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T H E P Ro G
Wednesday, March 8, 2017, at 8:30 pm m a r g The Songs of Elizabeth Swados o featuring Utkarsh Ambudkar, Michael Friedman, r Josie de Guzman, Karen Kandel, Taylor Mac, P Grace McLean, AnnMarie Milazzo, Rachel Stern, and Shaina Taub e h T Kris Kukul, Musical Director and Piano Matthew Dean Marsh, Associate Musical Director and Keyboards This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Meg and Bennett Goodman, Rita J. and Stanley H. Kaplan Family Foundation, Inc., The DuBose and Dorothy Heyward Memorial Fund, Jill & Irwin B. Cohen, The Shubert Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. American Airlines is the Official Airline of Lincoln Center Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Thursday, March 9, at 8:30 pm Tanya Tagaq Friday, March 10, at 8:30 pm José González Saturday, March 11, at 8:30 pm An Evening with Kristen & Bobby Lopez IN THE STANLEY H. -
Cassius Carter Centre Stage Darlene Gould Davies
Cassius Carter Centre Stage Darlene Gould Davies Cassius Carter Centre Stage, that old and trusted friend, is gone. The theatre in the round at The Old Globe complex in Balboa Park had its days, and they were glorious. Who can forget “Charlie’s Aunt” (1970 and 1977), or the hilarious 1986 pro- duction of “Beyond the Fringe”? Was there ever a show in the Carter that enchanted audiences more than “Spoon River Anthology” (1969)? A. R. Gurney’s “The Din- ing Room” (1983) was delightful. Craig Noel’s staging of Alan Ayckbourn’s ultra- comedic trilogy “The Norman Conquests” (1979) still brings chuckles to those who remember. San Diegans will remember the Carter. It was a life well lived. Cassius Carter Centre Stage, built in 1968 and opened in early 1969, was di- rectly linked to the original Old Globe Theatre of the 1935-36 California-Pacific International Exposition in Balboa Park. It was not a new building but a renovation of Falstaff Tavern that sat next to The Old Globe.1 In fact, until Armistead Carter Falstaff Tavern ©SDHS, UT #82:13052, Union-Tribune Collection. Darlene Gould Davies has served on several San Diego City boards and commissions under five San Diego mayors, is Professor Emerita of Speech, Language, and Hearing Sciences at San Diego State University, and co-produced videos for the Mingei International Museum. She is currently a member of the Board of Directors of the San Diego Natural History Museum and has served as chair of the Balboa Park Committee. 119 The Journal of San Diego History Falstaff Tavern refreshments. -
The Globe Theatre Place of Birth: Stratford-Upon-Avon D.O.D: 23 April 1616 Shakespeare’S Plays Were Performed at the Globe Theatre
Y7 Performing Arts - Knowledge Organiser 3 Key Shakespeare Introduction Terminology Mat Key facts and key words Full Name: William Shakespeare D.O.B: April 1564 The Globe Theatre Place of birth: Stratford-upon-Avon D.O.D: 23 April 1616 Shakespeare’s plays were performed at the Globe Theatre. Theatre Roots: The King’s Men, formally known as The Lord This was a theatre like no other, it was an open air theatre, Chamberlain’s Men. with a large stage. Elizabethan Theatre Iambic Pentameter Groundlings Scene Originally built: 1599 —however in 1613, during Shake- Traveling Theatre Stage Direction Audience Genre speare’s play Henry VIII, a cannon set fire to the straw in the Audience Appreciation Shakespeare Playwright Act roof and it burnt down. It was quickly rebuilt the year after. Layout: The stage configuration is the stage layout and type of stage the play is performed on. The Globe theatre was a Genre Proscenium Arch stage. Performances: A flag was raised to All Shakespearean plays fall into one of 3 genres; Comedy, show a play was about to begin. Plays began at 2 in the after- Tragedy and history. Some may also have a romantic element. noon to ensure it was still light for the performance. Comedy History Tragedy All’s well that ends well Henry IV Anthony and Cleopatra Actors: In Shakespeare's time, there were no women actors. Women's parts were played by boys. For a time, child actors As you Like it Henry V Coriolanus Comedy of Errors Cymbeline were more popular than grown-actors. -
Welcome to Picasso at the Lapin Agile! We're Thrilled to Kick Off 2017 With
FEBRUARY 2017 WELCOME JIM COX elcome to Picasso at the Lapin Agile! We’re thrilled to kick off 2017 with this funny, fascinating, and endlessly W surprising play. As we begin a new year, we also celebrate the phenomenal successes of 2016. Last year, the Globe broke box office records with hits like Meteor Shower (another Steve Martin comedy) and our acclaimed productions of October Sky and Sense and Sensibility. It was also an outstanding year for philanthropy. Individual donors gave generously to support our mission, and the Globe reaped the benefit of major foundation and government support. Our Arts Engagement Department successfully launched a slate of new programs funded in part by The James Irvine Foundation’s New California Arts Fund, and the National Endowment for the Arts awarded the Globe a major grant to support new play development. In every way, 2016 was a banner year for The Old Globe. We couldn’t imagine a better way to start 2017 than Picasso at the Lapin Agile. Not only does the production mark the welcome return of writer Steve Martin to the Globe, it pairs him with his longtime collaborator—and our Erna Finci Viterbi Artistic Director—Barry Edelstein. Here, Barry shepherds an all-star cast featuring returning Globe favorites alongside talented performers making their Globe debuts. 2016 will be a tough act to top, but this show bodes well for another banner year of great theatre in Balboa Park. We hope to see you often at the Globe in the coming year! MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. -
MINUTES City of San Diego Park and Recreation Board BALBOA PARK
MINUTES City of San Diego Park and Recreation Board BALBOA PARK COMMITTEE November 6, 2008 Meeting held at: Mailing address is: Balboa Park Club, Santa Fe Room Balboa Park Administration 2150 Pan American Road 2125 Park Boulevard MS39 San Diego, CA 92101 San Diego, CA 92101-4792 ATTENDANCE: Members Present Members Absent Staff Present Jerelyn Dilno Jennifer Ayala Kathleen Hasenauer Vicki Granowitz Laurie Burgett Susan Lowery-Mendoza Mick Hager Mike Singleton Bruce Martinez Andrew Kahng David Kinney Mike McDowell Donald Steele (Arr. 5:40) CALL TO ORDER Chairperson Granowitz called the meeting to order at 5:37 P.M. APPROVAL OF MINUTES MSC IT WAS MOVED/SECONDED AND CARRIED UNANIMOUSLY TO APPROVE THE MINUTES OF THE OCTOBER 2, 2008 MEETING WITH CORRECTIONS TO REFLECT SINGLTON SECONDING ADOPTION ITEMS 201 AND 202 (KINNEY /DILNO 5-0) ABSTENTION- MCDOWELL REQUESTS FOR CONTINUANCES None NON AGENDA PUBLIC COMMENT Warren Simon, Chairperson of the Balboa Park Decembers Nights Committee, reported that there will be a few changes to this year’s venue. The Restaurant Taste will be located in the Palisades Parking lot adjacent to the Hall of Champions and a synthetic ice skating rink will also be located in the Palisades Parking Lot. The Plaza De Panama will host a spirits garden, and the Moreton Bay Fig Tree will be up-lighted. Shannon Sweeney representing Scott White Contemporary Art reported that the location approved by the Committee for the Bernar Venet sculpture requires a barrier to be placed around it for ADA compliance. Ms. Sweeney stated the barrier would detract from the sculpture and requested that the Committee reconsider placing the sculpture at the original requested location on the turf east of the San Diego Museum of Art. -
Globe Theatre
Episode 25 Teacher Resource 4th September 2018 Globe Theatre Students will explore the history of 1. Before you watch the BTN Globe Theatre story, record what you the Globe Theatre. Students will know about William Shakespeare. explore the meaning, use and form 2. When was the Globe Theatre first built? of Shakespeare’s language. 3. Where was it built? Locate using Google Maps. 4. What happened to the original Globe Theatre? 5. Name a play written by William Shakespeare. 6. About how many people can the Globe Theatre can hold? 7. How many storeys high is the Globe? English – Year 5 8. What is at the base of the stage? Understand that the pronunciation, 9. Illustrate an aspect of the Globe Theatre story. spelling and meanings of words have histories and change over 10. Which film is based on one of Shakespeare’s plays? time. a. Hotel Transylvania b. Trolls Understand that patterns of language interaction vary across c. Gnomeo & Juliet social contexts and types of texts and that they help to signal social roles and relationships. Create literary texts using realistic and fantasy settings and characters that draw on the worlds represented Discuss the BTN Globe Theatre story as a class. What questions were in texts students have experienced. raised in the discussion (what are the gaps in their knowledge)? The following KWLH organiser provides students with a framework to explore English – Year 6 Experiment with text structures their knowledge on this topic and consider what they would like to know and and language features and their learn. effects in creating literary texts, for example, using imagery, sentence variation, metaphor and word What do I choice. -
New Yorker May 20 1985
GOINGJ ON ABOUT TOWN A C0N5CIENT10U5 CALENDAR OF EVENT5 OF INTEREST "Smiles of a Summer Night," is the last m THE THEATRE s 'M* T • J • P • S this season's series of productions. (103rd St. PLAYS AND MUSICALS and Riverside Dr. Nightly, except Mondays, at 8. Matinees Saturdays and Sundays at Aren't We All?—A revival of a smart Mayfair 15 16 17 18 comedy of 1923, written by Frederick Lons- 2:30. Closes Sunday, June 2. For information dale. Claudette Colbert, Rex Harrison, Lynn 19 20 21 22 23 24 25 about tickets, for which contributions are Redgrave, Brenda Forbes, and George Rose requested, call 663-2028.) find no difficulty bringing it back to life. The Foreigner—A very funny play by (and with) (Reviewed in our issue of S/13/8S.) (Brooks sive Behavior," by Stuart Spencer; and Larry Shue, with good performances by every Atkinson, 256 W. 47th St. 719-4099. Tues "Between Cars," by Alan Zweibel: Wednes single member of the company, most notably days through Saturdays at 8. Matinfies day and Thursday, May 15-16, at 7:30, and by Kevin Geer as a lovable half-wit. Jerry Wednesdays and Saturdays at 2, and Sun Saturday, May 18, at 7 and 10 (previews); Zaks was the admirable director. (11/19/84) days at 3.) Monday, May 20, at 7:30 (opening); and (Astor Place Theatre. 434 Lafayette St., near As Is—^This touching play by William M. Thursday, May 23, at 7:30. ... <51 "Life Astor PI. 254-4370. Tuesdays through Fri Hoffman concerns a personable young homo- Under Water," by Richard Greenberg; "Mar- days at 8; Saturdays at 7 and 10; and Sun se.xual who is afflicted with AIDS, and is also iens Kammer," by Roger Hedden; "The Frog days at 7. -
Print Journalism: a Critical Introduction
Print Journalism A critical introduction Print Journalism: A critical introduction provides a unique and thorough insight into the skills required to work within the newspaper, magazine and online journalism industries. Among the many highlighted are: sourcing the news interviewing sub-editing feature writing and editing reviewing designing pages pitching features In addition, separate chapters focus on ethics, reporting courts, covering politics and copyright whilst others look at the history of newspapers and magazines, the structure of the UK print industry (including its financial organisation) and the development of journalism education in the UK, helping to place the coverage of skills within a broader, critical context. All contributors are experienced practising journalists as well as journalism educators from a broad range of UK universities. Contributors: Rod Allen, Peter Cole, Martin Conboy, Chris Frost, Tony Harcup, Tim Holmes, Susan Jones, Richard Keeble, Sarah Niblock, Richard Orange, Iain Stevenson, Neil Thurman, Jane Taylor and Sharon Wheeler. Richard Keeble is Professor of Journalism at Lincoln University and former director of undergraduate studies in the Journalism Department at City University, London. He is the author of Ethics for Journalists (2001) and The Newspapers Handbook, now in its fourth edition (2005). Print Journalism A critical introduction Edited by Richard Keeble First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX9 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Selection and editorial matter © 2005 Richard Keeble; individual chapters © 2005 the contributors All rights reserved. -
Current Season Poster
2019-2020 PERFORMANCE SEASON MainstageMainstage SeriesSeries TheThe HouseHouse ofof BlueBlue LeavesLeaves by John Guare It’s 1965, the day Pope Paul VI came to New York City. For Artie Shaughnessy of Sun- nyside, Queens, this historic moment is an omen for change. Artie dreams of leaving his zookeeper job to pursue a life as a songwriter in Hollywood with his new girlfriend, Bunny. However, a few things stand in his way, such as his wife, Bananas; a GI son drafted into Vietnam gone AWOL; a grieving movie producer; and a group of over-ex- cited nuns. When these worlds collide, hilarity ensues. This dark comedy explores the theme of the American Dream at a moment in U.S. history ripe with change. November 1- 2 @7PM and November 2-3 @2PM . $10 General Admission, $8 Seniors, Faculty, & Staff, $5 Students CelebratingCelebrating thethe Green:Green: ChristmasChristmas BellesBelles Jewell Theatre Company and Jazz Band collaborate to present a classic holiday story combining reader’s theatre with live music. The performance is part of Jewell’s annual winter holiday events for the entire campus and community. Free performance. November 22, Following the Lighting of the Quad Free Admission or Donation November 23 @ 2PMZ A Pay What You Wish Event AA Gentleman’sGentleman’s GuideGuide toto LoveLove andand MurderMurder book and lyrics by Robert L. Freedman & the music and lyrics by Steven Lutvak When the humble Monty Navarro learns that he is eighth in line for an earldom in the D’Ysquith family fortune, he plans to knock off his unsuspecting relatives to become the ninth Earl of Highhurst. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Tackling Challenging Issues in Shakespeare for Young Audiences
Shrews, Moneylenders, Soldiers, and Moors: Tackling Challenging Issues in Shakespeare for Young Audiences DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elizabeth Harelik, M.A. Graduate Program in Theatre The Ohio State University 2016 Dissertation Committee: Professor Lesley Ferris, Adviser Professor Jennifer Schlueter Professor Shilarna Stokes Professor Robin Post Copyright by Elizabeth Harelik 2016 Abstract Shakespeare’s plays are often a staple of the secondary school curriculum, and, more and more, theatre artists and educators are introducing young people to his works through performance. While these performances offer an engaging way for students to access these complex texts, they also often bring up topics and themes that might be challenging to discuss with young people. To give just a few examples, The Taming of the Shrew contains blatant sexism and gender violence; The Merchant of Venice features a multitude of anti-Semitic slurs; Othello shows characters displaying overtly racist attitudes towards its title character; and Henry V has several scenes of wartime violence. These themes are important, timely, and crucial to discuss with young people, but how can directors, actors, and teachers use Shakespeare’s work as a springboard to begin these conversations? In this research project, I explore twenty-first century productions of the four plays mentioned above. All of the productions studied were done in the United States by professional or university companies, either for young audiences or with young people as performers. I look at the various ways that practitioners have adapted these plays, from abridgments that retain basic plot points but reduce running time, to versions incorporating significant audience participation, to reimaginings created by or with student performers.