Wipeout! Set Design
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A Slice of Life from 1976, Randy Ayers, Raku Ceramic, 6 X 6 Put Together, $60
Toxicity, Barry Benner Plastic, 17 x 16 x 10, $250 Why I don’t know, but I decided to save the plastic rings drink containers came in over the years. During a get rid of useless stuff phase, I reconsidered the items I had collected. I thought that since I had drunk what they held through the years and the fact that they would last forever, I should save some trash and make something out of them that might still have some life long after I was dead. The dimensionality of time. Fractured Reflections, Barry Benner Used dvds, 24 x 30, $450 For several years I would save DVDS and CDS that were scratched or that I decided I didn’t want to use again. Each one I had devoted some of my time to. They were in a nice stack. There got to be so many that I decided to throw them out last year, but on looking at them, I saw how reflective the backs were and how light made rainbows and decided they would be better used as art than trash. Roopville Potato House, Patrick Henrickson Mixed media on canvas, 36 x 24 framed, $500 I have been working with the family to restore the Potato House in Roopville, Georgia a few miles from my studio. Seemed like a good time to do a painting of a country scene with sunflowers which have been planted at the potato house. The chair is just a symbol of relaxing country living. Crows are always hanging around the sunflowers. Sweet Dreams, Patrick Henrickson Photo taken from IpHone: Mounted archival print, 14 x 14, $100 iPhone digital illustration piece. -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis. -
Catch a Wave: the Rise, Fall and Redemption of the Beach Boys Brian Wilson Pdf
FREE CATCH A WAVE: THE RISE, FALL AND REDEMPTION OF THE BEACH BOYS BRIAN WILSON PDF Peter Ames Carlin | 368 pages | 06 Aug 2007 | RODALE PRESS | 9781594867491 | English | Pennsylvania, United States Catch a Wave by Peter Ames Carlin - PopMatters Superhero media has a history of critiquing the dark side of power, hero worship, and vigilantism, but none have done so as radically as Watchmen and The Boys. Aussie indie rockers, Floodlights' debut From a View is a very cleanly, crisply-produced and mixed collection of shambolic, do-it- yourself indie guitar music. CF Watkins has pulled off the Catch a Wave: The Rise trick of creating an album that is imbued with the warmth of the American South as well as the urban sophistication of New York. Canadian singer-songwriter Helena Deland's first full-length release Someone New reveals her considerable creative talents. Joe Wong, the composer behind Netflix's Russian Doll and Master of Nonearticulates personal grief and grappling with artistic fulfillment into a sweeping debut album. British rocker Peter Frampton grew up fast before reaching meteoric heights with Frampton Comes Alive! Now the year- old Grammy-winning artist facing a degenerative muscle condition looks back on his life in his new memoir and this revealing interview. Bishakh's Som's graphic memoir, Spellboundserves as a reminder that trans memoirs need not hinge on transition narratives, or at least not on the ones we are used to seeing. Seductively approachable, Gamblers' sunny sound masks the tragedy and despair that populate the band's debut album. Peter Guralnick's homage to writing about music, 'Looking to Get Lost', shows Catch a Wave: The Rise good music writing gets the music into the readers' head. -
ACRONYM 13 - Round 9 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta
ACRONYM 13 - Round 9 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta 1. The first NCAA basketball game to be broadcast in primetime was played at this venue in 1968. From 1971 to 1975, this venue served as the home of its city's namesake professional baseball, football, and basketball teams. Bobby Riggs lost to Billie Jean King in the Battle of the Sexes in this venue. Before becoming the Titans in 1996, the NFL's (*) Oilers played in this stadium, which inspired the name of a form of artificial turf. A team oncecalled the "Colt 45s" later played in, for 10 points, what pioneering domed stadium in Houston, Texas? ANSWER: (NRG) Astrodome [or Houston Astrodome] <Vopava> 2. In 2005 this band's drummer and bassist formed a supergroup with Shane Gallagher while its guitarist coped with painkiller addiction. That former member of this group also formed the band Box Car Racer. A 2008 plane crash in California nearly killed both DJ A.M. and this band's (*) drummer. The lyric "she left me roses by the stairs" comes from a gift received by this band's former singer, who now spends time searching for aliens. Tom DeLonge was a member of, For 10 points, what rock band that sang "Say it ain't so / I will not go" in their hit "All the Small Things"? ANSWER: Blink-182 <Vopava> 3. A woman who married into this family resorts to performing Adele hits as singing telegrams to make money. As an adult, one member of this familytakes in Deja as a foster child, inspired by the fact that he himself was abandoned as a baby at afire station. -
HOS Transcript 12/16/02
Heart of the Sea -Transcript RELL: A lot of grand-parents come up with the name before you're even in your mom. They have a dream and they tell your mother, well you’re going to have another girl and her name’s going to be: Kapolioka’ehukai, that means Heart of the Sea. COMMENTATOR (WOMAN): Next up is a native of Hawaii: Rell Sunn COMMENTATOR (MAN): She grew up at Makaha and really knows these waves well. Look at her maneuver here. Look right there, Andrea, that’s a nose ride, you don’t see many of them anymore, it’s an extremely different maneuver to perform on these small boards. Looking at in slow motion, you’ll notice she pulls herself up high in the wave, drops her weight back, stalls her board into the critical section and simply walks to the front of the board...plants herself on the nose and rides the wave; extremely difficult, it’s going to score. RELL: Before I could read, I could read the ocean. I knew the tides , I could read the wind on the ocean, I thought I knew everything I ever needed to know just from being on that beach every day, everything. I started surfing when I was four. It’s like you’re four and you’re having a revelation; you can’t quite articulate it but you know the feeling. And my dad was like a beach boy. And he used to surf all the time and so of course that was going to be a part of our lives. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
The Beach Boys 100.Xlsx
THE BEACH BOYS 100 Rank Songs 1 Good Vibrations 2 California Girls 3 God Only Knows 4 Caroline No 5 Don't Worry Baby 6 Fun Fun Fun 7 I Get Around 8 Surfin' USA 9 Til I Die 10 Wouldn't It Be Nice 11 I Just Wasn't Made for These Times 12 Warmth of the Sun 13 409 14 Do You Remember 15 A Young Man is Gone 16 When I Grow Up 17 Come Go With Me 18 Girl from New York City 19 I Know There's an Answer 20 In My Room 21 Little Saint Nick 22 Forever 23 Surfin' 24 Dance Dance Dance 25 Let Him Run Wild 26 Darlin' 27 Rock & Roll to the Rescue 28 Don't Back Down 29 Hang on to your Ego 30 Sloop John B 31 Wipeout (w/ The Fat Boys) 32 Wild Honey 33 Friends 34 I'm Waiting for the Day 35 Shut Down 36 Little Deuce Coupe 37 Vegetables 38 Sail On Sailor 39 I Can Hear Music 40 Heroes & Villains 41 Pet Sounds 42 That's Not Me 43 Custom Machine 44 Wendy 45 Breakaway 46 Be True to Your School 47 Devoted to You 48 Don't Talk 49 Good to My Baby 50 Spirit of America 51 Let the Wind Blow THE BEACH BOYS 100 52 Kokomo 53 With Me Tonight 54 Cotton Fields 55 In the Back of My Mind 56 We'll Run Away 57 Girl Don't Tell Me 58 Surfin' Safari 59 Do You Wanna Dance 60 Here Today 61 A Time to Live in Dreams 62 Hawaii 63 Surfer Girl 64 Rock & Roll Music 65 Salt Lake City 66 Time to Get Alone 67 Marcella 68 Drive-In 69 Graduation Day 70 Wonderful 71 Surf's Up 72 Help Me Rhonda 73 Please Let Me Wonder 74 You Still Believe in Me 75 You're So Good to Me 76 Lonely Days 77 Little Honda 78 Catch a Wave 79 Let's Go Away for Awhile 80 Hushabye 81 Girls on the Beach 82 This Car of Mine 83 Little Girl I Once Knew 84 And Your Dreams Come True 85 This Whole World 86 Then I Kissed Her 87 She Knows Me Too Well 88 Do It Again 89 Wind Chimes 90 Their Hearts Were Full of Spring 91 Add Some Music to Your Day 92 We're Together Again 93 That's Why God Made Me 94 Kiss Me Baby 95 I Went to Sleep 96 Disney Girls 97 Busy Doin' Nothin' 98 Good Timin' 99 Getcha Back 100 Barbara Ann. -
Racing, Region, and the Environment: a History of American Motorsports
RACING, REGION, AND THE ENVIRONMENT: A HISTORY OF AMERICAN MOTORSPORTS By DANIEL J. SIMONE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2009 1 © 2009 Daniel J. Simone 2 To Michael and Tessa 3 ACKNOWLEDGMENTS A driver fails without the support of a solid team, and I thank my friends, who supported me lap-after-lap. I learned a great deal from my advisor Jack Davis, who when he was not providing helpful feedback on my work, was always willing to toss the baseball around in the park. I must also thank committee members Sean Adams, Betty Smocovitis, Stephen Perz, Paul Ortiz, and Richard Crepeau as well as University of Florida faculty members Michael Bowen, Juliana Barr, Stephen Noll, Joseph Spillane, and Bill Link. I respect them very much and enjoyed working with them during my time in Gainesville. I also owe many thanks to Dr. Julian Pleasants, Director Emeritus of the Samuel Proctor Oral History Program, and I could not have finished my project without the encouragement provided by Roberta Peacock. I also thank the staff of the Samuel Proctor Oral History Program. Finally, I will always be grateful for the support of David Danbom, Claire Strom, Jim Norris, Mark Harvey, and Larry Peterson, my former mentors at North Dakota State University. A call must go out to Tom Schmeh at the National Sprint Car Hall of Fame, Suzanne Wise at the Appalachian State University Stock Car Collection, Mark Steigerwald and Bill Green at the International Motor Racing Resource Center in Watkins Glen, New York, and Joanna Schroeder at the (former) Ethanol Promotion and Information Council (EPIC). -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd*
Entrepreneurship & Regional Development, 2014 Vol. 26, Nos. 1–2, 165–205, http://dx.doi.org/10.1080/08985626.2013.877986 Roots radical – place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd* ALBA Graduate Business School, AHEAD, 6-8 Xenias Street, Athens 115 28, Greece (Received 5 February 2013; accepted 16 December 2013) The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepre- neurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Creating Special Days for Kids with Special Needs :: Press
Ride a Wave Press Kit This document includes the following media resources: · Ride a Wave Fact Sheet · FAQ: Frequently Asked Questions · Quotes from Participants, Parents, Organizations, and Volunteers · Images of a typical Ride a Wave Beach Camp High-resolution JPEG images of all pictures in the press kit are available electronically at: http://www.rideawave.org/files/ride_a_wave_pics.zip. To schedule an interview or get additional information, please contact Rocky Snyder (831.252.7625 / [email protected]) or visit our website (www.rideawave.org). Ride a Wave Press Kit, ver 1.1 - www.rideawave.org Page 1 of 14 Copyright 1998-2008 Ride a Wave. All photos copyright Boots McGhee. Press contact: Rocky Snyder 831.252.7625 [email protected] Fact Sheet · Mission: Ride a Wave gives children with special needs the chance to feel the thrill of riding a wave and experience a safe, fun-filled day at the beach, whether they are physically, developmentally or economically challenged. · Origin: Ride a Wave (RAW) was founded by Danny Cortazzo, fireman, paramedic, former champion tandem surfer, and lifeguard. Cortazzo was hit by a car in Australia in 1990 and had a near death experience. Cortazzo said “I realized how fortunate I was to be so connected with the beach and ocean. It also made me aware of how many people will never get the opportunity to experience the joy of feeling the rush of catching a wave. I shared these feelings with my best friends, and we decided to try to help give people with special needs this opportunity.” In 1992, Cortazzo founded the Malibu Board Riders in Southern California to help children dealing with cancer at Ronald McDonald's Camp Good Times get in the water to surf and boogie board. -
View Song List
Piano Bar Song List 1 100 Years - Five For Fighting 2 1999 - Prince 3 3am - Matchbox 20 4 500 Miles - The Proclaimers 5 59th Street Bridge Song (Feelin' Groovy) - Simon & Garfunkel 6 867-5309 (Jenny) - Tommy Tutone 7 A Groovy Kind Of Love - Phil Collins 8 A Whiter Shade Of Pale - Procol Harum 9 Absolutely (Story Of A Girl) - Nine Days 10 Africa - Toto 11 Afterglow - Genesis 12 Against All Odds - Phil Collins 13 Ain't That A Shame - Fats Domino 14 Ain't Too Proud To Beg - The Temptations 15 All About That Bass - Meghan Trainor 16 All Apologies - Nirvana 17 All For You - Sister Hazel 18 All I Need Is A Miracle - Mike & The Mechanics 19 All I Want - Toad The Wet Sprocket 20 All Of Me - John Legend 21 All Shook Up - Elvis Presley 22 All Star - Smash Mouth 23 All Summer Long - Kid Rock 24 All The Small Things - Blink 182 25 Allentown - Billy Joel 26 Already Gone - Eagles 27 Always Something There To Remind Me - Naked Eyes 28 America - Neil Diamond 29 American Pie - Don McLean 30 Amie - Pure Prairie League 31 Angel Eyes - Jeff Healey Band 32 Another Brick In The Wall - Pink Floyd 33 Another Day In Paradise - Phil Collins 34 Another Saturday Night - Sam Cooke 35 Ants Marching - Dave Matthews Band 36 Any Way You Want It - Journey 37 Are You Gonna Be My Girl? - Jet 38 At Last - Etta James 39 At The Hop - Danny & The Juniors 40 At This Moment - Billy Vera & The Beaters 41 Authority Song - John Mellencamp 42 Baba O'Riley - The Who 43 Back In The High Life - Steve Winwood 44 Back In The U.S.S.R.