Jong Mee Lee, Soprano
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RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No. -
The Magic Flute
WOLFGANG AMADEUS MOZART the magic flute conductor Libretto by Emanuel Schikaneder Harry Bicket Saturday, December 29, 2018 production 1:00–2:45 PM Julie Taymor set designer George Tsypin costume designer Julie Taymor lighting designer The abridged production of Donald Holder The Magic Flute was made possible by a puppet designers Julie Taymor gift from The Andrew W. Mellon Foundation Michael Curry and Bill Rollnick and Nancy Ellison Rollnick choreographer Mark Dendy The original production of Die Zauberflöte was made possible by a revival stage director David Kneuss gift from Mr. and Mrs. Henry R. Kravis english adaptation J. D. McClatchy Additional funding was received from John Van Meter, The Annenberg Foundation, Karen and Kevin Kennedy, Bill Rollnick and Nancy Ellison Rollnick, Mr. and Mrs. William R. general manager Miller, Agnes Varis and Karl Leichtman, and Peter Gelb Mr. and Mrs. Ezra K. Zilkha jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The Magic Flute is The 447th Metropolitan Opera performance of performed without intermission. WOLFGANG AMADEUS MOZART’S This performance is being broadcast the magic flute live over The Toll Brothers– Metropolitan Opera conductor International Radio Harry Bicket Network, sponsored by Toll Brothers, in order of vocal appearance America’s luxury ® tamino second spirit homebuilder , with Ben Bliss* Eliot Flowers generous long- first l ady third spirit term support from Gabriella Reyes** N. Casey Schopflocher the Annenberg Foundation and second l ady spe aker GRoW @ Annenberg, Emily D’Angelo** Alfred Walker* The Neubauer Family third l ady sar astro Foundation, the Maria Zifchak Morris Robinson* Vincent A. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2015 A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Amos, D. C.(2015). A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3642 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A SURVEY OF THE CAREER OF BARITONE, JOSEF METTERNICH: ARTIST AND TEACHER by Diana Carol Amos Bachelor of Music Oberlin Conservatory of Music, 1982 Master of Music University of South Carolina, 2011 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Performance School of Music University of South Carolina 2015 Accepted by: Walter Cuttino, Major Professor Donald Gray, Committee Member Sarah Williams, Committee Member Janet E. Hopkins, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies ©Copyright by Diana Carol Amos, 2015 All Rights Reserved. ii ACKNOWLEDGEMENTS I gratefully acknowledge the help of my professor, Walter Cuttino, for his direction and encouragement throughout this project. His support has been tremendous. My sincere gratitude goes to my entire committee, Professor Walter Cuttino, Dr. Donald Gray, Professor Janet E. Hopkins, and Dr. Sarah Williams for their perseverance and dedication in assisting me. -
2019 EVITA Lloyd Webber & Rice the Marriage of Figaro Mozart the Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein
seagle music colony 2019 EVITA Lloyd Webber & Rice The Marriage of Figaro Mozart The Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein Vespers Monkey & Francine Concerts in the City of Tigers * seaglecolony.org Bringing Music to the Adirondacks Since 1915 The Beechwood Group of Wells Fargo Advisors is proud to support The Seagle Music Colony Joseph Steiniger Senior Vice President - Investment Officer CERTIFIED FINANCIAL PLANNER™ [email protected] Mary E. McDonald First Vice President - Investments [email protected] The Beechwood Group 845-483-7943 www.thebeechwoodgroup.com Investment and Insurance Products: NOT FDIC Insured NO Bank Guarantee MAY Lose Value Wells Fargo Advisors, LLC, Member SIPC, is a registered broker-dealer and a separate non-bank affiliate of Wells Fargo & Company. ©2013 Wells Fargo Advisors, LLC. All rights reserved. 1113-02329 [74127-v4] Table of Contents General Information About Seagle Music Colony Restrooms are located in the Shames Rehearsal Notes from the Directors 3 Studio. Handicapped accessible restroom Seagle Music Colony Board of Directors 4 is at the rear of the theatre lobby. Seagle Music Colony Guild 4 History of Seagle Music Colony 7 Refreshments are provided in the theatre lobby 2018-2019 Seagle Music Colony Donors 8 by the Seagle Music Colony Guild. Donor Opportunities 12 2018-19 Alumni Updates 35 So that all our patrons may enjoy the performance, please turn all cell phones and pagers The Seagle Music Colony Gala 17 to the silent or off positions. The Productions Thank you for attending today’s performance. Evita 14 Monkey & Francine in the City of Tigers 16 The Marriage of Figaro 18 The Manchurian Candidate 22 Seagle Music Colony Oklahoma! 24 999 Charley Hill Road 2019 Fall Season 26 PO Box 366 Schroon Lake, NY 12870 2019 Faculty/Staff & Emerging Artists (518) 532-7875 Faculty & Staff 27 Emerging Artists 33 seaglecolony.org [email protected] Our Mission To identify, train and develop gifted singers and to present quality opera and musical theatre performances to the public. -
Developing the Young Dramatic Soprano Voice Ages 15-22 Is Approved in Partial Fulfillment of the Requirements for the Degree Of
DEVELOPING THE YOUNG DRAMATIC SOPRANO VOICE AGES 15-22 By Monica Ariane Williams Bachelor of Arts – Vocal Arts University of Southern California 1993 Master of Music – Vocal Arts University of Southern California 1995 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Musical Arts School of Music College of Fine Arts The Graduate College University of Nevada, Las Vegas December 2020 Copyright 2021 Monica Ariane Williams All Rights Reserved Dissertation Approval The Graduate College The University of Nevada, Las Vegas November 30, 2020 This dissertation prepared by Monica Ariane Williams entitled Developing the Young Dramatic Soprano Voice Ages 15-22 is approved in partial fulfillment of the requirements for the degree of Doctor of Musical Arts School of Music Alfonse Anderson, DMA. Kathryn Hausbeck Korgan, Ph.D. Examination Committee Chair Graduate College Dean Linda Lister, DMA. Examination Committee Member David Weiller, MM. Examination Committee Member Dean Gronemeier, DMA, JD. Examination Committee Member Joe Bynum, MFA. Graduate College Faculty Representative ii ABSTRACT This doctoral dissertation provides information on how to develop the young dramatic soprano, specifically through more concentrated focus on the breath. Proper breathing is considered the single most important skill a singer will learn, but its methodology continues to mystify multitudes of singers and voice teachers. Voice professionals often write treatises with a chapter or two devoted to breathing, whose explanations are extremely varied, complex or vague. Young dramatic sopranos, whose voices are unwieldy and take longer to develop are at a particular disadvantage for absorbing a solid vocal technique. First, a description, classification and brief history of the young dramatic soprano is discussed along with a retracing of breath methodologies relevant to the young dramatic soprano’s development. -
Transparent200‘6 Annual Report ‘6200 Contents Annual Report‘6 ADDRESS 8
annual report transparent200‘6 annual report ‘6200 Contents annual report‘6 ADDRESS 8 BANK’S PORTRAIT 12 Key Financial Ratios 14 Main achievements in 2006 15 Shareholders, Board of Directors, Management Board 15 RESULTS OF BANK TURANALEM DEVELOPMENT IN 2006 18 Kazakhstan economic and banking sector performance in 2006 20 BTA group development 22 DEVELOPMENT STRATEGY OF BANK TURANALEM 24 CORPORATE BUSINESS 28 RETAIL BUSINESS 32 SMALL AND MEDIUM-SIZED BUSINESS 38 SUBSIDIARIES 42 Insurance market 44 Pension market 45 Investment market 45 Leasing market 46 Mortgage market 46 STOCK MARKETS 48 Treasury operations in the stock market 50 International Capital Markets 50 Syndicated loans 51 Trade financing 52 annual report BTA GROUP’S MANAGEMENT SYSTEM 54 The structure of BTA group 56 ‘6 Corporate governance 57 Risk management and internal control 57 Human resources management 58 Social responsibility 60 BTA GROUP’S FINANCIAL STANDING REVIEW 64 Net interest income 66 Non-interest income 66 Operational expenditures, taxation, net income 67 Financial performance 67 CONSOLIDATED FINANCIAL STATEMENTS 70 Report of independent auditors 72 Consolidated balance sheets 73 Consolidated statement of income 74 Consolidated statements of changes in share capital 75 Consolidated statements of cash flows 78 ADDRESS annual report‘6 annual report DEAR SHAREHOLDERS, CUSTOMERS AND STAFF MEMBERS OF THE BANK! In 2006 Bank «TuranAlem» despite tough competition remained its leading positions and showed impressive growth rates. We tripled net income and more than doubled share- ‘6 holders’ capital and assets. We made one more step to establish the bank as CIS largest financial institute by starting the asset consolidation program. -
Boris Godunov
Modest Mussorgsky Boris Godunov CONDUCTOR Opera in a prologue and four acts Valery Gergiev Libretto by the composer, based on the play by PRODUCTION Alexander Pushkin (1875 version, with additions Stephen Wadsworth from the 1869 version) SET DESIGNER Ferdinand Wögerbauer Saturday, October 23, 2010, 12:00–4:15 pm COSTUME DESIGNER Moidele Bickel New Production LIGHTING DESIGNER Duane Schuler CHOREOGRAPHER Apostolia Tsolaki This production of Boris Godunov was made possible by generous gifts from Karen and Kevin Kennedy, Mr. and Mrs. Howard Solomon, and Mr. and Mrs. Wilmer J. Thomas, Jr. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 268th Metropolitan Opera performance of Modest Mussorgsky’s Boris Godunov Conductor Valery Gergiev in o r d e r o f v o c a l a p p e a r a n c e Nikitich, a police officer Xenia, daughter of Boris Valerian Ruminski Jennifer Zetlan Mitiukha, a peasant Feodor, son of Boris Mikhail Svetlov Jonathan A. Makepeace Shchelkalov, a boyar Nurse, nanny to Boris’s Alexey Markov children Larisa Shevchenko Prince Shuisky, a boyar Oleg Balashov Boyar in Attendance Brian Frutiger Boris Godunov René Pape Marina Ekaterina Semenchuk Pimen, a monk Mikhail Petrenko Rangoni, a Jesuit priest Evgeny Nikitin Grigory, a monk, later pretender to the Russian throne Holy Fool Aleksandrs Antonenko Andrey Popov Hostess of the Inn Chernikovsky, a Jesuit Olga Savova Mark Schowalter Missail Lavitsky, a Jesuit Nikolai Gassiev Andrew Oakden Varlaam Khrushchov, a boyar Vladimir Ognovenko Dennis Petersen Police Officer Gennady Bezzubenkov Saturday, October 23, 2010, 12:00–4:15 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. -
Download Jerome Hines: Great Singers on Great Singing Free Ebook
JEROME HINES: GREAT SINGERS ON GREAT SINGING DOWNLOAD FREE BOOK Jerome Hines | 150 pages | 01 Jul 2004 | Hal Leonard Corporation | 9780879100254 | English | New York, United States Limelight Ser.: Great Singers on Great Singing by Jerome Hines (2004, Trade Paperback) To see what your friends thought of this book, please sign up. As Opera News reported inhe was collaborating with Henry Pollack, formerly of Bell Labson "a new look at the philosophy of mathematics". Jerome Hines: Great Singers on Great Singing loved Shirley Verrett's "chocolate" and "apple" exercises! He also wrote an opera and was known for his scholarship. From Lillian Gish in Way Down Jerome Hines: Great Singers on Great Singing to Renee Zellweger in Nurse BettyDiLeo takes movie fans on an unpredictable ride through 80 years of film history, showcasing a variety of genres and performing styles, and providing Lorraine rated it it was amazing Aug 03, Hines was an exquisite basso that traveled the world and sang in the best opera houses. Jan 13, Anne rated it really liked it. And that is with the fact that I am kind of reading 9 books now at one go. It doesn't get bogged down in anatomy and technical language. I loved Shirley Verrett's "chocolate" and "apple" exercises! Edonahue rated it really liked it Feb 15, Two thumbs up! Jerome Hines is certainly the greatest American operatic basso, living or dead. Download as PDF Printable version. Sadly, I was not mentioned in this book. I have referred to it many times in my career, and always recommend it to students. -
Kazakistan - Tataristan İlişkilerine Analitik Bir Bakış
Makale Gönderilme Tarihi / Article Submission Date: 26-02-2020 Makale Kabul Tarihi / Article Acceptance Date: 27-02-2020 Araştırma Makalesi / Research Article INTERNATIONAL JOURNAL OF VOLGA - URAL AND TURKESTAN STUDIES (IJVUTS), VOLUME 2, ISSUE 3, P. 119 – 149. ULUSLARARASI İDİL - URAL VE TÜRKİSTAN ARAŞTIRMALARI DERGİSİ (IJVUTS), CİLT 2, SAYI 3, S. 119 – 149. Kazakistan - Tataristan İlişkilerine Analitik Bir Bakış Hayrettin SAĞDIÇ Özet 1991’de bağımsızlığını ilan eden Kazakistan, ilk dönemlerde “toprak bütünlüğünü güvence altına alma ve ekonomik kalkınma” hedeflerine odaklanarak çok yönlü bir dış politika stratejisi izlemiştir. Ekonomisi gelişen Kazakistan, 2000’li yılların ortalarından itibaren bölgesel güç olma yolunda ilerlemeye başlamış; Avrasya Ekonomik Birliği, Orta Asya Birliği, Türk Konseyi gibi birçok uluslararası inisiyatife öncülük etmiştir. Kazakistan’ın ilgi alanı Orta Asya coğrafyasıyla sınırlı değildir. Kazaklar; ortak dil, din, tarih, kültür bağlarına sahip oldukları İdil-Ural Türklüğüyle de yakın ilişkiler geliştirmeye çalışmaktadır. Kazakistan’da yaşayan 200 binin üzerindeki Tatar nüfusu, bu ilişkilerde bir köprü görevi görmektedir. Kazakistan’ın Tatar nüfusuna yönelik bu ilgisi, Tataristan’la kurduğu yakın ilişkilerin sonucudur. Kazak Hanlığını Altın Ordu Devleti’nin devamı, kendilerini de Altınordu’nun doğal mirasçısı kabul eden Kazaklar, ortak kökenleri dolayısıyla İdil- Ural Türklüğüne karşı sempati beslemektedir. Kazakistan Cumhurbaşkanı Kasımjomart Tokayev, Altın Ordu Devleti’ni Kazakların kültürel kodlarının önemli bir parçası olarak nitelendirmiştir. 2020-2022 yılları Kazakistan’da “Altın Ordu’nun Kuruluşunun 750. Yılı” olarak resmî etkinliklerle kutlanacaktır. Ekonomik- ticari boyutu bir kenara bırakılacak olursa bu bağlar, son yıllarda canlanan Kazakistan-Tataristan ilişkilerini izaha yeter. Ancak kanaatimizce bu yakın ilişkilerin bir nedeni de ülkenin özellikle kuzey bölgelerinde Kazak nüfusunun düşük olmasının oluşturduğu demografik risklere karşı Tatarların bir dayanak noktası olarak görülmesidir. -
How to Get a Job with a Record Company HIGH JUNE 1978 51.25 ENEL 1111111111.114- 91111F08398
In How to Get a Job with a Record Company HIGH JUNE 1978 51.25 ENEL 1111111111.114- 91111f08398 The Quest for the Ultimate- Two Experts Take Contrary Views Laboratory/Listening Reports: New Speakers from AdventJBLKoss LeakScott - gn 411.11. 06 0 7482008398 hied it not only gives le base greater density, le glue between the eces acts to damp bration. So when you're Common staples can work themselves loose, which is why Pioneer uses aluminum screws >tening to a record, you to mount the base plate to the base. on't hear the turntable. THINKING ON OUR FEET Instead of skinny screw -on plastic legs, oneer uses large shock mounted rubber feet iat not only support the weight of the turntable, Stiff plastic legs merely support most turntables, Pioneer's massive spring -mounted rubber feet also reduce feedback. t absorb vibration and reduce acoustic -edback. So it you like to play your music loud The ordinary lough to rattle the walls, you won't run the risk platter mat is flat. Ours is concave rattling the turntable. w compensate for warped records. FEATURES YOU MIGHT OTHERWISE Smaller, OVERLOOK. conventional platters are more subject to Besides the big things, the PL -518 has other iMIIIIIIIIIIMgimmo.umm. speed variations than our massive ss obvious advantages. PV platter Our platter mat, for example, is concave to )mpensate for warped records. screws to seal the base plate to the base. The platter itself is larger than others in this It's details like these as wellas advanced price range, which means it technology that gives the PL -518an incredibly stays at perfect speed with high signal-to-noise ratio of 73 decibels. -
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers H-P GAGIK HOVUNTS (see OVUNTS) AIRAT ICHMOURATOV (b. 1973) Born in Kazan, Tatarstan, Russia. He studied clarinet at the Kazan Music School, Kazan Music College and the Kazan Conservatory. He was appointed as associate clarinetist of the Tatarstan's Opera and Ballet Theatre, and of the Kazan State Symphony Orchestra. He toured extensively in Europe, then went to Canada where he settled permanently in 1998. He completed his musical education at the University of Montreal where he studied with Andre Moisan. He works as a conductor and Klezmer clarinetist and has composed a sizeable body of music. He has written a number of concertante works including Concerto for Viola and Orchestra No1, Op.7 (2004), Concerto for Viola and String Orchestra with Harpsicord No. 2, Op.41 “in Baroque style” (2015), Concerto for Oboe and Strings with Percussions, Op.6 (2004), Concerto for Cello and String Orchestra with Percussion, Op.18 (2009) and Concerto for Piano and Orchestra, Op 40 (2014). Concerto Grosso No. 1, Op.28 for Clarinet, Violin, Viola, Cello, Piano and String Orchestra with Percussion (2011) Evgeny Bushko/Belarusian State Chamber Orchestra ( + 3 Romances for Viola and Strings with Harp and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) 3 Romances for Viola and Strings with Harp (2009) Elvira Misbakhova (viola)/Evgeny Bushko/Belarusian State Chamber Orchestra ( + Concerto Grosso No. 1 and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) ARSHAK IKILIKIAN (b. 1948, ARMENIA) Born in Gyumri Armenia.