Assorted Papers Relating to Bauhaus Designers, 1919-1984
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The Archive of Renowned Architectural Photographer
DATE: August 18, 2005 FOR IMMEDIATE RELEASE THE GETTY ACQUIRES ARCHIVE OF JULIUS SHULMAN, WHOSE ICONIC PHOTOGRAPHS HELPED TO DEFINE MODERN ARCHITECTURE Acquisition makes the Getty one of the foremost centers for the study of 20th-century architecture through photography LOS ANGELES—The Getty has acquired the archive of internationally renowned architectural photographer Julius Shulman, whose iconic images have helped to define the modern architecture movement in Southern California. The vast archive, which was held by Shulman, has been transferred to the special collections of the Research Library at the Getty Research Institute making the Getty one of the most important centers for the study of 20th-century architecture through the medium of photography. The Julius Shulman archive contains over 260,000 color and black-and-white negatives, prints, and transparencies that date back to the mid-1930s when Shulman began his distinguished career that spanned more than six decades. It includes photographs of celebrated monuments by modern architecture’s top practitioners, such as Richard Neutra, Frank Lloyd Wright, Raphael Soriano, Rudolph Schindler, Charles and Ray Eames, Gregory Ain, John Lautner, A. Quincy Jones, Mies van der Rohe, and Oscar Niemeyer, as well as images of gas stations, shopping malls, storefronts, and apartment buildings. Shulman’s body of work provides a seminal document of the architectural and urban history of Southern California, as well as modernism throughout the United States and internationally. The Getty is planning an exhibition of Shulman’s work to coincide with the photographer’s 95th birthday, which he will celebrate on October 10, 2005. The Shulman photography archive will greatly enhance the Getty Research Institute’s holdings of architecture-related works in its Research Library, which -more- Page 2 contains one of the world’s largest collections devoted to art and architecture. -
Spring 2015 PRESIDENT’S MESSAGE
theGETTY A WORLD OF ART, RESEARCH, CONSERVATION, AND PHILANTHROPY | Spring 2015 PRESIDENT’S MESSAGE theGETTY Spring 2014 TABLE OF President’s Message 3 by James Cuno President and CEO, the J. Paul Getty Trust CONTENTS New and Noteworthy 4 Earlier this year I attended the World Economic Forum in Keeping it Modern 6 Davos, Switzerland, during which government officials and corporate, education, and cultural leaders gather to explore Darkroom Alchemists Reinvent Photography 14 the economic and political prospects for the coming year. I gave a presentation about the ways in which digital technol- A Sense of Place in the City of Angels 20 ogy is transforming the museum experience—from initial dis- covery, to visiting, to research and collaboration, to the ways Thousands of Rare Books on your Desktop 24 in which visitors can engage more deeply with the collection through digital resources. This issue of The Getty expands Book Excerpt: J. M. W. Turner: Painting Set Free 27 on our previous coverage of how the Getty is “going digital” through projects like the HistoricPlacesLA initiative from the New from Getty Publications 28 Getty Conservation Institute (GCI) and the many digital fac- ets that are accessible to researchers and patrons around the From The Iris 30 world from the Getty Research Institute Library. Last month, Los Angeles Mayor Eric Garcetti joined GCI New Acquisition 31 Director Tim Whalen, Foundation Director Deborah Marrow, and me to launch HistoricPlacesLA, the city’s groundbreaking Getty Events 32 new system for mapping and inventorying historic resources in Los Angeles. HistoricPlacesLA contains information gath- Exhibitions 34 ered through SurveyLA—a citywide survey of LA’s significant historic resources—a public/private partnership between the From the Vault 35 City of Los Angeles and the Getty, including both the GCI and Foundation. -
Press Image Sheet
NEWS FROM THE GETTY news.getty.edu | [email protected] DATE: September 17, 2019 MEDIA CONTACT FOR IMMEDIATE RELEASE Julie Jaskol Getty Communications (310) 440-7607 [email protected] GETTY TO DEVOTE $100 MILLION TO ADDRESS THREATS TO THE WORLD’S ANCIENT CULTURAL HERITAGE Global initiative will enlist partners to raise awareness of threats and create effective conservation and education strategies Participants in the 2014 Mosaikon course Conservation and Management of Archaeo- logical Sites with Mosaics conduct a condition survey exercise of the Achilles Mosaic at the Paphos Archeological Park, Paphos, Cyprus. Continued work at Paphos will be undertaken as part of Ancient Worlds Now. Los Angeles – The J. Paul Getty Trust will embark on an unprecedented and ambitious $100- million, decade-long global initiative to promote a greater understanding of the world’s cultural heritage and its universal value to society, including far-reaching education, research, and conservation efforts. The innovative initiative, Ancient Worlds Now: A Future for the Past, will explore the interwoven histories of the ancient worlds through a diverse program of ground-breaking The J. Paul Getty Trust 1200 Getty Center Drive, Suite 403 Tel: 310 440 7360 www.getty.edu Communications Department Los Angeles, CA 90049-1681 Fax: 310 440 7722 scholarship, exhibitions, conservation, and pre- and post- graduate education, and draw on partnerships across a broad geographic spectrum including Asia, Africa, the Americas, the Middle East, and Europe. “In an age of resurgent populism, sectarian violence, and climate change, the future of the world’s common heritage is at risk,” said James Cuno, president and CEO of the J. -
Julius Shulman: Modernity and the Metropolis (October 11, 2005–January 22, 2006)
RELATED EVENTS Julius Shulman: Modernity and the Metropolis (October 11, 2005–January 22, 2006) RELATED EVENTS AND PUBLICATIONS All events are free but reservations are required. For more information or to make a reservation, please call 310-440-7300 or visit www.getty.edu. CONVERSATION Julius Shulman discusses his work, the exhibition, and the Julius Shulman Photography Archive with Wim de Wit, head, Special Collections and Visual Resources, and curator of architectural drawings, Getty Research Institute. Friday, October 14, 2005, 4:00-5:30pm Museum Lecture Hall LECTURES "Shooting Time: Julius Shulman and the Image of Contemporary Architecture" Sylvia Lavin, chair, Architecture and Urban Design, University of California, Los Angeles. Thursday, November 3, 2005, 4:00–6:00 p.m. Getty Research Institute Lecture Hall "A Continual Becoming: Rudolph Schindler's Discordant Modernism" Thomas S. Hines, professor, History and Architecture, University of California, Los Angeles. Thursday, December 1, 2005, 4:00–6:00 p.m. Getty Research Institute Lecture Hall FILM SCREENING AND DISCUSSION “Left Coast Modernism: Architecture and Urban Form in Los Angeles” Reyner Banham’s documentary Reyner Banham Loves Los Angeles (1972, 52 min.) is the British architectural historian’s critical examination of Los Angeles as it was developing into a major metropolitan city at the end of the mid-century Modern movement, a period that photographer Julius Shulman documented so eloquently. Panelists include Amy Murphy, assistant professor, School of Architecture, University of Southern California, and Ed Dimendberg, associate professor, Film and Media Studies and Visual Studies, University of California, Irvine. Wednesday, December 7, 2005, 7:30 p.m. -
Frankfurt Rhine-Ruhr Metropole Berlin 2012
Frankfurt Rhine-Ruhr Metropole Berlin 2012 SATURDAY ICAM 16 CONFERENCE IS HOSTED BY: SEPTEMBER 1, 2012 Deutsches Architekturmuseum (DAm) Schaumainkai 43, 60596 Frankfurt Tel: +49 (0)69 212 36 706; Fax: +49 (0)69 212 36 386 www.dam-online.de Peter Cachola Schmal, Director [email protected]; mobile: +49 (0)170 85 95 840 Wolfgang Voigt, Deputy Director [email protected]; mobile: +49 (0)162 61 65 677 Inge Wolf, Head of Archive [email protected] Peter Körner [email protected]; mobile: +49 (0)177 78 88 869 MUseUM FÜR ArchitektUR Und INGenieUrkUnst NRW (m:Ai) Leithestraße 33, 45886 Gelsenkirchen Tel: +49 (0)209 92 57 80; Fax: +49 (0)209 31 98 111 www.mai-nrw.de Dr. ursula kleefisch-Jobst, Director [email protected]; mobile: +49 (0)177 58 60 210 Peter Köddermann, Project Managment [email protected]; mobile: +49 (0)177 58 60 211 Akademie Der künste (AdK) Pariser Platz 4, 10117 Berlin Tel: +49 (0)30 20 05 70; Fax: +49 (0)30 20 05 71 702 www.adk.de Dr. eva-maria Barkhofen, Head of Architectural Archive [email protected]; mobile: +49 (0)176 46 686 386 OFFICIAL TRAVEL AGENCY: AGentUR ZeitsprUNG Kokerei Zollverein, Tor 3, Arendahlswiese, 45141 Essen Tel: +49 (0)201 28 95 80; Fax: +49 (0)201 28 95 818 www.zeitsprung-agentur.de Contact person: Anne Brosk [email protected]; mobile: +49 (0)179 51 64 504 2 SATURDAY SEPTEMBER 1, 2012 PRE-CONFERENCE TOUR DAM 13.00 – 17.00 REGISTRATION / MARKET PLACE 14.00 DEPARTURE BY BUS FROM THE DAM 14.20 – 15.30 FARBWERKE HOECHST ADMINISTRATION BUILDING by Peter Behrens, 1920 – 1924 With bridge and tower, the former administration building of the Hoechst AG is a master piece of expressionist architecture. -
CONSERVATION PERSPECTIVES the Gci Newsletter
CONSERVATION PERSPECTIVES THE GCI NEWSLETTER SPRING 2020 CONSERVATION SCIENCE A Note from As this issue of Conservation Perspectives was being prepared, the world confronted the spread of coronavirus COVID-19, threatening the health and well-being of people across the globe. In mid-March, offices at the Getty the Director closed, as did businesses and institutions throughout California a few days later. Getty Conservation Institute staff began working from home, continuing—to the degree possible—to connect and engage with our conservation colleagues, without whose efforts we could not accomplish our own work. As we endeavor to carry on, all of us at the GCI hope that you, your family, and your friends, are healthy and well. What is abundantly clear as humanity navigates its way through this extraordinary and universal challenge is our critical reliance on science to guide us. Science seeks to provide the evidence upon which we can, collectively, make decisions on how best to protect ourselves. Science is essential. This, of course, is true in efforts to conserve and protect cultural heritage. For us at the GCI, the integration of art and science is embedded in our institutional DNA. From our earliest days, scientific research in the service of conservation has been a substantial component of our work, which has included improving under- standing of how heritage was created and how it has altered over time, as well as developing effective conservation strategies to preserve it for the future. For over three decades, GCI scientists have sought to harness advances in science and technology Photo: Anna Flavin, GCI Anna Flavin, Photo: to further our ability to preserve cultural heritage. -
Getty Research Institute | June 11 – October 13, 2019
Getty Research Institute | June 11 – October 13, 2019 OBJECT LIST Founding the Bauhaus Programm des Staatlichen Bauhauses in Weimar (Program of the State Bauhaus in Weimar) 1919 Walter Gropius (German, 1883–1969), author Lyonel Feininger (American, 1871–1956), illustrator Letterpress and woodcut on paper 850513 Idee und Aufbau des Staatlichen Bauhauses Weimar (Idea and structure of the State Bauhaus Weimar) Munich: Bauhausverlag, 1923 Walter Gropius (German, 1883–1969), author Letterpress on paper 850513 Bauhaus Seal 1919 Peter Röhl (German, 1890–1975) Relief print From Walter Gropius, Satzungen Staatliches Bauhaus in Weimar (Weimar, January 1921) 850513 Bauhaus Seal Oskar Schlemmer (German, 1888–1943) Lithograph From Walter Gropius, Satzungen Staatliches Bauhaus in Weimar (Weimar, July 1922) 850513 Diagram of the Bauhaus Curriculum Walter Gropius (German, 1883–1969) Lithograph From Walter Gropius, Satzungen Staatliches Bauhaus in Weimar (Weimar, July 1922) 850513 1 The Getty Research Institute 1200 Getty Center Drive, Suite 1100, Los Angeles, CA 90049 www.getty.edu German Expressionism and the Bauhaus Brochure for Arbeitsrat für Kunst Berlin (Workers’ Council for Art Berlin) 1919 Max Pechstein (German, 1881–1955) Woodcut 840131 Sketch of Majolica Cathedral 1920 Hans Poelzig (German, 1869–1936) Colored pencil and crayon on tracing paper 870640 Frühlicht Fall 1921 Bruno Taut (German, 1880–1938), editor Letterpress 84-S222.no1 Hochhaus (Skyscraper) Ludwig Mies van der Rohe (German, 1886–1969) Offset lithograph From Frühlicht, no. 4 (Summer 1922): pp. 122–23 84-S222.no4 Ausstellungsbau in Glas mit Tageslichtkino (Exhibition building in glass with daylight cinema) Bruno Taut (German, 1880–1938) Offset lithographs From Frühlicht, no. 4 (Summer 1922): pp. -
Martin-Elsaesser-Kirchen
Elisabeth Spitzbart S I M E Jörg Schilling S l u i B a „Wichtig ist nur, daß unsere Generation innerlich unab - s b N r a s t b k i hängig wird und aus Sachlichkeit und aus echter Gesin - 9 n e r 7 i t p E 8 nung heraus über ihre eigene religiöse Überzeugung h ❏ ❏ l t s i 3 S o a auch zu einer eigenen künstlerischen Anschauung und p n e 8 i s 0 s t Gestaltung kommt.“ s z p 3 Die Autoren e b r 0 r Martin Elsaesser 1919 e a . I I ( B i 0 r c c d K s t i 7 h h t u i b | 7 r t Elisabeth Spitzbart studierte Kunstgeschichte und r m b i c e J 8 c s h ö e h n ö 3 0 s r e Romanistik an den Universitäten Düsseldorf, Bonn und e g c t 1 e n h e h i . b S n 0 l t m l Stuttgart. Nach Abschluss der Dissertation über „Die c a e 8 e e h u e . d A … 2 i t n l Kirchenbauten von Martin Elsaesser“ (1989) arbeitete a 0 e l n … i Stadtpfarrkirche Stuttgart-Gaisburg, 1913 s S n n 1 z … i e B , 4 g sie als wissenschaftliche Mitarbeiterin und Hochschul - e Innenraum i P u E : g K Elisabeth Spitzbart | Jörg Schilling x f E c e a assistentin am Institut für Baugeschichte der TH Karls - o e h U , r n m p e r R t - r i ruhe (heute KIT). -
Leseprobe 9783791385280.Pdf
Our Bauhaus Our Bauhaus Memories of Bauhaus People Edited by Magdalena Droste and Boris Friedewald PRESTEL Munich · London · New York 7 Preface 11 71 126 Bruno Adler Lotte Collein Walter Gropius Weimar in Those Days Photography The Idea of the at the Bauhaus Bauhaus: The Battle 16 for New Educational Josef Albers 76 Foundations Thirteen Years Howard at the Bauhaus Dearstyne 131 Mies van der Rohe’s Hans 22 Teaching at the Haffenrichter Alfred Arndt Bauhaus in Dessau Lothar Schreyer how i got to the and the Bauhaus bauhaus in weimar 83 Stage Walter Dexel 30 The Bauhaus 137 Herbert Bayer Style: a Myth Gustav Homage to Gropius Hassenpflug 89 A Look at the Bauhaus 33 Lydia Today Hannes Beckmann Driesch-Foucar Formative Years Memories of the 139 Beginnings of the Fritz Hesse 41 Dornburg Pottery Dessau Max Bill Workshop of the State and the Bauhaus the bauhaus must go on Bauhaus in Weimar, 1920–1923 145 43 Hubert Hoffmann Sándor Bortnyik 100 the revival of the Something T. Lux Feininger bauhaus after 1945 on the Bauhaus The Bauhaus: Evolution of an Idea 150 50 Hubert Hoffmann Marianne Brandt 117 the dessau and the Letter to the Max Gebhard moscow bauhaus Younger Generation Advertising (VKhUTEMAS) and Typography 55 at the Bauhaus 156 Hin Bredendieck Johannes Itten The Preliminary Course 121 How the Tremendous and Design Werner Graeff Influence of the The Bauhaus, Bauhaus Began 64 the De Stijl group Paul Citroen in Weimar, and the 160 Mazdaznan Constructivist Nina Kandinsky at the Bauhaus Congress of 1922 Interview 167 226 278 Felix Klee Hannes -
Designing Under the Impact of the Land Issue – from Sitte to Bernoulli
Architectural Aesthetics. An Old Matter Revisited 49 Designing Under the Impact of the Land Issue – from Sitte to Bernoulli Franziska Kramer PhD candidate and lecturer, Faculty of Architecture, RWTH Aachen University, Germany [email protected] KEYWORDS: speculation; urban plot; Camillo Sitte; Theodor Fischer; Hans Bernoulli; Siedlungsbau Introduction Since the latest price increase for housing, the land issue is once again in the public attention. The demand for affordable housing is a recurring topic in the daily news and the need for new strategies in social housing has hence come into focus yet again. Under the pressure of these occurences, architects resume the exploration of new ideas for cooperative housing models and developers start their own respective initiatives in order to shape a new idea of community life. At first glance, the land issue seems to currently address the political aspect of this multifaceted topic. Put simply, one might think that the question starts and ends with the matter of property, but a second look at the historiography of the land issue reveals another, rather underestimated topic — the relationship between the land issue and design processes. This relationship has already been acknowledged in 1907 by the economist and urban planner Rudolf Eberstadt,1 who wrote: “The land parcellation is a matter of speculation. The construction method, the form of the house and the production of housing are determined by speculation.”2 The outcome of these speculation processes, especially around the fin-de-siècle – in the form of the questionable housing typology of the Mietskaserne3 – determined a whole discourse in urban planning and architecture, which lasted until the 1930s. -
Home Stories 100 Jahre, 20 Visionäre Interieurs 8
Home Stories 100 Jahre, 20 visionäre Interieurs 8. Februar 2020 bis 28. Februar 2021 Vitra Design Museum Charles-Eames-Str. 2 79576 Weil am Rhein Deutschland #VDMHomeStories Unser Zuhause ist Ausdruck unseres Lebensstils, es prägt unseren Alltag und bestimmt unser Wohlbefinden. Mit der Ausstellung »Home Stories. 100 Jahre, 20 visionäre Interieurs« initiiert das Vitra Design Museum eine neue Debatte über das private Interieur, seine Geschichte und seine Zukunftsperspektiven. Die Ausstellung führt den Besucher auf eine Reise in die Vergangenheit und zeigt, wie sich gesellschaftliche, politische und technische Veränderungen der letzten 100 Jahren in unserem Wohnumfeld widerspiegeln. Im Zentrum stehen die großen Zäsuren, die das Design und die Nutzung des westlichen Interieurs geprägt haben – von aktuellen Themen wie knapper werdendem Wohnraum und dem Verschwinden der Grenzen zwischen Arbeits- und Privatleben über die Entdeckung der Loftwohnung in den 1970er Jahren, aber auch dem Siegeszug einer ungezwungeneren Wohnkultur in den 1960ern und dem Einzug moderner Haushaltsgeräte in den 1950ern bis hin zu den ersten offenen Grundrissen der 1920er Jahre. Diese Umbrüche werden anhand von 20 stilbildenden Interieurs veranschaulicht, darunter Entwürfe von Architekten wie Adolf Loos, Finn Juhl, Lina Bo Bardi oder Assemble, Künstlern wie Andy Warhol oder Cecil Beaton sowie der legendären Innenarchitektin Elsie de Wolfe. Die Gestaltung und Produktion von Möbeln, Textilien, Dekorationselementen und Lifestyle- Accessoires für das Zuhause beschäftigt heute eine gigantische, globale Industrie. Die neuesten Interieur-Trends unterhalten eine ganze Medienlandschaft aus Zeitschriften, Fernsehsendungen, Blogs und Social-Media-Kanälen. Doch während soziale und architektonische Themen wie die Frage nach bezahlbarem Wohnraum heute lebhaft debattiert werden, findet eine ernsthafte gesellschaftliche Auseinandersetzung über das Wohninterieur nicht statt. -
The ECB Main Building
Main Building November 2020 Contents 1 Overview 2 1.1 The commencement Error! Bookmark not defined. 1.2 Project Milestones 8 1.3 Building Description 14 1.4 Site 19 1.5 Energy Design 27 1.6 Sustainability 29 1.7 Memorial 31 1.8 Photo Gallery Timeline (2004-2015) 34 2 Competition 35 2.1 Competition phases 37 2.2 Competition format 54 3 Planning Phase 56 3.1 Different planning phases 56 3.2 Optimisation phase 57 3.3 Preliminary planning phase 59 3.4 Detailed planning phase 60 3.5 Execution planning phase 62 4 Construction Phase 65 4.1 Preliminary works 65 4.2 Structural work 71 4.3 Façade 82 4.4 Landscape architecture 85 5 Appendix 87 Main Building – Contents 1 1 Overview 1.1 The project begins 1.1.1 A new home for the ECB Upon a recommendation by the European Court of Auditors to all European institutions that it is much more economical in the long term to own premises rather than to rent office space, the ECB built its own premises on the site of the Grossmarkthalle (Frankfurt’s former wholesale market hall). The premises were designed by Vienna-based architects COOP HIMMELB(L)AU. Figure 1 185 m high office tower Main Building – Overview 2 Figure 2 120,000 m² entire site area Figure 3 250 m long Grossmarkthalle 1.1.2 Choosing the location When the Maastricht Treaty was signed in 1992, it was decided that the ECB would be located in Frankfurt am Main. In 1998, when the ECB started operations in rented offices in the Eurotower, the search for a suitable site for its own premises in Frankfurt began.