DOCSLIB.ORG

The Live Tv You've Been Waiting For

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Live Tv You've Been Waiting For THE LIVE TV YOU’VE BEEN WAITING FOR. NO ANNUAL CONTRACT. NO SATELLITE NEEDED. 120+ LIVE TV CHANNELS. NEW TRUE CLOUD DVR BETA You can set recordings and watch anywhere.* STREAM ON 3 DEVICES AT ONCE Watch live or recorded content on up to 3 different devices. $5 extra. *Functions may be limited in beta. Compatible device required. Not available for select channels. Data connection required. Limited to 20 hours of recording time. Recordings expire after 30 days. Restrictions apply. See directvnow.com for details. ©2018 AT&T Intellectual Property. All Rights Reserved. AT&T, Globe logo, DIRECTV, and all other DIRECTV marks contained herein are trademarks of AT&T Intellectual Property and/ or AT&T affiliated companies. All other marks are the property of their respective owners. Now More Than Ever ... JOIN THE FIGHT! (323) 297-4001 thefightmag.com Introducing Celebrity Edge, a revolutionary new ship designed Some resorts have to leave the future behind. With spectacular two-story Edge Villas, featuring panoramic views, personal butler service, direct access a beautiful view. to the exclusive sundeck and pool, as well as private dining and the concierge lounge. Ours has thousands. Celebrity Edge stands apart from anything else at sea. Bookings now open. Availability limited. 1-888-283-6879 | celebrity.com/edge | Call your travel agent All images of Celebrity Edgesm are artistic renderings based on current development concepts, which are subject to change without notice. Celebrity Edge and Edge are trademarks of Celebrity Cruises. ©2018 Celebrity Cruises. Ships' registry: Malta and Ecuador. 05_15_SW_PRC_8.375x10.875_Outfest Festival_EDGE Villas.indd 1 5/14/18 1:37 PM 1 PRESENTING SPONSOR GRAND SPONSOR AUTO SPONSOR PREMIERE SPONSORS OFFICIAL SPONSORS Tickets: 213.480.7065 | outfest.org 2 FUNDERS DAY SPONSORS PLATINUM OUTFEST FORWARD SPONSORS FILM GUIDE SPONSORS PROGRAM FRIENDS OF MEDIA SPONSORS OPENING NIGHT OPENING NIGHT SPONSORS OUTFEST Adelante Magazine GALA VIP GALA AFTER PARTY Annapurna Pictures Ramada West Hollywood American Institute The Advocate RESTAURANT RESTAURANTS AT&T Entertainment SAG-AFTRA of Bisexuality Edge Media Network SPONSORS Broken Spanish Group SAGIndie Backstage West Gay Desert Guide Craft Craft AT&T Hello Lab Scruff California Film KSPC 88.7 FM Border Grill Truck Gwen BroadwayHD Shaftesbury Commision LA Confidential Love & Salt Horse Thief BBQ Barefoot Wine Showtime Networks Christopher Street West/ LA Weekly Rossoblu Hunter & Charlie’s The Film Collaborative STARZ LA Pride Level Ground Salt’s Cure Mozza FotoKem Taiwan Academy Comedian Robbie Rob OML Union Letterpress Chocolate Fox Searchlight Taiwan Ministry of GALECA OUT Lucques Group HBO Culture Goethe Institut Pink Banana Media Proof Here Media Tello Films Hollywood Bowl Remezcla Rustic Canyon Lesbian News Wolfe Video IDA Variety 411 Sqirl The LGBT Sentinel SJ Walkies WeHo Bistro Munger, Tolles & WGAW Wexler’s Deli Olsen LLP Northern Trust @outfest #outfestla 3 ESSENTIALS Parties & Receptions 9 Schedule at a Glance 27 Major Donors 54 HOW MUCH ARE TICKETS? Focus on Women 56 Regular Screenings: $15 Emerging Leaders Council 56 Centerpiece Screenings: $20 Film Index by Title FORD Under the Stars: $20 57 Platinum Alchemy Party: $25 GALAS | CENTERPIECES Opening Night Gala Opening Night Gala 4 VIP (Orchestra/Loge) with VIP Pre-Party $175 Centerpiece Screenings 6 Preferred (Front Balcony) $85 Closing Night Gala 8 General (Rear Balcony) $60 *All Gala tickets include entry to After Party FESTIVAL PROGRAMS Closing Night Gala Narrative Features 12 Preferred (Orchestra) Seating $75 Documentary Features 20 General (Balcony) Seating $55 Episodic Programs 34 *All Gala tickets include entry to After Party Short Film Programs 36 Member Benefits Special Events 42 $4 off Regular, Centerpiece and Ford Screenings Platinum Section - Experimental Film 48 $5 off Platinum Alchemy Party $10 off Opening and Closing Night Galas Outfest UCLA Legacy Project 50 To become an Outfest member visit outfest.org/membership or call Outfest Forward 51 213.480.7065. WHEN DO TICKETS GO ON SALE? PROGRAMMING TEAM Outfest Members: Thursday, June 14 Lucy Mukerjee, Lauren Cioffi, General Public: Monday, June 18 Director of Programming Consulting Programmer Alonso Duralde, Daniel Crooke, WHERE CAN I BUY TICKETS? Senior Programmer Shorts Programmer Online: outfest.org Sheryl Santacruz, Tiffany Naiman, Available 24 hours a day, 7 days a week Programming Manager Platinum Programmer By Phone: 213.480.7065 Jessica Broutt, Keefe Liu, 6/14-7/12: Monday-Friday 11:00am-7:00pm Educational Programs Manager Programming Assistant 7/13-7/21: 10:00am-8:00pm 7/22: 10:00am-5:00pm Brendan Lucas, Kevin Martin, Legacy Project Manager Copy Editor In Person: Outfest Los Angeles Box Office at the DGA 7/3-7/12: 11:00am-7:00pm (closed 7/4 & 7/8) Twiggy Pucci Garcon, 7/13-7/21: 10:00am-10:00pm Episodic Programmer 7/22: 10:00am-4:30pm at Regal Cinemas Tickets: 213.480.7065 | outfest.org 4 OPENING THURSDAY | July 12 | 8:00pm | Orpheum STUDIO 54 Dir: Matt Tyrnauer, 2018, USA, 98 min. When disco was the epicenter of popular culture, Studio 54 was the epicenter of disco. Brooklyn-born college pals Steve Rubell and Ian Schrager took a former opera house and CBS studio (where “What’s My Line?” and “Captain Kangaroo” filmed), in what was at the time one of New York City’s sketchiest neighborhoods, and turned it into a dance palace known the world over. Extroverted gay Rubell and introverted straight Schrager (the latter giving his most extensive interview to date about Studio 54) were a powerful team — but the swirl of sex, drugs, celebrity, and tax evasion brought this phenomenon to an end, as did the advent of Ronald Reagan, the AIDS crisis, and the “Disco Sucks” backlash. But oh, what heady times there were during Studio 54’s heyday, which this vibrant documentary captures, mixing vintage interviews (Michael Jackson!) with reminiscences from the doormen, bartenders, and paparazzi who experienced the thrills and the beats on the dance floor and in the infamous balcony. There may never again be such a stately pleasure dome as Studio 54, but director Matt Tyrnauer (Valentino: The Last Emperor, Scotty and the Secret History of Hollywood) observantly captures the hedonism and the hubris with the exacting eye that has made him one of this generation’s most fascinating documentarians. Matt Tyrnauer is a writer, director, producer, and award- winning journalist whose films include Valentino: The Last Emperor, Scotty and the Secret History of Hollywood (see p23), Citizen Jane: Battle for the City, and Jean Nouvel: Reflections. Upcoming projects include Once Upon a Time in Beverly Hills for HBO. GALA 5 2018 OUTFEST ACHIEVEMENT AWARD HONOREE: ANGELA ROBINSON Who says queer cinema can’t be fun? Not Angela Robinson, whose storied career has encompassed teen spies, hot Cajun vampires, kinky comic-book creators, West Hollywood power lesbians and the world’s smartest VW bug, to name just a few. Since her breakthrough with the daffy, sexy secret-agent satire D.E.B.S. (first as a short, then a feature), Robinson has successfully jumped from small screen to large, from movies to comics and back again, always bringing a variety of characters, places and periods to exhilarating life. Whether it’s “True Blood” or “How to Get Away with Murder,” “The L Word” or Herbie: Fully Loaded, “Hung” or Professor Marston and the Wonder Women, Robinson’s stories pop; she has the compassion and the narrative drive of a born storyteller, and her career will no doubt continue to delight and surprise audiences as she takes us places we’ve never been before. ABOUT OPENING NIGHT GALA Join us for the legendary LGBTQ party of the summer! The VIP Pre-Party is the see-and-be-seen event of the season. Shannon Swindle, James Beard semifinalist Pastry Chef at Tom Collichio’s Craft, has asked some of his friends from the top restaurants in the city to join him to give you a taste of the best LA has to offer. Inside the theater it begins with the presentation of the Achievement Award followed by the Opening Night movie. Then come outside to Outfest’s reimagining of Studio 54. Grab a bite from one of the dozen restaurants and a glass of beer from Angel City Brewery, a glass from Barefoot wines or a Finlandia vodka cocktail. It’s all on us! And don’t worry, you will be able to dance the night away. 6:30PM 8:00PM 10:00PM VIP PRE-PARTY AWARD PRESENTATION AND FILM GALA AFTER-PARTY 6 CENTERPIECE SCREENINGS PLATINUM CENTERPIECE US CENTERPIECE FRIDAY | July 13 | 8:30pm | REDCAT SATURDAY | July 14 | 6:45pm | DGA 1 OUR FUTURE ENDS WE THE ANIMALS Dir: Clement Hil Goldberg, 2018, USA, 50 min. Dir: Jeremiah Zagar, 2018, USA, 93 min. Will queer culture go out with a stylish bang, or will the spirits of Lemuria Lovely and lyrical, this film received well-earned comparisons to Moonlight when it inspire us to preserve our fabulousness? Springing from the creative mind of premiered at the Sundance Film Festival, where it earned the prestigious NEXT trans director, writer, and animator Clement Hil Goldberg, this multimedia and Innovator Award. Acclaimed documentary filmmaker Jeremiah Zagar makes his multidisciplinary satire envisions both near-extinct lemurs and long-lost narrative debut with this adaptation of the novel by Justin Torres about three boys Lemuria. Lemuria (a precursor to the occult city of Atlantis) was an imagined navigating their parents’ volatile relationship and the aftermath of their breakup. site of catastrophic loss populated by Lemurians, queer prehistoric entities Two of the sons clearly follow in the footsteps of their macho, anger-prone father that went extinct alongside the Atlanteans. Goldberg’s work illuminates the (Raúl Castillo, Looking), while the sensitive youngest, Jonah (Evan Rosado), at-risk nature of queer spaces as well as the world’s most endangered remains closer to their mother (Sheila Vand, Women Who Kill).
Load more

Recommended publications
  • Citizen Jane: Battle for the City
    >>marzo>> 19.00 h . 2021 Sinopsis El documental captura la batalla, de hace medio siglo, entre la activista Jane Jacobs y el urbanista Robert Moses por el futuro de Nueva York. Con la publicación del libro ‘The Death and Life of Great American Cities’, Jane alertaba sobre las conse- cuencias que tendría la reconfiguración de las ciudades por parte de urbanistas y arquitectos modernos. Jacobs se involucró activamente en muchos movimientos para detener los planes destructivos del arquitecto Robert Moses, un poderoso constructor con gran influencia política. Citizen Jane: Battle for the city Ficha técnica | EE. UU., 2016. VOSE. B/N y Color. Título original: Citizen Jane: Battle for the City. Duración: 92 minutos Dirección: Matt Tyrnauer CICLO DE CINE Producción: Matt Tyrnauer, Corey Reeser, Troy Benjamin, Jenny Carchman, Robert Hammond, etc. Productora: Altimeter Films Fotografía: Chris Dapkins, Nick Higgins, Paul Morris Montaje: Daniel Morfesis Música: Jane Antonia Cornish Intérpretes | Documental con intervenciones de: Thomas Campanella Mindy Fullilove Alexander Garvin Paul Goldberger Steven Johnson Max Page Mary Rowe Michael Sorkin Reconocimientos Premios Cinema Eye Honors: Nominación especial a logro destacado en diseño gráfico o animación (Grant Nellessen). Festival de cine de Hamburgo: Nomina- ción-premio película política (Matt Tyrnauer). Festival de cine de Miami: Nomina- ción a mejor documental (Matt Tyrnauer). Festival de cine independiente de Toron- to (TIFF): Sección oficial. Festival documental de Nueva York (DOC NYC): Sección oficial. Festival Internacional de cine documental de Amsterdam (IDFA): Sección oficial Matt Tyrnauer (director, guionista, periodista). Periodista y director de cine estadounidense, vive en Los Ángeles (California). Tyrnauer se formó en la Crossroads School for Arts and Sciences, una escuela preparatoria para la universidad en Santa Mónica (California), y posteriormente en la Universidad Wesleyana (Connecticut).
    [Show full text]
  • Universidad Peruana De Ciencias Aplicadas Facultad
    Caracterización de los procesos de consumo de los K- Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS Item Type info:eu-repo/semantics/bachelorThesis Authors Mosquera Anaya, Heidy Winie Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 4.0 International Download date 10/10/2021 11:56:20 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/648589 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE COMUNICACIONES PROGRAMA ACADÉMICO DE COMUNICACIÓN AUDIOVISUAL Y MEDIOS INTERACTIVOS Caracterización de los procesos de consumo de los K-Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS. TESIS Para optar el título profesional de Licenciado en Comunicación Audiovisual y Medios Interactivos AUTOR(A) Mosquera Anaya, Heidy Winie (0000-0003-4569-9612) ASESOR(A) Calderón Chuquitaype, Gabriel Raúl (0000-0002-1596-8423) Lima, 01 de Junio de 2019 DEDICATORIA A mis padres Abraham y Luz quienes con su amor, paciencia y esfuerzo me han permitido llegar a cumplir hoy un sueño más.
    [Show full text]
  • 2020 MAQHA Select Points 2020 Final Points Horses Name
    2020 MAQHA Select Points 2020 Final Points A B C D E F G H I J K L M N O P Q R S T U V W X Y Z AA ABAC AD AE AF AJ AK 1 Horses Name/Exhibitors Name HC1 HC2 HC3 D1 D2 D3 D4 Y1 Y2 Y3 S1 S2 S3 S4 G1 G2 G3 G4 L1 L2 L3 L4 F1 F2 F3 F4 G5A1 A2 A3 P4Total 2 3 Amateur Select Showmanship 4 Splash O Moonlite/Barbara Chambers 4 4 3 9 9 9 8 7 9 9 9 7 5 6 6 9 9 9 8 8 9 9 165 Champion 5 The Sheik/Denise Hoffman 5 5 5 3 3 3 9 7 7 7 6 6 5 7 4 5 5 3 6 8 8 117 Reserve 6 PSU His Rhythm Rocks/Sandy Slocum-Lipscomb 1 2 4 5 7 8 7 8 8 8 6 8 8 6 7 9 6 6 114 7 Moonwalk/Christi Free 2 2 2 1 5 2 4 3 1 1 3 3 4 7 4 7 7 5 63 8 Been Alota Fun/Jeannie Hotard 3 3 3 2 5 1 5 5 2 2 2 2 0 3 2 1 41 9 Relentless Chase/Christine Schlecht 1 1 1 1 3 2 1 2 4 4 4 4 0 0 0 0 3 3 3 37 10 Shifty Doc Riddle/Debbie Purvis 4 4 4 3 1 1 0 6 23 11 Defination Of Lazy/Lisa Weaver 0 0 0 0 1 3 3 1 5 2 4 2 21 12 Talkaboutasweetchip/Debbie Wells 2 3 3 1 2 2 2 15 13 Certainly A Goodbar/Lisa Weaver 2 1 2 5 14 Bae Bae R Smokin/Aprille Watts 1 1 1 3 15 Shiney Red Kadillac/Sheila Schmidt 0 0 0 0 0 16 17 Amateur Select Hunter Under Saddle 18 PSU His Rhythm Rocks/Samdy Slocum-Lipscomb 3 1 1 2 3 3 3 3 3 3 3 3 3 3 3 39 Champion 19 Relentles Chase/Christine Schlecht 2 2 2 2 2 2 2 1 1 1 1 18 Reserve 20 Shifty Doc Riddle/Debbie Purvis 1 1 1 1 1 1 1 2 9 21 22 Amateur Select Equitation 23 PSU His Rhythm Rocks/Sandy Slocum-Lipscomb 3 3 4 2 3 3 3 3 3 3 3 3 36 Champion 24 Relentless Chase/Christine Schlecht 1 2 1 1 2 2 2 2 14 Reserve 25 Willie B Caaned/Lisa Marshall 4 4 3 3 14 26 Shifty Doc Riddle/Debbie Purvis
    [Show full text]
  • The Direct Action Politics of US Punk Collectives
    DIY Democracy 23 DIY Democracy: The Direct Action Politics of U.S. Punk Collectives Dawson Barrett Somewhere between the distanced slogans and abstract calls to arms, we . discovered through Gilman a way to give our politics some application in our actual lives. Mike K., 924 Gilman Street One of the ideas behind ABC is breaking down the barriers between bands and people and making everyone equal. There is no Us and Them. Chris Boarts-Larson, ABC No Rio Kurt Cobain once told an interviewer, “punk rock should mean freedom.”1 The Nirvana singer was arguing that punk, as an idea, had the potential to tran- scend the boundaries of any particular sound or style, allowing musicians an enormous degree of artistic autonomy. But while punk music has often served as a platform for creative expression and symbolic protest, its libratory potential stems from a more fundamental source. Punk, at its core, is a form of direct action. Instead of petitioning the powerful for inclusion, the punk movement has built its own elaborate network of counter-institutions, including music venues, media, record labels, and distributors. These structures have operated most notably as cultural and economic alternatives to the corporate entertainment industry, and, as such, they should also be understood as sites of resistance to the privatizing 0026-3079/2013/5202-023$2.50/0 American Studies, 52:2 (2013): 23-42 23 24 Dawson Barrett agenda of neo-liberalism. For although certain elements of punk have occasion- ally proven marketable on a large scale, the movement itself has been an intense thirty-year struggle to maintain autonomous cultural spaces.2 When punk emerged in the mid-1970s, it quickly became a subject of in- terest to activists and scholars who saw in it the potential seeds of a new social movement.
    [Show full text]
  • Rectv Powered by レコチョク 配信曲 覧（アーティスト名ヨミ「は」 ）
    RecTV powered by レコチョク 配信曲⼀覧（アーティスト名ヨミ「は」⾏） ※2021/7/19時点の配信曲です。時期によっては配信が終了している場合があります。 曲名 歌手名 アワイロサクラチル バイオレント イズ サバンナ It's Power of LOVE バイオレント イズ サバンナ OH LOVE YOU バイオレント イズ サバンナ つなぐ バイオレント イズ サバンナ I'M DIFFERENT HI SUHYUN AFTER LIGHT [Music Video] HYDE INTERPLAY HYDE ZIPANG (Japanese Version) HYDE feat. YOSHIKI BELIEVING IN MYSELF HYDE FAKE DIVINE HYDE WHO'S GONNA SAVE US HYDE MAD QUALIA [Japanese Version] HYDE LET IT OUT HYDE 数え切れないKiss Hi-Fi CAMP 雲の上 feat. Keyco & Meika, Izpon, Take from KOKYO [ACOUSTIC HIFANA VERSION] CONNECT HIFANA WAMONO HIFANA A Little More For A Little You ザ・ハイヴス Walk Idiot Walk ザ・ハイヴス ティック・ティック・ブーン ザ・ハイヴス ティック・ティック・ブーン(ライヴ) ザ・ハイヴス If I Could Change Your Mind ハイム Summer Girl ハイム Now I'm In It ハイム Hallelujah ハイム Forever ハイム Falling ハイム Right Now ハイム Little Of Your Love ハイム Want You Back ハイム BJ Pile Lost Paradise Pile I Was Wrong バイレン 100 ハウィーD Shine On ハウス・オブ・ラヴ Battle [Lyric Video] House Gospel Choir Waiting For The Sun Powderfinger Already Gone Powderfinger (Baby I've Got You) On My Mind Powderfinger Sunsets Powderfinger These Days [Live In Concert] Powderfinger Stumblin' [Live In Concert] Powderfinger Take Me In Powderfinger Tail Powderfinger Passenger Powderfinger Passenger [Live At The 1999 ARIA Awards] Powderfinger Pick You Up Powderfinger My Kind Of Scene Powderfinger My Happiness Powderfinger Love Your Way Powderfinger Reap What You Sow Powderfinger Wake We Up HOWL BE QUIET fantasia HOWL BE QUIET MONSTER WORLD HOWL BE QUIET 「いくらだと思う?」って聞かれると緊張する(ハタリズム) バカリズムと アステリズム HaKU 1秒間で君を連れ去りたい HaKU everything but the love HaKU the day HaKU think about you HaKU dye it white HaKU masquerade HaKU red or blue HaKU What's with him HaKU Ice cream BACK-ON a day dreaming..
    [Show full text]
  • Maital Sabban Make-Up Artist
    6356 W. 6th Street • Los Angeles, CA 90048 • Phone 323.935.8455 • Fax 323.935.3143 MAITAL SABBAN MAKE-UP ARTIST DIRECTORS & PHOTOGRAPHERS: Alberto Tolot David La Chapelle Kevin Kerslake Allan Fis David Steinberg Kieran Walsh Anastacia & Ian David Tsay Kinka Usher Andrew McPherson Davis Factor Larson & Talbert Andrew Southam Dick Buckley Lauren Greenfield Andy Morahan Dominique Guillemont Lita Wilson Angela Alvarado Rosa Eika Aoshima Lorenzo Agius Angelina Venturella Emily Shur Mark Anderson Anghel Decca Fatima Mark Seliger Annie Leibovitz Francis Lawrence Martin Scholler Anouk Besson Frank Samuels Mary Ellen Mark Anthea Benton Gavin Bond Matthew Rolston Anthony Mandler Geoff Moore Meirt Avis Arnold Turner Giuliano Bekor Memo del Bosque Art Streiber Graham Michael Martin Blake Little Gustavo Garzon Michael Muller Bob Giraldi Helmut Newton Michel Gondry Brian Bowen Smith Henman Mike Ruiz Cam Archer Herb Ritts Miranda Penn Turin Carl Rinsch Jack Guy Moshe Brakha Charles Jensen James Houston Nancy Bardawil Chris Applebaum Jeff Berlin Nigel Dick Chris Floyd Jeff Katz Noriyuki Tanaka Chris Fortuna Jeff Lipsky Norman Jean Roy Chris McPherson Jeremy Goldberg Omar Cruz Christopher Beyer Jerry Avenaim Pablo Alfaro Christy Bush Jim Gable Patrick Anderson Craid De Cristo Jim Wright Patrick Demarchelier Craig Cutler John Russo Paul Hunter Danny Ducovny Joseph Kahn Randall Mesdon David Hogan Joseph Murray Randee St. Nicholas David Kellogg Joseph Pluchino Rankin 6356 W. 6th Street • Los Angeles, CA 90048 • Phone 323.935.8455 • Fax 323.935.3143 MAITAL SABBAN MAKE-UP ARTIST (CONT’D.) DIRECTORS & PHOTOGRAPHERS (CONT’D.): Rent Sidon Stephan Kyndt Tom Gatsoulis Richard McLaren Steve Ramser Tony Duran Robert Ascroft Steve Shaw Traktor Robert Fleischauer Steven Lippman Wayne Isham Robert Rodriguez Steven Ziegler Walter Iooss Roger Erickson Stylewar Willie Maldonado Sheryl Nield The Malloy Bros.
    [Show full text]
  • Bae Quality Guidelines for Suppliers
    SUPPLIER QUALITY MANUAL MPP- 05 Rev.14 Date: 03/13/2019 - 1 - Table of Contents 1. Introduction 4 1.1 Preface 4 1.2 Purpose and Scope 4 2. Supplier Qualification 4 2.1 Supplier Approval & Evaluation 4 2.2 Supplier Selection 5 2.3 Supplier Development 5 3. Prototype/Pre-Approved Product Requirements 5 3.1 Scope and Definition 5 3.2 Procedure 5 3.2.1 Quotation Requirements 6 3.2.2 Design Requirements 7 3.2.3 Quality Requirements 8 3.3 Control Plan for Prototypes 8 4. Quality Planning 8 4.1 Specifications and Requirements 8 4.2 Process Flow Chart 9 4.3 Feasibility Analysis 9 4.4 Failure Mode and Effects Analysis (FMEA) 9 MPP- 05 Rev.14 Date: 03/13/2019 - 2 - 4.5 Control Plans 10 4.6 Process Instructions 10 4.7 Planning of Tooling and Equipment 11 4.8 Gauge Measuring and Test Equipment 11 4.9 Preliminary Process Capability 11 4.10 Packaging Planning 12 4.10.1 Labeling 12 4.10.2 Shipment Documents 13 4.10.3 Special Packing Labels 13 4.11 Quality Assurance of Sub-Contracted Parts 13 5. Parts Approval & Initial Samples 14 5.1 Definitions 14 5.2 Procedure 14 5.2.1 Production Trial Run 14 5.2.2 Identification of Initial Samples 14 5.3 Productions Part Approval Process (PPAP) 15 5.3.1 Requirements . 15 5.3.2 Expectations of Launch Readiness 16 5.4 Approval 16 5.5 Tool Invoices 17 MPP- 05 Rev.14 Date: 03/13/2019 - 3 - 5.6 Tool Tag 17 5.6.1 Tool Tag Template 17 6.
    [Show full text]
  • Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
    Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times
    [Show full text]
  • Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
    CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80.
    [Show full text]
  • Polysèmes, 23 | 2020 Revamping Carmilla: the Neo-Victorian Transmedia Vlog Adaptation 2
    Polysèmes Revue d’études intertextuelles et intermédiales 23 | 2020 Contemporary Victoriana - Women and Parody Revamping Carmilla: The Neo-Victorian Transmedia Vlog Adaptation Les adaptations néo-victoriennes transmédiatiques en vlog : l’exemple de Carmilla Caroline Duvezin-Caubet Electronic version URL: http://journals.openedition.org/polysemes/6926 DOI: 10.4000/polysemes.6926 ISSN: 2496-4212 Publisher SAIT Electronic reference Caroline Duvezin-Caubet, « Revamping Carmilla: The Neo-Victorian Transmedia Vlog Adaptation », Polysèmes [Online], 23 | 2020, Online since 30 June 2020, connection on 02 July 2020. URL : http:// journals.openedition.org/polysemes/6926 ; DOI : https://doi.org/10.4000/polysemes.6926 This text was automatically generated on 2 July 2020. Polysèmes Revamping Carmilla: The Neo-Victorian Transmedia Vlog Adaptation 1 Revamping Carmilla: The Neo- Victorian Transmedia Vlog Adaptation Les adaptations néo-victoriennes transmédiatiques en vlog : l’exemple de Carmilla Caroline Duvezin-Caubet I was anxious on discovering this paper, to re- open the correspondence commenced […] so many years before, with a person so clever and careful […]. Much to my regret, however, I found that she had died in the interval. She, probably, could have added little to the Narrative which she communicates in the following pages with, so far as I can pronounce, such conscientious particularity. (Le Fanu 242) 1 This is how an anonymous “editor” introduces Joseph Sheridan Le Fanu’s Carmilla (1872), framing the novella as a found manuscript. However, over a century after its initial publication, the “clever and careful” narrator Laura did get to add to her story and re-open her conscientious and particular communication through new media: Youtube and the world-wide web.
    [Show full text]
  • San Francisco Pride Announces Additional Entertainment and Special Guests for Official Pride 50 Online Celebration
    Media Contacts: Julie Richter | [email protected] Peter Lawrence Kane | [email protected] SAN FRANCISCO PRIDE ANNOUNCES ADDITIONAL ENTERTAINMENT AND SPECIAL GUESTS FOR OFFICIAL PRIDE 50 ONLINE CELEBRATION JUNE 27–28, 2020 SAN FRANCISCO (June 18, 2020) — Today, the Board of Directors of San Francisco Pride announced additional entertainment and special Guests participatinG in the official Pride 50 online celebration takinG place Saturday, June 27 and Sunday, June 28, 2020. To celebrate the milestone anniversary, San Francisco leGendary draG icons Heklina, Honey Mahogany, Landa Lakes, Madd Dogg 20/20, Peaches Christ, and Sister Roma will come toGether for Decades of Drag, a conversation where they reflect on decades of activism, struGGles, and victories. JoininG the previously announced artists, the tribute to LGBTQ+ luminaries and Queer solidarity includes performances by Madame Gandhi, VINCINT, Elena Rose, Krystle Warren, La Doña, and LadyRyan, presented by SF Queer NiGhtlife. The weekend proGram also features a spotliGht on Openhouse and the livinG leGacy of Black Queer and transgender activism; National Center for Lesbian RiGhts Exeutive Director Imani Rupert-Gordon discussinG Black Lives Justice; and a deep dive into the history of the LGBTQ+ community in music with Kim Petras. Additional special appearances include Bay Area American Indian TwoSpirits, body positive warrior Harnaam Kaur, AlPhabet Rockers, Cheer SF (celebratinG forty years!), a conversation on the intersection of Black and Gay issues between Dear White People creator Justin Simien and cast member Griffin Matthews, and best-of performances from San Francisco’s oldest Queer bar The Stud. Previously announced entertainment includes hosts Honey Mahogany, Per Sia, Sister Roma, and Yves Saint Croissant, as well as New Orleans-born Queen of Bounce, Big Freedia as the Saturday headliner.
    [Show full text]
  • Front Matter Template
    Copyright by Paxton Christopher Haven 2020 The Thesis Committee for Paxton Christopher Haven Certifies that this is the approved version of the following Thesis: Oops…They Did It Again: Pop Music Nostalgia, Collective (Re)memory, and Post-Teeny Queer Music Scenes APPROVED BY SUPERVISING COMMITTEE: Suzanne Scott, Supervisor Curran Nault Oops…They Did It Again: Pop Music Nostalgia, Collective (Re)memory, and Post-Teeny Queer Music Scenes by Paxton Christopher Haven Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2020 Dedication To my parents, Chris and Fawn, whose unwavering support has instilled within me the confidence, kindness, and sense of humor to tackle anything my past, present, and future may hold. Acknowledgements Thank you to Suzanne Scott for providing an invaluable amount of time and guidance helping to make sense of my longwinded rants and prose. Our conversations throughout the brainstorming and writing process, in addition to your unwavering investment in my scholarship, made this project possible. Thank you to Curran Nault for illustrating to me the infinite potentials within merging the academic and the personal. Watching you lead the classroom with empathy and immense consideration for the lives, legacies, and imaginations of queer and trans artists/philosophers/activists has made me a better scholar and person. Thank you to Taylor for enduring countless circuitous ramblings during our walks home from weekend writing sessions and allowing me the space to further form my thoughts.
    [Show full text]