Marion Russell Dickson Is Nationally Known for Her Beautiful, Clear, And

Total Page:16

File Type:pdf, Size:1020Kb

Marion Russell Dickson Is Nationally Known for Her Beautiful, Clear, And Bios Marion Russell Dickson is nationally known for her beautiful, clear, and florid light-lyric soprano, with which she combines her joy for life and love during performances. Opera News noted Dr. Russell Dickson as one of four standout performers as Patience, noting: "Marion Russell's clarion Patience," in Eastman Opera Theatre's Production of Gilbert and Sullivan's Patience. As a 2009 Guest Artist with New York City based Distinguished Concerts International, New York, Dr. Dickson had the thrilling experience of giving her Carnegie Hall Recital Debut. Marion Dickson won the First Place Helen Boatwright Award Recipient of the 2000 Civic Morning Musical Competition held in Syracuse, New York, and performances as a soloist across the country include locations such as Houston, Texas, Santa Fe, New Mexico, Rochester, New York, Charleston, West Virginia, Princeton, New Jersey, and New York City. Dr. Dickson enjoys performing soloist works in oratorios, operas, and recital settings. Her experiences as a concert soloist include Boccherini's Se d'un amor tiranno, G 557, Pergolesi's Stabat Mater, Haydn's The Creation, Vivaldi's Gloria, Bach's Cantata Wachet Auf, BWV 140, Mozart'sRequiem, Mozart's Missa Brevis, Handel's Messiah, DuBois' The Seven Last Words of Christ, and Mozart's Vesperare solennes de confessore. Houston's newest orchestra, the Houston Latin Philharmonic Orchestra, under Dr. Glenn Garrido, invited Marion Dickson to perform as a soloist with them on their inaugural concert in May of 2013. She also performed on Houston Public Radio Station's The Front Row with St. John Flynn, singing a composition written for her by Houston composer Dr. Reynaldo Ochoa. Ms. Dickson has received the honor of American composers dedicating songs to her, including Dr. Roger Keele and Richard Faith. Recently named as a Fellow for the University of Houston Cynthia Woods Mitchell Center for the Arts, Marion Dickson is a graduate of the esteemed Moores School of Music at the University of Houston, having recieved her Doctor of Musical Arts degree in Voice Performance, Pedagogy and Voice Science in 2014. Under Professor Buck Ross, Marion recently performed in two operas that won first place with the National Opera Association, including the leading role of "Lusya" in Moores Opera Theatre's production of Shostakovich's Moscow, Cheryomushki, and the supporting roles of "Trang," and "Nurse," in the second- ever production of Daron Hagen's Amelia, with the latter conducted by Dr. Brett Mitchell. Marion Dickson was the Soprano I soloist in Mozart's oratorio Davide Pentitente under the direction of Dr. Charles Hausmann. Her final recital at Moores featured a performance of early music, including Air de cours with lutanist Bruce Brogdon, and a modern world premiere of Friedrich Zachow's cantata, Confitebor Tibi Domine, TV 2(a), under the direction of Dr. Hyeok Lee, a Zachow scholar. Marion Dickson holds a Master of Music Degree in Performance and Literature and a Performer's Certificate from Eastman School of Music, and she received her Bachelor of Music Degree in Voice Performance from Westminster Choir College. As part of ongoing study and performance opportunities, Ms. Dickson has had the joy of performing in Master Classes for artists including Cynthia Clayton, Tim Jones, Hector Vasquez, Zehava Gal, Carol Webber, Joyce Farwell and John Wustman; coaches include Dalton Baldwin, Brian Suits, Tom Jaber, Russell Miller, John Greer and Benton Hess. Having taught collegiately for over a decade, Dr. Dickson's responsibilities have included Studio Voice, Diction, Master Classes, Opera Workshop, and Art Song Literature. Collegiate positions at universities include the University of St. Thomas, in the Arts District of Houston, Sam Houston State University, Lone Star College-Kingwood and Lone Star College-Montgomery, Houghton College in Houghton, New York, Nazareth College in Rochester, New York, and Eastman School of Music (Graduate Assistant). Her students have participated in Young Artist Programs such as Opera in the Ozarks and the American Institute of Musical Studies in Gratz, Austria. Dr. Dickson's students also participate and have won both Chapter and Texoma Regional NATS Auditions, as well as the Classical Singer Competition, with one student making it to the semi-final round in New York City. Dr. Dickson's students have been accepted to graduate programs in Voice Performance, with significant scholarship, at the College- Conservatory of Music, University of Cincinnati (CCM) and New England Conservatory; and others have gone to Baylor University and the University of St. Thomas as undergraduate students with full scholarships. Marion Dickson performs avidly in the Houston area, and continues to maintain a select private studio. Dr. Dickson recently received a prestigious award from National Association of Teacher of Singing, as she was one of seven in the United States who was named as a 2014 NATS Emerging Leader. She has been a member of National Association of Teachers of Singing since 2001 and recently served a three year term as South Texas District Governor of NATS. Shannon Hesse has performed extensively both nationally and internationally as a soloist and collaborative pianist. Her concert schedule consists of recurring guest appearances in recitals sponsored by organizations such as the College Music Society, National Association of Teachers of Singing, Society of Composers, Inc., Houston Tuesday Musical Club, Galveston Island Arts Academy Concert Series, Imperial Performing Arts series, Greenbriar Consortium, and the Houston Composers Alliance. She regularly performs with musicians from the Houston Symphony, including her husband, cellist Anthony Kitai. A devoted teacher, Dr. Hesse is a long-standing member of Music Teachers National Association, where she is a Nationally Certified Teacher of Music. She is frequently in demand as an adjudicator and her students have been prizewinners in competitions at the local and state levels. Dr. Hesse has served on the faculties of Houston Baptist University, Texas Southern University and Valdosta State University, and spent many wonderful summers teaching at Westminster Choir College's High School Piano Camp and at the Interlochen Center for the Arts, where she served as Coordinator of Collaborative Piano. A graduate of the Eastman School of Music, Dr. Hesse holds additional degrees from Catholic University and Westminster Choir College. She is a member of the honors societies Phi Kappa Lambda and Alpha Lambda Delta and has had the great honor of working with outstanding teachers and mentors, including Jean Barr, Ingrid Clarfield, Marilyn Neeley, and Rita Sloan. Richard Nunemaker has had a varied and prolific career as a symphony musician, concert soloist, recording artist, producer, educator and author. Nunemaker is presently the principal clarinetist with the Houston Latin American Philharmonic. Richard Nunemaker played clarinet, bass clarinet and saxophone with the Houston Symphony Orchestra from 1967-2008. He was also a member of the Chicago Civic Orchestra in 1966, the Louisville Orchestra from 1964-1966 and the Erie Philharmonic from 1962-1964. Born in Buffalo, New York Nunemaker's career has run the gamut from managing his own dance bands in high school, to being in the pit for New York road show productions such as West Side Story, My Fair Lady and South Pacific. He is also a featured soloist both in recital and with symphony orchestras around the country. A strong advocate of music by living American composers, Nunemaker has commissioned over one hundred works for clarinet and saxophone. As a record producer he has produced and recorded five solo CDs featuring this music. He has been a featured soloist with the Houston Symphony Orchestra and on numerous occasions has appeared with that orchestra in live television and radio broadcasts. Nunemaker has recorded two CDs with the Houston Symphony Orchestra featuring the music of Benny Goodman and Artie Shaw. He has published four books, Scale and Chord Studies, If The Shoe Fits, The Effortless Clarinet and The Effortless Saxophone. Nunemaker has been an artist/teacher for the Las Vegas Music Festival and The Sewanee Summer Music Center. At present he is a member of the faculty for the University of St. Thomas, Houston, and the American Festival for The Arts. Nunemaker also has served as the woodwind/clarinet coach for The Houston Youth Symphony and keeps an active private studio. Richard Nunemaker is past president of The Houston Composers Alliance, Music by Living American/Houston Composers and a member of Houston Tuesday Musical Club. More information about Richard Nunemaker can be found at: www.RichardNunemaker.com. .
Recommended publications
  • BRETT MITCHELL Biography
    BRETT MITCHELL Biography Hailed for presenting engaging, in-depth explorations of thoughtfully curated programs, Brett Mitchell began his tenure as Music Director of the Colorado Symphony in July 2017. Prior to this appointment, he served as the orchestra's Music Director Designate during the 2016-17 season. He leads the orchestra in ten classical subscription weeks per season as well as a wide variety special programs featuring such guest artists as Renée Fleming, Yo-Yo Ma, and Itzhak Perlman. Mr. Mitchell is also in consistent demand as a guest conductor. Highlights of his 2018-19 season include subscription debuts with the Minnesota Orchestra and Vancouver Symphony Orchestra, and return appearances with the orchestras of Cleveland, Dallas, and Indianapolis. Other upcoming and recent guest engagements include the Detroit, Houston, Milwaukee, National, Oregon, and San Antonio symphonies, the Grant Park Festival Orchestra, the Rochester Philharmonic, the Saint Paul Chamber Orchestra, and the New Zealand Symphony Orchestra. Mr. Mitchell also regularly collaborates with the world’s leading soloists, including Yo-Yo Ma, Renée Fleming, Rudolf Buchbinder, Kirill Gerstein, James Ehnes, Augustin Hadelich, Leila Josefowicz, and Alisa Weilerstein. From 2013 to 2017, Mr. Mitchell served on the conducting staff of The Cleveland Orchestra. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra's hundred-year history. In these roles, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour.
    [Show full text]
  • BRETT MITCHELL Biography
    BRETT MITCHELL Biography Hailed for presenting engaging, in-depth explorations of thoughtfully curated programs, Brett Mitchell began his tenure as Music Director of the Colorado Symphony in July 2017. Prior to this appointment, he served as the orchestra's Music Director Designate during the 2016-17 season. He leads the orchestra in ten classical subscription weeks per season as well as a wide variety special programs featuring such guest artists as Renée Fleming, Yo-Yo Ma, and Itzhak Perlman. Mr. Mitchell is also in consistent demand as a guest conductor. Highlights of his 2018-19 season include subscription debuts with the Minnesota Orchestra and Vancouver Symphony Orchestra, and return appearances with the orchestras of Cleveland, Dallas, and Indianapolis. Other upcoming and recent guest engagements include the Detroit, Houston, Milwaukee, National, Oregon, and San Antonio symphonies, the Grant Park Festival Orchestra, the Rochester Philharmonic, the Saint Paul Chamber Orchestra, and the New Zealand Symphony Orchestra. From 2013 to 2017, Mr. Mitchell served on the conducting staff of The Cleveland Orchestra. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra's hundred-year history. In these roles, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour. From 2007 to 2011, Mr. Mitchell led over one hundred performances as Assistant Conductor of the Houston Symphony. He also held Assistant Conductor posts with the Orchestre National de France, where he worked under Kurt Masur from 2006 to 2009, and the Castleton Festival, where he worked under Lorin Maazel in 2009 and 2010.
    [Show full text]
  • Brett Mitchell Biography June 2019
    BRETT MITCHELL Biography Hailed for presen2ng engaging, in-depth explora2ons of though8ully curated programs, Bre- Mitchell has served as Music Director of the Colorado Symphony since July 2017. Prior to this appointment, he served as the orchestra's Music Director Designate during the 2016-17 season. He leads the orchestra in ten classical subscrip2on weeKs per season as well as a wide variety special programs featuring such guest ar2sts as Renée Fleming, Yo-Yo Ma, and Itzhak Perlman. Mr. Mitchell is also in consistent demand as a guest conductor. He will make his debut with the San Francisco Symphony in July 2019 and the Los Angeles Philharmonic at the Hollywood Bowl in September 2019. Highlights of his 2018-19 season included subscrip2on debuts with the Minnesota Orchestra and Vancouver Symphony Orchestra, and return appearances with the orchestras of Cleveland, Dallas, and Indianapolis. Other upcoming and recent guest engagements include the Detroit, Houston, MilwauKee, Na2onal, Oregon, and San Antonio symphonies, the Grant ParK Fes2val Orchestra, the Rochester Philharmonic, the Saint Paul Chamber Orchestra, and the New Zealand Symphony Orchestra. Mr. Mitchell also regularly collaborates with the world’s leading soloists, including Yo-Yo Ma, Renée Fleming, Itzhak Perlman, Rudolf Buchbinder, Kirill Gerstein, James Ehnes, Augus2n Hadelich, Leila Josefowicz, and Alisa Weilerstein. From 2013 to 2017, Mr. Mitchell served on the conduc2ng staff of The Cleveland Orchestra. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that 2tle in over three decades and only the fieh in the orchestra's hundred-year history.
    [Show full text]
  • The Magazine of the Colorado Symphony
    T HE M A GAZI NE OF THE COLORADO SYMPHONY Get the facts about ACTIVE RETIREMENT LIVING at Wind Crest FREE BROCHURE Request your FANTASTIC FREE BROCHURE, written by the retirement experts. This comprehensive brochure is packed with information about the carefree lifestyle at Wind Crest, Highlands Ranch’s premier continuing care retirement community for seniors 62-plus. Request your FREE brochure today! Call 1-877-460-5331 or visit WindCrestRetirement.com. Highlands Ranch WindCrestRetirement.com Wind Crest, Inc., a nonprofi t organization, is solely responsible for fulfi lling fi nancial responsibilities to residents under the contract. Wind Crest is within 13964114-CPAP the network of communities developed and managed by Erickson Living.® Need some me time? (You find the time. Here’s the place.) Non metallic Pantone 4515 + Black (C-40%, M-50%, Y-50%, K-100%) Pantone Gray 5C + Black (C-40%, M-50%, Y-50%, K-100%) WhiteCOMPLIMENTARY + Black (C-40%, M-50%, Y-50%, K-100%) MOUNTAIN CONCIERGE DESIGN SERVICE Mountain Project? We can Help! Make an appointment with one of our Interior design services from talented and qualified designers. inception to realization. 303.296.9514 303.566.8635 [email protected] [email protected] DENVER’S ULTIMATE HOME SHOPPING EXPERIENCE. 5445 North Bannock Street (Near I-25 & 58th), Denver, CO • TheShowroom.com Non metallic Pantone 4515 + Black (C-40%, M-50%, Y-50%, K-100%) THE MAGAZINE OF THE COLORADO SYMPHONY CONTENTS 6 Virtual Music Hour 8 How You Can Help 10 Colorado Symphony Musicians 12 Colorado Symphony Board of Trustees 14 Colorado Symphony Staff 16 A 21st Century Symphony 22 Colorado Symphony Welcomes Lyle Wong 27 Vivaldi's The Four Seasons 35 Community Support 52 Ticketing Options COMING SOON coloradosymphony.org 4 COLORADOSYMPHONY.ORG THE COLD WAR WAS FOUGHT ON ICE.
    [Show full text]
  • Brett Mitchell to Take the Helm of the Colorado Symphony by Mike Telin
    Brett Mitchell to take the helm of the Colorado Symphony by Mike Telin The Colorado Symphony announced on ​ ​ September 12 that Brett Mitchell has been appointed music director designate for the 2016­2017 season, and will assume the post of music director in July, 2017. “It’s a great opportunity to be the Music Director of a great orchestra in a great city,” Mitchell said during a recent telephone conversation. “I don’t know how you could ask for more than that. I really don’t.” Mitchell, 37, has been a member of the conducting staff of The Cleveland Orchestra since 2013 and currently holds the title of associate conductor. He also serves as music director of the Cleveland Orchestra Youth Orchestra, having led that ensemble on a tour to China in 2015, its second international tour. A native of Seattle, Mitchell served as assistant conductor of the Houston Symphony from 2007 to 2011, and previously was an assistant conductor to Kurt Masur at the Orchestre National de France from 2006­2009. He and his wife Angela eventually plan to make their home in Denver. The Colorado Symphony will give Mitchell a year to get to know his new colleagues in Denver — both the administration and musicians. “One of the extraordinary things about the appointment is the timeline that we have been able to develop,” Mitchell said. “Ordinarily the announcement would be made, then the next season you’d be named the music director designate, and become music director the following season — so that would add up to two years.
    [Show full text]
  • Works Composed in the Past 25 Years – All Groups
    PERFORMANCES OF WORKS COMPOSED IN THE PAST 25 YEARS 2012-2013 SEASON ALL GROUPS Composer Work Total Perfs. First Perf Conductor Orchestra Soloist(s) Perfs Adams, John ON THE TRANSMIGRATION OF SOULS 2 Sep. 21, 2012 Edo De Waart Milwaukee Symphony Orchestra Milwaukee Children's Choir 2 [2002-2002] Milwaukee Children's Choir Milwaukee Symphony Chorus Adams, John CITY NOIR [2009] 5 May 30, 2013 John Adams National Symphony Orchestra 3 Feb. 15, 2013 David Robertson Saint Louis Symphony Orchestra Timothy McAllister, alto 2 saxophone Adès, Thomas IN SEVEN DAYS, PIANO AND 2 Nov. 30, 2012 David Robertson Saint Louis Symphony Orchestra Kirill Gerstein, piano 2 ORCHESTRA [2008] Bell, Allan Gordon SPIRIT TRAIL [1994] 2 Apr. 12, 2013 Jose Luis Gomez Edmonton Symphony Orchestra Benjamin Grosvenor, piano 2 Bernstein, Leonard CANDIDE SUITE (ARRANGED BY 3 Feb. 14, 2013 Thomas Wilkins The Naples Philharmonic 3 HARMON/RAMIN) [1956-98] Bolcom, William PROMETHEUS [2010] 1 Oct. 27, 2012 John Nardolilo University of Kentucky Orchestra 1 Chapela, Enrico INGUSEU [2003] 1 Oct. 6, 2012 Jason Love The Columbia Orchestra 1 Danielpour, Richard WOMAN'S LIFE [2007] 2 Feb. 23, 2013 Michael Butterman Boulder Philharmonic Orchestra Angela Brown, soprano 2 Daugherty, Michael ROUTE 66 [1999] 1 Oct. 20, 2012 Daniel Meyer Erie Philharmonic Orchestra 1 Daugherty, Michael TROYJAM [2008] 2 Nov. 9, 2012 Neal Gittleman Dayton Philharmonic Orchestra 2 Dutilleux, Henri SHADOWS OF TIME [1995-1997] 3 Jan. 24, 2013 Ludovic Morlot Los Angeles Philharmonic 3 Estacio, John A FARMER'S SYMPHONY [1993] 1 Mar. 3, 2013 William Eddins Edmonton Symphony Orchestra 1 Estacio, John BOOTLEGGER’S TARANTELLA [2003] 2 Jan.
    [Show full text]
  • Sunriver Christmas Concert Is on and Artistic Director Finalists Announced
    FOR IMMEDIATE RELEASE CONTACT: Meagan Iverson 541-593-1084 [email protected] SUNRIVER CHRISTMAS CONCERT IS ON AND ARTISTIC DIRECTOR FINALISTS ANNOUNCED SUNRIVER, ORE – It’s a lively time for the Sunriver Music Festival. First, live music returns to Sunriver on Saturday, December 5th with the annual Traditions Christmas Concert. There will be two LIVE concerts, 4:00 and 7:00 pm, at the Sunriver Resort Great Hall featuring headliner Aaron Meyer, concert rock violinist with his fantastic pianist Jean-Pierre Garau. Violinist John Fawcett opens the concerts. A very limited amount of tickets are available for these special, socially-distanced, LIVE concerts featuring renowned musicians. Ticket prices range from $20-$65 and are also available for a livestream experience. Visit the Festival’s website (www.sunrivermusic.org) for more details and to purchase tickets. “We’ve designed these concerts following all public health considerations for COVID to ensure your saFety and enjoyment,” explains Executive Director Meagan Iverson. “ThereFore, since tickets will be quite limited, we encourage you to reserve now or sign up for the livestream!” Presented in partnership with Sunriver Resort, these concerts are part of the Resort’s Winter Traditions celebration ofFering an abundance of family-friendly events. Find out more about Traditions and the Resort’s lodging packages at www.sunriver-resort.com. Iverson also shares the long-awaited announcement of the two finalists for Sunriver Music Festival’s new Artistic Director: Maestros Kelly Kuo and Brett Mitchell. (Maestro George Hanson successFully ended his 10 year tenure with the Festival earlier this year after accepting a position in Washington D.C.) (more) “For the last 12 months, the Board and search committee have been reviewing candidates and we are excited to have two dynamic finalists who will both perForm and lead the Festival Orchestra this coming summer (August 2021),” adds Iverson.
    [Show full text]
  • Marisa Mccarthy [email protected] (626) 793-7172 Ext
    FOR IMMEDIATE RELEASE Pasadena Symphony Association Pasadena Symphony & POPS Contact: Marisa McCarthy [email protected] (626) 793-7172 ext. 13 For artist bios and images visit: https://pasadenasymphony-pops.org/2020-21-classics-announcement/ February 27, 2020 PASADENA SYMPHONY ANNOUNCES 2020-21 CLASSICS SEASON Pasadena, CA – Music Director David LocKington and the Pasadena Symphony announce its 2020/21 season of seven concerts, beginning October 17, 2020 through April 24, 2021. Highlights include the second annual Composers Showcase, featuring contemporary works by five California-based composers, including a world premiere by Brett Banducci, a Baroque program partnering with young artists from the Colburn School, Los Angeles Children’s Chorus and the Pasadena Civic Ballet, and a line-up of celebrated guest artists and popular masterpieces. All concerts take place at Pasadena’s Ambassador Auditorium with both matinee and evening performances at 2pm and 8pm. The season also includes the annually sold-out Holiday Candlelight Concert on Saturday, December 19, 2020 with 4pm and 7pm performances at All Saints Church. LocKington kicks off the 2020-21 season on October 17th with the return of violinist Dylana Jenson performing Brahms Violin Concerto, for a program that shows off the orchestra’s might with Strauss’s thrilling Don Juan and Mahler’s Symphony No. 10. November 14th brings a portrait of American life to the stage through three different lenses with award-winning pianist Terrence Wilson performing Gershwin’s Rhapsody in Blue. The Jazz Age masterpiece roars alongside a contemplative work of Native American sounds in symphonic form with composer Brent Michael Davids’ Iroquois Creation Song, performed on his crystal flute, and DvořáK’s magnificent incarnation of the American West with his Symphony No.
    [Show full text]
  • The Magazine of the Colorado Symphony
    T HE M A GAZI NE OF THE COLORADO SYMPHONY Get the facts about ACTIVE RETIREMENT LIVING at Wind Crest FREE BROCHURE Request your FANTASTIC FREE BROCHURE, written by the retirement experts. This comprehensive brochure is packed with information about the carefree lifestyle at Wind Crest, Highlands Ranch’s premier continuing care retirement community for seniors 62-plus. Request your FREE brochure today! Call 1-877-460-5331 or visit WindCrestRetirement.com. Highlands Ranch WindCrestRetirement.com Wind Crest, Inc., a nonprofi t organization, is solely responsible for fulfi lling fi nancial responsibilities to residents under the contract. Wind Crest is within 13964114-CPAP the network of communities developed and managed by Erickson Living.® Need some me time? (You find the time. Here’s the place.) Non metallic Pantone 4515 + Black (C-40%, M-50%, Y-50%, K-100%) Pantone Gray 5C + Black (C-40%, M-50%, Y-50%, K-100%) WhiteCOMPLIMENTARY + Black (C-40%, M-50%, Y-50%, K-100%) MOUNTAIN CONCIERGE DESIGN SERVICE Mountain Project? We can Help! Make an appointment with one of our Interior design services from talented and qualified designers. inception to realization. 303.296.9514 303.566.8635 [email protected] [email protected] DENVER’S ULTIMATE HOME SHOPPING EXPERIENCE. 5445 North Bannock Street (Near I-25 & 58th), Denver, CO • TheShowroom.com Non metallic Pantone 4515 + Black (C-40%, M-50%, Y-50%, K-100%) THE MAGAZINE OF THE COLORADO SYMPHONY CONTENTS 6 Virtual Music Hour 8 How You Can Help 10 Colorado Symphony Musicians 12 Colorado Symphony Board of Trustees 14 Colorado Symphony Staff 16 A 21st Century Symphony 22 Colorado Symphony Welcomes Lyle Wong 27 Beethoven's Symphony No.
    [Show full text]
  • AN AMERICAN CELEBRATION Blossom Festival Week One the Cleveland Orchestra CONCERT PRESENTATION Blossom Music Center Saturday, July 3, 2021, at 8 P.M
    AN AMERICAN CELEBRATION Blossom Festival Week One The Cleveland Orchestra CONCERT PRESENTATION Blossom Music Center Saturday, July 3, 2021, at 8 p.m. 1145 West Steels Corners Road Sunday, July 4, 2021, at 8 p.m. Cuyahoga Falls, Ohio 44223 THE CLEVELAND ORCHESTRA Brett Mitchell, conductor Michelle Cann, piano LEONARD BERNSTEIN (1918-1990) This PDF is a print version Overture to Candide of our digital online Stageview program book, available at this link: MARY D. WATKINS (b. 1939) stageview.co/tco Soul of Remembrance from Five Movements in Color FLORENCE PRICE (1887-1953) Concerto in One Movement (for piano and orchestra) I N T E R M I S S I O N ADOLPHUS HAILSTORK (b. 1941) An American Fanfare AARON COPLAND (1900-1990) Suite from Appalachian Spring PYOTR ILYICH TCHAIKOVSKY (1840-1893) Overture: The Year 1812 JOHN PHILIP SOUSA (1854-1932) The Stars and Stripes Forever A fi reworks display by American Fireworks Company will take place immediately following the concert, weather permitting. ____________________________ 2021 Blossom Music Festival Presenting Sponsor: The J.M. Smucker Company Copyright © The Cleveland Orchestra and Musical Arts Association. All rights reserved. 1 Week One: 2021 Blosom Music Festival — July 3-4: An American Celebration CONCERT OVERVIEW T H I S F O U R T H O F J U L Y holiday, The Cleveland Orchestra kicks off the 2021 Blossom Music Festival with “An American Celebration,” after a year that has tested us personally and as a nation. As we renew relationships with loved ones and beloved traditions, this evening’s
    [Show full text]
  • Weekly UPSCALE
    PSCALE eekly University of Houston U Moores School of Music W February 25, 2013 News & Notes Thursday, February 28, 7:30 pm Tali Morgulis, piano The “Spirit of Houston” Cougar Marching Band, UH Little (piano) Night Music: works by Vasks, Schumann, Twirlers, Color Guard, Cheer Teams and Cougar Crumb Dolls, under the direction of Troy Bennefield and David Dudley Recital Hall Bertman, performed at the 2013 Annual Houston Livestock Show and Rodeo Downtown Parade on Friday, March 1, 7:30 pm February 24. SYMPHONY ORCHESTRA Franz Anton Krager, conductor Upcoming Events Carlos Guillermo Jung, student conductor Works by Barber, Bruckner Monday, February 25, 7:30 pm PERCUSSION ENSEMBLES Monday, March 4, 8:30 pm Blake Wilkins, Alec Warren, directors Student Recital Works by de May, Sekhon, Maroney, Elder (world Trevor Martin, baritone premiere) (Studio of Joseph Evans) Dudley Recital Hall Monday, February 25, 7:30 pm Lynda Keith McKnight, soprano Tuesday, March 5, 7:30 pm Caitrine-Ann Piccini, guest flute CONCERT WOMEN’S CHORUS Chester Rowell, clarinet UNIVERSITY WOMEN’S/MEN’S CHORUS Dennis Whittaker, double bass ACABELLAS, ARDORE, BOB’S YOUR UNCLE, Brian Suits, piano FLOREAT, MEN OF MOORES Chamber works by Mozart, Spohr, Bottesini, Hagan, Roe Betsy Cook Weber, Jeb Mueller, conductors Dudley Recital Hall Songs of Love and Passion: Works by Brahms, Schubert, Sarmanto, Hopkins Monday, February 25, 7:30 pm Student Recital Wednesday, March 6, 7:30 pm Kevin Moody, conducting JAZZ ORCHESTRA / JAZZ ENSEMBLE (Studio of Charles Hausmann) Noe Marmolejo, director/Ryan Gabbart, assistant director Choral Recital Hall Gerald Massoud, conductor with guests HOUSTON HEIGHTS ORCHESTRA Tuesday, February 26, 2 pm Kris Chapman, guest music director Guest Lecture/Master Class Works by Massoud, Brubeck, Spence/Keith/Bergman Kaija Saariaho, composer MSM Room 147A Wednesday, March 6, 7:30 pm A.I.
    [Show full text]
  • Careers in Orchestras Careers in Orchestras
    2019-2020 Season Guide for Young Concert-goers CareersCareers inin OrchestrasOrchestras Many people earn a living working for an arts organization, such as an orchestra – from the performers on stage, to support staff who raise money enabling the orchestra to operate; manage artistic and stage operations; market and promote the orchestra’s programs; provide music education for children and adults; keep the building in good condition; assist our concert-goers, and much more. The Cleveland Orchestra employs over 230 people. Of that number, approximately 100 musicians and 2 conductors perform on stage, and roughly 130 administrative and support staff work behind the scenes to make the concerts and all other activities possible. Digital Designer Stage Crew Behind-the-scenes staff who set the stage, or Developer control lighting and sound, move and transport instruments, and more, for all of the Orchestra’s Sample Job Titles: Creates and runs the Orchestra’s digital platforms performances in Severance Hall, Blossom Music and applications and manages the Orchestra’s use Accounting Manager Finance Director Center, and locations around the world where the of online media. Orchestra tours. Building Engineer Facilities Director Education: College degree in computer science, Chief Artistic Officer Graphic Production Education: High school graduate Artist game designer certification, or similar. Chief Brand Officer Qualifications: Working knowledge of sound Skills Needed: It’s useful to know object-oriented Guest Experience and lighting boards as well as basic carpentry Chief Executive Officer programming languages such as Java. Director skills and the ability to keep up with new Chief Philanthropy and Human Resources How to Get Started: Be curious! Explore how technology.
    [Show full text]