All Groups: 2011-2012 Season
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BRETT MITCHELL Biography
BRETT MITCHELL Biography Hailed for presenting engaging, in-depth explorations of thoughtfully curated programs, Brett Mitchell began his tenure as Music Director of the Colorado Symphony in July 2017. Prior to this appointment, he served as the orchestra's Music Director Designate during the 2016-17 season. He leads the orchestra in ten classical subscription weeks per season as well as a wide variety special programs featuring such guest artists as Renée Fleming, Yo-Yo Ma, and Itzhak Perlman. Mr. Mitchell is also in consistent demand as a guest conductor. Highlights of his 2018-19 season include subscription debuts with the Minnesota Orchestra and Vancouver Symphony Orchestra, and return appearances with the orchestras of Cleveland, Dallas, and Indianapolis. Other upcoming and recent guest engagements include the Detroit, Houston, Milwaukee, National, Oregon, and San Antonio symphonies, the Grant Park Festival Orchestra, the Rochester Philharmonic, the Saint Paul Chamber Orchestra, and the New Zealand Symphony Orchestra. Mr. Mitchell also regularly collaborates with the world’s leading soloists, including Yo-Yo Ma, Renée Fleming, Rudolf Buchbinder, Kirill Gerstein, James Ehnes, Augustin Hadelich, Leila Josefowicz, and Alisa Weilerstein. From 2013 to 2017, Mr. Mitchell served on the conducting staff of The Cleveland Orchestra. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra's hundred-year history. In these roles, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour. -
BRETT MITCHELL Biography
BRETT MITCHELL Biography Hailed for presenting engaging, in-depth explorations of thoughtfully curated programs, Brett Mitchell began his tenure as Music Director of the Colorado Symphony in July 2017. Prior to this appointment, he served as the orchestra's Music Director Designate during the 2016-17 season. He leads the orchestra in ten classical subscription weeks per season as well as a wide variety special programs featuring such guest artists as Renée Fleming, Yo-Yo Ma, and Itzhak Perlman. Mr. Mitchell is also in consistent demand as a guest conductor. Highlights of his 2018-19 season include subscription debuts with the Minnesota Orchestra and Vancouver Symphony Orchestra, and return appearances with the orchestras of Cleveland, Dallas, and Indianapolis. Other upcoming and recent guest engagements include the Detroit, Houston, Milwaukee, National, Oregon, and San Antonio symphonies, the Grant Park Festival Orchestra, the Rochester Philharmonic, the Saint Paul Chamber Orchestra, and the New Zealand Symphony Orchestra. From 2013 to 2017, Mr. Mitchell served on the conducting staff of The Cleveland Orchestra. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra's hundred-year history. In these roles, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour. From 2007 to 2011, Mr. Mitchell led over one hundred performances as Assistant Conductor of the Houston Symphony. He also held Assistant Conductor posts with the Orchestre National de France, where he worked under Kurt Masur from 2006 to 2009, and the Castleton Festival, where he worked under Lorin Maazel in 2009 and 2010. -
NMC227-Matthews-Wyastone Booklet-28-04-16.Indd
Colin Matthews Violin Concerto Cortège Cello Concerto No.2 Leila Josefowicz violin BBC Symphony Orchestra Oliver Knussen conductor Anssi Karttunen cello Rumon Gamba conductor Royal Concertgebouw Orchestra Riccardo Chailly conductor 2 Violin Concerto 20’00 1 Movement 1 10’38 Colin 12 Movement 2 9’22 Leila Josefowicz violin Matthews BBC Symphony Orchestra Oliver Knussen conductor Recorded live by BBC Radio 3 for the BBC Proms 3 Cortège 18’35 Royal Concertgebouw Orchestra Riccardo Chailly conductor Cello Concerto No.2 26’40 4 I Declamation. Sostenuto 4’40 5 II Song without text. Molto sostenuto 4’00 6 III Scherzo. Allegro energico 4’40 7 IV Song without text. Sostenuto 4’09 8 V Resolution. Sostenuto - Vigoroso 9’41 Anssi Karttunen cello BBC Symphony Orchestra • Rumon Gamba conductor Total 66’09 Rumon Gamba appears on this recording with the kind permission of Chandos Records Riccardo Chailly appears courtesy of Decca Music Group photo © Fiona Garden The critic Paul Griffiths, as usual, hits at least one nail on the in 2012, the other, from 2015, And there has, of course, been head. Colin Matthews, he writes, is “… the Isambard Kingdom another restrained work exploring more orchestral music. Traces Brunel of contemporary music: master of great time machines, silence, bring the tally to five. For Remain (2012-13) is an ingenious Claire Booth he has set Rilke in the summoning back and re-imagining steamy with energy derived from pulse and from massive, short cycle The Island (composed of discarded or unfinished fragments surging harmony, and openly displaying their structural in 2007-8, exactly a hundred years of others’ work, primarily the Robert engineering, all finished with a craftsman’s care.” after the words were written), Johnson lute song which may be accompanying soprano with seven all that remains of Shakespeare’s Since the inevitable but helpfully composer, made orchestral versions instruments. -
Los Angeles Philharmonic
LOS ANGELES PHILHARMONIC Critical Acclaim “The most successful American orchestra.” - Los Angeles Times “It should be chiseled above the doors of every symphony hall: What an orchestra plays matters as much as how it plays, if not more so. By that measure a strong case can be made that the Los Angeles Philharmonic…is the most important orchestra in the country.” - The New York Times “If ever an orchestra was riding the crest of a wave, it is the Los Angeles Philharmonic.” - The Times (London) “…the most multi-faceted orchestra in the world and certainly the one putting the greatest emphasis on music of our time.” - Los Angeles Times “Under Salonen, the [Los Angeles] Philharmonic became the most interesting orchestra in America; under Dudamel, it shows no signs of relinquishing the title.” - The New Yorker Best Orchestras of 2012 – #1) Los Angeles Philharmonic Orchestra – “The most talked-about and widely-travelled US orch, carrying Brand Dudamel to all four corners of the earth, split a Mahler cycle between US and Venezuela, advanced tremendous outreach work across its own urban area.” - Norman Lebrecht’s Slipped Disc “The L.A. Phil still boasts the most varied and venturesome offerings of any major orchestra.” - Los Angeles Times “At a time when many orchestras are offering ‘safer,’ crowd-pleasing repertoire picks online, it’s refreshing to see the LA Phil coming out of the gate with programming that speaks to why it is at the forefront of American orchestras today.” - Billboard “‘Blow bright’ is the seventh work commissioned and performed by the L.A. -
Andrew Norman
THE 2020–2021 RICHARD AND BARBARA DEBS COMPOSER’S CHAIR Andrew Norman Craig T. Mathew T. Craig Andrew Norman has been appointed holder of the Richard and Barbara Debs Composer’s Chair at Carnegie Hall for the 2020–2021 season. One of the most sought-after voices in American classical music and named Musical America’s 2017 Composer of the Year, his music surprises, delights, and thrills with its visceral power and intricate structures. Fascinated by how technology has changed the ways in which we think, feel, act, and perceive, Mr. Norman writes music that is both a reflection of—and refuge from—our fast and fragmented world. Striking colors, driving energy, and underlying lyricism are all present in the work of a composer who defies traditional labels. During his nine-concert residency that kicks off in October, Mr. Norman’s Violin Concerto (co-commissioned by Carnegie Hall) receives its New York premiere with Leila Josefowicz and the Los Angeles Philharmonic conducted by Gustavo Dudamel. Mr. Norman’s music will also be performed by the Berliner Philharmoniker led by Kirill Petrenko, the Louisville Orchestra led by Teddy Abrams, pianist Emanuel Ax, Ensemble Connect, yMusic, and the American Composers Orchestra. Committed to the development of new work by emerging composers, Mr. Norman curates a program for the LA Phil New Music Group and participates in the Weill Music Institute’s All Together: A Global Ode to Joy as part of his residency. Andrew Norman’s work draws on an eclectic mix of sounds and performance practices, and is deeply influenced by his training as a pianist and violist, as well as his lifelong love of architecture. -
Cleveland Orchestra: a Conversation with Violinist Leila Josefowicz by Mike Telin
Cleveland Orchestra: a conversation with violinist Leila Josefowicz by Mike Telin Over the past ten years the adventurous violinist Leila Josefowicz and The Cleveland Orchestra have treated Northeast Ohio audiences to captivating performances of contemporary masterpieces. 2010 saw Thomas Adès’ Violin Concerto, which was followed by John Adams’ Violin Concerto (2011), Thomas Adès’ Concentric Paths (2016), and Adams’ Scheherazade.2 (2018). On Thursday, February 8 at 7:30 pm, Josefowicz will return to Severance Hall to join conductor Susanna Mälkki in paying tribute to their mentor and friend Oliver Knussen with a performance of the late composer/conductor’s Violin Concerto. The concert will also include Sibelius’ En Saga and Symphony No. 1. The program will be repeated on Saturday, February 8 at 8:00 pm. Tickets are available online. During a recent telephone conversation with Leila Josefowicz, I suggested that the combination of soloist, conductor, and orchestra this weekend feels like a dream team. “I agree,” the violinist quickly said. “I wish every date was like this. The Orchestra is unlike any other and Susanna is spectacular. She’s been a dear friend for many years, and our tastes align completely with newer music and what we’re trying to achieve.” When asked why the artistic partnership with Mälkki clicks, the violinist attributed it to a shared work ethic, a devotion to their craft, and above all, a mutual respect for one another. “We just know each other extremely well. The beauty is that when we collaborate, the tiniest little gesture or movement is understood by the other. That’s such a special thing that can never be taken for granted. -
Brett Mitchell Biography June 2019
BRETT MITCHELL Biography Hailed for presen2ng engaging, in-depth explora2ons of though8ully curated programs, Bre- Mitchell has served as Music Director of the Colorado Symphony since July 2017. Prior to this appointment, he served as the orchestra's Music Director Designate during the 2016-17 season. He leads the orchestra in ten classical subscrip2on weeKs per season as well as a wide variety special programs featuring such guest ar2sts as Renée Fleming, Yo-Yo Ma, and Itzhak Perlman. Mr. Mitchell is also in consistent demand as a guest conductor. He will make his debut with the San Francisco Symphony in July 2019 and the Los Angeles Philharmonic at the Hollywood Bowl in September 2019. Highlights of his 2018-19 season included subscrip2on debuts with the Minnesota Orchestra and Vancouver Symphony Orchestra, and return appearances with the orchestras of Cleveland, Dallas, and Indianapolis. Other upcoming and recent guest engagements include the Detroit, Houston, MilwauKee, Na2onal, Oregon, and San Antonio symphonies, the Grant ParK Fes2val Orchestra, the Rochester Philharmonic, the Saint Paul Chamber Orchestra, and the New Zealand Symphony Orchestra. Mr. Mitchell also regularly collaborates with the world’s leading soloists, including Yo-Yo Ma, Renée Fleming, Itzhak Perlman, Rudolf Buchbinder, Kirill Gerstein, James Ehnes, Augus2n Hadelich, Leila Josefowicz, and Alisa Weilerstein. From 2013 to 2017, Mr. Mitchell served on the conduc2ng staff of The Cleveland Orchestra. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that 2tle in over three decades and only the fieh in the orchestra's hundred-year history. -
John Adams Leila Josefowicz
VIOLINJOHN CONCERTO ADAMS LEILA JOSEFOWICZ ST. LOUIS SYMPHONY David Robertson John Adams Violin Concerto (1993) 1. = 78 2. Chaconne: Body throughq which the dream flows 3. Toccare Leila Josefowicz, violin St. Louis Symphony David Robertson, conductor John Adams Violin Concerto The sloped wooden walls of the modern concert hall more often resemble Adams devoted the early 1990s to a group of instrumental works, El Dorado abstract curves of the human body than a work of acoustical science. Subtle (1991), Chamber Symphony (1992), and the Violin Concerto (1993), each more geometrical details enhance sound amplification by reverberation, ushering chromatic and contrapuntally complex than the last. He began composing vibrations to the feet, legs, arms, and chests of listeners. Architects of such the concerto in 1992, inspired by a rising figure that unfolds in seemingly spaces seek to maximize how surfaces disperse sound waves into and through endless succession. “I had an image of a very regular, slowly repeating wave the body. The idea of shepherding physical energy through sound has long form, a staircase wave that goes up and down,” he said. “There’s a certain attracted John Adams, whose 1993 Violin Concerto confronts the very sonic predictability to it. Over that the solo melodic line floats in a very free, conundrum faced by the concert hall architect: how to make a single violin line rhapsodic way. That largely is the ‘topos,’ not only of the first movement, but resonate above a mass of instruments. Adams’s solution involved the headlong also the entire concerto, with the violin a free spirit that moves above this embrace of the instrument’s visceral intensity. -
Chicago Symphony Orchestra in September 2010
PROGRAM NOTES BY DR. RICHARD E. RODDA MASON BATES Born 23 January 1977 in Philadelphia. Rusty Air in Carolina (2006) PREMIERE OF WORK: Winston-Salem, North Carolina, 20 May 2006; Stevens Center; Winston-Salem Symphony; Robert Moody, conductor THESE PERFORMANCES MARK THE PSO PREMIERE APPROXIMATE DURATION: 14 minutes INSTRUMENTATION: piccolo, two flutes, two oboes, English horn, two clarinets, bass clarinet, four horns, three trumpets, three trombones, tuba, timpani, percussion, harp, piano and strings. Mason Bates brings not only his own fresh talent to the concert hall but also the musical sensibilities of a new generation — he is equally at home composing “for Lincoln Center,” according to his web site (www.masonbates.com), as being the “electronica artist Masonic® who moved to the San Francisco Bay Area from New York City, where he was a lounge DJ at such venues as The Frying Pan — the floating rave ship docked off the pier near West 22nd Street.” Bates was born in Philadelphia in 1977 and started studying piano with Hope Armstrong Erb at his childhood home in Richmond, Virginia. He earned degrees in both English literature and music composition in the joint program of Columbia University and the Juilliard School, where his composition teachers included John Corigliano, David Del Tredici and Samuel Adler, and received his doctorate in composition from the University of California, Berkeley in 2008 as a student of Edmund Campion and Jorge Lidermann. Bates was Resident Composer with the California Symphony from 2008 to 2011, Project San Francisco Artist-in-Residence with the San Francisco Symphony in 2011-2012, and Composer of the Year with the Pittsburgh Symphony Orchestra in 2012-2013; he began a continuing residency with the Chicago Symphony Orchestra in September 2010. -
Esa-Pekka Salonen Long Bio (943 Words) Updated August 2019
Esa-Pekka Salonen Long Bio (943 words) Updated August 2019 Esa-Pekka Salonen’s restless innovation drives him constantly to reposition classical music in the 21st century. He is known as both a composer and conductor and is currently the Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra. He is the Music Director Designate of the San Francisco Symphony; the 2020-21 season will be his first as Music Director. He is Artist in Association at the Finnish National Opera and Ballet. He recently joined the faculty of LA's Colburn School, where he developed, leads, and directs the pre-professional Negaunee Conducting Program. He is the Conductor Laureate for both the Swedish Radio Symphony Orchestra and the Los Angeles Philharmonic, where he was Music Director from 1992 until 2009. Salonen co-founded—and from 2003 until 2018 served as the Artistic Director for—the annual Baltic Sea Festival, which invites celebrated artists to promote unity and ecological awareness among the countries around the Baltic Sea. In 2019-20, Salonen conducts the Philharmonia at the Southbank Centre, at the BBC Proms, and on tour across Europe and Asia. This fall he will complete Weimar Berlin: Bittersweet Metropolis, a program celebrating Weimar-era German composers such as Paul Hindemith, Kurt Weill, and Alban Berg. Salonen will also begin his first Ring cycle with the Finnish National Opera, conducting Das Rheingold and Die Walküre this season. In February 2020, Salonen conducts two weeks of concerts with the San Francisco Symphony. The breadth of Salonen's compositions is on display, with eleven works programmed around the world. -
Season 20 Season 2011-2012
Season 2020111111----2020202011112222 The Philadelphia Orchestra Thursday, March 229999,, at 8:00 FriFriFridayFri dayday,, March 303030,30 , at 222:002:00:00:00 Saturday, March 313131,31 , at 8:00 EsaEsa----PekkaPekka Salonen Conductor Leila Josefowicz Violin Bartók Music for Strings, Percussion, and Celesta I. Andante tranquillo II. Allegro III. Adagio IV. Allegro molto Intermission Salonen Violin Concerto I. Mirage II. Pulse I III. Pulse II IV. Adieu First Philadelphia Orchestra performances Debussy La Mer I. From Dawn to Midday at Sea II. Play of the Waves III. Dialogue of the Wind and the Sea This program runs approximately 1 hour, 55 minutes. Conductor and composer EsaEsa----PekkaPekka Salonen has been principal conductor and artistic advisor of the Philharmonia Orchestra in London since 2008 and artistic director of the Baltic Sea Festival since 2003. He became conductor laureate of the Los Angeles Philharmonic in 2009, following 17 years at its helm as music director. In the 2011-12 season Mr. Salonen leads the Philharmonia in performances of Bartók’s Bluebeard’s Castle as part of the “Infernal Dance: Inside the World of Béla Bartók” project, launched in January 2011. This season with the Los Angeles Philharmonic Mr. Salonen conducted the world premiere of the recently-discovered Shostakovich opera Orango. As a composer Mr. Salonen has completed commissions for the Finnish Radio Symphony, Tokyo’s Suntory Hall, the North German Radio Symphony, the Los Angeles Philharmonic, the Présences Festival in Paris, and a piano concerto dedicated to, and premiered by, Yefim Bronfman. Mr. Salonen’s Violin Concerto, written for and premiered by Leila Josefowicz in 2009, received the 2012 Grawemeyer Award. -
The Magazine of the Colorado Symphony
T HE M A GAZI NE OF THE COLORADO SYMPHONY Get the facts about ACTIVE RETIREMENT LIVING at Wind Crest FREE BROCHURE Request your FANTASTIC FREE BROCHURE, written by the retirement experts. This comprehensive brochure is packed with information about the carefree lifestyle at Wind Crest, Highlands Ranch’s premier continuing care retirement community for seniors 62-plus. Request your FREE brochure today! Call 1-877-460-5331 or visit WindCrestRetirement.com. Highlands Ranch WindCrestRetirement.com Wind Crest, Inc., a nonprofi t organization, is solely responsible for fulfi lling fi nancial responsibilities to residents under the contract. Wind Crest is within 13964114-CPAP the network of communities developed and managed by Erickson Living.® Need some me time? (You find the time. Here’s the place.) Non metallic Pantone 4515 + Black (C-40%, M-50%, Y-50%, K-100%) Pantone Gray 5C + Black (C-40%, M-50%, Y-50%, K-100%) WhiteCOMPLIMENTARY + Black (C-40%, M-50%, Y-50%, K-100%) MOUNTAIN CONCIERGE DESIGN SERVICE Mountain Project? We can Help! Make an appointment with one of our Interior design services from talented and qualified designers. inception to realization. 303.296.9514 303.566.8635 [email protected] [email protected] DENVER’S ULTIMATE HOME SHOPPING EXPERIENCE. 5445 North Bannock Street (Near I-25 & 58th), Denver, CO • TheShowroom.com Non metallic Pantone 4515 + Black (C-40%, M-50%, Y-50%, K-100%) THE MAGAZINE OF THE COLORADO SYMPHONY CONTENTS 6 Virtual Music Hour 8 How You Can Help 10 Colorado Symphony Musicians 12 Colorado Symphony Board of Trustees 14 Colorado Symphony Staff 16 A 21st Century Symphony 22 Colorado Symphony Welcomes Lyle Wong 27 Vivaldi's The Four Seasons 35 Community Support 52 Ticketing Options COMING SOON coloradosymphony.org 4 COLORADOSYMPHONY.ORG THE COLD WAR WAS FOUGHT ON ICE.