Disney Songs
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FEELING WICKED Launceston, Are You Ready to Get Wicked?
Encore Theatre Company SSHHOOWWBBUUZZZZ March 2016 encoretheatre.org.au FEELING WICKED Launceston, are you ready to get wicked? Don’t miss WICKED The Musical at the Princess Theatre in March 2017 Exclusive VIP & SHOWBUZZ SUBSCRIBER TICKET PRESALE starts 9am Monday 7 March 2016 Directed by Liz Bennett (Les Misérables, Jesus Christ Superstar, Evita) Musical Direction by Matt Dudfield (Mary Poppins, The Phantom of the Opera) Choreography by Jacquelyne France-Marsden (The Phantom of the Opera, Evita) Stage Manager Danny Gibson (Mary Poppins - Director, The Phantom of the Opera) Lighting Designer Jason Bovaird (Mary Poppins, Evita, The Phantom of the Opera) Sound Designer Marcello Lo Ricco (Mary Poppins, Evita, The Phantom of the Opera) Executive Producers Jamie Hillard, Belinda J King, Ross Marsden There are three easy ways to book IN PERSON at the Princess Theatre Box Office PHONE 6323 3666 ONLINE theatrenorth.com.au EXCLUSIVE PRESALE PASSWORD: WIZARD Presentation Partners H finalen t Encore Theatre Company SSHHOOWWBBUUZZZZ March 2016 encoretheatre.org.au A MAGNIFICENT 7 Encore Theatre Company has scooped the pool and is thrilled to have received 7 Tasmanian Theatre Awards (“The Errols”) last Saturday for their 2015 productions of Mary Poppins and Evita. Mary Poppins received 6 Awards in Community - Musical Theatre for Best Production, Best Lead Performances (Abbey Hansson & Frank Kerr), Best Direction (Danny Gibson), Best Choreography (Kelly Hortle) and Best Technical (Marcello Lo Ricco for Sound Design). And Evita picked up the Best Design Award (Darryl Rogers for Set Design). Company Co-President Belinda King says, “If Mary Poppins is about one central idea, then it has to be learning to fly. -
Snow White and the Little Men -2
SNOW WHITE AND THE LITTLE MEN (Based very loosely upon the tales by the Bros. Grimm. First produced at Brown Ledge Camp, 1975.) Conceived and Written by WILLIAM J. SPRINGER Performance Rights To copy this text is an infringement of the federal copyright law as is to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Call the publisher for further scripts and licensing information. On all programs and advertising the author’s name must appear as well as this notice: “Produced by special arrangement with Eldridge Publishing Company.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © 1978 by Eldridge Publishing Company Download your complete script from Eldridge Publishing https://histage.com/snow-white-and-the-little-men Snow White and the Little Men -2- Story of the Play In this farce, a narrator helps the action and humor even to the point of carrying off the good queen, who doesn’t want to die after Snow White, is born. The evil queen can’t make up a rhyme that’s worth a darn before the magic mirror, and she even forgets her apples are poisonous and eats one at the wedding of the Prince and Snow. Snow White and the Little Men -3- CAST OF CHARACTERS NARRATOR GOOD QUEEN CREW MEMBER NURSE KING ANOTHER WIFE MAN EVIL QUEEN MIRROR SNOW WHITE HUNTSMAN BORE DWARF #1 DWARF #3 DWARF #5 DWARF #7 PRINCE (DWARFS #2, 4 and 6 are dummies supported between the odd-numbered DWARFS.) Snow White and the Little Men -4- SNOW WHITE AND THE LITTLE MEN (AT RISE: There is a stool SL which the NARRATOR will sit on and a chair or short stool SR which serves as the throne for the GOOD QUEEN. -
Feed the Birds from Walt Disney’S Mary Poppins
From: “Mary Poppins [Original Soundtrack]” Feed the Birds from Walt Disney’s Mary Poppins by RICHARD M. SHERMAN and ROBERT B. SHERMAN Published Under License From Walt Disney Music Publishing © 1963 Wonderland Music Company, Inc. Copyright Renewed International Copyright Secured All Rights Reserved Authorized for use by Louis Lagalante NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoyment and musical fulfillment. However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written consent of the copyright owner(s) and of Musicnotes.com. Unauthorized uses are infringements of the copyright laws of the United States and other countries and may subject the user to civil and/or criminal penalties. Musicnotes.com FEED THE BIRDS from Walt Disney’s MARY POPPINS Words and Music by RICHARD M. SHERMAN Slowly, with feeling and ROBERT B. SHERMAN Em Am/E Em B o ooo x x o o ooo x Em Am/E Edim7 Am/E Em o ooo x x o x x x x o o ooo Ear - ly each day to the steps of Saint Paul’s the lit - tle old Am/E Em x x o o ooo bird wom - an comes. In her own spe - cial Am/E Edim7 Am/E Em x x o x x x x o o ooo way to the peo - ple she calls, “Come, buy my © 1963 Wonderland Music Company, Inc. Copyright Renewed International Copyright Secured All Rights Reserved Musicnotes.com Authorized for use by: Louis Lagalante 2 B7 Em D7 x o o ooo x x o bags full of crumbs. -
THE ANCESTORS: the Ancestors Need to Be Strong Actor/Singers That Can Carry Solo Work
THE ANCESTORS: The Ancestors need to be strong actor/singers that can carry solo work. There are five ancestors: LAOZI (pronounced LAU-tsi) represents Honor and is the leader of the group. LIN represents Loyalty and is the hardest on Mulan; Lin does not appreciate any challenges to the oldworld belief system. ZHANG (ZANG) represents Strength, the strong silent type. HONG represents Destiny and is Laozi's right-hand man. YUN (YOON) represents Love and is Mulan's greatest advocate from the beginning – the mother figure that eventually encourages the others to support Mulan for who she is. All Ancestors may be cast as either male or female. Vocal Range: A3 – D5. Audition song: “Honor to Us All Part 2”. FA ZHOU (fa zoo): Mulan's father, requires a confident and calm performer who has a strong presence and can sing, at least a little. Without playing "older," his calm strength contrasts with Mulan's frenetic energy at the top of the show. Sings a brief solo. Vocal Range: C4 – D5. Audition song: Choose from any of the audition songs. FA LI: Mulan's mother, is someone who also possesses strength but understands her place in her generation and culture. There is a definite wisdom that she passes on to Mulan. Vocal Range: C4 – D5. Audition song: “Honor to Us All Part 2” or any of the other songs on the audition list. GRANDMOTHER FA: Grandmother sees greatness in Mulan, but still wants her to achieve it through tradition. Although she does not need to be a strong singer, an actor with mischief in her eye will work well here. -
Suggestions for Top 100 Family Films
SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT.. -
Dear Jarit Del, You. Oh! I Am A Prototype Bioneural Gel-Based
Dear Jarit Del, Hello!! This isn’t my actual voice. But if I could, I would say, Hello! This is just writing, a letter, communicating my intentions and my hopes and thoughts and words that I wish to say, but I want to say instead! I’m really scared!! I am very scared. But I am really excited, and Doctor Vier told me that I can practice being brave when I’m with you. Oh! I am a prototype bioneural gel-based android, otherwise known as Project Blue Blood. I am three years old! Approximately. I had to write this letter five times because I kept trying to spell out my actual age as it advanced and changed, but I kept running out of paper, so Doctor Vier told me to keep it approximate! My name is Chuck! It stands for Cybernetic Humanoid Understanding Cumulative Knowledge. But you can call me just Chuck. But I like Chuckles as a nickname because it’s like a laugh! And I like to laugh. Do you like to laugh? I love to laugh! Ha, ha, ha, ha! Loud and long and clear! I love to laugh, he, he, he, he! It’s getting worse every year! That’s some lyrics from one of my favorite movies. It’s called Mary Poppins! Have you seen it yet? It’s one of my favorites because of the songs that they sing, and because of the characters and the story! The children go on adventures with someone who looks after them! I like the colors and the things that they do, but I really like the songs. -
Animated Stereotypes –
Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes. -
Announcer Session: Speaker 1: Ladies and Gentlemen. Speaker 2: Moms and Dads, Speaker 3: Children of All Ages
ACT I Announcer Session: Speaker 1: Ladies and Gentlemen. Speaker 2: Moms and Dads, Speaker 3: Children of all Ages. Speaker 1: Welcome to the wonderful world of Walt Disney! Speaker 2: A magical kingdom where elephants fly, Chimney sweeps dance Speaker 3: And every wish you make comes true. Speaker 1,2, &3: Welcome one and all to the happiest place on earth! Zip-a-dee-doo-dah Zip-a-dee-doo-dah, Zip-a-dee-ay, my oh my, what a wonderful day, Plenty of sunshine headin’ my way, Zip-a-dee-doo-dah, Zip-a-dee-ay. Mister Bluebird on my shoulder, it’s the truth! It’s act’chill’! Everything is satisfactich’ll! Zip-a-dee-doo-dah, Zip-a-dee-ay wonderful feelin’ wonderful day. Wonderful feelin’ it’s a Disney Day. Wonderful Day. How d’ya do and shake hands How d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands; state your name and business How d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands; state your name and business Twiddle Dee: You go thru life and never know the day when fate may bring, a situation that will prove to be embarrassing Twiddle Dum: Your face gets red; you hide your head, and wish that you could die. But that’s old fashioned, here’s a new thing you should really try: How d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands, state your name and business Say how d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands, state your name and business Bibbidi Bobbidi Boo Sa-la-ga-doo-la, men-chic-ka-boo-la, bib-bi-di-bob-bi-di-boo Put ‘em together and what have you got? bib-bi-di-bob-bi-di-boo Fairy Godmother: Sa-la-ga-doo-la means men-chic-ka-boo-la-roo, but the thing –a-ma-bob that does the job is bib-bi-di-bob-bi-di-boo Sa-la-ga-doo-la, men-chic-ka-boo-la, bib-bi-di-bob-bi-di-boo Put ‘em together and what have you got? bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di-boo. -
Beauty and the Beast
BEAUTY AND THE BEAST CHARACTER DESCRIPTIONS: BELLE (Stage Age: 18-30) Belle is the original fairy tale heroine–kind, gentle, and beautiful–but with an important 21st Century twist. She is a strong, intelligent, spirited and independent young woman. Belle is the moral conscience of the story, elevated by her thoughts and deeds. The maturity and depth of her character allow her to see the true beauty and spirit within The Beast, and to love him for it. This role requires a very strong singer who portrays innocence with her singing and speaking voice. MezzoSoprano: Low A-High F THE BEAST (Stage Age: 21-35) The Beast’s tortured soul is evident for all to see. He is paying the ultimate price for a moment of mean-spiritedness, and wishes beyond wishing that he could rectify his mistake. There is anger and menace in The Beast’s appearance and behavior, but increasingly we see his soft and endearing side as he interacts with Belle. It becomes clear that he is a loving, feeling, human being trapped within a hideous creature’s body. This role requires a very strong singer, and the actor must have a strong speaking voice and stage presence. Baritone: A–High F GASTON (Stage Age: 21-35) Gaston is the absolute antithesis of The Beast. Although he is physically handsome, he is shallow, completely self-centered, not very bright, and thrives on attention. However, when his ego is bruised he becomes a very dangerous foe for The Beast, Belle and Maurice. This role requires a strong singer and character actor who moves well. -
Contemporary Disney: 35 Songs Free
FREE CONTEMPORARY DISNEY: 35 SONGS PDF Hal Leonard Corp | 336 pages | 09 Nov 2001 | Hal Leonard Corporation | 9780634028304 | English | Milwaukee, United States 10 most streamed Disney songs on Spotify - Entertainment Culture Trip stands with Black Contemporary Disney: 35 Songs Matter. Check out the 33 best animated Disney soundtracks below. Ratatouille Alice in Wonderland James and the Giant Peach Dumbo Snow White and the Seven Dwarfs Sleeping Beauty Cinderella Fantasia Peter Pan Tangled The Princess and the Frog Coco A Goofy Movie Brave The Aristocats The Nightmare Before Christmas The Hunchback of Notre Dame Pinocchio Frozen Toy Story The Jungle Book But also, those simple bare necessities…. Mulan Moana Contemporary Disney: 35 Songs The Contemporary Disney: 35 Songs itself peaked at No. Tarzan Truthfully, it was mostly the latter that mattered. Phil Collins forever. The Little Mermaid You might not recognize the name Samuel E. Aladdin Pocahontas Beauty and the Beast Hercules This is going to be a controversial choice, but bear with us here. Fourth, and finally, is that we get to hear a Danny DeVito show tune while he portrays a satyr. The Lion King Hit… you get the point. Is there any argument here, really? Select currency. My Plans. Open menu Menu. Even Contemporary Disney: 35 Songs parts of the stories begin to fade as we grow older, we never forget the lyrics to our favorite films. Disney Fun Songs - E-Z Play Today Volume | Hal Leonard Online Coco is a 3D computer-animated film about a year-old boy who after being accidentally transported to the Land of the Dead, seeks out the help of a dead musician in order to return to his family. -
(Prince Eric and Ariel Are in a Small Dinghy, Drifting in Gentle Waters
- 80 - DISNEY'S THE LITTLE MERMAID SCENE SIX: THE BAY (Prince Eric and Ariel are in a small dinghy, drifting in gentle waters. Sebastian and Scuttle look on from nearby.) PRINCE ERIC No girl's ever dared to join me out here. Too afraid they'd muddy their shoes. But not you! (Ariel beams.) Peaceful, isn't it? Not another living soul for miles and miles. SCUTTLE Nothing is happening! And only one day left. He's got to get puckerin. SEBASTIAN They spent all morning on horseback, then a picnic, now this ... and not so much as a peck on the cheek! I FLOUNDER (arriving next to Sebastian and Scuttle) Move over- You and your big feathers. I can't I see a thing. (On the boat, Ariel smiles at Prince Eric. He smiles politely back. An awkward pause. She smiles again. He clears his throat, then smiles back.) PRINCE ERIC So ... how 'bout this weather? SEBASTIAN This is going nowhere fast! SCUTTLE Twenty-four hours left! He'll be married off, and poor Ariel, she'll be deep sixed! SEBASTIAN We gotta do something, and quick. SCUTTLE But what? SEBASTIAN We got to create the right kinda mood. SCUTTLE Something romantical! Candlelight and shampoo? SEBASTIAN Amateaurs! You want something done, you've got to do it yourslef. It don't take all that. Everything we need, we got right here. We jus' got to create da mood. (Sebastian gestures toward the animals; creatures that inhabit both land and sea, like frogs, turtles, swans and otters. He enlists them as a calypso band.) Percussion .. -
D23 Presents Treasures of the Walt Disney Archives, Opening July 6 at the Ronald Reagan Presidential Library & Museum
D23 PRESENTS TREASURES OF THE WALT DISNEY ARCHIVES, OPENING JULY 6 AT THE RONALD REAGAN PRESIDENTIAL LIBRARY & MUSEUM The Official Disney Fan Club Showcases the Largest-Ever Exhibition of Iconic Props, Costumes, Artwork and Artifacts from the Walt Disney Archives BURBANK, Calif. – April 16, 2012 – D23 PRESENTS TREASURES OF THE WALT DISNEY ARCHIVES, which encompasses more than 500 historic artifacts from nearly nine decades of Disney history, opens at the Ronald Reagan Presidential Library & Museum on July 6, continuing through April 2013. Presented by D23: The Official Disney Fan Club and the Ronald Reagan Presidential Foundation and Library, D23 PRESENTS TREASURES OF THE WALT DISNEY ARCHIVES is the largest exhibition ever curated by the Walt Disney Archives, at 12,000 square feet. From Oswald the Lucky Rabbit and Mickey Mouse to Captain Jack Sparrow and Captain America, the exhibition features more than 500 artifacts, at least half of which have never been seen by the public— including models, props, costumes, set pieces, and artwork from throughout Disney history. “Ronald Reagan and Walt Disney were longtime friends, two optimists who shared an unwavering belief in the essential goodness of the American way of life,” said Bob Iger, chairman and CEO, The Walt Disney Company. “We’re proud to partner with the Reagan Library and the National Archives to showcase Disney’s rich entertainment legacy. This extraordinary exhibit will offer visitors an unprecedented look into Disney’s history and celebrate the connection between these two American