Announcing Another World Beater
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Mcintosh MA352 HYBRID VALVE AMPLIFIER 10 Transistor Power but with Valve Sound
VINYL NEWS AND REVIEWS SECTION SEE PAGE 80 HI-FIHI-FIFEBRUARY 2020 UK £4.50 WORLDWORLDwww.hi-fiworld.co.uk FREE READER CLASSIFIED ADS IN THIS ISSUE! McINTOSH COMPETITION MA352 WIN A AUDIO TECHNICA ! Exclusive OC9X SL CARTRIDGE hybrid amplifier WORTH £660! (UK ONLY) KLIPSCH HERITAGE THE SIXES loudspeaker CHORD ELECTRONICS HUEI phonostage FEBRUARY 2020 TECHNICS SL-G700 network/sacd player ACOUSTIC ENERGY AE500 LOUDSPEAKERS SIVE! MUTECH MC3+ USB SMART CLOCK EXCLU PRO-JECT VC-E VINYL CLEANER MEASUREMENT B&W PX7 WIRELESS NC HEADPHONES FIVE PAGES OF LETTERS - THE BEST WINS A PAIR OF KEF Q150 LOUDSPEAKERS! (UK ONLY) [master] The definitive version. Ultimate performance, bespoke audiophile cable collection Chord Company Signature, Sarum and ChordMusic form the vanguard of our cable ranges. A master collection that features our latest conductor, insulation and connector technology. High-end audiophile quality at a realistic price and each one built to your specific requirements. Arrange a demonstration with your nearest Chord Company retailer and hear the difference for yourself. Designed and hand-built in England since 1985 by a dedicated team of music-lovers. Find more information and a dealer locator at: www.chord.co.uk chordco-ad-HFW-MAR19-MASTER-002a.indd 1 07/05/2019 13:57:32 welcome EDITOR alves can be a bit troublesome. If you’re lucky big ones responsible Noel Keywood for producing power will last a few thousand hours, but then need e-mail: [email protected] replacing. However, small ones that don’t dissipate power will sol- dier on past 10,000 hours – and what’s more they cost little, in the DESIGN EDITOR £10-£20 region. -
Re-Issues Reviews
Re-issues Reviews Home To the reviews index News A healthy nihilism goes all bellicose for the poet who turns his pen into a sword. Interviews In the most Orwellian of years Joseph Smalkowski, or Copernicus, decided it was time Reviews for his verses to not only produce a verbal music but also put some external sound to the words - and got himself a kindred-minded band. "Let the musicians declare war!!" goes Index "I Know What I Think", and they do so, indeed, with a full-blown aural onslaught onto DVD which the leader lays his punky stentorian chant. Deranged delight! - unlike the mournful Magazines recital of "Let Me Rest" clocking at 11.11. Books But the opener "I Won't Hurt You" delivers on its sweet, slithery, soulful promise that Specials either skanks or slides to form the most romantic song Copernicus could offer. Still, COPERNICUS - being himself he couldn't help but break such an innocence in the sonic terror of Photo Nothing Exists "Nagasaki", hung on an urgent, oscillating and scintillating rock 'n' roll guitar riff. It's here that the poet denies the existence of everything, him included, so "Atomic Nevermore" Links Nevermore 1984 spreads its spoken word over the emotional desert which somehow makes the listener MoonJune 2010 explore the album's dry landscape again. DME/Personal ***1/2 Guestbook Mail me The original angularity seeps away for guitar to feed on - and feedback - on a honeysuckle vine. Having tapped into the fusion fad of the day with "Bundles", the machinists might have thought they arrived at the right station, yet the restless passenger in Allan Holdsworth knew better. -
Joe Bonner Rashaad Kagris Urs Leimgruber Roberto Magris Byron Morris John Tchicai Frank Walton Cape Town Jazz Fest
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Joe Bonner Rashaad Kagris Urs Leimgruber Roberto Magris Byron Morris John Tchicai Frank Walton Cape Town Jazz Fest International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 42 Number 3 July Aug Sept 2016 THE DIFFERENT DRUMMER... IS ON OUR LABEL WWW.INNOVA.MU TWO GREAT BRAZILIAN JAZZ RELEASES BY AAM MUSIC CAROL SABOYA “CAROLINA” On her second solo release for the U.S. market, Carol Saboya presents “Carolina”. a suite of exquisite compositions by master composers such as Antonio Carlos Jobim, Pixinguinha, Joao Bosco, Edu Lobo, Djavan, Lennon and McCartney, and Sting. Her new CD is sure to become a classic. ANTONIO ADOLFO “TROPICAL INFINITO" On the heels of two consecutive Latin Grammy nominations in 2014 and 2015 for Best Instrumental Album, Antonio Adolfo pres- ents his latest work, “Tropical Infinito.” Continuing to mine the authentic samba jazz vein that is his specialty, Antonio offers his unique take on pieces by Benny Golson, Oliver Nelson and Horace Silver, and works in four of his own compositions. On this release, Antonio and his octet work to recreate the energy and intensity of "gafieiras" -- dance parties that were a prominent feature of Rio de Janeiro nightlife in the 1960s. CDs available at ITunes, Amazon, CDBaby and more… AAM music www.aammusic.com NICK FRASER QUARTET STARER Nick Fraser: drums, compositions Tony Malaby: saxophones Andrew Downing: cello Rob Clutton: bass "Nick Fraser's drumming is like a tide rushing in, its momentum surging and receding with engulfing force and polyrhythmic spray, cradling and upending its accompanying voices as it pours out into sonic space. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Ho Avuto Fortuna: Ero Nei Paraggi
Interviste TIM HERBERT ALAN WAKEMAN Ho avuto fortuna: ero nei paraggi di Claudio Bonomi ■ I principali progetti cui oggi stai la- vorando sono molto diversi: hai i tuoi Rockin’ Hams, che rendono omaggio al sound degli anni Cinquanta, e gli Interplay, un gruppo fusion. Comincio dai Rockin’ Hams, il cui nome deriva da un gioco di parole a proposito dei Lord Rockingham’s IX, che erano l’at- trazione fissa diOh Boy!, il primo rock’n’roll show apparso sulla televisione commercia- le britannica, nel 1957. La band registrò anche alcune cose, arrivando in cima alle classifiche conHoots Mon, rivisitazione del famoso tradizionale scozzese A Hundred Pipers. Quello che mi ha sempre attratto è che la band schierasse come strumen- ■ E gli Interplay? ■ Sei molto attivo nell’area di Nort- ti principali quattro sassofoni (due tenori Il leader è il bassista Adrian Litvi- hampton, dove vivi? e due baritoni), una vera novità per quei noff, che conoscevo da anni ma con Suono con Richard Baker, il tromboni- tempi. Uno dei sassofonisti originali era cui ci eravamo persi di vista per mol- sta degli Interplay, in diverse formazio- Benny Green, noto critico jazz, e uno dei to tempo, finché non ci siamo ritro- ni. Una è il Royal Civil’s Swing Circus, due tenori era Red Price, jazzista ed ex vati in occasione di un mio concerto quintetto che interpreta standard pop e membro della Ted Heath Band. Ho dun- a Northampton. In quell’occasione jazz. Inoltre accompagno diversi musi- que trascritto per i miei Rockin’ Hams mi ha raccontato che stava formando cisti: una pianista che si chiama Rachel brani strumentali che vanno dagli anni una band e che gli sarebbe piaciuto Johnson, la cantante statunitense Susan Quaranta fino agli inizi degli anni Settan- coinvolgermi. -
IH in Shaftesbury Avenue - the Formative Years 1961-66
Journal of education and development History - compiled by Brita Haycraft IH in Shaftesbury Avenue - the formative years 1961-66 By Brita Haycraft IH first opened in London in the Covent Garden area in 1959, as described in the article ‘IH in Covent Garden: then and now’ which also tells how the Haycrafts then managed to rent Shaftesbury Avenue and on what pre- carious terms. Many will remember those exuberant founding years. Its fundamental principles made IH and still apply. See Recollections sent by contemporaries on p. 7 40 SHAFTESBURY AVENUE was the first 1961 was the era of swinging London with decent premises John and I managed to rent for our espresso bars and the first pizzerias, pre-Beatles school. Not only was it very near Piccadilly Circus in a and Carnaby Street. Foreigners had always passed busy street lined with theatres, restaurants and pubs, here and now began to enter our International whose name few foreigners could pronoun ce, but also House at number 40. IH would indeed experience it was spacious. many firsts here1. Our Endell Street teachers and students happily trans- ferred to the new building, confirmed via a battered old address book. Some students now also worked in admin - Gisela did our accounts, ingeniously storing receipts and ledgers in the boxed-in old washbasins, Reception was manned by Marie-Claude and Muriel2 who also typed for John and often baby-sat for us in Blackheath. She brought us Marina, our beautiful Swiss au pair girl, the first to go from Beginner to Proficiency in one year. -
Clarion 177 For
NO. 177 THE CLARION CALL OF THE SOHO SOCIETY christmas 2020 The Soho Society’s Free and yet Priceless Magazine Are you a Soho Resident, Business, Worker or Visitor? MEMBERSHIP MATTERS Join the Soho Society today WHY? 1. Get involved in the Soho community 2. Support the Society’s work reviewing planning, licensing and lobbying on local issues 3. Invites to member-only events 4. The Soho Clarion delivered to your door Membership Prices: Individual Individual £25/Lifetime £250 Business Business >30 employees £50 Business <30 employees £200 There are three easy ways to join The Soho Society: 1. Scan the Code 2.Via Our Website where you can pay by card or set up a direct debit www.thesohosociety.org.uk 3. Payment via your bank The Soho Society - Barclays bank Account No: 13609987 Sort code: 20-10-53 (Use surname and postcode as reference) MAKING SOHO A BETTER PLACE TO LIVE, WORK AND VISIT SINCE 1972 Soho Clarion Christmas 2020 3 Editorial 40 Years of Gaz’s Rockin’ Blues From Soho Society Chair Tim Lord 25 Richard Piercy NEWS Artist Support Pledge 4 Our community updates including licensing, planning, 26 Joel Levack police and messages from Soho Councillors Broadwick Silks 28 Richard Piercy 10 Nickie Aiken 29 Soho Business Directory Jonathan Glanz 11 All I Want for Christmas... 38 Gift ideas from Soho’s shops Pancho Lewis 12 REVIEWS 40 Soho - A Street Guide 13 Tim Barnes Susan Fleming The Best Shop in London Berwick Street Market Complaint 41 Clive Jennings 15 Robin Smith Ronnie’s Licensing 42 Film Review 17 Jane Doyle Coco’s Corner Oxford Street -
Piano, Bass, Computers, Conductor): a Partial List of Improvisers with Whom I Have Performed, and the Context(S)
Roger Dean (piano, bass, computers, conductor): A Partial List of improvisers with whom I have performed, and the context(s). Musician/Instrument Country of Origin R indicates those Context of with whom I have collaboration: made commercial C= Graham recordings Collier Music, UK and internationally; aL=LYSIS or austraLYSIS, UK, Australia, International; D=Duo; O=other Juhani Aaltonen/ Finland R C saxophone Brian Abrams /drums UK/South Africa O Chris Abrahams /piano Australia D, O James Allsop UK C /saxophone/bcl Oren Ambarchi/guitar Australia O Arild Andersen /bass Norway aL Robbie Avenaim/ drums, Australia aL; O electronics Roy Babbington /bass UK C Iain Ballamy UK C /saxophones Derek Bailey* /guitar UK aL, O Simon Barker /drums Australia aL, 0 Connie Bauer /trombone Former DDR/ C, D FRG Harry Beckett* /trumpet UK R aL, C,O Chris Biscoe UK R C /saxophones Graeme Blevins Australia/UK R C /saxophones Alex Bonney /trumpet UK R C Ollie Bown /computer UK/Australia O Paul Bridge /bass UK R aL, C Phil Broadhurst /piano New Zealand D Eddie Bronson Australia O /saxophones Ashley Brown / drums UK R aL, C, O Tore Brunstad Norway aL /saxophone Tony Buck Australia R aL, O drums/electronics Anthony Burr /bass Australia/US O clarinet Gordon Campbell UK R C /trumpet Stewart Campbell /piano Australia aL, D Mark Charig /trumpet UK O Tim Clarkson Australia O /saxophones Andy Cleyndert /bass UK R C Graham Collier* /bass, UK R C composer-leader Ted Curson* /trumpet USA R C, O Elliott Dalgleish Australia aL, O /saxophones Robert Davidson /bass Australia O -
Piano, Bass, Computers, Conductor): a Partial List of Improvisers with Whom I Have Performed, and the Context(S)
Roger Dean (piano, bass, computers, conductor): A Partial List of improvisers with whom I have performed, and the context(s). Musician/Instrument Country of Origin R indicates those Context of with whom I have collaboration: made commercial C= Graham recordings Collier Music, UK and internationally; aL=LYSIS or austraLYSIS, UK, Australia, International; D=Duo; O=other Juhani Aaltonen/ Finland R C saxophone Brian Abrams /drums UK/South Africa O Chris Abrahams /piano Australia D, O James Allsop UK C /saxophone/bcl Oren Ambarchi/guitar Australia O Arild Andersen /bass Norway aL Robbie Avenaim/ drums, Australia aL; O electronics Roy Babbington /bass UK C Iain Ballamy UK C /saxophones Derek Bailey /guitar UK aL, O Simon Barker /drums Australia aL, 0 Connie Bauer /trombone Former C, D DDR/FRG Harry Beckett* /trumpet UK R aL, C,O Chris Biscoe UK R C /saxophones Graeme Blevins Australia/UK R C /saxophones Alex Bonney /trumpet UK R C Paul Bridge /bass UK R aL, C Phil Broadhurst /piano New Zealand D Eddie Bronson Australia O /saxopones Ashley Brown / drums UK R aL, C, O Tore Brunstad Norway aL /saxophone Tony Buck Australia R aL, O drums/electronics Anthony Burr /bass Australia/US O clarinet Gordon Campbell UK R C /trumpet Stewart Campbell /piano Australia aL, D Mark Charig /trumpet UK O Andy Cleyndert /bass UK R C Graham Collier* /bass, UK R C composer-leader Ted Curson* /trumpet USA R C, O Elliott Dalgleish Australia aL, O /saxophones Robert Davidson /bass Australia O Alan Davie /cello UK R aL Jim Denley/saxes, flute Australia O Jon Dimond /bass -
Intakt Records Catalogue 2015
INTAKT RECORDS CATALOGUE 2015 253 30 Jahre Intakt Records. 253 Veröffentlichungen sind es im Frühling 2015, keine runde Zahl. Wir sind mitten im Prozess. Der Katalog in dieser Form ist morgen schon überholt. Die Musik ist im Fluss, und die Produktionsarbeit geht weiter. «First Meeting» heisst das erste Stück der ersten Platte von Intakt Records, aufgenommen 1984: Ein Duo der Zürcher Pianistin Irène Schweizer mit dem Chicagoer/New Yorker Posaunisten George Lewis eröffnet die Intakt-Serie auf «Irène Schweizer Live at Taktlos». Die Schallplatte erscheint 1986 und ist die Initialzündung für das neue Label. Es folgt das Doppelalbum mit den Kompositio- nen von Barry Guy und Anthony Braxton, gespielt vom London Jazz Composers Orchestra. Bereits die ersten Schritte situieren Intakt Records in der aktuellen Jazzentwicklung zwischen Kompositi- on und Improvisation und der höchst spannenden gegenseitigen Inspirierung zweier musikali- scher Traditionen: Europa und USA. Wir betrachten jedes künstlerische Werk, jede CD als eine kreative Erweiterung der musikalischen Welt. Der Katalog reflektiert die musikalischen Entwicklungen der letzten dreissig Jahre: die wun- derbaren Abenteuer der längst unüberschaubaren stilistischen Öffnungen der Post-Avantgarden, die neuen spannenden Verbindungen jazzorientierter Spielweisen hin zu ethnischen Musikformen, zu rockorientierten Spielweisen und zur Integration von Elementen der europäischen Avantgarde sowie die kontinuierliche Neubestimmung der grossen Jazztradition der USA. Im Mittelpunkt stehen die Musikerinnen und Musiker. Der Katalog zeigt die Kontinuität einer lang- jährigen Zusammenarbeit mit einem wachsenden Kreis von MusikerInnen. Sie bestimmen die Rich- tung. Die 253 CDs folgen ihren Wegen. Als Verleger setzen wir Akzente, bauen Brücken, schmieden langfristig Pläne und sind – zusammen mit den HörerInnen – die kritischen Begleiter, die respekt- vollen Anreger und Ermutiger, immer wieder als Lernende und als Beschenkte. -
Konzerte Von Jazz in Willisau
Alle Konzerte von Jazz in Willisau 1966 16. Dezember 1968 4. Oktober 1970 CHESTER GILL THE TRIO 16. Juli 1966 Chester Gill, g, voc John Surman, bs, ss, bcl THE SWINGHOUSE SIX Barre Phillips, b Ernst Gerber, ts Stu Martin, dr Willi Lang, tp 1969 Emil Frey, tb 1. November 1970 Peter Frei, b 3. März 1969 DAVE PIKE SET Hans Keller, p CHAMPION JACKDUPREE Dave Pike, vib Carlo Capello, dr Champion Jack Dupree, p, voc Volker Kriegel, g Hans Rettenbacher, b 11. November 1966 2. Mai 1969 Peter Baumeister, dr ILONA CAY & EDDIE BOYD, p, voc THE OLD TIME JAZZ BAND llona Cay, voc 28. Mai 1969 1971 Martin Grossenbacher, tp JAZZ IM FILM Rolf Rickenbacher, tb Joe Viera zeigt Jazzfilme 26. Januar 1971 Rolf Angst, cl THE TRIO Urs Walter, bj 14. Juni 1969 John Surman, bs, ss, bcl Fritz Tschumi, b EVAN PARKER & Barre Phillips, b Oski Furrer, dr PIERRE FAVRE TRIO Stu Martin, dr Evan Parker, ts ss Pierre Favre, dr 6. Februar 1971 1967 Peter KowaId, b THE NAKED HAMLET Irène Schweizer, p MUSIC ENSEMBLE 15. Juli 1967 John Tchicai, as, ss THE DIXIE FLYERS 14. Dezember 1969 Olé Thilo, p Henry Egli, cor DAVE PIKE SET Peter Warren, b Rolf Christen, tb Dave Pike, vib Pierre Favre, dr Carlo Induni, cl Volker Kriegel, g Peter Thomann, as Hans A. Rettenbacher, b 20. März 1971 George Scheibel, bj Alex Bally, dr MAKAYA meets Jost Egolf, p IRENE SCHWEIZER Franz Zürcher, b Makaya Ntshoko, dm Hugo Würsch, dr 1970 Irène Schweizer, p Jürg Grau, tp, g 15. -
Piano, Bass, Computers, Conductor): a Partial List of Improvisers with Whom I Have Performed, and the Context(S)
Roger Dean (piano, bass, computers, conductor): A Partial List of improvisers with whom I have performed, and the context(s). Musician/Instrument Country of Origin R indicates those Context of with whom I have collaboration: made commercial C= Graham recordings Collier Music, UK and internationally; aL=LYSIS or austraLYSIS, UK, Australia, International; D=Duo; O=other Juhani Aaltonen/ Finland C saxophone Brian Abrams /drums UK/South Africa O Chris Abrahams /piano Australia D, O James Allsop UK C /saxophone/bcl Oren Ambarchi/guitar Australia O Arild Andersen /bass Norway aL Robbie Avenaim/ drums, Australia aL; O electronics Roy Babbington /bass UK C Iain Ballamy UK C /saxophones Derek Bailey /guitar UK aL, O Simon Barker /drums Australia aL, 0 Connie Bauer /trombone Former C, D DDR/FRG Harry Beckett* /trumpet UK aL, C,O Chris Biscoe UK C /saxophones Graeme Blevins Australia/UK C /saxophones Alex Bonney /trumpet UK R C Paul Bridge /bass UK R aL, C Phil Broadhurst /piano New Zealand D Eddie Bronson Australia O /saxopones Ashley Brown / drums UK R aL, C, O Torre Brunstad Norway aL /saxophone Tony Buck Australia R aL, O drums/electronics Anthony Burr /bass Australia/US O clarinet Gordon Campbell UK C /trumpet Stewart Campbell /piano Australia aL, D Mark Charig /trumpet UK O Andy Cleyndert /bass UK R C Graham Collier* /bass, UK R C composer-leader Ted Curson* /trumpet USA R C, O Elliott Dalgleish Australia aL, O /saxophones Robert Davidson /bass Australia O Alan Davie /cello UK aL Jim Denley/saxes, flute Australia O Jon Dimond /bass guitar Australia