Animal Sensibility and Inclusive Justice in the Age of Bernard Shaw
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Good King Charles Study Guide New.Pub
In Good King Charles’s Golden Days By Bernard Shaw ONNECTIONS Shaw Festival CStudy Guide The Shaw Story 2 The Players 3 The Story 4 The Playwright 5 Who’s Who 6-7 Director’s Notes 8 Designer’s Notes 9-10 Production History 11 World of the Play 12-16 Did You Know? 17 Say What? 18 Sources 19 Activities 20-32 THE SHAW STORY MANDATE The Shaw Festival is the only theatre in the world which exclusively focuses on plays by Bernard Shaw and his contemporaries, including plays written during, or about the period of Shaw’s lifetime (1856 – 1950). The Shaw Festival’s mandate also includes: • Uncovered Gems – digging up undiscovered theatrical treasures, or plays which were considered major works when they were written but which have since been unjustly neglected • American Classics – we continue to celebrate the best of American theatre • Musicals – musical treats either from, or set during the period of our mandate • Canadian Work – to allow us to hear and promote our own stories, and our own WHAT MAKES points of view about the mandate period. SHAW SPECIAL MEET THE COMPANY — OUR ENSEMBLE • Our Actors: All Shaw performers contribute to the sense of ensemble, much like the players in an orchestra. Often, smaller parts are played by actors who are leading performers in their own right, but in our “orchestra,” they support the central action helping to create a density of experiences that are both subtle and informative. • Our Designers: Every production that graces the Shaw Festival stages is built “from scratch,” from an original design. -
Shaw Festival Mourns the Loss of Director Neil Munro Media Release #23
Shaw Festival mourns the loss of director Neil Munro Media Release #23 Niagara-on-the-Lake, Ontario, July 13, 2009…The Shaw Festival Company is deeply saddened to announce today the passing of long-time Resident Director, Neil Munro. Mr. Munro died July 13, 2009 at the age of 62 at London Ontario’s University Hospital after a lengthy illness. He is predeceased by his wife Carole Galloway and is survived by his sister Anna Munro, nephew John Munro and his mother-in-law Stella Galloway and sister-in-law Jackie Martinez. On making this announcement, Jackie Maxwell commented: “Neil Munro created an indelible mark on the Shaw Festival. As a director he had a vision that was unique — blending extraordinarily detailed preparation with brilliant and at times outrageous ideas, always in the service of illuminating and revitalizing each play. His passion for theatre was immense, only matched by that for the artists he worked with – especially actors. As Resident Director, his commitment to and love for the Ensemble and all it stood for was clear daily as was his brilliant sceptical humour which unsuccessfully hid his true warmth and empathy. We already miss him terribly but our vivid memories of his talent and his passion will live on here at The Shaw, and I know, in the hearts of the many, many Canadians artists whose lives he touched.” Mr. Munro has been one of Canadian theatre’s most vital artists for more than 35 years as a director, actor and playwright. He is revered at The Shaw as a director who brought a fascinating and often controversial directorial touch to many plays, notably, his recent productions of Somerset Maugham’s The Circle and Tennessee Williams’ Summer and Smoke (2007). -
2018 SEASON April 4 to October 28 Niagara-On-The-Lake, Ontario Tim Carroll, Artistic Director Tim Jennings, Executive Director
2018 SEASON April 4 to October 28 Niagara-on-the-Lake, Ontario Tim Carroll, Artistic Director Tim Jennings, Executive Director 1.800.511.SHAW 1 Contents Welcome from the Artistic Director 1 2018 Season Plays 2 Reading Series 23 Secret Theatre 25 Acting Ensemble 26 Ticket Prices + Marquee Seating 28 Theatres 29 Ways to Save + Policies 30 How to Order 32 Calendar 32 Stay the Night 48 Membership 50 Beyond the Stage — for Friends 51 Beyond the Stage — for All 52 Beyond the Stage — for Young People 54 Sponsors 56 Getting Here 57 We acknowledge and honour the land upon which we gather as the historic and traditional territory of First Nations peoples. In particular we recognize and thank the Neutral Nation, the Mississauga and the Haudenosaunee for their stewardship of these lands over millennia. , 2017) , 2017) Credits Design: Key Gordon Communications | keygordon.com Joan Saint Edited by: Nathalie Ivany-Becchetti Me and My Girl Ensemble photography: David Cooper Backstage photography: Christopher Wahl Ancillary and Niagara photography: Cosmo Condina Photography Photography for: The Magician’s Nephew, Grand Hotel, The Hound of the Baskervilles, Stage Kiss and The Orchard (After Chekhov) by Peter Andrew Lusztyk Irving ( Jeff Cover: ( Emily Lukasik page: This 1.800.511.SHAW 2 My second season This company has amazing musical performers. Grand Hotel is a blockbuster is a chance to put musical with a bit of everything: passion, into practice what crime, laughter, a wonderful score and I learnt in my first. great dancing. Our audience loves brilliant writing, for So, what did young or old. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Alastair Paynter (2018) “The emergence of libertarian conservatism in Britain, 1867-1914”, University of Southampton, Department of History, PhD Thesis, pp. 1-187. UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES History The emergence of libertarian conservatism in Britain, 1867-1914 by Alastair Matthew Paynter Thesis for the degree of Doctor of Philosophy March 2018 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES History Doctor of Philosophy THE EMERGENCE OF LIBERTARIAN CONSERVATISM IN BRITAIN, 1867-1914 by Alastair Matthew Paynter This thesis considers conservatism’s response to Collectivism during a period of crucial political and social change in the United Kingdom and the Anglosphere. The familiar political equipoise was disturbed by the widening of the franchise and the emergence of radical new threats in the form of New Liberalism and Socialism. Some conservatives responded to these changes by emphasising the importance of individual liberty and the preservation of the existing social structure and institutions. -
George Bernard Shaw in Context Edited by Brad Kent Frontmatter More Information
Cambridge University Press 978-1-107-04745-7 - George Bernard Shaw in Context Edited by Brad Kent Frontmatter More information GEORGE BERNARD SHAW IN CONTEXT When Shaw died in 1950, the world lost one of its most well-known authors, a revolutionary who was as renowned for his personality as he was for his humour, humanity, and rebellious thinking. He remains a compelling figure who deserves attention not only for how influential he was in his time but also for how relevant he is to ours. This collection sets Shaw’s life and achievements in context, with forty-two chapters devoted to subjects that interested him and defined his work. Contributors explore a wide range of themes, moving from factors that were formative in Shaw’s life, to the artistic work that made him most famous and the institutions with which he worked, to the political and social issues that consumed much of his attention, and, finally, to his influence and reception. Presenting fresh material and arguments, this collection will point to new direc- tions of research for future scholars. brad kent is Associate Professor of British and Irish Literatures at Université Laval and was Visiting Professor at Trinity College Dublin in 2013–14. His recent publications include a critical edition of Shaw’s Mrs Warren’s Profession (2012), The Selected Essays of Sean O’Faolain (forthcoming), and essays in University of Toronto Quarterly, Modern Drama, ARIEL: A Review of International English Literatures, English Literature in Transition, Irish University Review, and The Oxford Handbook of Modern Irish Theatre. He is also the programme director of the Shaw Symposium, held annually at the Shaw Festival in Niagara-on-the-Lake, Canada. -
2010 ISS Newsletter
Fourth International Shaw Society Conference The Governing Council 2010 End-of-Year Newsletter International Shaw Society ―Shaw Without Borders / Shaw sans frontières‖ is the title of the Fourth International Shaw Society Conference, sched- INTERNATIONAL uled for 25 to 29 July 2011 at the University of Guelph in Guelph, Ontario, Canada. The conference is sponsored by the In- ternational Shaw Society in collaboration with the University of Guelph and The Shaw Festival. Papers (for 20-minute talks Executive Committee SHAW maximum) may be on a wide range of topics and written from any critical perspective, but those who choose to speak on the conference topic should address Shaw‘s broad international interests as expressed in his novels, plays, prefaces, speeches, L.W. Conolly, President www.shawsociety.org and travels; productions of Shaw‘s plays in different countries and languages; ‗‗boundary-free‘‘ internet Shaw; and Jay R. Tunney, Vice President SOCIETY ‗‗copyright-free‘‘ Shaw (in Canada since 2000, and in most other countries from 2020). Abstracts of 300 to 500 words R.F. Dietrich, should be submitted at the conference website at http://conference.lib.uoguelph.ca/index.php/shaw/ISSC2011, but please Treasurer and Webmaster copy, with c.v. and letter of introduction, to Professor Leonard Conolly, preferably by email to [email protected] or by mail John McInerney, to him at Department of English, Trent University, Peterborough, Ontario, Canada K9J 7B8. DEADLINE IS 15 APRIL Recording Secretary Another Busy Year Ahead 2011. It would be helpful if papers were presented at the conference accompanied by a one-page outline of ―talking points‖ Membership Secretary: and key quotations for distribution to the audience. -
T.R. Suleyman Demirel University Insitute of Social
T.R. SULEYMAN DEMIREL UNIVERSITY INSITUTE OF SOCIAL SCIENCES WESTERN LANGUAGES AND LITERATURE DEPARTMENT ENGLISH LANGUAGE AND LITERATURE A COLLOCATIONAL READING OF PYGMALION AND GHOSTS Müjde DEMİRAY 1630224004 MASTER’S THESIS SUPERVISOR Assoc. Prof. Dr. Ömer ŞEKERCİ ISPARTA-2018 T.C. SÜLEYMAN DEMİREL UNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ BATI DİLLERİ VE EDEBİYATI ANABİLİM DALI İNGİLİZ DİLİ VE EDEBİYATI BİLİM DALI PYGMALION VE HORTLAKLAR'IN EŞDİZİMSEL OKUNMASI Müjde DEMİRAY 1630224004 YÜKSEK LİSANS TEZİ DANIŞMAN Doç. Dr. Ömer ŞEKERCİ ISPARTA-2018 (DEMİRAY, Müjde, A Collocational Reading of Pygmalion And Ghosts, MA Thesis, Isparta, 2018) ABSTRACT George Bernard Shaw (1856-1950) and Henrik Ibsen (1828-1906) were the most important figures in Modern European Drama in the late nineteenth century. While Ibsen is regarded as the founding father of Modern Drama in Europe, Shaw is considered to be one of the most important founding figures of the English Drama. They both contributed a lot to the development of modern drama in their times. Shaw is known to have been greatly inspired by Ibsen. Shaw’s Pygmalion (1912) and Ibsen’s Ghosts (1881) are considered to be great dramas of their time, even today, in terms of topics they have dealt with. These two plays are social realistic dramas as drama genre. Our literature survey has shown that plays or drama texts have hardly been analysed collocationally, so we have tried to interpret and read these two major works by the major playwrights from a collocational perspective. The study aims to find out the similarities and differences of collocatioal style between two playwrights. In the first chapter we have talked about stylistics and collocations and their importance in drama. -
Phemister2017.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. ‘Our American Aristotle’ Henry George and the Republican Tradition during the Transatlantic Irish Land War, 1877-1887 Andrew Phemister PhD University of Edinburgh 2016 Abstract This thesis examines the relationship between Henry George and the Irish on both sides of the Atlantic and, detailing the ideological interaction between George’s republicanism and Irish nationalism, argues that his uneven appeal reveals the contours of the construction of Gilded Age Irish-America. The work assesses the functionality and operation, in both Ireland and the US, of Irish culture as a dynamic but discordant friction within the Anglophone world. Ireland’s unique geopolitical position and its religious constitution nurtured an agrarianism that shared its intellectual roots with American republicanism. This study details how the crisis of Irish land invigorated both traditions as an effective oppositional culture to the processes of modernity. -
Radio 4 Extra Listings for 24 – 30 January 2015 Page 1 of 9 SATURDAY 24 JANUARY 2015 Swann
Radio 4 Extra Listings for 24 – 30 January 2015 Page 1 of 9 SATURDAY 24 JANUARY 2015 Swann. Doberman's suspicions are aroused. Boxer is just and is determined to find out what really happened and who is aroused... to blame... SAT 00:00 Book at Bedtime (b00r9y29) Alastair Jessiman's comedy police drama features grizzled old- Dario Fo's world famous comic masterpiece is a biting satire on Salley Vickers - Dancing Backwards school, cardigan-wearing detective, DI Bob Boxer - and more police corruption. Episode 5 instinctive, BlackBerry-wielding young sidekick, DS Shona Adapted by award-winning comedian Jeremy Hardy. Eileen Atkins reads from Salley Vickers' acclaimed new novel, Doberman. Adrian Edmondson ..... Maniac Dancing Backwards Listen out for a blink-and-you-miss-it cameo from one of the Jennifer Saunders ..... Maria Feletti Violet Hetherington's husband has recently died. Alone, she stars of the show which "inspired" Boxer and Doberman - ITV's Jill Gascoine ..... Superintendent decides to take a cruise-ship crossing to visit her old friend, Taggart. (Clue: his appearance is a tea-time treat...) Stephen Frost ..... Inspector Bertozzo Edwin, in New York. DI Boxer ..... Finlay Welsh John Forgeham ..... Inspector Pissani As she journeys across the Atlantic the quiet Violet begins to DS Doberman ..... Anita Vettesse Mark Steel ..... Constables blossom - learning to ballroom dance, taking up smoking again, Marion Swann ..... Juliet Cadzow From Gillian Hanna's translation and Gavin Richards' stage befriending a famously seething theatre critic. And in her time Mackenzie Baxter ..... Sean Scanlan adaptation. alone she reminisces about her early adulthood as a student at Joe Macnamarra .... -
The Utility of Hope
The Individualistic Socialism of William Morris and Edward Carpenter: When Angel-winged Utopia Becomes an Iron-clad Political Project Magalie Fleurot │ Bordeaux University I. Introduction When Friedrich Engels and Karl Marx chose to define two categories of Socialism in Socialism, Utopian and Scientific (1880), little did they know that their dividing strategy would work for so long. Utopian Socialism, also called “doctrinaire” by Marx, was supposed to be a sort of proto-specimen of Scientific Socialism, decisive in the defining of the movement but archaic and unaware of the historical process. Utopian scholars (Michèle Riot-Sarcey1 and Gregory Claeys2 for instance) have recently argued that Utopian Socialism was not something designed by and for dreamers, thus rendering Engels’s classification obsolete, but no one had yet given a different name to that branch of Socialism which included Fourier, Saint Simon and Owen according to both German philosophers. We believe that those precursors and their heirs can be described as Individualistic Socialists, who considered the individual and its development as paramount conditions to a better world. Owen’s legacy but also Fourier’s are incarnated namely in William Morris and Edward Carpenter. In Britain and in France, there is definitely a philosophical tradition which started with the Enlightenment, encompasses the Socialism that Engels defined as “utopian” and runs through the twentieth century. While doing some research on that movement, it appeared that the common denominator between altogether very different thinkers was their attention to the individual. Contrary to Scientific Socialism, which emphasizes the greater good of the community and subordinates man to a superior cause, Individualistic Socialism warns against such a foible and tries to adopt an approach based on the human being himself. -
Historicalmaterialism Bookseries
Otto Bauer (1881–1938) Historical Materialism Book Series Editorial Board Sébastien Budgen (Paris) David Broder (Rome) Steve Edwards (London) Juan Grigera (London) Marcel van der Linden (Amsterdam) Peter Thomas (London) volume 121 The titles published in this series are listed at brill.com/hm Otto Bauer in 1931 Otto Bauer (1881–1938) Thinker and Politician By Ewa Czerwińska-Schupp Translated by Maciej Zurowski leiden | boston This is an open access title distributed under the terms of the cc-by-nc License, which permits any non-commercial use, and distribution, provided no alterations are made and the original author(s) and source are credited. Published with the support of Austrian Science Fund (fwf) First published in German by Peter Lang as Otto Bauer: Studien zur social-politischen Philosophie. © by Peter Lang GmbH. Internationaler Verlag der Wissenschaften, Frankfurt am Main, 2005. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2016031159 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. issn 1570-1522 isbn 978-90-04-31573-0 (hardback) isbn 978-90-04-32583-8 (e-book) Copyright 2017 by Koninklijke Brill nv, Leiden, The Netherlands. This work is published by Koninklijke Brill NV. Koninklijke Brill nv incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. Koninklijke Brill nv reserves the right to protect the publication against unauthorized use and to authorize dissemination by means of offprints, legitimate photocopies, microform editions, reprints, translations, and secondary information sources, such as abstracting and indexing services including databases. -
1 Georgism and the Decline of Liberalism in Interwar Britain Jules
1 Georgism and the Decline of Liberalism in Interwar Britain Jules Gehrke, Saginaw Valley State University [The following is a work in progress. No portion of the paper should be cited without the author’s permission.] Few historical studies have critically examined the decline of Georgism in Britain after the First World War. 1 The loss of an electorally effective Liberal Party and the emergence of a Labour Party dedicated to taming the menace of capitalism have been highlighted as important factors in the steady decline in the influence wielded by Georgist supporters. Nonetheless, Georgist organizations continued to organize during the interwar period and worked to adapt their messages to altered social and economic conditions. Adherents sought new support for initiatives politically and economically tied to radical liberalism. The study of interwar Georgism allows for critical examination of how a political, social, and economic movement born in late Victorian Britain struggled to negotiate the politics of an interwar period in which the new centers of political power lay with the Labour and Conservative parties. Georgism propounded a message of reform that its adherents suggested would not only would give new life to the deflated capitalism of interwar Britain, but establish a fundamentally new basis of social and economic justice. An examination of how and why Georgism remained confined to the political margins during a period of economic upheaval helps to illuminate critical elements of the altered political make-up of interwar politics and the fate of political liberalism in early twentieth-century Britain. The ideas of Henry George defied easy political categorization, but were nonetheless the spark for early movements in social and economic reform.