Copyright © 2018 Derek Wayne Jones All Rights Reserved. the Southern

Total Page:16

File Type:pdf, Size:1020Kb

Copyright © 2018 Derek Wayne Jones All Rights Reserved. the Southern Copyright © 2018 Derek Wayne Jones All rights reserved. The Southern Baptist Theological Seminary has permission to reproduce and disseminate this document in any form by any means for purposes chosen by the Seminary, including, without limitation, preservation or instruction. DEVELOPING STUDENT MINISTRY INTERNS AT APPLEWOOD BAPTIST CHURCH IN WHEAT RIDGE, COLORADO __________________ A Project Presented to the Faculty of The Southern Baptist Theological Seminary __________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Educational Ministry __________________ by Derek Wayne Jones May 2018 APPROVAL SHEET DEVELOPING STUDENT MINISTRY INTERNS AT APPLEWOOD BAPTIST CHURCH IN WHEAT RIDGE, COLORADO Derek Wayne Jones Read and Approved by: __________________________________________ Dr. Michael E. Pohlman (Faculty Supervisor) __________________________________________ Dr. Joseph C. Harrod Date ______________________________ TABLE OF CONTENTS Page PREFACE . vi Chapter 1. INTRODUCTION . 1 Context . 2 Rationale . 4 Purpose . 5 Goals . 5 Research Methodology . 6 Definitions and Limitations/Delimitations . 7 Conclusion . 9 2. BIBLICAL AND THEOLOGICAL SUPPORT FOR PROPERLY EXEGETING AND PREACHING OLD TESTAMENT HISTORICAL NARRATIVES . 10 Redemptive Historical Hermeneutics . 10 The Example of First Samuel 17 . 23 Conclusion . 29 3. THEORETICAL, PRACTICAL, AND HISTORICAL ISSUES FOR PROPERLY EXEGETING AND PREACHING OLD TESTAMENT HISTORICAL NARRATIVES . 31 Common Misconceptions and Fallacies . 31 Old Testament Narrative Genre Should Influence the Structure of the Sermon . 40 Determining the Original Intent Will Allow for Accurate Application . 46 Conclusion . 49 iii Chapter Page 4. THE METHODOLOGY OF THE PROJECT . 50 Project Schedule . 50 The Interns . 51 Expert Panel Review . 51 Pre-Seminar Questionnaire . 52 Pre-Class Assigned Reading . 53 The Six-Week Training Process . 53 Post-Class Questionnaire/Class Evaluation Administered . 65 Live Preaching and Evaluations . 65 Conclusion . 65 5. PROJECT ANALYSIS . 67 Evaluation of Research Data . 67 Evaluation of Project Goals . 70 Strengths of the Project . 72 Weaknesses of the Project . 75 Theological Reflections . 77 Personal Reflections . 78 Conclusion . 80 Appendix 1. BASICS OF OLD TESTAMENT HISTORICAL NARRATIVE EXEGESIS ASSESSMENT . 82 2. OLD TESTAMENT HISTORICAL NARRATIVE EXEGESIS ASSESSMENT CURRICULUM EVALUATION . 88 3. APPLICATION PACKET FOR TRAINING . 90 4. HISTORICAL NARRATIVE COURSE EVALUATION . 93 iv Appendix Page 5. OLD TESTAMENT HISTORICAL NARRATIVE SERMON EVALUATION . 95 6. MEAN AND STANDARD DEVIATION FOR PRE/POST BASICS OF OLD TESTAMENT HISTORICAL NARRATIVE EXEGESIS ASSESSMENT . 99 BIBLIOGRAPHY . 101 v PREFACE This project was completed in large part because of the encouragement of many. First, I would like to thank a faithful friend and mentor, Dr. Calvin Wittman. I am grateful for his love, encouragement, and investment in my life. Next, I would like to thank Dr. Michael Pohlman, my faculty supervisor, for his guidance and encouragement throughout the whole process. Last, I would like to thank my loving, supportive family, who has been my biggest fans. Derek Jones Wheat Ridge, Colorado May 2018 vi CHAPTER 1 INTRODUCTION Applewood Baptist Church student ministry desires to make disciples by creating a culture that points people toward the way of Christ, which is the way of the cross. Making disciples consists of training people to use their gifts in order to build the church. The Bible teaches that each individual has gifts like prophecy, service, teaching, exhorting, generosity, leadership, zeal, and mercy (Rom 12:6-8). Some of these gifts are easier to develop than others. The gifts of teaching and preaching are some of the more difficult gifts in which to train because it includes a vast amount of instructing in areas such as communication, biblical theology, exegesis, and the like. Often, limited equipping occurs in the local church regarding preaching because of the amount of time needed to train leaders to accurately handle the Scriptures. This lack of training has led to many beginner preachers having to figure out how to preach and handle God’s Word on their own. These beginning preachers lack confidence in exegesis, leading them to focus on preaching from the easier genres, such as the Epistles or Gospels. They almost always avoid the more difficult genres, especially Old Testament historical narratives. This avoidance of preaching Old Testament historical narratives leads to increased biblical illiteracy within a community, and the church suffers immensely because the people are not hearing the full counsel of God’s Word communicated. The Bible is the complete, inerrant, and infallible word of God (2 Tim 3:16-17), and any ministry should have leaders who can preach texts from all types of genres. 1 Old Testament narrative passages are foundational to understanding the New Testament,1 and all of the books are necessary to accurately understand God’s plans of redemption through the work of Christ. Michael Lawrence states, Biblical theology is about reading the bible, not as if sixty-six separate books, but a single book with a single plot-God’s glory displayed through the Jesus Christ. Biblical theology is therefore about discovering the unity of the Bible in the midst of its diversity. It’s about understanding what we might call the bible’s metanarrative.2 Applewood Baptist Church student ministry implemented a training program to equip its student ministry interns with the tools necessary to faithfully handle this genre of biblical writing. Context Applewood Baptist Church (ABC) in Wheat Ridge, Colorado, began as a mission of Truett Memorial Baptist Church April 10, 1960, and on September 11, 1960, was constituted as Applewood Baptist Church (ABC). In its fifty-five-year history, ABC has gone through a variety of seasons within its student ministry. The student ministry has experienced periods of strong and poor leadership as well as times of growth and decline. Historically, ABC’s student ministry has not allowed anyone, including its ministry interns, to preach from the pulpit unless they had a traditional degree from an accredited seminary. The pulpit was only for those who have been trained in exegesis and was never used as a tool to develop their young interns. However, recently the youth ministry has experienced rapid growth and increased gatherings, resulting in the need to empower the interns to preach and teach on a regular basis. In the haste to staff the youth ministry, insufficient attention has been given to equip the interns in the needed homiletical and exegetical 1See Luke 24:13-35; Heb 11; Rom 15:4; 1 Pet 1:10; 2 Cor 3:14. These passages reveal Christ as the fulfillment of the Old Testament redemptive promise. 2Michael Lawrence, Biblical Theology in the Life of the Church: A Guide for Ministry (Wheaton, IL: Crossway, 2010), 30. 2 skills. One of the biggest areas of weakness reveals itself when the interns are asked to preach from the Old Testament narrative passages. These passages seem to be avoided at all costs because of the interns’ lack of training when dealing with this genre. All of the interns have grown up in churches that rarely taught the Old Testament. Because of this, they possess a limited understanding of how God has revealed Himself to His people throughout history and how the Old Testament points forward to the life and mission of Jesus Christ. It is imperative to teach the interns to discern the intended purposes from the stories and, when forced to preach from this genre, not to turn the intended meaning into a moralistic exhortation to become like the biblical characters instead of seeing God’s redemptive historical plan. In order to avoid moralistic teaching, our desire is to expand the interns’ knowledge on the different biblical covenants and the redemptive-historical context that should be the background for all of the historical narratives in order to find their ultimate meanings.3 Another weakness has been the lack of discipleship that has taken place within the church’s student ministry. The primary focus of large group gatherings and evangelism has left limited time for investment in the interns. Most of them have been involved in ABC’s student ministry for a while and have not had anyone mentor them personally. They have not had an opportunity to ask questions regarding the Bible, the Old Testament, or preaching on a consistent, weekly basis. Thus, the interns have been thrown into ministry environments without proper training, and many have burned out because of a lack of affirmation or encouragement. The above-mentioned circumstances have pointed out a great need in having someone invest in the lives of the interns, providing platforms for 3Sidney Greidanus states, “Clearly, one of the dangers of reading the New Testament without its Old Testament background is a serious misunderstanding of the teaching of the New Testament.” Sidney Greidanus, Preaching Christ from the Old Testament: A Contemporary Hermeneutical Method (Grand Rapids: W. B. Eerdmans, 1999), 30. 3 them to use their gifts, as well as offering appropriate feedback regarding their strengths and weaknesses. Rationale Paul commanded Timothy to teach faithful men what he had heard from Paul so that those men would teach others (2 Tim 2:2). The primary source Paul used to teach Timothy was the Old Testament, and all believers have the same commission. ABC’s student ministry desires to be faithful to this biblical imperative and to teach the interns how to preach Old Testament historical narratives. In the past, there was an expectation that leaders within ABC should be able to preach, however, preaching now seems to be a specialty. The local church rarely offers any type of training or feedback regarding educating young men how to preach and exposit God’s Word. The next generation of preachers are starving for training in regard to the different genres of Scripture and how to create and structure sermons. Paul charges Timothy to “preach the Word,” to “be ready in season and out of season,” and to “reprove, rebuke, and exhort, with complete patience and teaching” (2 Tim 4:2).
Recommended publications
  • Pitre € Notre Dame Seminary
    Letter & Spirit 8 (2013): 35-54 J, M W B, R I Brant Pitre Notre Dame Seminary Introduction If there are any issues about which historical scholarship is in widespread agree- ment, they are that Jesus’ preaching of the Kingdom of God was a central aspect of his message and mission, and that he used parables to teach about the mystery of the kingdom. For example, the comments of James D. G. Dunn regarding the kingdom of God are representative: !e centrality of the kingdom of God ( basileia tou theou ) in Jesus’ preaching is one of the least disputable, or disputed, facts about Jesus.1 With regard to the role of the parables, Craig S. Keener expresses the remarkable confidence of contemporary scholarship on Jesus when he writes: By normal historical standards, then, we should give special at- tention to parables in the Gospels as among the least debatable, most securely authentic elements of the Jesus tradition.2 In short, although many areas of Jesus research are characterized by competing hypotheses and contradictory claims, these two conclusions—that Jesus taught about the Kingdom of God and that he used parables to do so—are accepted by almost all modern scholars.3 1 James D. G. Dunn, Jesus Remembered (Grand Rapids: Eerdmans, 2003), 383. 2 Craig S. Keener, !e Historical Jesus of the Gospels (Grand Rapids: Eerdmans, 2009), 188. 3 On the centrality of the kingdom, see also John P. Meier, A Marginal Jew (3 vols.; Anchor Bible Reference Library; New York: Doubleday, 1991, 1994, 2001), 2:237; E. P. Sanders, Jesus and Judaism (Philadelphia: Fortress, 1985), 307; Norman Perrin, Rediscovering the Teaching of Jesus (New York: Harper & Row, 1967), 54; Joachim Jeremias, New Testament !eology: the Proclamation of Jesus, trans.
    [Show full text]
  • Questing Feminism: Narrative Tensions and Magical Women in Modern Fantasy
    University of Rhode Island DigitalCommons@URI Open Access Dissertations 2018 Questing Feminism: Narrative Tensions and Magical Women in Modern Fantasy Kimberly Wickham University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Wickham, Kimberly, "Questing Feminism: Narrative Tensions and Magical Women in Modern Fantasy" (2018). Open Access Dissertations. Paper 716. https://digitalcommons.uri.edu/oa_diss/716 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. QUESTING FEMINISM: NARRATIVE TENSIONS AND MAGICAL WOMEN IN MODERN FANTASY BY KIMBERLY WICKHAM A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2018 DOCTOR OF PHILOSOPHY DISSERTATION OF KIMBERLY WICKHAM APPROVED: Dissertation Committee: Major Professor Naomi Mandel Carolyn Betensky Robert Widell Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2018 Abstract Works of Epic Fantasy often have the reputation of being formulaic, conservative works that simply replicate the same tired story lines and characters over and over. This assumption prevents Epic Fantasy works from achieving wide critical acceptance resulting in an under-analyzed and under-appreciated genre of literature. While some early works do follow the same narrative path as J.R.R. Tolkien’s The Lord of the Rings, Epic Fantasy has long challenged and reworked these narratives and character tropes. That many works of Epic Fantasy choose replicate the patriarchal structures found in our world is disappointing, but it is not an inherent feature of the genre.
    [Show full text]
  • The Broken Kingdoms Free
    FREE THE BROKEN KINGDOMS PDF N K Jemisin | 420 pages | 30 Dec 2011 | Little, Brown & Company | 9780316043953 | English | New York, United States The Broken Kingdoms - - It was written by David H. It is the ninety-second episode of the series overall, and premiered on October 18, In a Camelot flashback, Guinevere The Broken Kingdoms that Arthur is losing his way, consumed by his obsession with making Excalibur whole, so she sets out with Lancelot on her own quest into the heart of darkness. In StorybrookeDark Emma unleashes a secret weapon in the next phase of her plan to find the brave soul she needs to draw Excalibur from the stone. Title The title card features Merlin 's tower. The makers of the show didn't know about their connection The Broken Kingdoms after Dalila The Broken Kingdoms filming. The middlemist flower shares its name with the rose-like flower known as middlemist red. It is the rarest flower in the world, and it is believed there are only The Broken Kingdoms middlemist The Broken Kingdoms left in the world; one in the Duke of Devonshire 's conservatory at ChiswickWest Londonand another in WaitangiNew Zealand. The middlemist flower originates from Chinaand was first brought overseas in by John Middlemist, from Shepherd's Bushwest London, who gave it to Kew Gardens. Event Chronology The Enchanted Forest and Camelot flashbacks occur in various places of the overall timeline. The events that feature young Arthur and young Guinevere occur a little bit less than years after " Nimue " and years before " The The Broken Kingdoms Swan ".
    [Show full text]
  • The City We Became / N.K
    Copyright This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental. Copyright © 2020 by N. K. Jemisin The prologue was originally published in a slightly different version as “The City Born Great” on Tor.com, copyright © 2016 by N. K. Jemisin Cover design by Lauren Panepinto Cover photos by Arcangel and Shutterstock Cover copyright © 2020 by Hachette Book Group, Inc. Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Orbit Hachette Book Group 1290 Avenue of the Americas New York, NY 10104 orbitbooks.net First Edition: March 2020 Simultaneously published in Great Britain by Orbit Orbit is an imprint of Hachette Book Group. The Orbit name and logo are trademarks of Little, Brown Book Group Limited. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.
    [Show full text]
  • The Female Grotesque Amid the Carnival of Renaissance Drama
    THE FEMALE GROTESQUE AMID THE CARNIVAL OF RENAISSANCE DRAMA BY C2009 Corinee Guy Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy ____________________________________ Chairperson: David M. Bergeron ____________________________________ Richard F. Hardin ____________________________________ Geraldo L. de Sousa ____________________________________ Patricia W. Manning ____________________________________ Misty Schieberle Date Defended_____________________________ 24 April 2009 2 The Dissertation Committee for Corinee Guy certifies that this is the approved version of the following dissertation: THE FEMALE GROTESQUE AMID THE CARNIVAL OF RENAISSANCE DRAMA Committee: _________________________________ Chairperson: David M. Bergeron _________________________________ Richard G. Hardin _________________________________ Geraldo L. de Sousa _________________________________ Patricia W. Manning _________________________________ Misty Schierberle Date approved:_______________________ 24 April 2009 3 Corinee W. Guy The University of Kansas Table of Contents Chapter 1: Introduction…………………………………………………………………...4 Chapter 2: Bartholmew Fair: The Female Grotesque Heats Up………………………..26 Chapter 3: Whoring Viragos…………………………………………………………….52 Chapter 4: The Sexually Grotesque……………………………………………………..88 Chapter 5: Witches: The Indeterminate Body………………………………………...118 Chapter 6: Shrews……………………………………………………………………...146 Chapter 7: Language
    [Show full text]
  • Tyrion Lannister: a Fulcrum of Balance in George R
    Volume 36 | Number 2 | Issue 132, Spring/Summer Article 3 4-15-2018 Tyrion Lannister: A Fulcrum of Balance in George R. R. Martin’s A Song of Ice and Fire Patricia Monk Dalhousie University, Nova Scotia (retd.) Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the English Language and Literature Commons Recommended Citation Monk, Patricia (2018) "Tyrion Lannister: A Fulcrum of Balance in George R. R. Martin’s A Song of Ice and Fire," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 36 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol36/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. Tyrion Lannister: A Fulcrum of Balance in George R. R. Martin’s A Song of Ice and Fire Abstract Tyrion Lannister, a central character in George R.R. Martin’s A Song of Ice and Fire, is described as a fulcrum point within the series. In Monk’s reading, the dwarf Tyrion’s experiences can be mapped onto the hero’s journey. He is surrounded by dragon imagery which, in a Jungian interpretation, positions him as a potential heir to the throne of Westeros.
    [Show full text]
  • A Tale Dark and Grimm 3661 and PRESS a Tale Dark Grimm:Layout 1 19/5/11 09:59 Page Iii
    3661 AND PRESS A Tale Dark Grimm:Layout 1 19/5/11 09:59 Page i A Tale Dark and Grimm 3661 AND PRESS A Tale Dark Grimm:Layout 1 19/5/11 09:59 Page iii A Tale Dark and Grimm Adam Gidwitz ANDERSENPRESS•LONDON iii 3661 AND PRESS A Tale Dark Grimm:Layout 1 19/5/11 09:59 Page v To my family. Obviously. v 3661 AND PRESS A Tale Dark Grimm:Layout 1 19/5/11 09:59 Page vii Contents A WORD OF WARNING ~ 1 FAITHFUL JOHANNES ~ 4 HANSEL AND GRETEL ~ 33 THE SEVEN SWALLOWS ~ 43 BROTHER AND SISTER ~ 56 A SMILE AS RED AS BLOOD ~ 66 THE THREE GOLDEN HAIRS ~ 91 HANSEL AND GRETEL AND THE BROKEN KINGDOM ~ 125 HANSEL AND GRETEL AND THE DRAGON ~ 144 HANSEL AND GRETEL AND THEIR PARENTS ~ 170 vii 3661 AND PRESS A Tale Dark Grimm:Layout 1 19/5/11 09:59 Page 1 A Word of Warning Once upon a time, fairy tales were awesome. I know, I know. You don’t believe me. I don’t blame you. A little while ago, I wouldn’t have believed it myself. Little girls in red hoods skipping round the forest? Awesome? I don’t think so. But then I started to read them. The real, Grimm ones. Very few little girls in red hoods in those. Well, there’s one. But she gets eaten. ‘OK,’ you’re probably saying, ‘if fairy tales are awesome, why are all the ones I’ve heard so unbelievably, mind-numbingly boring?’ You know how it is with stories.
    [Show full text]
  • Introduction Welcome to the Strange and Silly World of Kings & Things
    Introduction Welcome to the strange and silly world of Kings & Things* (for the full title please refer to the cover!). It is a world of varied terrains and magical items, of mythical beasts and valiant heroes, of Grand Dukes and Master Thieves. In Kings & Things* you play the role of a minor noble, vying for control of the broken kingdom of Kadab. Opposing you are three other equally minor nobles, all hoping to emerge as the new emperor. To accomplish your divine task you must expand your control of the varied lands of Kadab, increase your income, muster ragtag armies of whatever creatures are willing to join your cause, recruit powerful heroes to lead them, and build towers, keeps, castles, and finally a citadel to establish your base of power. Sounds easy, doesn’t it? But watch out! Those other players are under the impression that it is their divine right. And they have the same chance to recruit armies and even - gasp! - steal away some of your loyal troops, the fiends! If they build a citadel the same turn you do, then you can only win by conquest. That means you have to get your troops marching and capture a second citadel from someone else! Any questions? Good! Read on and all will be explained. Kings & Things* includes: · 48 hex t iles · 351 playing pieces · 8 player racks · 4 dice · 1 16-page rule book (including 4-page pull-out) · 1 game box (1.1) The Hex Tiles Historical Note; Once the lands of Kadab were blessed with really nice weather We mean really nice It was so nice that people (and Things) came from all over the world to settle down and soak up the sun.
    [Show full text]
  • Cold Mountain by Jason Nelson
    ADVENTURE PATH PLUG-INS Cold Mountain By Jason Nelson with the Legendary Games Design Team MAKE YOUR GAME LEGENDARY! A mother’s love is stronger than death, but love and death walk hand in hand when mortals cross paths with the immortal fey. This adventure designed for 4th to 5th level characters offers the chance to earn additional experience within a Kingbreaker Adventure Path campaign as they explore the unforgiving lands of a savage frontier and find them not uninhabited. Can they find a way to peacefully coexist with clans of the lonely hills and the frightening powers of nature that threaten to rise up and devour barbarian village and new-founded kingdom alike. About Legendary Games Legendary Games is an all star team of WELCOME TO ADVENTURE PATH PLUG-INS! This product is a part of our line of support materials for extended Adventure Path-style campaign play for authors and designers, founded by Clark use with Paizo’s Pathfinder Roleplaying Game. When you see the “Adventure Path Plug-In” logo at the top Petersen of Necromancer Games, Inc. of a Legendary Games product, you can expect it is designed to fit directly with the themes of a particular Legendary Games uses a cooperative, team- Adventure Path campaign. The all-star team of designers here at Legendary Games is committed to bringing based approach to bring you, the Paizo fan, you—the busy GM or player—the absolute best third party support for your Pathfinder campaign. To deliver on that commitment, we’ve assembled the best of the best of current gaming authors, designers and layout the best expansion material for your game.
    [Show full text]
  • Untitled): ‘‘Mock On, Mock On, Voltaire, Rousseau! / Mock On, Mock On; Tis All in Vain
    Smiling Through the Cultural Catastrophe also by jeffrey hart Political Writers of Eighteenth-Century England Burke’s Speech on Conciliation Viscount Bolingbroke: Tory Humanist The American Dissent: A Decade of Modern Conservatism When the Going Was Good! American Life in the Fifties From This Moment On: America in 1940 Acts of Recovery: Essays on Culture and Politics Smiling Through the Cultural Catastrophe Toward the Revival of Higher Education JEFFREY HART Yale University Press New Haven and London Copyright ∫ 2001 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by James J. Johnson and set in Monotype Baskerville and Bulmer types by Keystone Typesetting, Inc. Printed in the United States of America by Library of Congress Cataloging-in-Publication Data Hart, Je√rey Peter, 1930– Smiling through the cultural catastrophe : toward the revival of higher education / Je√rey Hart. p. cm. Includes bibliographical references and index. isbn 0-300-08704-7 (alk. paper) 1. Education, Humanistic. 2. Civilization—Study and teaching. I. Title. lc1011 .h365 2001 370.11%2—dc21 2001022241 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. 10987654321 Dedicated to Baker-Berry Library and its sta√, the library being the most important building on any campus A people that no longer remembers has lost its history and its soul.
    [Show full text]
  • St. Paul Lenten Devotional 2021 Grace and Peace
    St. Paul Lenten Devotional 2021 Grace and Peace, Our Spiritual Formation team invited me to offer an introduction to this reprinting of a previous Lenten Devotional, as we begin this Lenten journey together, with some basic reminders about Lent. It begins with Ash Wednesday, which occurs forty days before Easter, not including six Sundays (which are considered feast days). The number 40 recalls the Israelites’ forty years in the desert and Jesus’ forty days in the wilderness. Lent is an opportunity to go deep into our hearts and the souls of our communities, and to recognize the depth of our estrangement from God. In practicing the disciplines of Lent, such as self-examination and repentance, we seek to put things right. On Ash Wednesday, we begin with self examination through the Ten Commandments and these questions: Having no other gods. Do I love God with all my heart, mind, soul, and strength? Making no idols. Do I put possessions, career, family, reputation, or health ahead of God? Do I treat money and power as gifts or gods? Revering God’s name. Do all my words and actions glorify God? Keeping the Sabbath. Do I let work take over my life? Do I find my identity in work or in being God’s child? Do I set aside a full day each week to rest? Honoring parents. Do my parents know I value and respect them? Do my children? Respecting life. How do I respond when I am humiliated, insulted, or treated unfairly? Am I quick to forgive, or do I hold grudges and seek revenge? Do I let my anger get the better of me? Respecting marriage! Do I support and affirm the relationships of others? Respecting property.
    [Show full text]
  • Literature in English 1914 to the Present
    LITERATURE IN ENGLISH 1914 TO THE PRESENT Code No. EN1004-I M. A. English (Previous) Semester-I DIRECTORATE OF DISTANCE EDUCATION MAHARSHI DAYANAND UNIVERSITY, ROHTAK (A State University established under Haryana Act No. XXV of 1975) NAAC 'A+’ Grade Accredited University Copyright © 2003, Maharshi Dayanand University, ROHTAK All Rights Reserved. No part of this publication may be reproduced or stored in a retrieval system or transmitted in any form or by any means; electronic, mechanical, photocopying, recording or otherwise, without the written permission of the copyright holder. Maharshi Dayanand University ROHTAK – 124 001 Contents Unit-I D. H. LAWRENCE 1 Sons and Lovers Unit-II T. S. ELIOT The Love Song of J. Alfred Prufrock 39 The Waste Land Unit-III ARTHUR MILLER 97 Price Unit-IV JOHN OSBORNE 144 Look Back in Anger D.H. Lawrence 83 D.H. LAWRENCE Sons and Lovers 284 Literature in English 1914 to the Present Unit-I D.H. Lawrance: Sons and Lovers Biographical Sketch (1885-1930) David Herbert Lawrence was the son of an illiterate coal miner, John Arthur Lawrence and a genteel schoolteacher, Lydia Beardsall, in Eastwood, Nottinghamshire. Lawrence, the fourth child of his mismatched parents was especially close to his mother. From early years he was plagued with tuberculosis which growing acute in his forties eventually killed him. He began work with clerical jobs and in 1908 he qualified as a teacher from Nottingham University College. After four years of teaching he eloped with Frieda to Italy and were later married in 1914. Later, after the First World War, he traveled all over the world including Australia, Mexico, New Mexico and Europe.
    [Show full text]