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Home , Angus Fairhurst, ArtReview, Charles Saatchi, Damien Hirst, David Hirst (judge), Dead Ringers (comedy)

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Damien Hirst Bibliography

Books and Catalogues:

2019 ------. — Reason Gives No Answers : Selected works from the Murderme collection. : Other Criteria. 2017 ------. Treasures from the Wreck of the Unbelievable. London: Marsilio//Other Criteria. 2015 ------. Half Dead Flowers: Damien Hirst and Margaret Melis. Stromness, Scotland and London, : Pier Centre and Other Criteria. 2014 ------. The Complete Spot 1986-2011. London and New York: Other Criteria and Gagosian. ------. Relics. London, England and Doha, : Other Criteria and ALRIWAQ. ------.The Complete Visual Candy Paintings. London, England: Blain| Southern and Other Criteria. ------. Damien Hirst / Arnulf Rainer: Commotion. Baden, Germany: Walter König/Arnulf Rainer Museum. ------. Black Scalpel Cityscapes: Sao Paulo, Brazil and London, England: / Other Criteria. ------. Damien Hirst: The Complete Psalm Paintings. London, England: Other Criteria. 2013 ------. Entomology Cabinets and Paintings, Scalpel Blade Paintings and Colour Charts. London, England and , China: White Cube and Other Criteria. 2012 Bonami, Francesco, Ann Gallagher, and Manuela Mena. Two Weeks Summer. New York, New York: Harry N. Abrams. Bonami, Francesco and Karen Smith. Forgotten Promises. London, England: Other Criteria. ------. Damien Hirst. London. England: Publishing. ------. Two Weeks One Summer. London, England: White Cube/ Other Criteria. ------. End of an Era. New York, New York. / Other Criteria. ------. The Souls. London, England: Paul Stolper Gallery/Other Criteria. 2011 Bracewell, Michael, Robert Pincus, and Ann Temkin. The Complete Spot Paintings, 1986–2011. London, England: Other Criteria; New York, NY: Gagosian Gallery. Shteyngart, Gary. Poisons + Remedies. London, England: Other Criteria ; New York, NY: Gagosian Gallery. ------. For Heaven’s Sake. London, England: Other Criteria; New York, NY: Gagosian Gallery/ Other Criteria. ------. Have You Ever Really Looked at the Sun?. London, England: Haunch of Venison. Forgotten Promises. New York, New York: Gagosian Gallery/ Other Criteria. 2010 ------. The Complete Medicine Cabinets. New York, New York: L& Arts/Other Criteria. ------. Cornucopia. Monaco: Musée Océanographique de Monaco. London, England: Other Criteria. ------. Dark Trees. Galguera, Mexico City: Galería Hilario Galguera/Other Criteria, 2010.

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2009 ------. Nothing Matters. London, England: White Cube/ Other Criteria. ------.No Love Lost. London, England. The / Other Criteria. ------. Requiem. Kiev, Ukraine: PinchukArtCentre/Other Criteria. 2008 ------. Beyond Belief. London. England: White Cube/ Other Criteria. 2007 Superstition. , California and London England: Gagosian Gallery/ Other Criteria. Fuchs, Rudi. : The Making of the Diamond Skull. London, England: Other Criteria. ------. Damien Hirst: Corpus, Drawings 1981–2006. London, England: Other Criteria. 2006 ------.In the Darkest Hour There May Be Light: Works from Damien Hirst’s Murderme Collection. London, England: Serpentine Gallery/ Other Criteria. ------.The Death of God: Towards a Better Understanding of a Life Without God Aboard the Ship of Fools. Mexico City, Mexico. Galería Hilario Galguera/ Other Criteria. ------. New Religion. London, England: Paul Stolper/Other Criteria. 2005 ------. From the Cradle to the Grave: Selected Drawings by Damien Hirst. London, England: Other Criteria. ------. The Elusive Truth, New Paintings. New York, New York. Gagosian Gallery/ Other Criteria. ------. The Bilotti Paintings. London, England: Gagosian Gallery. ------.Imageless Icons: Abstract Thoughts. London, England: Gagosian Gallery. Temkin, Ann. Contemporary Voices: Works from The UBS Collection. New York, NY: Museum of . 2004 ------. From the Cradle to the Grave: Selected Drawings. London, England: Other Criteria. ------.The Agony and the Ecstasy: Selected Works from 1989 to 2004. Naples, Italy: Museo Archeologico Nazionale. Muir, Gregor, Claire Wallis. In-a-Gadda-da-Vida , Damien Hirst, . London, England: . ------. Drawings. London, England: Gagosian Gallery. 2003 ------. Romance in the Age of Uncertainty. London, England: White Cube. ------.The Cancer Chronicles. London, England: White Cube/ Other Criteria. Grynsztejn, Madeleine. Supernova: Art of the 1990’s from the Logan Collection. San Francisco: San Francisco . 2002 ------. Damien Hirst: In a Spin, the Action of the World on Things: Volume I & II. London, England: Paragon Press. Fryer, Paul. Don’t be so… (illustrated by Damien Hirst). London, England: Trolley. Washburne-Harris, Jessie and Donald Kennison. The Physical World: An Exhibition of and . New York, NY: Gagosian. 2001 Burn, Gordon. On the Way to Work. London, England: Faber & Faber. ------. Writers on Artists: in association with Modern Painters.. New York, NY: Dorling Kindersley Publishing. ------. Damien Hirst: Pictures from the . London, England: Booth- Clibborn Editions. 2000 ------Theories, Models, Methods, Approaches, Assumptions, Results and Findings. New York, New York: Gagosian Gallery. 1999 Rebaundego, Re, Patrizia Sandretto , & Andrew Wilson. Common People, Arte Inglese Tra Fenmeno e Realtà., Italy: Neos Edizioni.

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Schellmann, Jörg. Wall works : Architektubezogone Wandarbeiten. Munich, Germany: Museum Villa Stuck; New York: Paula Cooper Gallery. 1998 Collings, Matthew. Blimey!: From Bohemia to : The London Artworld from Francis Bacon to Damien Hirst. , England: 21 Pub. 1997 Adams, Henry Brook, Lisa Jardine, , and Richard Shone. Sensation: from the Saatchi Collection. London, England: Thames & Hudson. ------. Burns, Gordon. I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now. Booth-Clibborn Editions. (Reissued, Other Criteria 2005). 1996 Morgan, Stuart. No Sense of Absolute Corruption. New York, New York. Gagosian Gallery. ------. Spellbound . London, England: British Film Institute & . 1995 Craig-Martin, Michael. Drawing the line: Reappraising Drawing Past and Present. London, England: The Centre. ------. Signs and wonders : Niko Pirosmani (1862-1918) and recent art. Ostfildern, Germany: Cantz Verlag. ------. From Here. London, England: Waddington Galleries & Ltd. ------. Virtual Reality. Canberra, Australia: of Australia. 1994 ------. Damien Hirst, Making Beautiful Drawings, an Installation. , Germany: Bruno Brunnet Fine Arts. ------. Damien Hirst : the acquired inability to escape, Inverted and divided, and other works. Cologne, Germany: Jablonka Galerie. ------. Some Went Mad, Some Ran Away. London, England: Serpentine Gallery. ------. From Beyond the Pale : Art and Artists at the Edge of Consensus. Dublin, Ireland: The Irish Museum of Modern Art. 1993 ------. The 21st Century. , Switzerland: Kunsthalle. ------. The Nightshade Family: Leitmotifs, Rooms, Guests. Kassel, Germany: Museum Fridericianum. 1992 ------. Young British artists : John Greenwood, Damien Hirst, Alex Landrum, Langlands & Bell, : the Saatchi collection. London, England: Saatchi Collection. ------. Made for Arolsen: Skulpturen und Projektionen. Arolsen, Germany: Veit Loers. Deitch, Jeffrey. Post Human. Pully, Switzerland: Musée d'Art Contemporain. ------. Damien Hirst: Third International Istanbul Biennial. London, England: The . 1991 ------. Internal Affairs. London, England: Institute of Contemporary Arts/ . ------. Louder than Words. Manchester, England: The Cornerhouse. ------. Broken English. London, England: Serpentine Gallery. ------. Damien Hirst. London, England: ICA. 1990 ------. Modern Medicine. London, England: Building One. ------. Gambler. London, England: Building One. 1988 ------. . London, England.

Selected Articles and Reviews:

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2020 Jones, Jonathan. “Damien Hirst review – just when you thought it was safe to go back in the water.” , Oct 6. Brown, Mark. “’It is a different world’: Damien Hirst takes to lockdown life and work.” The Guardian, May 18. Gerlis, Melanie. “Living with Damien Hirst.” , Feb 28. 2019 Duponchelle, Valerie. “Damien Hirst: I am another man.” Le Figaro, Dec 1. Shaw, Anny. “Damien Hirst’s Cherry Blossom paintings to go on show at the Fondation Cartier in next year.” The Art Newspaper, Oct 15. 2018 Krumpl, Doris. “Spot by spot.” Dorotheum, Apr (No. 11), pp. 42-43. Jones, Rebecca. “Spot the difference – Damien Hirst’s new vision.” BBC, Mar 23. Vankin, Deborah. “Why Damien Hirst is seeing dots in his new work on view in Beverly Hills.” , Mar 23. Popescu, Adam. “Damien Hirst’s Post-, Post-Truth World.” , Mar 13. 2017 Talbott, Susan L. “What is the Most Iconic Artwork of the 21st Century.” artnet, Sep 29. Cahill, James. “Damien Hirst.” The Burlington Magazine, Oct (No. 1375, Vol. CLIX), pp. 848-849. Ruiz, Christina. “Damien Hirst turns film-maker for Venice show.” The Art Newspaper, May 4. Mayer, Catherine. “What Damien Hirst did next: Sharks, skulls and, now, shipwrecks. After almost 10 years, the artist’s latest project is his most grandiose yet,” The Financial Times, Mar 24. 2016 Embuscado, Rain. “Damien Hirst Uses His Signature Butterflies Against Brexit Vote.”artnet News, Jun 22. Januszczak, Waldemar. “The Glamour Twins,” The Times, May 22. Pogrebin, Robin. “Inside Art.” The New York Times, Apr 22. 2015 Muñoz-Alonso, Lorena. “Damien Hirst Will Build Facility to Store His 3,000-Work Art Collection.”artnet News, Oct 22. Abramovitch, Ingrid. “High Expectations.” Elle Décor, Jun. ------. “Alternative Objects.” Vogue, Jun. ------. “Spot Check.” Elle Décor, Jun. Hudson, Mark. “Damien Hirst's new gallery, review: 'brilliantly successful'.” The Telegraph, Sep 28. ------. “The Progress 1000—London’s Most Influential People 2015.” The , Sep. Kitamura, Katie. “The Second Life of Performance.” T Magazine: The New York Times Style Magazine, Jun 15. 2014 Kinsella, Eileen. “Damien Hirst’s London Museum Will Open Spring 2015.” artnet, Jul 22. Day, Elizabeth. “Damien Hirst is doing it for the kids… with .” The Guardian, Feb 9. 2013 Harris, Gareth. “Hirst denies Qatar fig leaf is a cover up.” The Art Newspaper, Oct 18– 20. Sherwin, Adam. “Hirstonomics: How art’s enfant terrible became a cash cow again.” , Oct 12. Kozinn, Allan. “A Catalog Will Detail Hirst’s Spot Paintings.” The New York Times, Apr 7. ------. “A New Art Basel Arrives in Hong Kong.” , May 17. Clark, Nick. “Colour of money: Damien Hirst catalogue divides art dealers.” The Independent, Apr 6.

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------. “Damien Hirst sets new Tate record, mad men hires ‘60s illustrator and more.” Blouin Artinfo, Mar 12. 2012 Vogel, Carol. “For Hirst Spot, Game On.” The New York Times, Jan 6. ------. “The Top 20 Shows to See in 2012.” Artinfo, Jan 3. ------. “Around the World with Damien Hirst.” Art in America, Jan. 2011 Duponchelle, Valerie. “Damien Hirst.” Le Figaro, Dec 12. Vogel, Carol. “A Hirst Extravaganza.” The New York Times, Aug 4. East, Ben. “Damien Hirst Searches for the Right Apprentice.” The National, Jan 26. Hastings, Chris. “Artist Damien Hirst to hire apprentice to help him create next $10m Masterpiece.” , Jan 23. Meredith, Robyn. “Damien Hirst Shows Baby Skull, Says I'm Not a Genius, Just Lucky.” Bloomberg, Jan 18. Uttam, Payal. “Hirst in Hong Kong, Gagosian Gallery Opens with Forgotten Promises.” CNN, Jan 18. Jacob, Rahul. “Gagosian to Exhibit Hirst for Hong Kong Opening.” Financial Times, Jan 14. Carreon, Blue. “How to Impress Damien Hirst at the Gagosian Opening in Hong Kong.” The Huffington Post, Jan 14. Brown, Mark. “This Week's Arts Diary.” The Guardian, Jan 11. Sooke, Alastair. “Damien Hirst, We're Here for a Good Time, Not a Long Time.” Telegraph, Jan 8. ------. “Damien Hirst's diamond baby skull exhibits in Hong Kong.” Telegraph, Jan 8. 2010 Sharp, Rob. “Hirst Creates Mini Diamond Skull.” The Independent, Dec 24. Burns, Charlotte and Helen Stoilas. “Hirst's Mini Skull Heads East.” The Art Newspaper, Dec 23. Halperin, Julia. “Damien Hirst's New Art Even Creepier Than Usual.” New York Observer, Dec 23. Glass, Nicholas. “You Start To Think You're Midas.” Financial Times, Dec 3. Harris, Gareth and Cristina Ruiz. “Hirst's Skull Rears its Head in Florence.” The Art Newspaper, Dec. Brown, Jonathan. “Back out of the Vault, Secret Life of the Skull.” The Independent, Nov 27. Mackay, Mairi. “Hard Times Send Hirst Back to the Drawing Board.” CNN, Nov 26. Laster, Paul. “Damien Hirst Medicine Cabinets.” Flavorwire, Nov 22. Bonami, Francesco. “Interview_Hirst_My skull on display in Florence.” La Stampa, Nov 2. ------. “The Power 100”, Art Review, Nov. Kazakina, Katya. “Hirst Fights Diluted Market with $435 Chairs, Prints, Galleries.” Bloomberg, Oct 28. Sherwin, Adam. “The Damien Hirst Diary that he Didn't Want Turned Into Art.” Independent, Oct 18. Schama, Simon. “The Beastliness of Modern Art.” Financial Times, Oct 15. Mclean Ferris, Laura. “Review, Damien Hirst, The Souls, Paul Stolper Gallery, London.” The Independent, Oct 8. Jones, Jonathan. “Why I've Joined Damien Hirst's Bad Taste Party.” The Guardian., Sep 28. Day, Elizabeth. “Damien Hirst, Art is Childish and Childlike.” The Guardian, Sep 26. ------, “Hands Up for Hirst.” , Sep 9. Robecchi, Michele, “Damien Hirst, Diamonds Are Forever.” , Summer, p. 88.

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Schultz, Jonathan, “DH Audi A1 Sells for $524,000”, The New York Times Wheels , Jun 29. Roberts, Laura, “Audi Decorated by Damien Hirst Sold at Charity Auction Held by ”, Telegraph.co.uk, Jun 25. Allen, Emma, “Damien Hirst Plans London Museum with a Shrine For His Diamond Skull”, ArtInfo, Jun 16. Laster, Paul, “Damien Hirst Does Deckchairs, Again”, Flavorwire, Jun 11. Allen, Emma, “Skulls and Spots Behind Him, Damien Hirst Tackles Deck Chairs”, ArtInfo, Jun 7. Gladstone, Valerie, “Death Comes to Life at Paris Exhibition”, New York Times, May 27. Drake, Cathryn, “Disco Inferno”, .com, Apr 14. Millar, Iain, “My responsibility is to hide from the viewer”, Art Newspaper, Apr, pp. 53. Ecott, Tim, “Damien Hirst, Money Deserves Respect”, Telegraph.co.uk, Apr 7 Gleadell, Colin, “Market News”, Telegraph.co.uk, Mar. Kazakina, Katya, Hirst Pickles Last Creature, Fires Mom’s Chauffeur, Interview, Bloomberg.com, Feb 4. Smith, Roberta, “Swagger and Sideburns, Bad Boys in Galleries, New York Times, Feb. Taylor, Alex, “Is This The End of a Damien Hirst Era”, Observer.com, Feb ------. “Damien Hirst”, Art Collection + Design, Jan. 2009 Rocco, Fiammetta and . “Suspended Animation.” Economist, Nov 26. ------. Hirst 'gives up pickled animals', BBCNews.com, Oct 1. Campbell Johnston, Rachel. “Damien Hirst Brings Home the Baconbut It's Just Ham.” Times, Nov 25. Duff, Alex. “Armstrong gets Tour de France Bike Designed by Hirst.” Bloomberg, Jul 8. Gelt, Jessica. “A Gala Celebration for MOCA.” The Los Angeles Times, Nov 16. Hattenstone, Simon. Damien Hirst. “Anyone Can Be .” Guardian UK, Nov 09. Hickley, Catherine, Hirst’s Pills. “Twombly Squiggles Boost $67 Million New Museum.” Bloomberg.com, May 26. Hirst, Damien, An '80s Hirst Sells for $51,000. ARTINFO, Oct 02. Hirst, Damien. “Pop Life at .” Guardian, Sept 30. Itzkoff, Dave, Damien Hirst Has Designs on Lance Armstrong’s Bike. New York Times, Arts Beat Blog, Jul 9. Nayeri, Farah, Hirst Abandons Sharks. “Butterflies for Oil Painting.” Bloomberg.com, Oct 14. Reyburn, Scott, Damien Hirst Values Recover a Year After Sale, Lehman Collapse. Bloomberg.com, Sept 17. Sutton, Kate. “Love Hirst.” Artforum.com, Apr 28. Tully, Judd. Hirst Among the Masters. ARTINFO.com, Oct 13. Varoli, John, Hirst Says Art Prices May Still Fall as His Biggest Show Opens, Bloomberg.com, Apr 24. 2008 Vogel, Carol.”Hirst’s Art Auction Attracts Plenty of Bidders, Despite Financial Turmoil.” www.nytimes.com Vogel, Carol. “Damien Hirst’s Next Sensation: Thinking Outside the Box.” New York Times, Sep. Johnson, Andrew. “A Hirst Original.” Independent, Sep. Hughs, Robert, “Day of the Dead.” Guardian, Sep. Crow, Kelly. “Talking with Damien Hirst,” Wallstreetjournal.com, Feb.

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------. ART SHOP FOR DAMIEN HIRST, Artnet.com, Feb 5. ------. Dutch museum to exhibit jeweled skull sculpture. Associated Press, Aug 26. 2007 Vogel, Carol. Review: Damien Hirst at Lever . New York Times, Nov 9, p. A23. Guthrie, Jonathan. “Damien Hirst: a worthy showman of the year.” Financial Times.com, Dec 20. Brown, Mark. “Flies and formaldehyde: Hirst’s gifts to the Tate.” Guardian Unlimited.com, Dec 14. ------. “Damien hits Dallas.” Art World, Dec/Jan, p. 30. Adam, Georgina. “The Power 100.”Art Review, Nov, pp. 97-168, 104. ------. “Hirst Pickled dove leaves art world drooling.” Guardian Unlimited, Nov 9. Smith, Reberta. “Just when you thought it was safe.” New York Times, Oct 16, pp. B1, B8. Williams, Eliza. Review: Damien Hirst at White Cube. Flash Art, Oct, p. 121. Holmes, Pernilla. “The Branding of Damien Hirst.” ARTnews, Oct, pp. 198-201. Ruiz, Cristina. “How much will Damien Hirst’s pounds 50 million skull sell for.” Art Newspaper, Sep, p. 1. ------. “Dumping the Shark.” New York Times, Jul 20. Teodorczuk, Tom. “Hirst Shark Swims to New York.” Evening Standard, Jul 17. Sandler, Linda. “Hirst Sells $265 Million of Art; Skull Still for Sale.” Bloomberg.com, Jul 17. Akbar, Arifa. “Hirst Exhibition makes 130 million pounds in sales.” Independent (London), Jul 16. Gayford, Martin. “Cohen Lends Hirst’s $8 Million Shark to Met.” Boomberg.com, Jul 13. Vogel, Carol. “Hirst’s Shark Moving To New Home in Met.” New York Times, Jul 13, p. B27. Gleadell, Colin. “Art Sales: Hirst outshines Old Masters.” Telegraph, Jul 10. Gerlis, Melanie. “Hirst hits new high for living artist.” Art Newspaper, Jul/Aug, pp. 41, 46. Sandler, Linda. “Hirst Pill Cabinet Takes 8.6 Million Pounds In London.” Bloomberg.com, Jun 25. Sandler, Linda. “Hirst Sets Auction Record for Living Artist at $19.3 Million.” Bloomberg.com, Jun 22. La Placa, Joe. “Believe It.” Artnet.com, Jun 20. Shaw, William. “The Iceman Cometh.” New York Times Magazine, Jun 3, pp. 58-59. Vogel, Carol. “Art Sales Put London in Catbird Seat (and New York on Notice).” New York Times, Jun 25, pp. B1, B5. Riding, Alan. “Alas, Poor : A Multimillion-Dollar Head Case.” New York Times, Jun 13, pp. B1, B4. Aspden, Peter. “What else can you spend your money on?” Financial Times, May 29. Vines, Richard. “Damien Hirst Seeks $99 Million for Skull With 8,601 Diamonds.” Bloomberg.com, May 16. Williams, Eliza. “Selections from Damien Hirst’s Collection.” Flash Art, Mar/Apr, pp. 65-67. ------. Preview: Damien Hirst at the Capital Museum, Beijing. Guardian (London), Mar 20, p. 25. Ayers, Robert. Interview with Damien Hirst. ArtInfo.com, Mar 15. ------. “Hollywood a-list love Hirst's art.” Evening Post, Mar 11, p. 43.

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Morrison, James, and Andrew Gumbel. “Hirst is now the most successful living artist in the world.” Independent on Sunday, Mar 11, p. 12. Hackworth, Nick. “Damien Still Moves in a Mysterious way.” Evening Standard (London), Mar 8, p. 42. Campbell-Johnston, Rachel. “Hirst turns to religion, but the faithful have nothing to fear.” (London), Mar 7, p. 25. Ollman, Leah. Review: Hirst’s new works are taking wing. Los Angeles Times, Mar 2, p. E17. Heartney, Eleanor. Review: Damien Hirst at the Gagosian Gallery, New York. Art in America, Mar, p. 174. ------. “Hirst still dreams of Sharks at gothic pile.” Western Daily Press, Jan 1, p. 6. 2006 Klein, Jacky. “Portrait of the artist.” , Dec 11. Stott, Michael. “Mini-garch, buys Damien Hirst first Moscow show.” Guardian (London), Dec 6, p. 19. Januszczak, Waldemar. “Review: Damien Hirst at Serpentine Gallery. Ottawa Citizen, Dec 4, p. D1. Cumming, Laura. Review: Damien Hirst at Serpentine Gallery. Observer, Dec 3, p. 19. Darwent, Charles. “Damien Hirst’s dead ringers.” ABC Magazine, Dec 3, p. 10. York, Peter. “Pickle a cow, cure a cough and you too can be a YBA.” Independent on Sunday, Dec 3, p. 62. Henderson, Michael. “Damien Hirst and the art of nihilism.” Daily Telegraph (London), Dec 2, p. 25. Gillespie, Simon. “Keep artist away from their own work.” Art Newspaper, Dec, p. 32. Higgins, Charlotte. “”Hirst brings out his Bacon.” ARTnews, Dec, p. 42. Crow, Thomas. “Best of 2006.” Artforum, Dec, pp. 274-275. ------. “Power 2006-Electric Company.” Art + Auction, Dec, pp. 111-139. Macdonald, Fiona. “Damien’s hoard of darkness.” Evening Standard, Nov 29, p. 28. Dorment, Richard. “The Monster we’re luck to have. “ Daily Telegraph (London), Nov 28, p. 27. ------. “Life, Death and Art.” Canberra Times, Nov 25. Gayford Martin. “A portrait of the artist as a collector.” National Post (Toronto), Nov 21, p. AL5 Vogel, Carol. “Damien Bites Back.” (London), Nov 19, p. 9. Gayford, Martin. “Damien, Art Addict.” (London), Nov 18, p. 1. ------. “Hirst wants to create an .” Gloucestershire Echo, Nov 17, p. 13. Jeffries, Stuart. “First he made millions from his own art-then he started spending it on other peoples.” Guardian (London), Nov 14, p. 4. Charlesworth, J.J. “Power 100.” ArtReview, Nov, pp. 70-71. Alberge, Dalya. “Spot the difference.” Times, Oct 24, p. 8. (cover) ------. “Getting to the art of the matter.” Music Week, Oct 21, p. 26. Vogel, Carol. “Swimming With Famous Dead Sharks.” New York Times, Oct 1, pp. 1- 28. ------. “Hirst High on Tate Gallery’s Wanted List.” Gloucestershire Echo, Sep 20, p. 11. Collings, Mathew. “Help The Lazy.” Modern Painter, Sep, pp. 30-33. ------. “Books: Damien Hirst.” tema celeste, Sep/Oct, p. 22. Chalmers, Sarah. “So What did Damien Hirst actually do?” Daily Mail (London), Jul 17, p. 32. Crompton, Sarah. “Long Live Mortality.” Daily Telegraph (London), July 11, p. 23.

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Campbell-Johnston, Rachel. “Bacon homage stark, brutal and blatant.” Australian, Jul 6, p. 40. Aldersey-Williams, Hugh. “Science & Technology.” Independent (London), Jul 5, p. 9. Ruiz, Cristina, & Gareth Harris. “Iconic shark is somewhat the worse for wear.” Vancouver Sun, Jul 4, p. C5. Jones, Laura K. “Damien Hirst kicks off summer art-party season.” Guardian (London), Jul 4, p. 21. Conti, Samantha. “Café de l’artiste.” W, July, pp. 80-87. Ruiz, Cristina, Gareth Harris. “Damien Hirst in talks to replace rotting shark.” Art Newspaper, Jun 28. Reynolds, Nigel. “Hirst’s pickled shark is rotting and needs to be replaced. Should it still be worth pounds 6.5m?” Daily Telegraph (London), Jun 28, p. 5. ------. Review: Damien Hirst at Gagosian Gallery. Observer (London), Jun 25, p. 9. ------. “Is picked sheep a cheap shot at art?” Gloucestershire Echo, Jun 23, p. 15. Hackworth, Nick. “Fleshing out the pain game.” Evening Standard, Jun 22, p. 35. Cole, Olivia. “Sheep in baathroom.” Evening Standard (London), Jun 21, p. 17. Taylor, Tracey. “A frame, a fish tank and 240 volts.” Financial Times, May 27, p. 19. Teodorczuk, Tom. “Shark, sheep…now Hirst shocks with a virgin mother.” Evening Standard, May 26. Winning, Andrew. “Is Damien really such a diamond geezer?” May 25. Van Gelder, Lawrence. “ Damien Hirst’s Skull and Bones.” New York Times, May 23, p. 2. ------. “Hirst gives birth to giant bronze fetus.” Times, May 23. Martin, Nicole. “Hirst’s pregnant woman steps up for RA show.” Daily Telegraph, May 23, p. 7. ------. “Hirst says it with diamonds.” Gloucester Citizen, May 22, p. 9. Goodchild, Sophie. “Hirst: I’m working on the skull worth pounds 10m.” Independent, May 21. Darwent, Charles. “Hard-Working but heartless A to Z of art.” Independent on Sunday, May 7, p. 15. Cuddihy, Deedee. “Face up to sculpture.” Times Educational Supplement, May 5, p. 4. Gordon, Margery. “The Collectors: The art commissioner.” Art +Auction, May, pp. 85- 88. Jones, Jonathan. “Do rich artists make bad art?” Guardian (London), Apr 27, p. 16. Houghton, Barry. “Hirst’s art of the deal.” , Apr 23. Dalgarno, Paul. “Bid to secure Anthony d’Offay’s collection for Scotland.” Sunday Herald (London), Apr 16, p. 4. ------. “Delay to Hirst show at new White Cube prompts rumors.” Evening Standard (London). Apr 10, p. 15. Robertson, Hilary. “Pied Á Mer.” Magazine, Apr 8, pp. 32-36. Carillo de Albornoz, Cristina. “Damien Hirst Conquers Mexico.” Art Newspaper, Apr, pp. 38-39. Brooks, Richard, “Derivative Creations Net Millions for Artist: Hirst Worth Soaring, But Says His Art ‘Not Moving Forward’.” Ottawa Citizen, Mar 23, p. D7. Brooks, Richard. “Selling with the sharks.” Australian, Mar 23, p. 44. Brooks, Richard. “Hirst earns £2 million at shark factor. “ Sunday Time, Mar 19. Granger, Mike. “Email Jokes are real art; Spoof net pics to go in gallery.” Daily Star, Mar 17, p. 8. ------. “Hirst gets pickling.” Gloucestershire Echo, Mar 21, p. 15. Gleadell, Colin. “Market News.” Daily Telegraph (London), Mar 14, p. 26.

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------. “Extraordinary Take on the Everday.” Essex Chronicle, Mar 10, p. 7. ------. “Hirst and Rampling: the latest screen couple.” Art Newspaper, Mar Brown, Craig. “The Greatest Artist In The World.” Daily Telegraph, Feb 21, p. 23. ------. “Hirst Is Brushing Up On Controversy.” Gloucestershire Echo, Feb 21, p. 5. O’Hagen, Sean. “Damien of the Dead.” Observer (London); Feb 19. Harris, Ed. “Hirst set to exhibit own collection.” Times (London), Feb 4. Higgins, Charlotte. “Artist as Curator.” Guardian (London); Feb 3, p. 13. Crumpler, Ike. “Sanctuary of Art Brings Damien Hirst’s religious figures alive at Norton Museum.” Fort Pierce Tribune (Florida), Jan 21, p. E3. Trelles, Emma. “The Aspostle of Shock.” Sun-Sentinel, Jan 29, p. 4. 2005 Wright, Karen. “The Year BritArt died.” Independent, Dec 16. Hirst, Damien. “The Lovely Bones.” Independent, Dec 12, pp. 46-7. Graw, Isabelle. “Best of 2005.” Artforum, Dec, pp. 256-7. Thornton, Sarah. “Power 100:Damien Hirst.” ArtReview, Nov/Dec, cover, p. 76. Pitman, Joanna. “When the hippy met the yuppie.” Times (London), Nov 22, pp. 21-2. “Interview: Damien Hirst on painting.” Turpsbanana (London), Issue 1, pp. 32-38. Searle, Adrian. “Is Damien Hirst the most powerful person in art?” Guardian (London), Nov 1, p. 3 Higgins, Charlotte. “Damien Hirst reigns supreme in art world.” Guardian (London), Oct 31,p. 7. Harris, Ed. “ Hirst heads list of artworld’s most powerful.” Evening Standard, Oct 31, p. 22. Wullschager, Jackie. “Meet art’s most powerful man.” Financial Times (London), Oct 29, p. 1. Tuckman, Jo. “The Bell Tolls for Hirst’s tried and tested work.” Guardian, Oct 24. Bracewell, Michael. “The Morbid Child.” Independent on Sunday(London), Oct 16, pp. 4-6. Crippa, Antonella. “sandretto re rebaudengo foundation. tema celeste, Sep/Oct, p. 99 Burn, Gordon. “ Has he lost it?” The Guardian (London), Sep 29, pp. 15-17. Smith, David. “Damien, his Money Man, and a £3m Haunted House.” Evening Standard, Sep 2. ------. “’Bad Boy’ Artist Buys Cotswolds Bolt-Hole.” Birmingham Post, Sep 2, p. 6. ------. “Damien of the manor.” Daily Mail (London), Sep 1, p. 21. Alleyne, Richard. “Hirst buys his big house in the country.” Daily Telegraph, Sep 1, p. 3. Morris, Steven. “Art’s desire: Hirst snaps up rotting Gothic manor.” Guardian, Sep 1, p. 2. De Bruxelles, Simon. “Hirst pays 3m pounds for chance to build work of a lifetime.” Times. (London), Sep 1, p. 27. Buck, Louisa. “Would you pay $250 for this Hirst catalogue?” Art Newspaper, Sep, p. 44. Kino, Carol. “Damien Hirst Talks About Books, Elephants, Drinking, Dead Pets”. Bloomberg.com. Jul 8. Weintraub, Linda. Review: Damien Hirst at Gagosian Gallery. tema celeste, Jul/Aug, p. 68. ------. Books: Damien Hirst. tema celeste, Jul/Aug, p. 25. Wilson, Michael. Review: Damien Hirst at Gagosian Gallery. Artforum, summer, p. 323.

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Lack, Jessica. “Vertigo Sudeley, RN Cheltenham.” Guardian (London), Jun 18, p. 36. ------. “Damien catches fright.” National Post (Canada), Jun 17, p. A14. Aitken, Keith. “Media’s Attack on Artist Damien Hirst Shows Some Woolly Thinking.” Express, June 16, p. 11. ------. “Family Hits Out At Hirst.” Gloucestershire Echo, June 15, p. 5. ------. “Damien Hirst drops plan for work on murder victim.” theglobeandmail.com, June 14. ------. “Hirst not painting ‘sick’ crime scene.” Irish News, June 14, p. 21. McAuley, Robert. “Damien Hirst tries to cash in on murder of Scots banker.” Daily Mail (London), Jun 13, p. 16. Cramb, Auslan. “Hirst plan for ‘sick’ portrait of murder scene causes outrage.” Daily Telegraph, Jun 13, p. 3. Morris, Nick. “Artist Damien Hirst Branded ‘Sick” over Plans for New Murder Painting.” New Criminologist. Jun 13. Scott, Kirsty. “Hirst ditches plans to use photograph from scene of unsolved murder.” Guardian (London), Jun 13, p. 1. Leitch, Luke. “Row over Hirst murder painting.” Evening Standard (London), Jun 13, p. 5. ------. “Artist Interested.” Gloucestershire Echo, June 10, p. 15. Heartney, Eleanor. Review: Damien Hirst at Gagosian Gallery. Art in America, Jun/Jul, pp. 172-173. Rappolt, Mark. Review: From the Cradle to the Grave: Selected Drawings by Damien Hirst. Modern Painters, Jun, p. 125. Mac Adam, Alfred. Review: Damien Hirst at Gagosian Gallery. ARTnews, Jun, p. 117. Bellini, Andrea. “Damien Hirst: Much Ado About Nothing.” Flash Art, May/Jun, pp. 6, 132-133. Lawrence, James. “Demand, Hirst, Hume.” Burlington Magazine, May, pp. 352- 353. Palmer, Mark. “How Brit Art will become the king of this castle.” Daily Telegraph, May 14, pp. 1, coverleaf. Serota, Nicholas. “Lack of funds threatens the success of Tate Modern.” Evening Standard, May 6. Tully, Judd. “Market File: Clinical Success.” Art + Auction, May, p. 181. ------. Books: From the Cradle to the Grave. tema celeste, May/Jun, pp. 24-5. Ripley, Deborah. ”Can’t afford Damien Hirst’s new paintings? How about a digital print?” Art on paper, May/Jun, p. 22. Saltz, Jerry. “The Emperor’s New Paintings.” Modern Painters, May, pp. 28-29. Wright, Karen. “Karen Wright feels the artworld’s temperature rising.” Modern Painters, May, p. 20. Thomas, Kelly Devine. “Damien Hirst Gets (Photo) Realistic.” ARTnews, May, pp. 130- 33. Bumpus, Judith. “The bad boys of British art.” Art Newspaper, May, p. 43. O’Brien, Glenn. “Art is a Joke!” BlackBook, spring, pp. 82-84, 86. Marre, Oliver. “Hirst helps Hollywood grapple with Britart.” Independent, Apr 19. Di Pietrantonio, Giacinto. “Eating as an art feeding on art.” Domus, Apr, pp. 84-87. Vogel, Carol. “Inside Art: Canvases and Carcasses.” New York Times, Apr 15, p. B30. Saltz, Jerry. “The Emperor’s New Paintings.” Village Voice, Apr 12, p. 87. Usborne, David. “Critics Pan Damien Hirst’s show in New York.” Independent (London), Apr 8, p. 19.

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Arendt, Paul. “Hirst show ‘terrible’, say New York critics.” Guardian (London), Apr 7, p. 14. Stevens, Mark. “Has Damien Hirst Jumped the Shark?” New York Magazine, Apr 4, pp. 72-73. Kimmelman, Michael. “This Is Your Brain on Pause.” New York Times, Apr 3. Glueck, Grace. “An Object of Practicality, From the Inside and Out.” New York Times, Apr 1. Jury, Louise and Claudia Parsons. “At last, Hirst admits that some of his art is ‘silly and embarassing’.” Independent (London), Mar 30, p. 9. Gleadell, Colin. “Market news.” Daily Telegraph (London), Mar 28, p. 018. Schjeldahl, Peter. “Art Macabre.” New Yorker, Mar 28, p. 12. Lieberman, Paul. “A brush with meaning.” Los Angeles Times, Mar 27, pp. E1, E34-35. Beechey, James. “Twentieth-century exhibitions.” Burlington Magazine, Mar, pp. 208-210. ------. “Let’s re-name shark-pickler.” Bristol Evening Post, Mar 21, p. 11. Miles, Paul. “All aflutter over butterfly art.” Financial Times (London), Mar 19, p. 8. Cohen, David. “Our Foremost Victorian Painter.” New York Sun, Mar 17, p. 1. Collings, Matthew. “How is Redeemed from Shallowness.” Modern Painters, Mar, pp. 90-93. Gayford, Martin. “Paint it like it is What Damien did next.” Modern Painters, Mar, pp. 52-59. Lubbock, Tom. “Already Mades: What do you do when there are no big statements left to make?” Independent (London), Mar 14, pp. 12, 13. Vogel, Carol. “Taste for the Macabre but No Pickled Sharks.” New York Times, Mar 14, pp. B1, B7. Graham-Dixon, Andrew. ”Hirst on Hirst out of Hirst Art.” Sunday Telegraph (London), Mar 13, p. 9. Boucher, Caroline. “Not so saintly visions.” Observer (London), Mar 13. Boucher, Caroline. ”Damien Hirst: The Bilotti Paintings.” Guardian (London), Mar 13, p. 12. Thorncroft, Tony. “ policy paints a bleak picture for London art market: A well-intentioned initiative to give royalties to artists and their heirs threatens to drive a thriving trade towards New York, Hong Kong and Switzerland.” Financial Times (London), Mar 12, p. 4. Daviesby, Serena. “It’s not like selling socks.” Daily Telegraph (London), Mar 12, p. 9. Gayford, Martin. “A brush with Mr. Hirst.” Independent (London), March 11. ------. “Will Damien Send His Pickled Cow Along?” Gloucestershire Echo, Mar 8, p. 4. Mason, Christopher. “She Can’t Be Bought.” New York, Mar 7, pp. 28-33, 107. Walden, Celia. “Hirst Moves up-market.” Daily Telegraph (London), Mar 5, p. 20. Jones, Jonathan. Review: Damien Hirst at Gagosian Gallery. Guardian, Mar 4, p. 32. Thomas Jr, Landon & Carol Vogel. “A New Prince of Wall Street Buys Up Art.” New York Times, Mar 3. Coomer, Martin. “Odd coupling: Unexpected pairings in ‘Imageless Icons: Abstract Thoughts.” Time Out London, Feb 23–Mar 2, p. 53. Solomon, Deborah. “Pretty in Paint.” New York Times Magazine, Feb 27, p. 25. Millard, Rosie. “Modelled on medicin.” Times (London), Feb 26., p. 6. Reynolds, Nigel. “Is Saatchi getting ready to sell the lot?” Daily Telegraph (London), Feb 26, p. 20. Mar, Alex. “Shark Woes.” New York, Feb 21, p. 13.

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Barrell, Tony. “Daddy Cool.” Sunday Times (London), Feb 20, p. 22. Wullschlager, Jackie. Review: Imageless Icons: Abstract Thoughts at Gagosian Gallery. FT magazine, Feb 19, p. 39. Sproule, James. ”Hirst: better than Microsoft or Oracle.” Art Newspaper, Feb, p. 11. Bevan, Roger. “The $12 million tiger shark.” Art Newspaper, Feb, p. 11. Harris, Gareth. “To conserve or not to conserve?” Art Newspaper, Feb, p. 11. Harris, Gareth. “Meet the man who wants to open a Hirst chapel in .” Art Newspaper, Feb, p. 21. Buck, Louisa. “The rise and rise of Damien Hirst.” Art Newspaper, Feb, pp. 1, 33. Johnson, Ken. “Varied Phases of Damien Hirst (Sliced-Up Cow Not Included).” New York Times, Feb 18, p. B36. Reed, James. Review: Damien Hirst at Boston Museum of Fine Art. Boston Globe, Feb 17, p. 9. Glover, Michael. “Revealing His Gospel Truth.” Independent (London), Feb 17, p. 16. Walden, Celia. “Hirst’s latest designs fall foul of planners.” Daily Telegraph (London), Feb 17, p. 25. ------. “Wonder boy or just a Britart brat? Yorkshire Post, Feb 16. Wullschlager, Jackie. Review: The Bilotti Paintings at Gagosian Gallery. Financial Times (London), Feb 16, p. 15. Hackworth, Nick. “Go-Go at the double Gagosian’s Glories.” Evening Standard, Feb 9, p. 44. Henry, Max. Review: What’s Modern? at Gagosian Gallery. Modern Painters, Feb, pp. 105-106. ------. “Go-Go at the double Gagosian’s Glories.” Evening Standard, Feb 9, p. 44. Barnes, Anthony. “Hirst to Open His Own Gallery on London’s South Bank.” Independent (London), Feb 6, p. 5. Darwent, Charles. “mistaken identity.” Modern Painters, Feb, pp. 49-50. Temin, Christine. “More Than Just a Modern Art Joke.” Boston Globe, Feb 2, p. D1. Gleadell, Colin. “Contemporary Market.” Daily Telegraph, Jan 31, p. 16. Silver, Joanne. “A peek at Hirst’s (dead) body of work.” Boston Herald, Jan 28, p. E11. Hooper, John. “Eternal city finds holy site for Hirst.” Guardian (London), Jan 28, p. 10. Van Siclen, Bill. “Art Scene: In Boston, a chance to pass judgement on Hirst.” Providence Journal (Rhode Island), Jan 27, p. L11. Leitch, Luke. “Damien’s dirty paintings.” Evening Standard (London), Jan 27, p. 15. Leitch, Luke. “Damien’s disciples.” Evening Standard (London), Jan 27, p. 20. Alberge, Dalya. “Britain Considers Export Bans.” Calgary Herald (Alberta), Jan 22, p. G7. Bunting, Chris and James Burleigh. “What has become of the masterpieces of Britart?” Independent (London), Jan 17, pp. 12-13. Brooks, Richard. “Hirst’s shark is sold to America.” Sunday Times (London), Jan 16, p. 1, 3. Smith, David. “Hirst Shark Sold for £7m.” Observer, Jan 16, p. 9. La Placa, Joe. “Damien Agonistes.” Artnews.com, Jan 13. Gleadell, Colin. “Fertile ground.” ArtReview, Dec/Jan, pp. 37-8. ------. “Pharmacy.” ArtReview, Dec/Jan., p. 112. 2004 Searle, Adrian. “That Joke Isn’t Funny Any More.” Guardian (London), Jan 11, p. 12. ------. “I primarily buy art to show it off” (interview with ). Art Newspaper, no. 153, Dec, pp. 29-31. Robecchi, Michele. “Damien Hirst.” Flash Art, Nov/Dec, cover, pp.74-7. Tully, Judd. “Frieze Frames Hirst Coup.” Art + Auction, Dec, p. 125.

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Wolmer, Bruce. “The Hirst Sale Cast a Revealing Light on the Forces of Celebrity and the Trendiness in the Contemporary Art Market.” Art + Auction, Dec, p. 14. Harris, Ed. “Saatchi makes £6.2m on Hirst’s shark.” Evening Standard, Dec 23, p 7. Gleadell, Colin. “Saatchi to sell Hirst’s shark for £6.2m.” Daily Telegraph, Dec 23, p. 1. Cork, Richard. ”Would you credit it: Damien Hirst can really draw.” Times (London). Dec 20, pp. 6-7. Darwent, Charles. “Damien, may I introduce you to an old friend?” Independent on Sunday, Dec 19, pp. 16-17. Gleadell, Colin. “Pharmacy on the Block,” ARTnews, Dec, p. 82. Renton, Andrew. “The Great Vanishing Act.” Evening Standard, Dec 7, p. 43. Jury, Louise. “The : What Became of Past Winners?” Independent, Dec 6, pp. 12-13. Bevan, Roger. “The triumph of Hirstworld.” Art Newspaper, No. 152, Nov, p. 47. Barkham, Patrick. “It may be art. But is it really a gift?” Guardian, Nov 29, p. 5. Brooks, Richard. “Saatchi turns a cold eye on Britart Legacy.” Sunday Times (London), Nov 28. ------. “Damien’s work of art centerpiece of new look eaterie.” North Journal, Nov 25, p. 14. Leitch, Luke. “The Lord…an artist’s impression. Evening Standard (London), Nov 18, p. 22. ------. “Power 100.” ArtReview, Nov, p. 87. Holmes, Pernilla. “If It’s Tuesday, It Must be Tehran.” ARTnews, Nov, pp. 124-25. Melikian, Souren. “High Prices, Puzzling Work.” International Herald Tribune, Nov 13, p. 9. Falconer, Morgan. “As God as it Gets.” Times (London), Nov 13, pp. 18-19. Tait, Simon. “Oh My God!” Independent, Nov 12, pp. 2-4. Parsons, Michael. “Investors getting in on the Britart act.” Irish Times, Nov 12, p 9. Cripps, Charlotte. “Wish You Were Hirst.” Independent Review (London), Nov 10, p. 18. Haden-Guest, Anthony. “hirst à la carte.” Art + Auction, Oct, pp. 28-30. Bennett, Will. “Leading Lights of Britart Generation ‘are fading force’.” Daily Telegraph (London), Oct 28. Jury, Louise. “Sensation! British Movers and Shakers are Losing Their Grip on International Art.” Independent, Oct 28. Leitch, Luke. “Risers and fallers in the list of art’s big power players.” Evening Standard, Oct 27, p. 17. Reynolds, Nigel. “Artists to donate works to the Tate because Gallery Cannot Afford Them.” Daily Telegraph, Oct 26, p. 11. Jury, Louise. “Freud and Hirst Bail out Cash-Strapped Tate.” Independent, Oct 26, p. 15. Alberge, Dalya. “Hard-up Tate seeks state of the art donations from rich young artists.” Times (London), Oct 26, p. 3W. Kennedy, Maev. “Artists rally to Tate’s cause by donating major works.” Guardian, Oct 26, p. 9. Bennett, Will. “Britain Joins the Party.” Daily Telegraph, Oct 25, p. 18. Millard, Rosie and Richard Woods. “Damien Hirst: The New ?” Sunday Times (London), Oct 24, p. 18. Bennett, Will. “Capital Time for Art of the New.” Daily Telegraph, Oct 20, p. 22. Kirby, Terry. “So is this Hirst Original Really Worth Pounds 285,000?” Independent, Oct 20, pp. 12-13. Brown, Jonathan and Tim Walker. “From Pickled Sharks to the World of Business:

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The Expansion of an Artist’s Empire.” Independent, Oct 20, pp. 12-13. Demetriou, Danielle. “Prescription Charges.” Independent, Oct 19, p. 23. Simpson, Cameron. “Hirst Makes the Right Medicine at Pounds 11m Sale.” Herald (Glasgow), Oct 19, p. 5. Smith, Lewis. “Bidders pay pounds 11 m for Hirst’s ‘pots and pans’. “ Times (London), Oct 19, p. 13. Parkinson, Dan. “Hirst’s Pounds 8m Clearance.” Daily Mail (London), Oct 19, p. 32. Roberts, Alison. “What’s my art? It’s a Trust Fund for the Kids.” Evening Standard (London), Oct 18, p. 27. Bennett, Will. “Hirst’s Clearance Sale Pharmacy Auction.” Daily Telegraph (London), Oct 18, p. 20. Gillilan, Lesley. “Artistic Chemistry.” Financial Times (London), Oct 9, p. 9. ------. “Hirst Plans Party Night at Sotheby’s.” Telegraph (London), Oct 8. Burleigh, James. “Saatchi’s New Take on Art: Paintings are Back.” Independent, Oct 2, p. 3. Leitch, Luke. “Saatchi drops Emin bed in favour of…paintings.” Evening Standard (London), Oct 1, p. 9. Reynolds, Nigel. “Saatchi’s latest shock for the art world is – painting.” Daily Telegraph, Oct 2, p. 15. Malvern, Jack. “Saatchi Says Goodbye to Hymn…and Hello to Her.” Times (London), Oct 2, p. 6. Meek, James. “After the Fire: Art into Ashes.” The Guardian (G2 supplement), Sep 23, pp. 1-13. Haden-Guest, Anthony. “Pills and Thrills.” Observer Magazine, Sep 19, cover, p. 22-27. Gill, A.A. “Damien still bad to the bone?” Sunday Times Magazine (London), Sep 12, p. 8. ------. “News & Around: Damien Hirst.” tema celeste, Sept/Oct, p. 125. Walter, Natasha. “The People Strike Back.” ArtReview, Sep, pp. 82-85. Westphal, Cheyenne. “Damien Hirst Pharmacy.” Sotheby’s Preview, Sept/Oct, pp. 46- 49. Davis, Laura. “Restaurants Move to Cater for Art Lovers.” Daily Post(Liverpool), Sep 6, p.9 Welsh, Irvine. “Party Monsters: Damien Hirst vs. Irvine Welsh.” BlackBook, fall, pp. 74- 80. Beasley, Mark. Review: In-A-Gadda-Da-Vida at Tate Britain. Frieze, summer, p. 127. Walter, Natasha. “The Mysterious Triumph of Suburbia.” Sunday Telegraph, Aug 22, p. 7. Moir, Jan. “It Desperately Needs a Skilled Professional to Take Charge.” Daily Telegraph (London), Aug 7, p. 18. Dowell, Ben. “It’s art: meets Damien Hirst.” Sunday Times (London), Aug 1, p. 11. Gronlund, Melissa. “Tate Britain In-A-Gadda-Da-Vida.” Contemporary, issue 63, pp.73-74. Jardine, Cassandra. “I knew it was time to clean up my act.” Daily Telegraph, Jul 26, p. 13. ------. “Deaccession Fever.” Modern Painters, summer, p. 146. Furness, Rosalind. Review: In-A-Gadda-Da-Vida. Modern Painters, summer, p.122. Higgins, Charlotte. “Spoonful of sugar.” Guardian, Jul 6, p. 9. Alberge, Dalya. “Hirst aims to make 3m from failure.” Times (London), Jul 6, p. 5. Vogel, Carol. “Sotheby’s And Hirst To Auction London Chic.” New York Times, Jul 6.

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Lister, David. “The week in arts: the shock of the newly sensitive artist.” Independent (London), Jul 3, p. 43. Jury, Louise. “Art you can eat off at Hirst sale of Pharmacy’s Kitchen Kitsch.” Independent (London), Jul 6, p. 20. Hughes, Robert. “That’s show business: His TV series The Shock of the New changed the way people thought about modern art.” Guardian (London), Jun 30, p. 12. Morris, Thomas. “Damien’s Big Safari.” Times (London), Jun 19, p. 22. Ruiz, Christina. “Gagosian opens huge second gallery in London.” Art Newspaper, Jun, p. 41. Also featured on GalleryGuide.org, June. Forbes, Leslie. “Landscapes of the imagination.” ArtReview, Jun, pp. 64-69. Manacorda, Francesco. “In-A-Gadda Da-Vida.” Flash Art, May/Jun, p. 136. Spiegler, Marc. “The Illusions of Youth.” Art + Auction, June, pp. 98-103. Higgins, Charlotte and Vikram Dodd. “Heron, Caulfield, Emin, Hirst – 50 years of British art lies in ashes.” Guardian (London), May 27, p.1. Lyall, Sarah. “London Warehouse Fire Destroys Artworks.” New York Times, May 27, pp B1, B5. Malvern, Jack and Helen Nugent. “Britart Masterpieces Feared Lost in Blaze.” Times (London), May 26, p. 1. Landi, Ann. “Divine Interventions.” ARTnews, May, p. 40. Ebony, David. Review: “In-A-Gadda-Da-Vida” at Tate Britain. Art in America, May, p. 172. Gleadell, Colin. “Smash hits.” ArtReview, International edition, V2N3, pp. 38, 40. Jones, Jonathan. Review: Damien Hirst & at Gagosian Gallery. Guardian, May 10. Bennett, Will. “Hirst and Bailey create an unholy alliance.” Daily Telegraph, May1, p. 13. Clennell, Andrew. “Hirst Angers Church with his Latest Exhibition.” Independent (London), May 1. Ezard, John. “Shock and gore New Hirst exhibition opens.” Guardian (London), May 1, p. 11. Gleadell, Colin. “Contemporary Market.” Daily Telegraph, Mar 15, Arts p.16. Hirst, Damien. “Letter: Artistic Feelings.” Independent (London), Mar 13, p. 41. Lubbock, Tom. “Three Stars pf Brit Art- Or a Two and a Half Stars, At Least.” Independent (London), Mar 9, pp. 12-13. Darwent, Charles. “All About Eve (Another Raw Deal), In –a-Gadda-da-vidda TateBritain.” Independent (London), Mar 7, p.8. Januszczak, Waldemar. “The Rot of Ages.” Sunday Times London), Mar 7, p. C8. Rosenthal, Tom. “Sexing up their Eden Project.” Times (London), Mar 3, p. 12. Kirby, Terry. Review: “In-A-Gadda-Da-Vida.” Independent (London), Mar 3, pp. 14-15. Dorment, Richard. “In the Garden of Horrors.” Daily Telegraph (London), Mar 3, Arts section p. 21. Reynolds, Nigel. “A six-legged pickled calf in paradise: Damien Hirst and his friendsreinterpret the Garden of Eden with flowers, butterflies, wax genitals and Spam.” Daily Telegraph (London), Mar 3, p. 3. ------. “Trouble In Paradise.” Guardian, Mar 2, p. 12. Eeles, Miranda. “ Brit Art’s Diplomatic Mission to Tehran.” Times (London), Feb 24, p. 14. Gleadell, Colin. “Saatchi Sells Back Hirsts.” ARTnews, Feb, p. 66. Ebony, David. “Hirst and Saatchi: The YBA Buy-Outs.” Art in America, Feb, p. 35.

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2003 Kennedy, Maev and Dan De Luce. “Less is Moore Britart Goes to Iran (Minus Body Parts).” Guardian, Jan 22, p. 19. Noah, Sherna. “Hirst on Show in Iran in First UK Exhibition Since 1970.” Independent, Jan 22, p. 8. Irving, Mark and Raymond Whitaker. “Damien Hirst Leads Britart’s Diplomatic Mission to Iran.” Independent, Jan 18, p. 9. Brooks, Richard. “Hirst’s ‘Crucifixion’ Will Go to Iran.” Sunday Times (London), Jan 18, p. H4. Baker, Kenneth. “Manipulation, Aggression and Shock- Revisiting the 90’s.” San Francisco Chronicle, Jan. 12, p. D1. Buck, Louisa. Art Market: “Damien Hirst buys back his early work.” Art Newspaper, No. 143, Jan., p. 35. Tweedie, Neil. “Hard-UP Artist’s Humble Dove May Be a Golden Goose for Hirst.” Daily Telegraph , Dec 3, p. 7. Hrebert, Martin. “ Best of 2003.” Artforum, Dec pp. 134-135. Rosenblum, Robert. “Best of 2003.” Artforum, Dec, pp. 120-121. Feaver, William. Review: Damien Hirst at White Cube Gallery. ARTnews, Dec., p. 129. Macintyre, Ben. “If It Weren’t for Saatchi’s Money, Hirst Would Probably be Pickling Herrings.” Times (London), Nov 29, p. 30. Alberge, Dalya. “ Shark Gets Away as Hirst Feuds With Saatchi.” Times (London), Nov 26, p. 2. Vogel, Carol. “Damien Hirst Makes a Strategic Purchase: His Own Work.” New York Times. Nov 27, pp. B1, B7. Alberge, Dalya. “Shark gets away as Hirst feuds with Saatchi.” Times (London), Nov 27, Home section, p. 3. Gibbons, Fiachra. “Hirst buys his art back from Saatchi.” Guardian, Nov 27, p. 9. Reynolds, Nigel and Tom Leonard. “Hirst buys back Saatchi art in tiff of the titans.” Daily Telegraph, Nov 27, p. 9. Gleeson, David. Review: Damien Hirst at White Cube. Flash Art, Oct, p. 120 Gleadell, Colin. “Contemporary Market.” The Daily Telegraph, Sept. 29, p. 18. ------. “Holy Cow.” Times (London), Sep 26, p. 25. Ingrid and Sam Coates. “Conceptual Artist has a Keen Eye for Figures.” Times (London), Sep 26. Searle, Adrian. Review: Damien Hirst at White Cube. Guardian, Sept. 25, p.19. Jeffries, Stuart. “Arts: Out & About: Fine Art: How Damien Got to Korea.” Guardian, Sep 24, p.10. La Placa, Joe. London Calling. artnet.com, Sep 22. Mullins, Charlotte. “Dark message of a redeemed soul.” Financial Times, Sep 11, p. 17. Dorment, Richard. “Damien bares his soul.” Daily Telegraph, Sep 10, p. 20. Lubbock, Tom. “Praying for Inspiration.” Independent, Sep 10, cover. Campbell-Johnston, Rachel. “Gospel according to Brit Art rebel is brash and showy.” Times, Sep 9, p. 9. Alberge, Dalya. “Hirst gets religion in new offensive.” Times, Sep 9, p. 9. Glover, Michael. “Hirst’s gory display of melodrama and mock-religiosity.” Independent, Sept. 9. Jury, Louise. “Holy cows! Hirst has turned to religion…” Independent, Sep 9, p. 1. Searle, Adrian. So what’s new?: “Damien Hirst clearly took great pleasure filling his first major show in eight years with corpses.” Guardian, Sep 9, p. 12. ------. “Charity case Hirst’s bid for a pounds 1.5m donation.” Guardian, Sep 9, p. 5. Reynolds, Nigel. “Holy cow! Hirst turns to religion.” Daily Telegraph, Sep 9, p. 5.

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Gayford, Martin. Art. Sunday Telegraph, Sep 7, p. 18. Stummer, Robin. “Meet Mr. Kim, the Britart benefactor who has Damien Hirst and Saatchi in his sights.” Independent on Sunday, Sep 7, p. 7. Liddle, Rod. Review: “Damien is better pickled.” Times (London), Sep 6. Lubbock, Tom. Art: “The Five Best Shows in London.” Independent, Sep 6, p. 14. Lack, Jessica. The Guide: Preview Exhibitions: Damien Hirst in London. Guardian, Sep 6, p. 34. Picardie, Justine. “the devil in damien hirst.” Vogue (UK), Sep, p. 334-341. Taylor, Graham. Shortcuts: People/Observations/Curiosities: “Religious studies:Does the church need Damien?” Guardian (London), Aug 28, 2003, p. 4. Pook, Sally. “Hirst Breaks a butterfly’s wing to bring us art.” Daily Telegraph (London), Aug 15, p. 3. Cork, Richard. “ Hails a major new sculpture gallery in Yorkshire.” Times (London), Jul 30, p. 15. Walsh, John. “We’ve all been taken for a ride in a Munch minicab; Hirst isn’t the first artist to be asked to design public transport.” Independent (London), July 30, p. 5. White, Tom. “Games People Play: Chessman for the Rich,” Independent (London), Jul 20, p. 6. Derbyshire, David. “Hirst’s Art is out of this World Mission to ,” Daily Telegraph, Jul 16, p. 16. Brook, James. “Tate to Tate, by Boat Along the Thames,” New York Times, Jul 15, p. TR 3. Pein, Malcolm. “The Beautiful Game.” Daily Telegraph, Jun 28, p. 29. Chapman, Peter. “Going Out: Art – In Good Form.” Independent, Jun 28, p. 12. Cripps, Charlotte. “From Chess Piece to Masterpiece: A New Show Celebrates the Chess Set as a Work of Art.” Independent, Jun 26, p. 14. Alberge, Dalya. “Shark gets away as Hirst feuds with Saatchi.” The Times (London), Nov 27, Home section, p. 3. Kennedy, Maeve. “Back to Bach: Art world’s firebrand gives classical master new buzz.” Guardian, Jun 23, p. 9. Reynolds, Nigel. “Artists Make their Move into Exclusive Chess Pieces with a Message.” Daily Telegraph, Jun 24,p. 6. Dyer, Richard. “ News.” Contemporary , no. 57, pp. 14-15. Williams, Zoe. “Comment & Analysis: A Nasty Taste on the Palate.” Guardian, Oct 28, p. 21. Vogel, Carol. “Heat Upstages Art at the .” New York Times, Jun 16, p. B1. Manson, Neil. “Saatchi’s Hard Sell.” artnet.com, Jun 12. Rozenberg, . “Hirst Wants Charity to begin in .” The Times (London), May 28. Barker, Godfrey. “Genuine Energy.” Artnews, May, p. 80. Kimmelman, Michael. “London is Agog over Art, Especially Saatchi’s.” New York Times, Apr 29, pp. B1, B4. Hyman, James. “Up in Smoke.” Art Review, Apr pp. 63-65. McDonough, Michael. “Shark? Seen it. Dung? It’s been done.” Los Angeles Times, Apr 17, p. E9. Hoge, Warren. “Shocking Art in Edwardian Digs.” New York Times, Apr 16, pp.E1, E7. Crow, Thomas. “Writing the ‘80s: Marx to Sharks.” Artforum, Apr, pp. 44-52. Derbyshire, David. “Damien Hirst artwork to land on Mars.” telegraph.co.uk, Nov 29.

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2002 Mann, Tess. “Portrait of the Art World: An Exhibition Celebrates the ARTnews Centenary.” ARTnews, Oct, p.143. ------. “Damien Hirst’s D’ART onion for BBC4.” Art Newspaper, Apr, p. 20. Gleadell, Colin. “Saatchi Eyes Thames River Site.” ARTnews, Feb, p. 66. ------. “Damien Hirst. Pictures from the Saatchi Gallery.” tema celeste, Mar/Apr 2001 Picardie, Justine. “Gondolas and Gucci.” British Vogue, Sep, pp. 364-373. 2000 Sales, Nancy Jo. “Damien Hirst’s Lost Weekend.” Vanity Fair, Dec. Brenson, Michael. “Objets d’Art.” New York Magazine, Nov 20. Finch, Charlie. “The Slow Death of Damien Hirst.” artnet.com, Oct 4. Gardner, James. “Art world is cursed by Hirst.” , Oct 3 Smith, Roberta. “In Damien Hirst’s Big, Shiny Universe, Glass and Steel Meet Pills and Pain.” New York Times, Sep 29. ------. Artist interview, New York: Damien Hirst, Vernissage, ArtNewspaper, No. 107, Oct. Campbell-Johnston, Rachel. “Will they have the stomach for this?” Times (London), Sep 27. Belcove, Julie L. “Citizen Hirst.” W, Oct. Hoban, Phoebe. “Ghoulish Laughter.” The New York Times, Sep 17. 1999 Sharp, Amanda. “Look Out, Thought Police—Art’s Bad Boy Is On His Way.” Interview, Sep. Hayman-Bolt, Joanna. “Ant Noises Are Loud.” ARTnewsroom.com. Bukowski, Elizabeth. “Damien Hirst Now Deconstructs Camels.” Wall Street Journal, Jan 31. Nochlin, Linda. “Saluting ‘Sensation’.” Art in America, Dec. Harpaz, Beth J. “First Lady Backs Controversial Museum.” Associated Press, Sep 27. Solomon, Deborah. “The Collector: Charles Saatchi.” New York Times, Sep 26. Barstow, David. “Seeking Buzz, Museum Chief Hears a Roar Instead.” New York Times, Sep 25. Wulfhorst, Ellen. “New York Mayor Criticizes Museum Over Art Show.” Reuters, Sep 24. ------. “Hirst in NY Art Row.” BBC News, Sep 24. McShane, Larry. “NY Mayor Nixes Money for Exhibit.” Associated Press, Sep 23. Gardiner, Beth. “NYC Urges Museum To Buy Building.” Associated Press, Sep 23. Barry, Dan & Carol Vogel. “Giuliani Vows to Cut Subsidy Over Art He Calls Offensive.” New York Times, Sep 23. ------. The Roving Eye. “Sensation.” artnet.com/magazine, Sep 22. Tomkins, Calvin. “After Shock.” New Yorker, Sep 20. ------. “Establishment Attacks Hirst and Saatchi.” Independent, Sep 17. 1998 Bevan, Roger. “Who’s Still A ‘Sensation’?” Art & Auction, Jun 15, pp. 62-63. ------. “Hirst Out at ?” artnet.com, May 25. Mead, Rebecca. “The Creative Life.” New Yorker, Feb 8. Corbetta, Caroline. “Inside the Saatchi Sale: A Conversation with Fernando Mignoni, Christie’s. ------. “Hirst on Mars.” artnet.com. ------. “Litigious Hirst.” artnet.com. Kino, Carol. “Cutting –Edge but Comfy.” Atlantic Monthly, Nov.3. Burton, Jane. “Shark Tactics.” ARTnews, Nov. Anderson-Spivy, Alexandra. “The Freeze Generation.” Art Journal, fall, Vol. 57 ------. “Damien Hirst’s Drug Deal.” artnet.com, Sept. 3. 1997 ------. “Bitter pill for Pharmacy.” Vogue UK, July 9.

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------. “Hirst Edition.” Vogue UK, June 26. ------. “Surely Pink Swirly Painting.” BBC News, April 21. ------. “Hirst and Hockney in Talks Over Millennium Dome.” BBC News, Dec. 21. Thiel, Wolf-Gunter. “Synthetic Abstraction.” Flash Art, Nov./Dec. Bowker, Hillary. “Young artists making a ‘Sensation’ in London.” CNN Interactive, No. 26. Lynton, Norbert. “The First Book of Damien: An Entertainer Celebrates Himself.” TLS, Nov 7. Furnish, David. “Damien Hirst” (interview). Interview, Sept. Bowie, David. “Time of the Signs” (interview). Modern Painters. 1996 Rimanelli, David. Review: Damien Hirst at Gagosian Gallery. Artforum, Sept. Borruso, Sarah. “Artist Statements” (interview). HotWired, June 11. Lee, David. “Damien Hirst: Fishing for Business.” ArtReview, June, cover, pp. 6-8, 10. Lyall, Sarah. “Is it Art or Just Dead Meat?” New York Times Magazine, Nov 12. 1994 Gmelin, Felix. “Painting Black.” Guardian, Aug. 19. Burn, Gordon. "Damien Hirst." . Issue 40/41.

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