DOCSLIB.ORG

Group 3 Orchestras: 2011-12 Season

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Group 3 Orchestras: 2011-12 Season REPERTOIRE REPORT GROUP 3 ORCHESTRAS: 2011-12 SEASON Composer Work First Perf. Conductor Orchestra Soloist(s) Alwyn, William LYRA ANGELICA Mar. 1, 2012 JoAnn Falletta Virginia Symphony Arensky, Anton VAR. ON A THEME BY TCHAIKOVSKY Sep. 23, 2011 Andrew Constantine Fort Wayne Philharmonic [CHRIST CHILD] Orchestra Bach, J. S. CTO., VIOLIN, NO. 2, E MAJOR, BWV 1042 Feb. 10, 2012 Jonathan Carney Fort Wayne Philharmonic JONATHAN CARNEY, violin Orchestra Bach, J. S. PASSACAGLIA AND FUGUE IN C MINOR, May 4, 2012 Peter Bay Austin Symphony Orchestra BWV 582 (STOKOWSKI, LEOPOLD; ORCHESTRATED) Bach, J. S. SUITE NO. 1 IN C MAJOR, BWV 1066 Nov. 13, 2011 Neal Gittleman Dayton Philharmonic Orchestra Bach, J. S. TOCCATA AND FUGUE, BWV 565, D MINOR May 4, 2012 Peter Bay Austin Symphony Orchestra Craig Hella Johnson, choral (STOWKOWSKI) (STOWKOWSKI,) director Sep. 10, 2011 Andrew Constantine Fort Wayne Philharmonic Orchestra Barber, Samuel ADAGIO FOR STRINGS Nov. 11, 2011 George Hanson Tucson Symphony Orchestra Barber, Samuel CONCERTO, VIOLIN AND ORCHESTRA, Jan. 20, 2012 JoAnn Falletta Virginia Symphony Gil Shaham, violin OPUS 14 Barber, Samuel ESSAY NO. 1, OPUS 12 Oct. 23, 2011 Robert Moody Portland Symphony Orchestra Barber, Samuel KNOXVILLE: SUMMER OF 1915, OPUS 24 Nov. 1, 2011 Robert Moody Portland Symphony Orchestra unknown unknown, soprano Bartok, Béla MUSIC FOR STRINGS, PERCUSSION, AND Mar. 1, 2012 Neal Gittleman Dayton Philharmonic Orchestra CELESTA Bartok, Béla ROMANIAN FOLK DANCES Sep. 23, 2011 Andrew Constantine Fort Wayne Philharmonic Orchestra Bates, Mason RUSTY AIR IN CAROLINA Nov. 1, 2011 Robert Moody Portland Symphony Orchestra Beethoven, Ludwig V. CONCERTO, PIANO, NO. 2 IN B-FLAT Jan. 13, 2012 Peter Bay Austin Symphony Orchestra Emanuel Ax, piano MAJOR, OP. 19 Beethoven, Ludwig V. CONCERTO, PIANO, NO. 3 IN C MINOR, Nov. 18, 2011 Sameer Patel Fort Wayne Philharmonic Boris Slutsky, piano OPUS 37 Orchestra Page 1 of 13 REPERTOIRE REPORT GROUP 3 ORCHESTRAS: 2011-12 SEASON Composer Work First Perf. Conductor Orchestra Soloist(s) Beethoven, Ludwig V. CONCERTO, PIANO, NO. 4 IN G MAJOR, Jan. 13, 2012 George Hanson Tucson Symphony Orchestra unknown unknown, piano OPUS 58 Beethoven, Ludwig V. CONCERTO, PIANO, NO. 5 IN E-FLAT Oct. 2, 2011 Robert Moody Portland Symphony Orchestra Awadagin Pratt, piano MAJOR, OP. 73 Beethoven, Ludwig V. CONCERTO, PIANO, VIOLIN, CELLO, C Nov. 13, 2011 Neal Gittleman Dayton Philharmonic Orchestra Jessica Hung, violin MAJOR, OP.56 Andra Padrichelli, cello Joshua Nemith, piano Beethoven, Ludwig V. CONCERTO, VIOLIN, IN D MAJOR, OPUS Oct. 6, 2011 Benjamin Rous Virginia Symphony Vahn Armstrong, violin 61 Beethoven, Ludwig V. CREATURES OF PROMETHEUS: Nov. 18, 2011 Neal Gittleman Dayton Philharmonic Orchestra OVERTURE, OPUS 43 May 12, 2012 Andrew Constantine Fort Wayne Philharmonic Orchestra Beethoven, Ludwig V. FIDELIO: OVERTURE, OPUS 72 Jan. 13, 2012 George Hanson Tucson Symphony Orchestra Feb. 2, 2012 Benjamin Rous Virginia Symphony Beethoven, Ludwig V. MASS IN D MAJOR, OPUS 123 "MISSA Mar. 9, 2012 George Hanson Tucson Symphony Orchestra Gordon Gietz, tenor SOLEMNIS" Katie Van Kooten, soprano Raymond Aceto, bass Susanne Mentzer, mezzo soprano unknown unknown Beethoven, Ludwig V. SYMPHONY NO. 2 IN D MAJOR, OPUS 36 Feb. 19, 2012 Neal Gittleman Dayton Philharmonic Orchestra Beethoven, Ludwig V. SYMPHONY NO. 3 IN E-FLAT MAJOR, Apr. 1, 2012 Patrick Reynolds Dayton Philharmonic Orchestra OPUS 55 Beethoven, Ludwig V. SYMPHONY NO. 4 IN B-FLAT MAJOR, Jan. 22, 2012 Neal Gittleman Dayton Philharmonic Orchestra OPUS 60 Apr. 15, 2012 Robert Moody Portland Symphony Orchestra Beethoven, Ludwig V. SYMPHONY NO. 6 IN F MAJOR, OPUS 68 Mar. 1, 2012 Neal Gittleman Dayton Philharmonic Orchestra Beethoven, Ludwig V. SYMPHONY NO. 8 IN F MAJOR, OPUS 93 Nov. 18, 2011 Neal Gittleman Dayton Philharmonic Orchestra Berlioz, Hector HAROLD IN ITALY, OPUS 16 Nov. 11, 2011 JoAnn Falletta Virginia Symphony Berlioz, Hector ROMAN CARNIVAL: OVERTURE Mar. 2, 2012 Peter Bay Austin Symphony Orchestra Berlioz, Hector SYMPHONIE FANTASTIQUE, OPUS 14 Oct. 14, 2011 George Hanson Tucson Symphony Orchestra Page 2 of 13 REPERTOIRE REPORT GROUP 3 ORCHESTRAS: 2011-12 SEASON Composer Work First Perf. Conductor Orchestra Soloist(s) Bernstein, Leonard CHICHESTER PSALMS May 4, 2012 Peter Bay Austin Symphony Orchestra Craig Hella Johnson, choral director Conspirare Choir Bernstein, Leonard SERENADE FOR VIOLIN AND STRING Nov. 11, 2011 George Hanson Tucson Symphony Orchestra unknown unknown, violin ORCHESTRA Bizet, Georges CARMEN <COMPLETE OPERA> Oct. 21, 2011 Andrew Constantine Fort Wayne Philharmonic (SELECTIONS) (FRANK ORRALL) Orchestra Bizet, Georges CARMEN: LA HABAÑERA Mar. 2, 2012 Peter Bay Austin Symphony Orchestra Denyce Graves, mezzo soprano Bizet, Georges CARMEN: SEGUIDILLA ("PRÈS DES Mar. 2, 2012 Peter Bay Austin Symphony Orchestra Denyce Graves, mezzo soprano REMPARTS DE SÉVILLE") Bizet, Georges CARMEN: SUITE NO. 1 (HOFFMAN) Mar. 30, 2012 David Alan Miller Virginia Symphony (HOFFMAN; ARRANGED) Bizet, Georges CARMEN: SUITE NO. 2 (HOFFMAN) Mar. 30, 2012 David Alan Miller Virginia Symphony (HOFFMAN) Bloch, Ernest SUITE HEBRAIQUE Oct. 23, 2011 Robert Moody Portland Symphony Orchestra Laurie Kennedy, viola Bolcom, William PROMETHEUS Nov. 18, 2011 Neal Gittleman Dayton Philharmonic Orchestra Jeffrey Biegel, piano Dayton Philharmonic Chorus Brahms, Johannes CONCERTO, PIANO, NO. 1 IN D MINOR, Jan. 6, 2012 Neal Gittleman Dayton Philharmonic Orchestra William Wolfram, piano OP.15 Feb. 18, 2012 Andrew Constantine Fort Wayne Philharmonic Andrew von Oeyen, piano Orchestra Brahms, Johannes CONCERTO, VIOLIN & CELLO, OP.102 Jan. 22, 2012 Neal Gittleman Dayton Philharmonic Orchestra Kirstin Greenlaw, violin (DOUBLE) Christina Coletta, cello Brahms, Johannes CONCERTO, VIOLIN, IN D MAJOR, OP.77 Feb. 11, 2012 George Hanson Tucson Symphony Orchestra Midori, violin Brahms, Johannes QUARTET, PIANO, NO. 1 IN G MINOR, Apr. 21, 2012 Andrew Constantine Fort Wayne Philharmonic OPUS 25 (SCHOENBERG, ARNOLD; Orchestra ORCHESTRATED) Brahms, Johannes SCHICKSALSLIED, FOR CHORUS AND Mar. 13, 2012 Robert Moody Portland Symphony Orchestra ORCH. OP.54 Brahms, Johannes SYMPHONY NO. 3 IN F MAJOR, OP.90 Sep. 16, 2011 JoAnn Falletta Virginia Symphony Brahms, Johannes SYMPHONY NO. 4 IN E MINOR, OP.98 Oct. 2, 2011 Robert Moody Portland Symphony Orchestra Page 3 of 13 REPERTOIRE REPORT GROUP 3 ORCHESTRAS: 2011-12 SEASON Composer Work First Perf. Conductor Orchestra Soloist(s) Brahms, Johannes VARIATIONS ON A THEME BY HAYDN, Mar. 23, 2012 Neal Gittleman Dayton Philharmonic Orchestra OPUS 56A Bruckner, Anton THREE PIECES FOR ORCHESTRA Apr. 15, 2012 Robert Moody Portland Symphony Orchestra Copland, Aaron APPALACHIAN SPRING: SUITE (1945 Mar. 3, 2012 Andrew Constantine Fort Wayne Philharmonic ORCHESTRATION) Orchestra Jan. 20, 2012 JoAnn Falletta Virginia Symphony Copland, Aaron FANFARE FOR THE COMMON MAN Feb. 10, 2012 George Hanson Tucson Symphony Orchestra Copland, Aaron LINCOLN PORTRAIT Feb. 10, 2012 George Hanson Tucson Symphony Orchestra unknown unknown, narrator Copland, Aaron SALON MÉXICO Mar. 30, 2012 David Alan Miller Virginia Symphony Corigliano, John CONCERTO, VIOLIN (THE RED VIOLIN) Jan. 29, 2012 Dmitry Sitkovetsky Portland Symphony Orchestra Dmitry Sitkovetsky, violin Danielpour, Richard TOWARD THE SPLENDID CITY May 6, 2012 Robert Moody Portland Symphony Orchestra Debussy, Claude CLAIR DE LUNE (ARR. A. LUCK) (LUCK, A.) Mar. 3, 2012 Andrew Constantine Fort Wayne Philharmonic Orchestra Debussy, Claude NOCTURNES Oct. 14, 2011 Peter Bay Austin Symphony Orchestra Debussy, Claude PRELUDE A L'APRES-MIDI D'UN FAUNE Jan. 6, 2012 Neal Gittleman Dayton Philharmonic Orchestra Delius, Frederick WALK TO THE PARADISE GARDEN Jan. 14, 2012 Andrew Constantine Fort Wayne Philharmonic (BEECHAM) (BEECHAM, THOMAS; Orchestra ARRANGED) Donizetti, Gaetano CONCERTINO, ENGLISH HORN, IN G Mar. 23, 2012 Neal Gittleman Dayton Philharmonic Orchestra Robyn Costa, english horn MAJOR Donizetti, Gaetano LUCIA DI LAMMERMOOR: SELECTIONS Oct. 21, 2011 Andrew Constantine Fort Wayne Philharmonic Orchestra Dvorák, Antonín CONCERTO, CELLO, IN B MINOR, OP. 104 Mar. 30, 2012 Peter Bay Austin Symphony Orchestra Bion Tsang, cello Dvorák, Antonín CONCERTO, VIOLIN, IN A MINOR, OP.53 Feb. 2, 2012 Benjamin Rous Virginia Symphony Simon Lapointe, violin Page 4 of 13 REPERTOIRE REPORT GROUP 3 ORCHESTRAS: 2011-12 SEASON Composer Work First Perf. Conductor Orchestra Soloist(s) Dvorák, Antonín SLAVONIC DANCES, OP. 46, NO. 5 Mar. 3, 2012 Andrew Constantine Fort Wayne Philharmonic Orchestra Dvorák, Antonín SYMPHONY NO. 7 IN D MINOR, OP.70 Jan. 24, 2012 Christopher Warren Portland Symphony Orchestra [OLD NO. 2] Green Dvorák, Antonín SYMPHONY NO. 9 IN E MINOR, OP.95 Nov. 11, 2011 George Hanson Tucson Symphony Orchestra (NEW WORLD) Jan. 20, 2012 JoAnn Falletta Virginia Symphony Elgar, Edward CONCERTO, CELLO, IN E MINOR, OP.85 Mar. 1, 2012 JoAnn Falletta Virginia Symphony Michael Daniels, cello Elgar, Edward IN THE SOUTH, OPUS 50 Jan. 14, 2012 Andrew Constantine Fort Wayne Philharmonic Orchestra Enesco, Georges RUMANIAN RHAPSODY IN A MAJOR, OPUS Feb. 11, 2012 George Hanson Tucson Symphony Orchestra 11, NO.1 Franck, César SYMPHONIC VARIATIONS FOR PIANO AND Nov. 18, 2011 Peter Bay Austin Symphony Orchestra Anton Nel, piano ORCHESTRA Ginastera, Alberto VARIACIONES CONCERTANTES Nov. 18, 2011 Peter Bay Austin Symphony Orchestra Glass, Philip CONCERTO FANTASY FOR TWO Sep. 10, 2011 Andrew Constantine Fort Wayne Philharmonic Jonathan Haas, timpani TIMPANISTS
Load more

Recommended publications
  • Chicago Symphony Orchestra in September 2010
    PROGRAM NOTES BY DR. RICHARD E. RODDA MASON BATES Born 23 January 1977 in Philadelphia. Rusty Air in Carolina (2006) PREMIERE OF WORK: Winston-Salem, North Carolina, 20 May 2006; Stevens Center; Winston-Salem Symphony; Robert Moody, conductor THESE PERFORMANCES MARK THE PSO PREMIERE APPROXIMATE DURATION: 14 minutes INSTRUMENTATION: piccolo, two flutes, two oboes, English horn, two clarinets, bass clarinet, four horns, three trumpets, three trombones, tuba, timpani, percussion, harp, piano and strings. Mason Bates brings not only his own fresh talent to the concert hall but also the musical sensibilities of a new generation — he is equally at home composing “for Lincoln Center,” according to his web site (www.masonbates.com), as being the “electronica artist Masonic® who moved to the San Francisco Bay Area from New York City, where he was a lounge DJ at such venues as The Frying Pan — the floating rave ship docked off the pier near West 22nd Street.” Bates was born in Philadelphia in 1977 and started studying piano with Hope Armstrong Erb at his childhood home in Richmond, Virginia. He earned degrees in both English literature and music composition in the joint program of Columbia University and the Juilliard School, where his composition teachers included John Corigliano, David Del Tredici and Samuel Adler, and received his doctorate in composition from the University of California, Berkeley in 2008 as a student of Edmund Campion and Jorge Lidermann. Bates was Resident Composer with the California Symphony from 2008 to 2011, Project San Francisco Artist-in-Residence with the San Francisco Symphony in 2011-2012, and Composer of the Year with the Pittsburgh Symphony Orchestra in 2012-2013; he began a continuing residency with the Chicago Symphony Orchestra in September 2010.
    [Show full text]
  • N E W S L E T T
    APRIL/MAY 2009 • Vol. 22, Issue 2 NEWSLETTER Cody Birdwell Conductor, 2009 Summer Symposium H. Robert Reynolds Conductor, 2010 Honor Band of America Music for All Summer Symposium Anthony Maiello Register Now! Conductor, 2010 Honor Orchestra of America Pages 2–16 Bands of America Championships All Locations Now Confirmed! Pages 18–21 BOA Hall of Fame Programs of Music for All National Presenting Sponsor Page 33 Music for All National Festival 2010 Application June 12 Application Deadline Page 41 ...and more News from Music for All! at the Music for All Summer Symposium presented by June 22 – 27, 2009 • Normal, Illinois Leadership Weekend Experience: June 20 – 22 Get re-energized, refreshed and ready for the Technique and Design new school year. The Summer Symposium brings you • Physical Preparation the absolute best to provide a comprehensive experience. Jazz We’re offering tools that will allow you to achieve peak Daily offerings in Jazz pedagogy and education techniques performance personally and for your ensembles. This is including: the place to get a head start on next year’s thinking today. • Director’s Band Make connections, get new ideas and learn new strategies. • The Rhythm Section - piano, guitar, bass, drumset & Putting It All Together 2009 Curriculum and Topics will include: • Improvisation • Brass/Woodwind Techniques Concert • Preparation for Concert Evaluation Festival Middle School (topics below include Years 1, 2 and 3) • Master Work Feature Session • Middle School Issues with Robert W. Smith & Panel • Producing Concert
    [Show full text]
  • Edition 1 | 2019-2020
    Contents CONCERT EXPERIENCE Robert Moody, Music Director ........................................................................................... 4 Kalena Bovell, Assistant Conductor ................................................................................. 6 Memphis Youth Symphony Program................................................................................ 8 Memphis Symphony Orchestra .......................................................................................10 Letter from Peter Abell, CEO ...........................................................................................15 Memphis Symphony Chorus ...........................................................................................16 “Tommy Dorsey” Concerto and Scheherazade ..........................................................19 Mozart and Beethoven .....................................................................................................27 The Three Bs!......................................................................................................................37 Handel’s Messiah ...............................................................................................................42 Magic of Memphis! ............................................................................................................51 Finlandia, Mahler 4, and a Rising Star! .........................................................................53 PATRON EXPERIENCE Tunes and Tales ..................................................................................................................62
    [Show full text]
  • Manfred Honeck and the Pittsburgh Symphony Orchestra Announce 2014-2015 Bny Mellon Grand Classics Season
    For release on Feb. 6, 2014 MANFRED HONECK AND THE PITTSBURGH SYMPHONY ORCHESTRA ANNOUNCE 2014-2015 BNY MELLON GRAND CLASSICS SEASON BNY Mellon Grand Classics Season Highlights: • Showcase of Pittsburgh Symphony Musicians — Some of the most exciting classical musicians in the world can be found in one place — the Pittsburgh Symphony Orchestra! In 2014-2015, the spotlight is on our own top-tier musicians with more than a dozen of the Pittsburgh Symphony members appearing as featured soloists over the course of the season. • Bates Returns — Composer and DJ Mason Bates brings his blend of contemporary symphonic music and electronica back to Heinz Hall for his second stint as Composer of the Year. • Honeck Times Two — Manfred Honeck will share the stage with his brother, Rainer Honeck, concertmaster of the Vienna Philharmonic, in a program featuring Britten’s Concerto for Violin and Orchestra and the Rusalka suite (arr. Honeck/Ille) • BeethovenFest — A celebration of Ludwig Van Beethoven’s most beloved compositions, including the Third, Fifth, Seventh and Ninth symphonies, over three weekends: “Beethoven, the Revolutionary,” “Beethoven, the Hero” and “Beethoven, the Immortal.” • “Fantasia” on the Big Screen — Audiences will experience scenes from “Fantasia” and “Fantasia 2000” with full orchestra accompaniment to Disney’s classic animation. • Conductor Debuts — The Pittsburgh Symphony Orchestra welcomes some new faces to the podium this season, including rising young American conductor James Gaffigan of the Lucerne Symphony Orchestra, Andres Orozco-Estrada of the Houston Symphony Orchestra and Krzysztof Urbański of the Indianapolis Symphony Orchestra. PITTSBURGH—Today, the Pittsburgh Symphony Orchestra announced the 2014-2015 BNY Mellon Grand Classics season, the orchestra’s 119th year since its founding and its seventh season under the leadership of Music Director Manfred Honeck.
    [Show full text]
  • Scott Horton Communications 510-735-9200 [email protected]
    MEDIA CONTACT: Scott Horton Communications 510-735-9200 [email protected] FOR IMMEDIATE RELEASE OAKLAND SYMPHONY OPENS 2015-2016 SEASON WITH A NEW NAME, A PREMIERE BY MASON BATES PLUS KENNETH RENSHAW PERFORMING PROKOFIEV VIOLIN CONCERTO NO. 2 PLUS SYMPHONIC WORKS BY BRAHMS AND RACHMANINOFF OCTOBER 2 AT THE PARAMOUNT THEATRE Oakland, CA, August 13, 2015 – The Oakland Symphony opens its 22nd season with a new name and a West Coast premiere by Bay Area composer Mason Bates Friday, October 2, at 8 pm at the Paramount Theatre in Oakland. The program, with Music Director and conductor Michael Morgan on the podium, includes the Bates’s Devil’s Radio, Prokofiev’s Violin Concerto No. 2 with guest soloist and young Bay Area artist Kenneth Renshaw, selections from Brahms’ Liebeslieder Waltzes with the Oakland Symphony Chorus conducted by Lynne Morrow, who celebrates her tenth year with the Chorus, and Rachmaninoff’s Symphonic Dances. The Oakland Symphony 2015-2016 season is sponsored by the California Arts Council, Art Works, the National Endowment for the Arts, the City of Oakland and the William and Flora Hewlett Foundation. The season opening concert is sponsored by Wells Fargo. For more information and tickets, priced $15-$75 and on sale August 15, visit www.oaklandsymphony.org . Two internationally acclaimed local artists--composer Mason Bates, who has worked with the Symphony since early in his career, and Menuhin Competition winner and Crowden School alumnus Kenneth Renshaw--take the stage for what promises to be a sensational season opening. Bates’s Devil’s Radio (2014) swings and grooves from quietly propulsive to shimmering melodic “lures” to a bluesy bassline.
    [Show full text]
  • Compact Discs / DVD-Blu-Ray Recent Releases - Spring 2017
    Compact Discs / DVD-Blu-ray Recent Releases - Spring 2017 Compact Discs 2L Records Under The Wing of The Rock. 4 sound discs $24.98 2L Records ©2016 2L 119 SACD 7041888520924 Music by Sally Beamish, Benjamin Britten, Henning Kraggerud, Arne Nordheim, and Olav Anton Thommessen. With Soon-Mi Chung, Henning Kraggerud, and Oslo Camerata. Hybrid SACD. http://www.tfront.com/p-399168-under-the-wing-of-the-rock.aspx 4tay Records Hoover, Katherine, Requiem For The Innocent. 1 sound disc $17.98 4tay Records ©2016 4TAY 4048 681585404829 Katherine Hoover: The Last Invocation -- Echo -- Prayer In Time of War -- Peace Is The Way -- Paul Davies: Ave Maria -- David Lipten: A Widow’s Song -- How To -- Katherine Hoover: Requiem For The Innocent. Performed by the New York Virtuoso Singers. http://www.tfront.com/p-415481-requiem-for-the-innocent.aspx Rozow, Shie, Musical Fantasy. 1 sound disc $17.98 4tay Records ©2016 4TAY 4047 2 681585404720 Contents: Fantasia Appassionata -- Expedition -- Fantasy in Flight -- Destination Unknown -- Journey -- Uncharted Territory -- Esme’s Moon -- Old Friends -- Ananke. With Robert Thies, piano; The Lyris Quartet; Luke Maurer, viola; Brian O’Connor, French horn. http://www.tfront.com/p-410070-musical-fantasy.aspx Zaimont, Judith Lang, Pure, Cool (Water) : Symphony No. 4; Piano Trio No. 1 (Russian Summer). 1 sound disc $17.98 4tay Records ©2016 4TAY 4003 2 888295336697 With the Janacek Philharmonic Orchestra; Peter Winograd, violin; Peter Wyrick, cello; Joanne Polk, piano. http://www.tfront.com/p-398594-pure-cool-water-symphony-no-4-piano-trio-no-1-russian-summer.aspx Aca Records Trios For Viola d'Amore and Flute.
    [Show full text]
  • Edition 2 | 2019-2020
    2 Contents CONCERT EXPERIENCE Robert Moody, Music Director ........................................................................................... 4 Kalena Bovell, Assistant Conductor ................................................................................. 8 Memphis Symphony Orchestra .......................................................................................12 Letter from Peter Abell, CEO ...........................................................................................15 Memphis Symphony Chorus ...........................................................................................16 Vivaldi and Piazzolla The Four Seasons ......................................................................26 Stravinsky’s The Firebird .................................................................................................37 Strauss, Tchaikovsky, Shostakovich ......................................................................................45 Carmina Burana .................................................................................................................53 Rhapsody in Blue ...............................................................................................................61 The Song of the Earth – Mahler and Ravel ..................................................................64 PATRON EXPERIENCE Tunes and Tales ..................................................................................................................76 MSO Governance ...............................................................................................................78
    [Show full text]
  • Cabrillo Festival 2016.Pdf (7.46
    MARIN ALSOP 25TH & FAREWELL SEASON! PROGRAM GUIDE CABRILLO FESTIVAL OF CONTEMPORARY MUSIC • AUGUST 2016 • SANTA CRUZ CIVIC AUDITORIUM MUSIC • AUGUST 2016 SANTA OF CONTEMPORARY CABRILLO FESTIVAL Fill your summer with music! Explore the musical riches and unique settings of these allied festivals of the Western United States. California Colorado Oregon Cabrillo Festival of Aspen Music Festival Chamber Music Northwest Contemporary Music June 30 - August 21, 2016 Summer Festival July 31 - August 13, 2016 Aspen, CO June 25 - July 31, 2016 Santa Cruz, CA aspenmusicfestival.com Portland, OR cabrillomusic.org cmnw.org Bravo! Vail Carmel Bach Festival June 23 - August 6, 2016 July 16 - 30, 2016 Vail, CO Carmel, CA bravovail.org bachfestival.org Washington Strings Music Festival Seattle Chamber Music La Jolla Music Society June 25 - August 20, 2016 Society Summer Festival August 3 - 26, 2016 Steamboat Springs, CO July 5 - 30, 2016 La Jolla, CA stringsmusicfestival.com Seattle, WA ljms.org seattlechambermusic.org Mainly Mozart Festival June 2 - 18, 2016 San Diego, CA New Mexico mainlymozart.org Santa Fe Wyoming Chamber Music Festival Grand Teton Music Festival Music@Menlo July 17 - August 22, 2016 July 4 - August 20, 2016 July 15 - August 6 Santa Fe, NM Jackson Hole, WY Atherton, CA santafechambermusic.com gtmf.org musicatmenlo.org Ojai Music Festival June 9 - 12, 2016 Ojai, CA ojaifestival.org CLASSICAL MUSIC FESTIVALS OF THE WEST 2016 CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA JULY 31 - AUGUST 13, 2016 Contents 3 Calendar of Events
    [Show full text]
  • From the Podium
    R e p o r tScott Hanna, editor Fall 2009 at a national conference think others expect of him or From the Podium her? I personally don’t expect performances that must include the biggest, the first, the most difficult, the most Dear Colleagues, complicated, the newest. Certainly some of that is what makes a conference exciting, but is there a limit to how The holidays are over; the spring semester has begun; much we can absorb or even endure over the course of we approach the season of biennial CBDNA Divisional three days or so? Let’s speak about it. conferences. Although divisional presidents set their own agendas and programs for their regional confer- We have more composers than ever affiliated with our ences, each conference offers similar activities and organization, which creates a very interesting opportu- experiences in two general categories: performances nity to hear and premiere new works. That, in itself, is and non-performance sessions. In that regard, they are commendable for an organization that espouses to be miniature national conferences. on the cutting edge of the state of the art, for an organi- zation whose members are part of the academy which The sessions that are offered at national conferences embraces the advancement of knowledge. (As the 50 focus on issues that encompass the diverse interests CBDNA-sponsored Composers Datebooks remind us at and specialties of our constituency. There is great care the close of each broadcast. “All music was once new.”) taken to create a schedule that offers the most access to
    [Show full text]
  • All Groups: 2011-2012 Season
    PERFORMANCES OF WORKS COMPOSED IN THE LAST 25 YEARS ALL GROUPS: 2011-2012 SEASON Composer Work Total Perfs. First Perf Conductor Orchestra Soloist(s) Perfs Adams, John LOLLAPALOOZA [1995-1995] 1 Mar. 10, 2012 Daniel Meyer Erie Philharmonic Orchestra 1 Adams, John CONCERTO, VIOLIN [1993] 2 Apr. 5, 2012 John Adams Los Angeles Philharmonic Leila Josefowicz, violin 2 Adams, John ON THE TRANSMIGRATION OF SOULS 1 Nov. 2, 2011 Peter Rubardt Pensacola Symphony Orchestra 1 [2002-2002] Adams, John FLOWERING TREE [2006-2006] 2 Jun. 7, 2012 Robert Spano Atlanta Symphony Orchestra Jessica Rivera, soprano 2 Russell Thomas, tenor Eric Owens, baritone Adams, John DOCTOR ATOMIC SYMPHONY [2007] 3 Jan. 5, 2012 David Robertson Seattle Symphony 3 Adès, Thomas CONCERTO, VIOLIN (CONCENTRIC 2 Feb. 23, 2012 James Gaffigan Atlanta Symphony Orchestra Leila Josefowicz, violin 2 PATHS), OP. 24 [2005] Adès, Thomas POLARIS: VOYAGE FOR ORCHESTRA 4 Jan. 5, 2012 Alan Gilbert The New York Philharmonic 4 [2010] Barrak, Rony BOULDER SENSATIONS [2012] 2 Mar. 24, 2012 Michael Butterman Boulder Philharmonic Orchestra Rony Barrak, tabla 2 Bates, Mason RUSTY AIR IN CAROLINA [2006] 1 Nov. 1, 2011 Robert Moody Portland Symphony Orchestra 1 Bell, Allan Gordon SERENITY [2004] 1 Oct. 15, 2011 Mei-Ann Chen Edmonton Symphony Orchestra 1 Bolcom, William PROMETHEUS [2010] 2 Nov. 18, 2011 Neal Gittleman Dayton Philharmonic Orchestra Jeffrey Biegel, piano 2 Dayton Philharmonic Chorus Brouwer, Margaret REMEMBRANCES, FOR ORCHESTRA 1 Oct. 9, 2011 Gerhardt Zimmermann Canton Symphony Orchestra 1 [1996] Corigliano, John CONCERTO, VIOLIN (THE RED VIOLIN) 1 Jan. 29, 2012 Dmitry Sitkovetsky Portland Symphony Orchestra Dmitry Sitkovetsky, violin 1 [2003-2003] Current, Brian THIS ISN'T SILENCE [1998] 1 Mar.
    [Show full text]
  • Steven Bryant's the Automatic Earth
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2020 STEVEN BRYANT’S THE AUTOMATIC EARTH: A CONDUCTOR’S ANALYSIS AND PERFORMANCE PERSPECTIVES Corey S. Bonds University of Kentucky, [email protected] Author ORCID Identifier: https://orcid.org/0000-0001-8170-2589 Digital Object Identifier: https://doi.org/10.13023/etd.2020.226 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Bonds, Corey S., "STEVEN BRYANT’S THE AUTOMATIC EARTH: A CONDUCTOR’S ANALYSIS AND PERFORMANCE PERSPECTIVES" (2020). Theses and Dissertations--Music. 160. https://uknowledge.uky.edu/music_etds/160 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Bates, Clyne Bringing Fresh Vibe to CSO's New Music Series by JOHN VON RHEIN
    MASON BATES Critical acclaim for artist "Be it mixing trip-hop and funk at a club or writing a symphonic or chamber work, composer Mason Bates is getting noticed for his straddling of classical music and electronica. ... Young, Juilliard-trained and already celebrated, he's become a fixture not only in concert halls but in the world of electronica as well. At a time when symphony orchestras nationwide are trolling for audience magnets - the type of new material that can lure members of generations X and Y along with older subscribers - Bates just might have that bait." Los Angeles Times, "Concerto for Two Universes," by Donna Perlmutter "Mason Bates, 30 years old...knows how to command an orchestra just as well as he does his touchpad. Bates's Liquid Interface, a National Symphony commission that received its world premiere last night, surpassed in sheer sonic beauty even the works by Mendelssohn and Tchaikovsky that rounded out the program." The Washington Post, Andrew Lindemann Malone "The Juilliard School, in its annual Focus! Festival, presented six evenings of works written in 2005, including ... Mason Bates' Digital Loom, for organ and electronics, which transformed the hall into something between a decaying cathedral and an East Berlin club." The New Yorker, Alex Ross "Morgan led the world premiere of Icarian Rhapsody, an appealingly crafted work for strings by Oakland composer Mason Bates ... lovely to hear and ingeniously constructed..." San Francisco Chronicle, Joshue Kosman "Eventually, someone was bound to grow up so immersed in genre-mixing that they would get both sides of the equation right.
    [Show full text]