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A Voyage from Apollonian Munich to Dionysian Venice in Thomas Mann¶ S Death in Venice

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A Voyage from Apollonian Munich to Dionysian Venice in Thomas Mann¶ S Death in Venice '2,DD $YR\DJHIURP$SROORQLDQ0XQLFKWR'LRQ\VLDQ9HQLFHLQ7KRPDV0DQQ¶V Death in Venice 1LOD\(UGHP$\\ÕOGÕ] 1LOD\(UGHP$\\ÕOGÕ]LVDQ(QJOLVK/DQJXDJHDQG/LWHUDWXUHJUDGXDWHRI+DFHWWHSH8QLYHUVLW\ 6KHREWDLQHGKHU0$LQWKHVDPHVXEMHFWDW)ÕUDW8QLYHUVLW\ZKHUHVKHLVFXUUHQWO\WHDFKLQJ 6KHREWDLQHGKHU3K'IURP$WÕOÕP8QLYHUVLW\'HSDUWPHQWRI(QJOLVK/DQJXDJHDQG/LWHUDWXUH ZLWKDIXOOVFKRODUVKLSIURP78%,7$. 7KH6FLHQWLILFDQG7HFKQRORJLFDO5HVHDUFK&RXQFLORI 7XUNH\ +HUGLVVHUWDWLRQZDVRQWKHUHSUHVHQWDWLRQRIFRORQLDOLGHRORJ\LQWKFHQWXU\%ULWLVK FKLOGUHQ¶VDGYHQWXUHQRYHOV,WZDVSXEOLVKHGDVDERRNHQWLWOHGBritish Children’s Adventure Novels in the Web of ColonialismE\&DPEULGJH6FKRODUV3XEOLVKLQJLQ6HSWHPEHU+HU FKDSWHU H[DPLQLQJ %ULWLVK JHQGHUHG LPSHULDO SROLWLFV LQ .LSOLQJ¶V Jungle BookZDVDOVR SXEOLVKHGLQDERRNHQWLWOHGLanguage, Power and Ideology in Political WritingE\,*,*OREDO 3XEOLVKLQJLQ-XQH+HUDUHDVRILQWHUHVWDUH9LFWRULDQDQGFKLOGUHQ¶VZRUNVRIOLWHUDWXUH DQG SRVWFRORQLDO DQG JHQGHU VWXGLHV RQ ZKLFK VKH KDV GHOLYHUHG FRQIHUHQFH SDSHUV DQG SXEOLVKHGMRXUQDODUWLFOHV $EVWUDFW This paper explores the intersection of cities and the protagonist’s Apollonian- Dionysian dichotomy in Thomas Mann’s preeminent semi-autobiographical novella 'HDWKLQ 9HQLFH(1912) within the cultural and contextual considerations of 20th-century Munich and Venice. The protagonist Gustav von Aschenbach’s oscillation between artistic appreciation and sensual desire is personified by the contrasts Munich draws as a city of enlightenment against Venice which is the city of sensuality and freedom. The article indicates that the narrator associates Nietzsche’s conceptions of the Apollonian and Dionysian parts of human nature with Venice, which acts as a character providing crucial elucidation in regards to the mental state of the protagonist throughout the novella. Thus, the study sheds light upon the symbolic voyage Aschenbach embarks upon – from Apollonian nature to Dionysian nature; from Munich to Venice, where his predominating Dionysian nature burst out through the city, luring him to his own demise. ,QWURGXFWLRQ ,Q UHJDUG WR DUW 1LHW]VFKH PHQWLRQV WZR SULQFLSOHV FDOOHG WKH $SROORQLDQ DQG WKH 'LRQ\VLDQ+HUHJDUGVVFXOSWXUHDV$SROORQLDQZKLOHPXVLFLV'LRQ\VLDQ)RUKLPWUDJHG\LV ERUQRXWRIWKHXQLRQRIWKHVHWZRSULQFLSOHVDVWKHXOWLPDWHH[SUHVVLRQRIDUWOLIHDQGFXOWXUH +HVWDWHV³WKHLQWULFDWHUHODWLRQRIWKH$SROORQLDQDQGWKH'LRQ\VLDQLQWUDJHG\PD\UHDOO\EH ϲϴ V\PEROLVHGE\DIUDWHUQDOXQLRQRIWKHWZRGHLWLHV'LRQ\VXVVSHDNVWKHODQJXDJHRI$SROOR DQG$SROORILQDOO\WKHODQJXDJHRI'LRQ\VXV´ S 6WDWLQJWKDWWUDJHG\ZKLFKLV WDNHQ DV WKH KLJKHVW IRUP RI DUW GLHG ZLWK WKH *UHHN FRPHG\ SOD\ZULJKW (XULSLGHV DV KH SDUDO\VHG WKH HTXLOLEULXP EHWZHHQ WKH $SROORQLDQ DQG 'LRQ\VLDQ SULQFLSOHV KH SRVLWV WKDW HYHU\WKLQJKDVIDLOHGWREHWUDJHG\DQGEHHQQRWKLQJRWKHUWKDQPRFNHU\VLQFHWKHQ 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