March 2020Movies at the Afrh-G

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MARCH 2020 MOVIES AT THE AFRH-G SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 1ST 1800 2ND 1800 3RD 1800 4TH 1400/1800 5TH 1800 6TH 1800 7TH 1800 DAUGHTERS OF THE DUST GREASE RANSOM ON THE BASIS OF SEX AFTER THE WEDDING THE SHOOTIST WONDER HIS 112 MIN (1991) PG MUS 110 MIN (1978) PG13 ACT 121 MIN (1996) R BIO 120 MIN (2019) PG13 DRA 112 MIN (2019) PG13 WES 110 MIN (1979) PG DRA 113 MIN (2017) PG CORA LEE DAY JOHN TRAVOLTA MEL GIBSON NORMA RAE JULIANNE MOORE JOHN WAYNE JULIA ROBERTS DRA 114 MIN (1979) PG 8TH 1800 9TH 1800 10TH 1800 11TH 1400/1800 12TH 1800 13TH 1800 14TH 1800 PLACES IN THE HEART CONTRABAND THE YOUNG LIONS AD ASTRA THE SHOWDOWN AMELIA THE PELICAN BRIEF DRA 111 MIN (1984) PG CRI 109 MIN (2012) R WAR 167 MIN (1958) NR ADV 123 MIN (2019) PG13 WES 93 MIN (2009) PG13 BIO 111 MIN (2009) PG CRI 141 MIN (1993) PG13 SALLY FIELD MARK WAHLBERG MARLON BRANDO JOY BOB HANDEGAN HILARY SWANK JULIA ROBERTS DRA 124 MIN (2015) PG13 15TH 1800 16TH 1800 17TH 1800 18TH 1400/1800 19TH 1800 20TH 1800 21ST 1800 HOW TO LOSE A GUY THE DETONATOR BLINDED BY THE LIGHT THE FAVOURITE THE CAVE CATLOW SOMETHING TO IN 10 DAYS ACT 96 MIN (2006) R COM 118 MIN (2019) PG13 BIO 120 MIN (2019) R THR 97 MIN (2005) PG13 WES 101 MIN (1971) PG13 TALK ABOUT WESLEY SNIPES BILLY BARRATT PIPER PERABO YUL BRYNNER COM 116 MIN (2003) PG13 THE ZOOKEEPER’S WIFE COM 106 MIN (1995) R KATE HUDSON BIO 127 MIN (2017) PG13 JULIA ROBERTS 22ND 1800 23RD 1800 24TH *1930 25TH 1400/1800 26TH 1800 27TH 1800 28TH 1800 WHAT’S LOVE GOT TO EYE FOR AN EYE THE DESERT RATS HARRIETT HEREAFTER IMITATION OF LIFE ERIN BROCKOVICH DO WITH IT CRI 101 MIN (1996) R ACT 88 MIN (1953) NR BIO 125 MIN (2019) PG13 DRA 129 MIN (2010) PG13 DRA 111 MIN (1934) NR BIO 131 MIN (2000) R BIO 118 MIN (1993) R SALLY FIELD RICHARD BURTON MATT DAMON CLAUDETTE COLBERT JULIA ROBERTS JERSEY BOYS ANGELA BASSETT MUS 134 MIN (2014) R 29TH 1800 30TH 1800 31ST 1800 LISTENING DEVICES ARE BEFORE I FALL THE PROPOSAL FIRST SNOW DRA 98 MIN (2017) PG13 COM 108 MIN (2009) PG13 THR 101 MIN (2006) R AVAILABLE. PLEASE SEE DENOTES ZOEY DEUTCH SANDRA BULLOCK GUY PEARCE MOVIE HOST. NEW RELEASE KEY: ACTION-ACT ADVENTURE-ADV BIOGRAPHY-BIO COMEDY-COM CRIME-CRI DOCUMENTARY-DOC DRAMA-DRA HISTORY-HIS MINI-SERIES-MIN MUS-MUSICAL MYSTERY-MYS THRILLER-THR WAR-WAR WESTERN-WES .

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Revlon Signs Oscar-Nominated Actress Julianne Moore
Revlon Signs Oscar-Nominated Actress Julianne Moore November 20, 2001 NEW YORK, Nov. 20 /PRNewswire/ -- Revlon announced today that two time Oscar-nominated actress Julianne Moore has joined the company's exclusive group of spokespeople. Moore, star of the highly acclaimed films ``Hannibal,'' ``Boogie Nights'' and ``The Big Lebowski,'' will appear in advertising campaigns for the company and will participate in philanthropic efforts dedicated towards the fight against women's cancers. Moore will appear in various advertising campaigns for the Revlon brand, with the first television commercial scheduled to break nationally in January 2002. In addition, Revlon and Moore have committed to work together towards a common goal -- the fight against breast and ovarian cancers. Moore will participate in select corporate and philanthropic events for the company. ``Julianne is the perfect example of today's modern woman,'' said Revlon CEO and President Jeff Nugent. `Às a beautiful, respected actress and dedicated mother, Julianne balances her hectic schedule with grace and ease. She knows what's important in life and pursues it with confidence and integrity. We're thrilled to have such a remarkable woman representing the company,'' Nugent said. Moore most recently starred in the blockbuster hit ``Hannibal,'' opposite Anthony Hopkins and Gary Oldham. Her next role will be in the highly anticipated Miramax film, ``The Shipping News'' co-starring Kevin Spacey, Judi Dench and Cate Blanchett. The film is scheduled to be released in December 2001. `Ì'm very excited to be working with a well-respected company like Revlon,'' said Julianne Moore. `Ì have always admired their dedication to women's health issues and their long-standing position as a truly iconic American beauty company.
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Trauma, Dissociation, and Amnesia: Myths and Reality in Cinema and Life
Trauma, Dissociation, and Amnesia: Myths and Reality in Cinema and Life A look at the psychological responses to trauma that include dissociation and amnesia, phenomena which are often misunderstood in the media and public perception. After looking at models that explain common responses to trauma, including post-traumatic stress, traumatic amnesia, and dissociative identity disorder (formerly called multiple personality disorder), we will screen five films that portray these conditions in various contexts. All are Hollywood produced. The stories have sometimes been manipulated to add drama so as to appeal to popular audiences, which is one of the dynamics this course will examine. Session 1 / Jan 31, 2020: Lecture/discussion: An overview of the mechanisms and dynamic of memory and the ways in which it is subject to traumatic distortion, dissociations and episodes of amnesia. We will focus on understanding dissociative and amnestic responses to trauma as defensive and self-protective mechanisms. When seen in this context, behaviors that often seem bizarre begin to make sense. Session 2 / Feb 7: Prince of Tides (1991) / the screen adaptation of Pat Conroy’s portrayal of the range of responses to childhood trauma in a dysfunctional, violent family. Starring Barbra Streisand and Nick Nolte, the film was also directed and produced by Streisand. Session 3 / Feb 14: The Three Faces of Eve (1957) / The Hollywood portrayal of a real-life case of dissociative identity disorder. This is the film that brought the phenomenon of multiple personalities to public attention, was highly acclaimed when it was released, and set up beliefs about multiplicity that lasted for decades.
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T7lb Ilh W=1~ IA F I
L;L 7 T7lb Ilh W=1~ IA F I NEWSPAPER OF THE UNDERGRADUATES_ OF THE MASSACHUSETTS INSTITUTE__ OF TECHNOLOGY .V0L. LXXX No. 18I8 CAMBRIDGE, MASSACHUSETTS, FRIDAY, APRIL 29, 1960 $ Cents Dorm tories and Fraternitzes s Drs. Wiesner, Luris of MIT Elected To !iPlan Full and Festive Weekerads National Academy of Sciences; Total Now 36 The apex of the Tech social season will come on May 6 and 7 with the IFC Two of MIT's most distinguished faculty members have just been elected to membership in the National Acad- and Dormitory Weekends. All Tech students are invited by Henry McCCarl, Co- emy of Sciences, the highest honor in American science. `Chairman of the Dorm Weekend, and Bob Dulsky, Chairman of the IF(C Week- The new members are Dr. Jerome B. Wiesner, dilrector of thle Research Laboratory of Electronics, and Dr. Sal- ,end to bring their dates and have "an especially good time." vador E. Luris, international authority on viruses and genetics. Dorm Weekend begins on Friday night, May 6, with cocktail paarties in With their election, MIT now has a total of 36 faculty and corporation member s who are members of the Nation- Talbot Lounge in East Campus. A semi formal dance will highlight the eve- al Academy. ning in The Parker House, spirited by music from the lively Jerry Daviss Combo. Dr. Wiesner received his doctoral degree in 1950 flrom the Univelrsity of Michigan, where he assisted in devel- Saturday afternoon, students and their dates are invited to attend a Beach oping modern electronic techniques for speech correction.
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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
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Moore They Live Mere Blocks Apart in Man- Inspired a Successful Off-Broadway Hattan, and Each Is the Mother of Musical
More on M 9 !"#$ %&'#(, creative director at Martha Stewart Living Omnimedia )*$+",,# -&&.#, actor, interior designer, and children’s book author 5 !" BOSTONIA Summer 2012 442-45_BostoniaSummer12_03.indd2-45_BostoniaSummer12_03.indd 4242 55/30/12/30/12 44:29:29 PMPM Moore They live mere blocks apart in Man- inspired a successful off-Broadway hattan, and each is the mother of musical. two children. They both attended After working as design direc- BU’s College of Fine Arts, and they tor for House & Garden magazine, share interests in storytelling, inte- Towey joined Martha Stewart Living rior design, and healthy cooking. in 1990 as its founding art director. ACTOR JULIANNE When Julianne Moore (CFA’83), She designed the magazine’s inau- an Academy Award–nominated gural issue, establishing its iconic MOORE TALKS actor, and Gael Towey (CFA’75), and award-winning visual style, the longtime chief creative direc- and then moved into progressively WITH FELLOW CFA tor at Martha Stewart Living Omni- larger roles at MSLO, directing the media (MSLO), first met at a CFA design of products from magazines ALUM GAEL TOWEY alumni dinner, it was clear they had and books to home furnishings and much in common—not least, their merchandise. This year she became ABOUT THE ARTS, status as highly accomplished and chief integration and creative multitalented women. director, overseeing the creation STORYTELLING, Moore, known for her intel- of digital magazines and mobile ligence, versatility, and distinctive applications for the multimillion- AND WHERE THEY red hair, has appeared in more than dollar Martha Stewart brand. 50 films, ranging from the 1998 cult The College of Fine Arts recently FIND INSPIRATION favorite The Big Lebowski to 2010’s brought Moore and Towey together critically acclaimed The Kids Are again.
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Novel to Novel to Film: from Virginia Woolf's Mrs. Dalloway to Michael
Rogers 1 Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ Novel to Novel to Film: From Virginia Woolf’s Mrs. Dalloway to Michael Cunningham’s and Daldry-Hare’s The Hours Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Fall 2015 By Jacob Rogers ____________________ Thesis Director Dr. Kirk Boyle ____________________ Thesis Advisor Dr. Lorena Russell Rogers 2 All the famous novels of the world, with their well known characters, and their famous scenes, only asked, it seemed, to be put on the films. What could be easier and simpler? The cinema fell upon its prey with immense rapacity, and to this moment largely subsists upon the body of its unfortunate victim. But the results are disastrous to both. The alliance is unnatural. Eye and brain are torn asunder ruthlessly as they try vainly to work in couples. (Woolf, “The Movies and Reality”) Although adaptation’s detractors argue that “all the directorial Scheherezades of the world cannot add up to one Dostoevsky, it does seem to be more or less acceptable to adapt Romeo and Juliet into a respected high art form, like an opera or a ballet, but not to make it into a movie. If an adaptation is perceived as ‘lowering’ a story (according to some imagined hierarchy of medium or genre), response is likely to be negative...An adaptation is a derivation that is not derivative—a work that is second without being secondary.
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American Music Research Center Journal
AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301.
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Julianne Moore Stephen Dillane Eddie Redmayne
JULIANNE MOORE STEPHEN DILLANE EDDIE REDMAYNE ELENA ANAYA Directed By Tom Kalin UNAX UGALDE Screenplay by Howard A. Rodman Based on the book by Natalie Robins & Steven M. L. Aronson BELÉN RUEDA HUGH DANCY Julianne Moore, Stephen Dillane, Eddie Redmayne Elena Anaya, Unax Ugalde, Belén Rueda, Hugh Dancy CANNES 2007 Directed by Tom Kalin Screenplay Howard A. Rodman Based on the book by Natalie Robins & Steven M.L Aronson FRENCH / INTERNATIONAL PRESS DREAMACHINE CANNES 4th Floor Villa Royale 41 la Croisette (1st door N° 29) T: + 33 (0) 4 93 38 88 35 WORLD SALES F: + 33 (0) 4 93 38 88 70 DREAMACHINE CANNES Magali Montet 2, La Croisette, 3rd floor M : + 33 (0) 6 71 63 36 16 T : + 33 (0) 4 93 38 64 58 E: [email protected] F : + 33 (0) 4 93 38 62 26 Gordon Spragg M : + 33 (0) 6 75 25 97 91 LONDON E: [email protected] 24 Hanway Street London W1T 1UH US PRESS T : + 44 (0) 207 290 0750 INTERNATIONAL HOUSE OF PUBLICITY F : + 44 (0) 207 290 0751 info@hanwayfilms.com CANNES Jeff Hill PARIS M: + 33 (0)6 74 04 7063 2 rue Turgot email: [email protected] 75009 Paris, France T : + 33 (0) 1 4970 0370 Jessica Uzzan F : + 33 (0) 1 4970 0371 M: + 33 (0)6 76 19 2669 [email protected] email: [email protected] www.dreamachinefilms.com Résidence All Suites – 12, rue Latour Maubourg T : + 33 (0) 4 93 94 90 00 SYNOPSIS “Savage Grace”, based on the award winning book, tells the incredible true story of Barbara Daly, who married above her class to Brooks Baekeland, the dashing heir to the Bakelite plastics fortune.
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Certain Women
CERTAIN WOMEN Starring Laura Dern Kristen Stewart Michelle Williams James Le Gros Jared Harris Lily Gladstone Rene Auberjonois Written, Directed, and Edited by Kelly Reichardt Produced by Neil Kopp, Vincent Savino, Anish Savjani Executive Producers Todd Haynes, Larry Fessenden, Christopher Carroll, Nathan Kelly Contact: Falco Ink CERTAIN WOMEN Cast (in order of appearance) Laura LAURA DERN Ryan JAMES Le GROS Fuller JARED HARRIS Sheriff Rowles JOHN GETZ Gina MICHELLE WILLIAMS Guthrie SARA RODIER Albert RENE AUBERJONOIS The Rancher LILY GLADSTONE Elizabeth Travis KRISTEN STEWART Production Writer / Director / Editor KELLY REICHARDT Based on stories by MAILE MELOY Producers NEIL KOPP VINCENT SAVINO ANISH SAVJANI Executive Producers TODD HAYNES LARRY FESSENDEN CHRISTOPHER CARROLL NATHAN KELLY Director of Photography CHRISTOPHER BLAUVELT Production Designer ANTHONY GASPARRO Costume Designer APRIL NAPIER Casting MARK BENNETT GAYLE KELLER Music Composer JEFF GRACE CERTAIN WOMEN Synopsis It’s the off-season in Livingston, Montana, where lawyer Laura Wells (LAURA DERN), called away from a tryst with her married lover, finds herself defending a local laborer named Fuller (JARED HARRIS). Fuller was a victim of a workplace accident, and his ongoing medical issues have led him to hire Laura to see if she can reopen his case. He’s stubborn and won’t listen to Laura’s advice – though he seems to heed it when the same counsel comes from a male colleague. Thinking he has no other option, Fuller decides to take a security guard hostage in order to get his demands met. Laura must act as intermediary and exchange herself for the hostage, trying to convince Fuller to give himself up.
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ACTING with an ACCENT
ACTING with an ACCENT ********************* I R I S H (Hyberno English) by DAVID ALAN STERN, PhD Copyright ©1979, 2003 DIALECT ACCENT SPECIALISTS, Inc. P.O. Box 44, Lyndonville, VT 05851 (802) 626-3121 www.LearnAccent.com No part of this manual or the accompanying audio CD may be reproduced or otherwise transmitted in any form, electronic or mechanical, including photocopying or audio dubbing, without permission in writing from Dialect Accent Specialists, Inc. 2 The ACTING WITH AN ACCENT series New York City Standard British French American Southern Cockney German Texas British North Russian Boston Irish Yiddish "Down East" Scottish Polish "Kennedyesque" Australian Norw./Swed. Chicago Spanish Arabic Mid-West Farm Italian Farsi West Indian/Black African Programs are Also Available for REDUCING Foreign Accents and American Regional Dialects Other Programs Include AMERICAN ACCENTS FOR ENGLISH ACTORS AMERICAN ACCENT FOR CANADIAN ACTORS THE SPEAKER'S VOICE ABOUT THE AUTHOR David Alan Stern received a Ph.D. in Speech from Temple University and served on the faculties of both Wichita State and Penn State before founding Dialect Accent Specialists, Inc. in Hollywood in 1980—working there exclusively as an acting and dialect coach for professional actors. Since 1993, he’s kept his foot in the industry while serving as Professor of Dramatic Arts at his alma mater, the University of Connecticut. Among the many actors he has helped to prepare for stage, television, and film roles are Geena Davis (The Accidental Tourist), Julie Harris (Carried Away), Jennifer Jason Leigh (Fast Times at Ridgemont High), Shelley Long (Outrageous Fortune), Terrence Mann (My Fair Lady), Liam Neeson (Next of Kin), Lynn Regrave (Sweet Sue), Pat Sajak (The Boys in Autumn), Forest Whitaker (Byrd and The Crying Game), and Julia Roberts, Sally Field, Olympia Dukakis, and Daryl Hannah (Steel Magnolias).
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Custom of the City Chow, Hollywood!
los angeles confidential los ® 201 5, 201 fashion springs eternal ssue 1 i CuSTom oF spring THe CiTY meeT la’S FaSHion-arTiSan a-liST CHoW, HollYWooD! inSiDe SoHo HouSe, SPaGo, CeCConi’S anD more PluS SOPHIA AMORUSO DAMIEN CHAZELLE MONIQUE LHUILLIER AUGUST GETTY julianne moore Julianne moore la-confidential-magazine.com niche media holdings, llc PUTS RED HOT IN THE RED CARPET “I’m thrilled [about the Oscar speculation]. And for a little movie that people made because they cared about it... makes you feel hope,” says Still Alice’s Oscar-nominated star Julianne Moore, here in a confection by Fendi ($9,350). 355 N. Rodeo Dr., Beverly Hills, 310-276-8888; fendi.com. 18k white-gold Juste un Clou bracelet, Cartier ($13,200). 370 N. Rodeo Dr., Beverly Hills, 310-275-4272; cartier.com. Pumps, Christian Louboutin ($945). 650 N. Robertson Blvd., West Hollywood, 310-247-9300; christian louboutin.com GODDESS ALMIGHTY BEAUTY. BRAINS… BALLS. IN STILL ALICE, JULIANNE MOORE DELIVERS YET ANOTHER HEAVENLY (READ: OSCAR-WORTHY) PERFORMANCE. BY LUKE CRISELL PHOTOGRAPHY BY KURT ISWARIENKO STYLING BY DEBORAH AFSHANI The sky is low and mercury-colored and seems to press down on New York this afternoon, crushing the holiday crowds that move shoal-like along the sidewalks. The midwinter wind is whipping down Broadway and seeping determinedly through the windows into this loud, overcrowded café, which compensates by having the radiators on overdrive: They hiss and splutter indignantly against the walls, steaming up the windows. Anyway you look at it, this is an odd place to choose for an interview.
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Press-Release-The-Endings.Pdf
Publication Date: September 4, 2018 Media Contact: Diane Levinson, Publicity [email protected] 212.354.8840 x248 The Endings Photographic Stories of Love, Loss, Heartbreak, and Beginning Again By Caitlin Cronenberg and Jessica Ennis • Foreword by Mary Harron 11 x 8 in, 136pp, Hardcover, Photographs throughout ISBN 978‐1‐4521‐5568‐5, $29.95 Featuring some of today’s most celebrated actresses, including Julianne Moore, Alison Pill, and Imogen Poots, the photographic vignettes in The Endings capture female characters in the throes of emotional transformation. Photographer Caitlin Cronenberg and art director Jessica Ennis created stories of heartbreak, relationship endings, and new beginnings—fictional but often inspired by real life—and set out to convey the raw emotions that are exposed in these most vulnerable states. Cronenberg and Ennis collaborated with each actress to develop a character, build the world she inhabits, and then photograph her as she lived the role before the camera. Patricia Clarkson depicts a woman meeting her younger lover in the campus library—even though they both know the relationship has been over since before it even began. Juno Temple portrays a broken‐hearted woman who engages in reckless and self‐destructive behavior to numb the sadness she feels. Keira Knightley ritualistically cleanses herself and her home after the death of her great love. Also featured are Jennifer Jason Leigh, Danielle Brooks, Tessa Thompson, Noomi Rapace, and many more. These intimate images combine the lush beauty and rich details of fashion photographs with the drama and narrative energy of film stills. Telling stories of sadness, loneliness, anger, relief, rebirth, freedom, and happiness, they are about relationship endings, but they are also about beginnings.
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