Geddy Lee Jazz Bass®

Total Page：16

File Type：pdf, Size：1020Kb

ARTIST SERIES GEDDY LEE JAZZ BASS® Part Number Description MSRP excl. VAT Geddy Lee Jazz Bass®, Maple Fretboard , Black, 3-Ply 025-7702-306 White Pickguard € 974.00 Geddy Lee Jazz Bass®, Maple Fretboard, 3 Tone 025-7702-300 Sunburst, 3-Ply Black Pickguard € 1,019.00 GEDDY LEE JAZZ BASS®: Mean, mean stride! Our Geddy Lee Jazz Bass® guitar is an exact replica of the tonally singular instrument that Rush’s revered bassist/vocalist has riffed away ©2009 FMIC. All rights reserved. on in front of thousands of devoted fans worldwide and on many a mega-selling album, and it is now also available in a striking 3-Tone Sunburst finish with a well- suited 3-ply black pickguard. The bass has an alder body; the one-piece “C”-shaped maple neck (thin) has a maple fingerboard with black binding 300 (3-Tone Sunburst) and black rectangular position markers. The two vintage Jazz Bass® single coil pickups crackle with life and bristle with the energy. Other features include chrome hardware, vintage-style tuning machines and a Badass® Bass II™ bridge. www.fender.com 306 (Black) Prices and specifications subject to change without notice. Fender ARTIST SERIES GEDDY LEE JAZZ BASS® COLORS: (306) (300) Black 3-Tone Sunburst 3-Tone SPECIFICATIONS: Body Alder Finish Urethane Neck 1-Piece Maple, Thin “C” Shape Fingerboard Maple Frets 20, Medium Jumbo Scale Length 34” Nut Width 1.50” Hardware Chrome Tuning Keys Vintage ‘70s Fender® Stamped Open Gear Tuning Machines Bridge Leo Quan Badass® II™ Pickguard 3-ply Black/White/Black on (300) 3-Tone Sunburst model, 3-ply White/Black/White on (306) Black model Pickups 2 Vintage Jazz Bass® Single-Coil Pickups Pickup Switching None Controls Volume 1. (Neck Pickup), Volume 2. (Bridge Pickup), Master Tone Strings NPS Gauges: (.045, .065, .085, .105) ©2009 FMIC. All rights reserved. Incl. Accessories Case: Includes Deluxe Gig Bag P/N 0069882000 Accessories: N/A Unique Features Black Fingerboard Binding with Black Rectangular Shaped Position Markers, Slim Neck Profile, Badass® II™ Bridge 300 (3-Tone Sunburst) 300 (3-Tone www.fender.com Fender Prices and specifications subject to change without notice..

Copy Link

Recommended publications

Rush Three of Them Decided to - Geddy Recieved a Phone Reform Rush but Without Call from Alex
history portraits J , • • • discography •M!.. ..45 I geddylee J bliss,s nth.slzers. vDcals neil pearl: percussion • alex liFesDn guitars. synt.hesizers plcs: Relay Photos Ltd (8); Mark Weiss (2); Tom Farrington (1): Georg Chin (1) called Gary Lee, generally the rhythm 'n' blues known as 'Geddy' be combo Ogilvie, who cause of his Polish/Jewish shortly afterwards also roots, and a bassist rarely changed their me to seen playing anything JUdd, splitting up in Sep other than a Yardbirds bass tember of the sa'l1le year. line. John and Alex, w. 0 were In September of the same in Hadrian, contacted year The Projection had Geddy again, and the renamed themselves Rush three of them decided to - Geddy recieved a phone reform Rush but without call from Alex. who was in Lindy Young, who had deep trouble. Jeff Jones started his niversity was nowhere to be found, course by then. In Autumn although a gig was 1969 the first Led Zeppelin planned for that evening. LP was released, and it hit Because the band badly Alex, Geddy an(i John like needed the money, Geddy a hammer. Rush shut them helped them out, not just selves away in their rehe providing his amp, but also arsal rooms, tUfned up the jumping in at short notice amp and discovered the to play bass and sing. He fascination of heavy was familiar with the Rush metaL. set alreadY, as they only The following months played well-known cover were going toJprove tough versions, and with his high for the three fYoung musi voice reminiscent of Ro cians who were either still bert Plant, he comple at school or at work.
[Show full text]
Geddy Lee DI-2112 Signature
POWER REQUIREMENTS •Utilizes two (2) standard 9V alkaline batteries (not included). NOTE: Input jack activates batteries. To conserve energy, unplug when not in use. Power Consumption: approx. 55mA. Geddy Lee Signature •USE DC POWER SUPPLY ONLY! Failure to do so may damage the unit and void warranty. DC Power Supply Specifications: SansAmp DI-2112 -18V DC regulated or unregulated, 100mA minimum; -2.1mm female plug, center negative (-). •Refer to “Power Considerations” in Noteworthy Notes on page 8. WARNINGS: • Attempting to repair unit is not recommended and may void warranty. • Missing or altered serial numbers automatically void warranty. For your own protection: be sure serial number labels on the unit’s back plate and exterior box are intact, and return your warranty registration card. ONE YEAR LIMITED WARRANTY. PROOF OF PURCHASE REQUIRED. Manufacturer warrants unit to be free from defects in materials and workmanship for one (1) year from date of purchase to the original pur - chaser and is not transferable. This warranty does not include damage resulting from accident, misuse, abuse, alteration, or incorrect current or voltage. If unit becomes defective within warranty period, Tech 21 will repair or replace it free of charge. After expiration, Tech 21 will repair defective unit for a fee. ALL REPAIRS for residents of U.S. and Canada: Call Tech 21 for Return Authorization Number . Manufacturer will not accept packages without prior authorization, pre-paid freight (UPS preferred) and proper insurance. FOR PERSONAL ASSISTANCE & SERVICE: Contact Tech 21 weekdays from 9:00 AM to 5:00 PM, EST. Hand-built in the U.S.A.
[Show full text]
GEDDY EASTON 'LEE Master of the ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON the Wat M Tone of a TEXAS TWISTER
- 802135 MAY 1986 $2.50 Inside This Issue: A SPECIAL Billy Idol's STEVE STEVENS (not -so-secret) CASSETTE Secret See Page 54 Weapon For Details THE CARS' RUSH'S ELLIOT GEDDY EASTON 'LEE Master Of The ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON The Wat m Tone Of A TEXAS TWISTER PLUS: Lonnie Mack Albert Collins Roy Buchanan , 'Tony MacAlpine o Curtis Mayfield MORE BASS, MORE SPACE IN THE MODERN WORLD Power Windows is the best Rush albutn in years because the band ----and the bass---- has returned to the roots of its sound ... tneticulously. BY JOHN SWENSON It has been a long, vertiginous and damn exciting roller coaster ride for Rush over the past decade-and-a-half. The group has gone from being unabashed Led Zeppelinites to kings of the concept album to the thinking man's heavy metal band to an uneasy combination of eighties record ing styles and seventies relentlessness. One thing Rush has never done is rest on its collective laurels-bassist Geddy Lee, guitarist Alex Lifeson and drummer Neil Peart have always been the first to point out the band's shortcomings when they feel legitimate deficiencies have surfaced. Accordingly, Lee was quick to admit his dissatisfaction with the band's last album, Grace Under Pressure , even though the record , which went platinum, has con solidated the band's position as one of Mercury/Polygram's most important acts. "We realized with Grace Under Pres sure ," said Lee on completion of the new album , Power Windows, "that we were not a techno-pop band.
[Show full text]
General Catalog 2019–2020 / Edition 19 Academic Calendar 2019–2020
BERKELEY GENERAL CATALOG 2019–2020 / EDITION 19 ACADEMIC CALENDAR 2019–2020 Spring Semester 2019 Auditions for Spring 2019 By Appointment Academic and Administrative Holiday Jan 21 First Day of Spring Instruction Jan 22 Last Day to Add / Drop a Class Feb 5 Academic and Administrative Holiday Feb 18 Spring Recess Mar 25 – 31 Last Day of Instruction May 10 Final Examinations and Juries May 13 – 17 Commencement May 19 Fall Enrollment Deposit Due on or before June 1 Fall Registration Jul 29 – Aug 2 Fall Semester 2019 Auditions for Fall 2019 By May 15 New Student Orientation Aug 15 First Day of Fall Instruction Aug 19 Last Day to Add/Drop a Class Sep 1 Academic and Administrative Holiday Sep 2 Academic and Administrative Holiday Nov 25 – Dec 1 Spring 2020 Enrollment Deposit Dec 2 Last Day of Instruction Dec 7 Final Examinations and Juries Dec 9 – 13 Winter Recess Dec 16 – Jan 21, 2020 Spring Registration Jan 6 – 10, 2020 Spring Semester 2020 Auditions for Spring 2020 By Oct 15 First Day of Spring Instruction Jan 21 Last Day to Add / Drop a Class Feb 3 Academic and Administrative Holiday Feb 17 Spring Recess Mar 23 – 27 Last Day of Instruction May 8 Final Examinations and Juries May 11 – 15 Commencement May 17 Fall 2020 Enrollment Deposit Due on or before June 1 Fall 2020 Registration July 27 – 31 Please note: Edition 19 of the CJC 2019 – 2020 General Catalog covers the time period of July 1, 2019 – June 30, 2020. B 1 CONTENTS ACADEMIC CALENDAR ............... Inside Front Cover The Bachelor of Music Degree in Jazz Studies Juries ..............................................................
[Show full text]
The Spirit of May '97
the spirit of May '97 Issue 38 . • • ..• ..• • ..• Editor/ill Hello and welcome to yet once again agreed to supply us now and it improves with every another action packed issue of with a selection of items, for use listen (check out how to order a The Spirit of Rush. We have in the raffle/auction part of the copy direct on the inside back tried to get this issue to you as event. Some ofthe confirmed cover)-any news of a UK! soon as we could after no.37 in items are as follow ... Roll the European release Chris? From case any of you were planning Bones - Award Plaque. the opening fusion sounding Editorial Address: a trip to North America to catch Complete sets of the re "Patterns" through the epic nd the band on the 2 leg of the mastered albums, Tour closing number 23 Garden Close, t4e tour. You should have Merchandise & some other "Checkerboards" Tiles cover all ChinbrookRoad, picked this issue up in mid-May surprises. As you can see the the bases, why this band are Grove Park,· from your doormat (if all went band and their management not signed to a major label is London, SE12 9TG. well between here and the have been very generous once beyond belief. Personal England printers). As you read this only again. Many, many thanks to favourites include "Anothers a couple of weeks of the 2nd leg them. Hand" and It's marvellous mid would have taken place and section extended instrumental North America with the tour running until the We have included a page or two passage.
[Show full text]
Rush's Lyrical Rhetoric of Oppression and Liberation
Relevant Rhetoric, Vol. 7 (2016): Rush’s Lyrical Rhetoric of Oppression and Liberation Rush’s Lyrical Rhetoric of Oppression and Liberation: Extending “Freedom Songs” into the Progressive Rock Genre Brett A. Barnett Associate Professor of Communication Slippery Rock University of Pennsylvania [email protected] Relevant Rhetoric, Vol. 7 (2016): Rush’s Lyrical Rhetoric of Oppression and Liberation 2 On April 18, 2013, members of the Canadian power trio Rush were among the artists inducted into the Rock and Roll Hall of Fame, a well-deserved honor that was long overdue. Formed in August 1968, Rush would join artists like Pink Floyd and Yes in shaping the music movement that would come to be categorized as “progressive” rock, or “prog rock,” a rock music sub-genre that Rush. Photo credit: By Enrico Frangi (Uploaded by User:Jonasz) [Public domain], via Wikimedia Commons also developed in the late 1960s.1 As reflected in the music of Rush, progressive rock involves more advanced musical forms, including an expanded instrumental palette and increased com- plexity in terms of instrumentation, as well as more sophisticated lyrical themes ranging from unconventional subject matter to increased social commentary. After years playing on the Toronto music scene, Rush formed their own label, Moon Records, and shortly thereafter released their first album, Rush, in 1974.2 Rush’s self-titled debut album did not garner much attention until Cleveland’s WMMS (100.7 FM), widely regarded as one of the most influential rock radio stations in North America,
[Show full text]
Due to Overwhelming Demand Clockwork Angels Tour to Continue in 2013
RUSH: DUE TO OVERWHELMING DEMAND CLOCKWORK ANGELS TOUR TO CONTINUE IN 2013 RUSH TO VISIT 20+ CITIES THROUGHOUT NORTH AMERICA IN 2013 Tickets on sale in select markets beginning January 28th at LiveNation.com LOS ANGELES, CA (January 22nd, 2013) – Live Nation announced today that due to overwhelming demand, the highly acclaimed RUSH Clockwork Angels Tour will return to North America for a selection of dates this summer. Beginning in April, fans will be able to catch RUSH in a number of new markets not visited on last year’s highly successful tour. Tickets for the Clockwork Angels Tour will go on sale starting January 28th in select markets at Ticketmaster.com and LiveNation.com. “The faithful came and RUSH delivered. Epic. Profound. Joyous. Incredible." – Buffalo News “A mind-blowing 3 hour concert...simply put Rush is EPIC!” – Dallas Morning News Rush’s 20th studio album, Clockwork Angels has earned rapturous accolades by fans and press alike since its release June 12th of last year. The Quietus described Clockwork Angels as “an extremely accomplished piece of music composed and performed absolutely flawlessly”. Q magazine called the taut songcraft “utterly engaging.” Rolling Stone declared “the power-trio interplay could put guys half their age in the burn ward,” while All Music Guide succinctly summed up “Clockwork Angels demonstrates why, after 36 years, Rush’s fan base continues to grow. Its musical athleticism and calisthenic discipline are equaled only by its relentless creative drive and its will to express it in a distinct musical language.” The Guardian UK claimed, "Those who worship at the temple of Rush will be in raptures; for those who remain agnostic, there may well be enough here to justify a leap of faith." At the end of 2012, Rush won both the Band of the Year and Album of the Year awards at the Classic Rock Awards in London, UK.
[Show full text]
GEDDY LEE of RUSH the Rush Bassist and His Band Are Marking 30 Prog-Rocking Years Together with Their Rush in Rio CD and DVD
-4i·iMiUii'lt -- ------------------------------------ -- -- - By VIC GARBARINI GEDDY LEE OF RUSH The Rush bassist and his band are marking 30 prog-rocking years together with their Rush in Rio CD and DVD. Now, Lee pays homage to the music that keeps him warm on cold Canadian nights. much more theatrical. The music "HOW MANY wasn't about people stepping out MORE TIMES?" and doing bluesy solos; they were Led Zeppelin taking a high level of musicianship and weaving it into the guts of the Led Zeppelin song, playing with layers of melody, SWAN SONG, 1969 odd time signatures and strange "I saw them in Toronto at a little place guitar riffs. What fascinated me was called the Rockpile, We were in the how these intricate parts all sup second row, and when ported one another-and the song:' they played this song it just blew me away, It reaffirmed for me all "3/5 OF A MILE the creative potential INTEN in blending hard rock with progressive SECONDS" music. John Paul Jefferson Airplane Jones was the unsung hero in that Bless Its Pointed Little Head V>w~ band. What bass player of that period RCA. 1969 z didn't know how to play that riff? I still "A great live record, where the band 3- jam to it sometimes at soundchecks," takes some risks and really changes '" the arrangements, especially rhyth- § "THICK AS mically. Jack Casady, one of the truly " A BRICK" great, underrated bass players, is the .: star of this record. His tone was very ~ Jethro Tull different from other American 0::.
[Show full text]
American Performer Jazz Bass® (019861Xxxx)
AMERICAN PERFORMER JAZZ BASS® (019861XXXX) 3 PARTS LAYOUT 4 5 2 24 25 26 1 6 7 8 5 20 21 22 23 19 20 21 23 5 9 10 11 12 13 10 11 12 13 14 11 15 16 17 18 24 25 26 COPYRIGHT - 2019 - FENDER MUSICAL INSTRUMENTS CORPORATION Page 1 of 6 Jun 20, 2019 - PR5241 - Rev. A AMERICAN PERFORMER JAZZ BASS® (019861XXXX) PARTS LIST REF# DESCRIPTION PART NUMBER 1 BODY AM SPECIAL JAZZ BASS GLOSS 3TS 7714140500 1 BODY AM SPECIAL JAZZ BASS GLOSS AWT 7714140580 1 BODY AM SPECIAL JAZZ BASS GLOSS PNY 7714140584 1 BODY AM SPECIAL JAZZ BASS SATIN SFG 7714141557 2 NECK ASSY AM PERFORMER J-BASS MPL 7713214000 2 NECK ASSY AM PERFORMER J-BASS RW 7713195000 3 KEY BASS DLX NEW MOD TAPER LONG SET 0992006000 4 STRING GUIDE BASS BARREL NI 0013235000 5 SCREW SMAB 4 X 1/2 OHP NI 0015578049 6 PLATE NECK STD SERIES LOGO NO TILT 0048691000 7 SCREW SMA 8 X 1-3/4 OHP NI 0015636049 8 PICKGUARD AM STD JAZZ BASS B/W/B 0063307000 9 PLATE CONTROL JAZZ BASS CHROME ALUM 0992057100 10 KNOB 2 LARGE 1 SMALL SKIRTED BLACK 0991370000 11 HEX NUT 3/8-32 X 3/32 TK NI 0016352049 12 WASHER LOCK INTL 3/8 X .687 0016436049 13 CONTROL 250K 10% AUDIO METAL 0990831000 14 PCB ASSY GREASE BUCKET TONE CIRCUIT 7713546000 15 JACK PHONE1/4 OUTPUT 0047329049 16 WASHER FLAT 3/8 X .614 NI 0031153049 17 BRIDGE ASSY AM PERFORMER BASS 7713210000 17A BRIDGE PLATE JAZZ BASS 0010538070 17B BRIDGE SADDLE AM SRS BASS 1-2 BARREL NI 0075127000 17C BRIDGE SADDLE AM SRS BASS 3-4 BARREL NI 0075135000 17D SCREW M 6-32 X 1-1/2 RHP NI 0015842049 17E SPRING COMPRESSION 1-1/16 #144 0018689049 17F SPRING COMPRESSION 1-3/8 x 0.15 NI 0099135000 17G SCREW SET 6-32 X 7/16 HEX SKT BLX NYLOK 0075354000 18 SCREW SMAB 5 X 1 OHP NI 0015610049 19 PICKUP ASSY AM PERFORMER J-BASS BRIDGE 7713562000 20 SCREW WD 4 X 1-1/4 RHP NI 0027035049 21 SHIELD PICKUP NECK JAZZ BASS 62 6-1/2 WIRE 0061289000 22 PICKUP ASSY AM PERFORMER J-BASS NECK 7713561000 23 PICKUP COVERS SET 0992038000 *= NOT PICTURED IN DIAGRAM COPYRIGHT - 2019 - FENDER MUSICAL INSTRUMENTS CORPORATION Page 2 of 6 Jun 20, 2019 - PR5241 - Rev.
[Show full text]
How Is Rush Canadian?
Rush and Philosophy 2nd pages 3/11/11 1:56 PM Page 287 21 How Is Rush Canadian? DURRELL BOWMAN Given Canada’s relatively small population (twenty-one million in 1969, thirty-four million in 2009), many—but certainly not all—of the nation’s more ambitious musicians have pursued at least some of their career activities in the US and other foreign parts. Rush mainly demonstrates “Canadianness” by combining such British and American influences as progressive rock, hard rock, and indi- vidualism. However, the band has also included more specifically Canadian references across its long career. CanCon The Canadian government implemented specific content—or “CanCon”—regulations in 1971, and broadcasters were then required to include certain percentages of Canadian material. For music, at least two of a song recording’s four main categories of Music, Artist, Production, and Lyrics (“M-A-P-L”) must be “Canadian” according to citizenship or location. The interpretation of this changed after 1991, due to a “scandal” involving Bryan Adams failing to qualify as Canadian because of co-writing certain songs, such as “(Everything I Do) I Do it For You” ( Waking up the Neighbours and Robin Hood: Prince of Thieves , both 1991), with such non-Canadians as Mutt Lange and Michael Kamen. (Spelling the word “neighbours” in the Canadian way apparently didn’t help.) The outcome is that even though Shania Twain similarly co- wrote the songs on Come on Over (1997) with her then-husband Mutt Lange and did not record any of this music in Canada, her album and its songs by that point qualified as Canadian.
[Show full text]
Road Worn '60S Jazz Bass®
ROAD WORN ROAD WORn ‘60s Jazz Bass® ghts reserved. and the distinctive headstock body designs of this guitar are trademarks Fender Musical Instruments Corporation. All ri ® Part Number Description UPC MSRP P Bass ® NEW! Rosewood fretboard, 3-Color Sunburst, 4-Ply 013-1810-300 717669729318 Brown Shell Pickguard Precision Bass NEW! Rosewood fretboard, Fiesta Red, 4-Ply Brown ® 013-1810-340 717669761790 Shell Pickguard ROAD WORn ‘60s Jazz Bass®: Like classic cars or your favorite T-shirt, some things just get cooler with age. It’s especially true of electric basses-they develop an unmistakable mojo over © 2008 FMIC. Fender time that only makes ‘em look even cooler and feel even more comfortable than when they were brand new. That said, Fender’s new Road Worn ‘60s Jazz Bass guitar was designed with 1960s specs and a nitrocellulose finish to deliver that killer aged look, feel and mojo without breaking the bank. A true 340 (Fiesta Red) player. 300 (3- Color Sunburst) www.fender.com Prices and specifications subject to change without notice. Fender® Electric Basses ROAD WORN ROAD WORN 60S JAZZ BASS® COLORS: (00) (40) Fiesta Red ghts reserved. 3- Color Sunburst SPECIFICATIONS: Body Alder Finish Lacquer 40 (Fiesta Red) Neck Maple Fingerboard Rosewood 7.25” (184mm) Frets 20, Vintage Scale Length 34” (864 mm) Nut Width: 1.500” (38mm) Hardware Nickel/Chrome Tuning Keys Vintage Style Reverse Tuning Machines Bridge American Vintage Jazz Bass Pickguard 4 Ply Brown Shell and the distinctive headstock body designs of this guitar are trademarks Fender Musical Instruments Corporation. All ri ® Pickups Rhythm: Standard Vintage Alnico Magnet Jazz Bass Single P Bass Coil Pickup ® Lead: Standard Vintage Alnico Magnet Jazz Bass Single Coil Pickup Precision Bass ® Pickup Switching None Controls Volume 1, Volume 2, Tone © 2008 FMIC.
[Show full text]
Course Descriptions
Course Descriptions 160 COURSE DESCRIPTIONS Elective Course List for AAOT, ASOT- Business, and ASOT-Computer Science Career Technical Education (CTE) Courses by Subject Courses numbered 100 or above in the subjects listed below may be used in the Elective Courses and Elective and/or University Specific Requirement areas of the AAOT, ASOT-Business, and ASOT-Computer Science degrees. Career Technical Courses (CTE) used in these areas may not exceed 12 credits. AB Auto Body/Collision Repair HS Human Services ABR Auto Body/Collison Reﬁnish Except HS-232 AM Auto Service IMT Industrial Maintenance Technology APR Apprenticeship MA Medical Assistant BT Business Technology MBC Medical Billing and Coding CDT Drafting MET Manufacturing Engineering Technology CLA Clinical Lab Assistant MFG Manufacturing CS Computer Science MUS Music Only CS-152, 227, 240M, 240W, 284, 288W, 289 Only MUS-090, 140, 141, 171, 207, 218, 219, 220, CWE Cooperative Work Experience 242, 247 DA Dental Assisting NRS Nursing DMC Digital Media Communications NUR Nursing Except DMC-147, 194, 195, 199, 230, 280 OST Occupational Skills Training ECE Early Childhood Education PS Political Science Except ECE-291, 292 Only PS-280 ED Education RET Renewable Energy Technology Only ED-299 SAR Search and Rescue EET Electronic Systems Technology SBM Small Business Management EMP Emergency Management Professional SDP Supervisory Training EMT Emergency Medical Technology SM Microelectronics Systems Technology ESH Environmental Safety & Health SOC Sociology FRP Fire Science (Wildland) Only SOC-280
[Show full text]