hues, football season and an anticipation of the holidays ahead. This month’s issue includes what you’ll need to photograph fall sporting events as well as tips for shooting the stars. We know scary season is coming so we’ve included some of our favorite Halloween picture-taking tips. We also let you know the one thing you should check before entering a photo contest. Want to know about the legal suit that focused on a monkey taking a selfie? And how it ended? It’s in here! Remember that we’re here for you, so please call, email or visit us on Facebook. We’re happy to answer any photography questions and we'll make sure that you get the best camera or accessory for your particular needs and budget. Shooting the Stars: An Intro to Astrophotography Do you enjoy getting lost in thought the stars, so feel free to adjust your settings while staring at the nighttime sky? Turns accordingly. You will want to shoot at out that you aren’t alone. Not only is different settings and using auto mode won’t an evening enjoying nature’s light work well in this situation. Also, check the show a wonderful hobby, it has also weather as clouds and overcast skies will fostered an interest in photographing keep the nighttime jewels hidden from sight. shooting star trails and other Need a couple of basics to get started evening star shows. in Astrophotography? The term ‘astrophotography’ simply means photographing Our quality ProMaster remotes anything not on Earth, but rather, in space. -
Making Your Own Astronomical Camera by Susan Kern and Don Mccarthy
www.astrosociety.org/uitc No. 50 - Spring 2000 © 2000, Astronomical Society of the Pacific, 390 Ashton Avenue, San Francisco, CA 94112. Making Your Own Astronomical Camera by Susan Kern and Don McCarthy An Education in Optics Dissect & Modify the Camera Loading the Film Turning the Camera Skyward Tracking the Sky Astronomy Camp for All Ages For More Information People are fascinated by the night sky. By patiently watching, one can observe many astronomical and atmospheric phenomena, yet the permanent recording of such phenomena usually belongs to serious amateur astronomers using moderately expensive, 35-mm cameras and to scientists using modern telescopic equipment. At the University of Arizona's Astronomy Camps, we dissect, modify, and reload disposed "One- Time Use" cameras to allow students to study engineering principles and to photograph the night sky. Elementary school students from Silverwood School in Washington state work with their modified One-Time Use cameras during Astronomy Camp. Photo courtesy of the authors. Today's disposable cameras are a marvel of technology, wonderfully suited to a variety of educational activities. Discarded plastic cameras are free from camera stores. Students from junior high through graduate school can benefit from analyzing the cameras' optics, mechanisms, electronics, light sources, manufacturing techniques, and economics. Some of these educational features were recently described by Gene Byrd and Mark Graham in their article in the Physics Teacher, "Camera and Telescope Free-for-All!" (1999, vol. 37, p. 547). Here we elaborate on the cameras' optical properties and show how to modify and reload one for astrophotography. An Education in Optics The "One-Time Use" cameras contain at least six interesting optical components. -
Photography Tripod
Photography tripod Why do I Need a Tripod? http://www.bhphotovideo.com/explora/video/buying-guides/what-look-when-you-are-looking-video- tripod Tripod Tricks? http://vimeo.com/videoschool/lesson/110/tripod-tricks Extending and Locking the Tripod Legs When you have arrived at you location or on the set and are ready to set up your tripod I feel it best to extend the legs before you spread them into position. By doing it in this way you will get the legs into roughly the same length much easier than trying to eyeball the leg length. To extend the legs un-lock the first section of the tripod and extend the leg to the desired position and secure the lock into the closed position (figures 4, 5, and 6). Figure 4 Figure 5 Figure 6 Then press the locking tab back into the closed position (figure 6). Repeat these steps for the remaining legs. Would be good to point out that "proper" way of opening tripods is top down, so that the thinnest leg section is the last to be used Fine tuning the camera height can be done with the center column, once you have established the desired height Loosen the locking knob on the center column and lift the camera into position (figures 7 and 8). Figure 7 Figure 8 With the camera in the position you want re-tighten the locking knob to secure the column into position (figure 9). Bear in mind that the center column is the part of the tripod most subject to torsion and vibration - many professional photographers choose never to use it at all. -
The ABC's of Photography
The ABC’s of Photography Susan Wingfield Lamar High School INTRODUCTION Students today are exposed to photography on a level that has never been experienced before. Cameras of one sort or another are immediately accessible. Students take pictures with cell phones that fit in the palm of their hands and digital cameras that are slightly larger than a credit card. When they are not taking pictures, they are showing pictures to their friends, or looking at their friends‟ pictures. Anyone can take photographs. But, questions arise. First, how do you get students to evaluate their images? And, do they need to? What kind of standards in photography are important and why? How can I teach photography to students and make it relevant and interesting? I don‟t want to turn teaching photography into a sit-and-get experience. In order for my photography curriculum to generate student enthusiasm, I have to create a curriculum unit that my students can relate to. So, my next step is to combine all these questions into a workable idea that students can learn from. I have decided to base the curriculum unit on what I think would be an intuitive student point of view. I begin with what students already know – how to shoot pictures. The format of each part of the unit will be five steps. First, I will ask students to take pictures of something relevant to them. These assignments will be according to subject and will vary. I find that assignments help focus the student. If I say “Go take pictures of whatever you want,” students get lost trying to decide “Of what?” If I give them an assignment, then they can get creative within those boundaries. -
Name: NAAP – the Rotating Sky 1/11
Name: The Rotating Sky – Student Guide I. Background Information Work through the explanatory material on The Observer, Two Systems – Celestial, Horizon, the Paths of Stars, and Bands in the Sky. All of the concepts that are covered in these pages are used in the Rotating Sky Explorer and will be explored more fully there. II. Introduction to the Rotating Sky Simulator • Open the Rotating Sky Explorer The Rotating Sky Explorer consists of a flat map of the Earth, Celestial Sphere, and a Horizon Diagram that are linked together. The explanations below will help you fully explore the capabilities of the simulator. • You may click and drag either the celestial sphere or the horizon diagram to change your perspective. • A flat map of the earth is found in the lower left which allows one to control the location of the observer on the Earth. You may either drag the map cursor to specify a location, type in values for the latitude and longitude directly, or use the arrow keys to make adjustments in 5° increments. You should practice dragging the observer to a few locations (North Pole, intersection of the Prime Meridian and the Tropic of Capricorn, etc.). • Note how the Earth Map, Celestial Sphere, and Horizon Diagram are linked together. Grab the map cursor and slowly drag it back and forth vertically changing the observer’s latitude. Note how the observer’s location is reflected on the Earth at the center of the Celestial Sphere (this may occur on the back side of the earth out of view). • Continue changing the observer’s latitude and note how this is reflected on the horizon diagram. -
Creating Compelling Compositions
Creating Compelling Compositions Lesson 1 Rule of Thirds The Rule of Thirds is a very basic rule but an important one to know and remember as you develop your “eye” for composition. Remember that it’s a starting point to composing really good images. It was meant to be broken like most all rules. But let’s learn it first and then we can have fun breaking the rules later! It is important to learn the rule so that it will be the foundation of your images and how you see things. As you begin to see and use shapes, lines, textures etc. you will begin to use the Rule of Thirds while utilizing other techniques into your image to create outstanding photographs. Think of composition like designing a new home and the Rule of Thirds as your blueprint. The Rule of Thirds grid resembles a Tic-tac-toe board. It calls for points of interest in the scene to be placed either one third of the way from the top or bottom and one third of the way in from either side. The horizon will either be placed one third of the way down from the top or one third up from the bottom of the frame. Although there are some exceptions, be sure to be careful and NOT place your horizon in the center of the frame (see example below). I often ask myself this question “What is more interesting, the top third of my image or the bottom third”. That often will answer the question of where to place the horizon. -
Low-Cost Computational Astrophotography
Low-cost Computational Astrophotography Joseph Yen Peter Bryan Electrical Engineering Electrical Engineering Stanford University Stanford University [email protected] [email protected] Abstract 2. Related Work When taking photographs of the night sky, long ex- Currently, most astrophotographers compensate for posure times help photographers observe many stars, the rotation of the earth by physically moving the cam- but the rotation of the earth results in long star streak era along with the earth. However, some attempts arcs about the celestial pole. An algorithm for re- have been made to remove this requirement. To accu- moving these star streaks and substituting accurately rately localize stars in streaked images, one researcher placed point-like stars is designed and implemented. has re-mapped the star streak to polar coordinates, so Images containing star streaks are transformed into that all stars will have the same point-spread function. ones with un-streaked starry skies while retaining This technique was designed for locating specific stars color and brightness information. The procedure is for the purpose of identifying specific stars, but will shown to work consistently on a 35-image dataset. be applicable for our purposes when removing star streaks [4]. Other factors besides streaking can cause quality degradation in star images, and attempts have 1. Introduction been made to correct this. These have used such tech- niques as Richardson-Lucy deblurring [2] and maxi- Astrophotography is a widespread pastime in which mally sparse optimization [1]. DSLR cameras are used to take images of objects in space. Certain factors make this a very expen- sive hobby.