DOCSLIB.ORG

Vernon Dobtcheff

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Vernon Dobtcheff Film Title Role Director Producer HHHH Emil Hacha Cedric Jimenez Legende Films Killing Jesus Isaiah Christopher Menaul NGC Horsehead George Romain Bassett HorseHead Pictures The Invisible Boy Artiglio Gabriele Salvatores Indigo Film The Great Beauty Arturo Paolo Sorrentino Indigo Film Godforsaken The Surgeon Jamil Dehlavi Dehlavi Films Undisputed 3: Redemption Rezo Isaac Florentine Nu Image Films Accordez-moi Joseph Von Stieglitz Mikael Buch Caimans Productions Priceless Jacques Pierre Salvadori Les Films Pelleas Empire Of The Wolves Kudyesi Chris Nahon Gaumont Iznogoud Kitusse Patrick Braoude Vertigo An American Haunting Elder Courtney Solomon AZ Productions A Heretical Love Riccio Giovanni Fago Palamo Films Before Sunset Bookstore Manager Richard Linklater Warner Independent Broceliande Professeur Brennos Doug Headline Canal + Merci Dr Rey! Francois Andrew Litvack Merchant Ivory Productions La Siren Rouge Vitali Olivier Metagon Haut et Court The Body Monsignor Jonas McCord Avalance Films The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Festival In Cannes Millie's Escort Henry Jaglom Rainbow Film Co. Revelation Curator Stuart Urban Romulus Films The Order Professor Oscar Cafmeyer Sheldon Lettich 777 Films Corporation Le Prof patte Folle Alexandre Jardin Alter Films Falling Through Father Colin Bucksey Chesler Jinnah Lord Willingdon Jamil Dehlavi Dehlavi Films St Ives Bonnefoy Harry Hook Phares Co. Yigo: A Passion for Life Papa Lozinska Julien Temple Impact Pictures Hilary And Jackie Professor Bentley Anand Tucker Arts Council of England Anna Karenina Pestov Bernard Rose Icon Entertainment A Cabin In The Mountains L'ingenieur Frederic Gonseth Alpha Key Productions Deja Vu Konstantine Henry Jaglom Jagtoria Films Surviving Picasso Diaghilev James Ivory Merchant Ivory Productions The Ogre Lawyer V. Schlondorff Canal + Jude Curator M. Winterbottom BBC England, My England Dr Spratt Tony Palmer Channel 4 Films Jefferson In Paris King's Translator James ivory Touchstone Pics M. Butterfly Agent Etancelin David Cronenberg Geffen Pictures The Advocate Apothecary Leslie Megahey BBC Near Mrs. Ivan Baz Taylor Canal + Venice/ Venice Alexander Henry Jaglom Rainbow Film Co. Let Him Have It Clerk Of Court Peter Medak British Screen Flight From Paradise Merrill Ettore Pasculli Iduna The Krays Teacher Peter Medak Fugitive TV Productions Hamlet Reynaldo Franco Zeffirelli Canal + Vincent et Moi Dr Winkler Michael Rubbo BML Productions Splendor Don Arno Ettore Scola CGGTA Indiana Jones & The Last CrusadeButler Steven Spielberg Paramount Jeniece Europy Hudson Lowe Jerzy Kawalerowicz Cine Alliance Berlin-Jerusalem Editor Amos Gitai Agav Films Natalia Alfred Grabner Bernard Cohn Slotint Catacombs Brother Timothy David Schmoeller Empire Pictures The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Maschenka Yasha John Goldschmidt Channel 4 TV Productions Testimony Gargolovsky Tony Palmer Isolde Films Caravaggio Art Lover Derek Jarman BFI Nutcracker Markovitch Anwar Kawadri Jershaw Condorman Russian Agent Charles Jarrott Walt Disney productions The Spy Who Loved Me Max Kalba Lewis Gilbert Danjaq Murder On The Orient Express Concierge Sidney Lument EMI A Dandy In Aspic Stein Anthony Mann Columbia The Assassination Bureau Baron Muntzof Basil Dearden Heathfield Television Title Role Director Producer Emerald City High Born Man Tarsem Singh NBC The Durrells (Series 2) Mr Kralefsky Steve Barren ITV Peplum Plutarque Philippe Lefebvre KaBo Jonathan Strange & Mr Norrell Laurence Strange Toby Haynes BBC Les Petits Meurtres D'Agatha Anatole Deschanel Various Escazal Films The Borgias Cardinal Versucci Various Showtime Soeurtherese.com Jean-Pierre Various BE-Films Apparitions Pietro Fonti Various BBC Rome Rabbi Various HBO Grand Star Tshishenish Various Stephan Films Surviving Disaster Boris Scherbine Various BBC Sable Noir Fischer Harry Cleven Canal Jimmy The Falklands Play Nicanor Costa Michael Samuels BBC White Teeth Devil of Dachau Julian Jarrold Company Pics Largo Winch Father Maurice Various Beta Film Highlander Hamad Dennis Berry Davis-Panzer Agatha Christie's Poirot Simon Lee Edward Bennett Carnival Van Der Walk Sebastian Jonge Various Thames TV Frankenstein Chancellor David Wickes TNT The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Zorro Andres Bolanos Ray Austin CPI Til We Meet Again Felix Penroux Charles Jarrott Steve Krantz Productions Crossbow Monk Various Cinceom The Return Of Sherlock Holmes Mendelstam Various Granada TV A.D. Flavius Sabinus Stuart Cooper Vincenzo Labella Much Ado About Nothing Don Jon Stuart Berge BBC Marco Polo Pietro d'Abano Giulano Montaldo Vides Cinemato Masada Chief Priest Boris Sagal Arnon Milchan Wagner Meyerbeer Tony Palmer Hungarofilm The Devils' Crown Peter Of Wakefield Alan Cooke BBC Lillie Sir George Lewis John Gorrie LWT Romeo & Juliet Apothecary Alvin Rakoff BBC Crown Court John Maitland-Wilson Bob Hird Granada TV The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456.
Recommended publications
  • It 2.007 Vc Italian Films On

    It 2.007 Vc Italian Films On

    1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute.
  • Nuovo Cinema Binario Paradiso Anno: 1989 Nazione: Italia/Francia Durata: 118’ Regia: Giuseppe Tornatore Venerdì 20 Marzo Mediterraneo

    Nuovo Cinema Binario Paradiso Anno: 1989 Nazione: Italia/Francia Durata: 118’ Regia: Giuseppe Tornatore Venerdì 20 Marzo Mediterraneo

    Con il patrocinio e la collaborazione di venerdì Comune di Cotignola 6 marzo con il contributo di Amarcord Scovil - Club Fotoamatori - Cambio Binario Primola e la Compagnia Magazzino FS Anno: 1973 organizzano Nazione: Italia/Francia Durata: 118’ Regia: Federico Fellini Nuovo venerdì Cinema 13 marzo Nuovo cinema Binario Paradiso Anno: 1989 Nazione: Italia/Francia Durata: 118’ Regia: Giuseppe Tornatore venerdì 20 marzo Mediterraneo Anno: 1991 Nazione: Italia Durata: 86’ Regia: Gabriele Salvatores venerdì 27 marzo BB II NN AA RR II OO La vita è bella DADA OO SS CC AA RR Anno: 1997 GENNAIO - APRILE 2015 Nazione: Italia Durata: 120’ TEATRO BINARIO Regia: Roberto Benigni PRESSO STAZIONE FERROVIARIA DI COTIGNOLA LE PROIEZIONI AVRANNO INIZIO ALLE ORE 21, venerdì DOPO L’ULTIMO TRENO. INGRESSO CINEMA CON TESSERA 3 aprile PRIMOLA/CINEMA NUOVO BINARIO, SI PUÒ FARE LA SERA STESSA. La grande bellezza Pri ola Anno: 2013 www.primolacotignola.it [email protected] Vi ricordiamo che sono aperte le iscrizioni Nazione: Italia/Francia per il 2015 a Primola. Durata: 135’ Potete iscrivervi quando ci incontrate. Regia: Paolo Sorrentino Non dimenticatevi Binario da Oscar mercoledì Gli Oscar sono un’invenzione puramente americana; certo è il riconoscimento cinematografico più vetusto dal 1929 (Venezia 28 gennaio 1932, Cannes 1946), però era un confronto riservato a una La strada parte del cinema mondiale. Solo dal 1947 una categoria venne riservata “al miglior film straniero”, prima come premio speciale Anno: 1954 od onorario, poi dal 1957 diviene definitivo. Il nostro Paese è Nazione: Italia quello che ha vinto più volte (14) seguito dalla Francia (12); con Durata: 105’ questa rassegna vogliamo rinnovare la visione di dodici di questi Regia: Federico Fellini film, non solo a chi non è riuscito a vederne alcuni, ma anche a chi li ha contemplati solo attraverso uno schermo televisivo, perdendone la grandiosità e il respiro.
  • The Myth of the Good Italian in the Italian Cinema

    The Myth of the Good Italian in the Italian Cinema

    ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 5 No 16 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy July 2014 The Myth of the Good Italian in the Italian Cinema Sanja Bogojević Faculty of Philosophy, University of Montenegro Doi:10.5901/mjss.2014.v5n16p675 Abstract In this paper we analyze the phenomenon called the “myth of the good Italian” in the Italian cinema, especially in the first three decades of after-war period. Thanks to the recent success of films such as Tarantino’s Inglorious Basterds or Academy Award- winning Benigni’s film La vita è bella and Spielberg’s Schindler’s List it is commonly believed that the Holocaust is a very frequent and popular theme. Nevertheless, this statement is only partly true, especially when it comes to Italian cinema. Soon after the atrocities of the WWII Italian cinema became one of the most prominent and influential thanks to its national film movement, neorealism, characterized by stories set amongst the poor and famished postwar Italy, celebrating the fight for freedom under the banners of Resistance and representing a nation opposed to the Fascist and Nazi regime. Interestingly, these films, in spite of their very important social engagement, didn’t even mention the Holocaust or its victims and it wasn’t until the 1960’s that Italian cinema focused on representing and telling this horrific stories. Nevertheless, these films represented Italians as innocent and incapable of committing cruel acts. The responsibility is usually transferred to the Germans as typically cold and sadistic, absolving Italians of their individual and national guilt.
  • Jinnah’ – a Historical Epic Dvd Release Achieves Mainstream Acceptance

    Jinnah’ – a Historical Epic Dvd Release Achieves Mainstream Acceptance

    Asiangold Ltd Asiangold Inc Gold House, Unit 2-9 Uplands Business Park, 37 Meridian Road Blackhorse Lane, London, E17 5QJ, UK Edison, NJ 08820 Tel: 020 8531 1600; Fax: 020 8531 5900 Tel: 1 848 391 6665 E: [email protected] 21st September 2004 press release ‘JINNAH’ – A HISTORICAL EPIC DVD RELEASE ACHIEVES MAINSTREAM ACCEPTANCE Jinnah, starring Christopher Lee (‘Lord of the Rings’, ‘Star Wars – Episodes II & III’, ‘Man with the Golden Gun’) in the title role, is the much-anticipated story of the founder of Pakistan. Told in an absorbing fashion, the vast historical epic follows the life of Mohammed Ali Jinnah, the hugely important but often-misrepresented world leader. The response to the initial Press screening was so positive, that the Distributor, Asiangold Ltd., has scaled the DVD release nationally in order to make the film available to a larger, more diverse audience Kicking off with a personal appearance and signing by Christopher Lee at London’s Harrods on Oct. 5th, the DVD will be available through HMV, Virgin, Choices, MVC, and most High Street retailers in addition to Asian superstore Moviebox, and online at www.cdguru.com. ‘We increased the breadth of distribution as we believe the film will appeal not only to those interested in the history of Pakistan, but to all fans of Mr. Lee, who believes it is the most important film he has made.’ commented Asiangold Sales Manager, Mitul Raja About The DVD: The film opens shortly after partition in 1947 with a dying Jinnah being rushed to hospital. In an unusual twist, Jinnah awakens in a computer room, where a decision on his eternal soul will be made.
  • Film Lives Heresm

    Film Lives Heresm

    TITANUS Two Women BERTRAND BONELLO NEW YORK AFRICAN FILM FESTIVAL MARTÍN REJTMAN TITANUS OPEN ROADS: NEW ITALIAN CINEMA HUMAN RIGHTS WATCH FILM FESTIVAL NEW YORK ASIAN FILM FESTIVAL SPECIAL PROGRAMS NEW RELEASES EMBASSY / THE KOBAL COLLECTION / THE KOBAL EMBASSY MAY/JUN 2015SM FILM LIVES HERE Elinor Bunin Munroe Film Center 144 W 65th St | Walter Reade Theater 165 W 65th St | filmlinc.com | @filmlinc HERE STARTS PROGRAMMING SPOTLIGHT TABLE OF CONTENTS I PUT A SPELL ON YOU: THE FILMS OF BERTRAND BONELLO Festivals & Series 2 I Put a Spell on You: The Films of Bertrand Bonello (Through May 4) 2 PROVOKES PROVOKES Each new Bertrand Bonello film is an event in and of itself.Part of what makes Bonello’s work so thrilling is that, with some exceptions, world cinema has yet to catch up with his New York African Film Festival (May 6 – 12) 4 unique combination of artistic rigor and ability to distill emotion from the often extravagantly Sounds Like Music: The Films of Martín Rejtman (May 13 – 19) 7 stylish, almost baroque figures, places, and events that he portrays. He already occupies Titanus (May 22 – 31) 8 HERE FILM a singular place in French cinema, and we’re excited that our audiences now have the Open Roads: New Italian Cinema (June 4 – 11) 12 opportunity to discover a body of work that is unlike any other. –Dennis Lim, Director of Programming Human Rights Watch Film Festval (June 12 – 20) 16 New York Asian Film Festival (June 26 – July 8) 17 HERE FILM Special Programs 18 INSPIRES TITANUS Sound + Vision Live (May 28, June 25) 18 We have selected 23 cinematic gems from the Locarno Film Festival’s tribute to Titanus.
  • California State University, Sacramento Department of World Literatures and Languages Italian 104 a INTRODUCTION to ITALIAN CINEMA I GE Area C1 SPRING 2017

    California State University, Sacramento Department of World Literatures and Languages Italian 104 a INTRODUCTION to ITALIAN CINEMA I GE Area C1 SPRING 2017

    1 California State University, Sacramento Department of World Literatures and Languages Italian 104 A INTRODUCTION TO ITALIAN CINEMA I GE Area C1 SPRING 2017 Course Hours: Wednesdays 5:30-8:20 Course Location: Mariposa 2005 Course Instructor: Professor Barbara Carle Office Location: Mariposa Hall 2057 Office Hours: W 2:30-3:30, TR 5:20-6:20 and by appointment CATALOG DESCRIPTION ITAL 104A. Introduction to Italian Cinema I. Italian Cinema from the 1940's to its Golden Period in the 1960's through the 1970's. Films will be viewed in their cultural, aesthetic and/or historical context. Readings and guiding questionnaires will help students develop appropriate viewing skills. Films will be shown in Italian with English subtitles. Graded: Graded Student. Units: 3.0 COURSE GOALS and METHODS: To develop a critical knowledge of Italian film history and film techniques and an aesthetic appreciation for cinema, attain more than a mere acquaintance or a broad understanding of specific artistic (cinematographic) forms, genres, and cultural sources, that is, to learn about Italian civilization (politics, art, theatre and customs) through cinema. Guiding questionnaires will also be distributed on a regular basis to help students achieve these goals. All questionnaires will be graded. Weekly discussions will help students appreciate connections between cinema and art and literary movements, between Italian cinema and American film, as well as to deal with questionnaires. You are required to view the films in the best possible conditions, i.e. on a large screen in class. Viewing may be enjoyable but is not meant to be exclusively entertaining.
  • Italian Films (Updated April 2011)

    Italian Films (Updated April 2011)

    Language Laboratory Film Collection Wagner College: Campus Hall 202 Italian Films (updated April 2011): Agata and the Storm/ Agata e la tempesta (2004) Silvio Soldini. Italy The pleasant life of middle-aged Agata (Licia Maglietta) -- owner of the most popular bookstore in town -- is turned topsy-turvy when she begins an uncertain affair with a man 13 years her junior (Claudio Santamaria). Meanwhile, life is equally turbulent for her brother, Gustavo (Emilio Solfrizzi), who discovers he was adopted and sets off to find his biological brother (Giuseppe Battiston) -- a married traveling salesman with a roving eye. Bicycle Thieves/ Ladri di biciclette (1948) Vittorio De Sica. Italy Widely considered a landmark Italian film, Vittorio De Sica's tale of a man who relies on his bicycle to do his job during Rome's post-World War II depression earned a special Oscar for its devastating power. The same day Antonio (Lamberto Maggiorani) gets his vehicle back from the pawnshop, someone steals it, prompting him to search the city in vain with his young son, Bruno (Enzo Staiola). Increasingly, he confronts a looming desperation. Big Deal on Madonna Street/ I soliti ignoti (1958) Mario Monicelli. Italy Director Mario Monicelli delivers this deft satire of the classic caper film Rififi, introducing a bungling group of amateurs -- including an ex-jockey (Carlo Pisacane), a former boxer (Vittorio Gassman) and an out-of-work photographer (Marcello Mastroianni). The crew plans a seemingly simple heist with a retired burglar (Totó), who serves as a consultant. But this Italian job is doomed from the start. Blow up (1966) Michelangelo Antonioni.
  • KARACHI BIENNALE CATALOGUE OCT 22 – NOV 5, 2017 KB17 Karachi Biennale Catalogue First Published in Pakistan in 2019 by KBT in Association with Markings Publishing

    KARACHI BIENNALE CATALOGUE OCT 22 – NOV 5, 2017 KB17 Karachi Biennale Catalogue First Published in Pakistan in 2019 by KBT in Association with Markings Publishing

    KB17 KARACHI BIENNALE CATALOGUE OCT 22 – NOV 5, 2017 KB17 Karachi Biennale Catalogue First published in Pakistan in 2019 by KBT in association with Markings Publishing KB17 Catalogue Committee Niilofur Farrukh, Chair John McCarry Amin Gulgee Aquila Ismail Catalogue Team Umme Hani Imani, Editor Rabia Saeed Akhtar, Assistant Editor Mahwish Rizvi, Design and Layouts Tuba Arshad, Cover Design Raisa Vayani, Coordination with Publishers Keith Pinto, Photo Editor Halima Sadia, KB17 Campaign Design and Guidelines (Eye-Element on Cover) Photography Credits Humayun Memon, Artists’ Works, Performances, and Venues Ali Khurshid, Artists’ Works and Performances Danish Khan, Artists’ Works and Events Jamal Ashiqain, Artists’ Works and Events Qamar Bana, Workshops and Venues Samra Zamir, Venues and Events ©All rights reserved. No part of this publication may be reproduced or used in any form or by any means graphic, electronic or mechanical including photocopying, recording, taping or information storage and retrieval system - without written permission of Karachi Biennale Trust ISBN Printed by Le Topical [email protected] [email protected] www.markings.com.pk Claremont House FOREWORD Sitaron say agay jehan aur bhi hain Abhi Ishaq kay imtehan aur bhi hain Many new worlds lie beyond the stars And many more challenges for the passionate and the spirited Allama Iqbal Artists with insight and passion have always re- by the state, have begun to shrink and many imagined the world to inspire fresh beginnings with turning points in Pakistan’s art remain uncelebrated hope. Sadequain communicated through public as they are absent from the national cultural murals, Bashir Mirza furthered the discourse with discourse.
  • CANNES 2020 Memory House a JOÃO PAULO MIRANDA MARIA Picture Memory House a JOÃO PAULO MIRANDA MARIA Picture

    CANNES 2020 Memory House a JOÃO PAULO MIRANDA MARIA Picture Memory House a JOÃO PAULO MIRANDA MARIA Picture

    CANNES 2020 Memory House a JOÃO PAULO MIRANDA MARIA picture Memory House a JOÃO PAULO MIRANDA MARIA picture Modern day Brazil, but lost in time. Cristovam, a native Black man from the rural North, moves to a former Austrian colony in the South to work in a milk factory. Confronted with xenophobic conservative people, he feels isolated and estranged from the white world. He discovers an abandoned house, filled with objects and memorabilia reminding him of his origins. He settles in, reconnecting with his roots. As if this memory house were alive, more objects start to appear. Slowly, Cristovam begins a metamorphosis. JOÃO PAULO MIRANDA MARIA For his feature debut, director João Paulo Miranda Maria uses spiritual SHORTS: and fantastical story-telling to encapsulate the social and racial tensions MENINAS FORMICIDA of modern day Brazil. Venice Orizzonti 2017 Memory House is the only Latin American film under the Cannes 2020 THE GIRL WHO DANCED Official Selection Label. WITH THE DEVIL PRODUCERS Paula Cosenza, Denise Gomes (BeBossa Entertainment - Cannes 2016 Brazil) and Didar Domehri (Maneki Films - France) Winner Special Mention of Jury Prize BRAZIL - FRANCE / 2020 / 90’ / Portuguese - German COMMAND ACTION Critics’ Week 2015 DIRECTOR’S STATEMENT The surreal invasion of the invisible into the visible has always been present in my films. Different times and dimensions meet within one another in the same scene. Cristovam seeks his origins, finding traces of his ancestry. The figure of the old black man is mythical in Brazilian popular culture, as a spiritual presence for the humblest. The visual effects in the movie, especially those on Cristovam’s face, with his skin and soul marked by age, are a projection of strength coming from his distant ancestors, an embodiment of the past, with a spiritual dimension.
  • NEW YORK UNIVERSITY , Florence Italy Fall 2010 Syllabus for History of Italian Cinema

    NEW YORK UNIVERSITY , Florence Italy Fall 2010 Syllabus for History of Italian Cinema

    NEW YORK UNIVERSITY , Florence Italy Fall 2010 Syllabus for History of Italian Cinema Class Meetings: Wednesdays 4:30-7:15 pm Screenings: Film Screenings: Monday or Tuesday 6:00-8:00 pm Professor: Tina Fallani Benaim [email protected] Office Hours: after class or by appointment Required Reading: Peter Bondanella: Italian Cinema (Continuum Third Edition 2003) Millicent Marcus: In the Light of Neorealism (Princeton university Press 1986) Chapters 1,2,6, included in the Course Reader Packet of Articles and Reviews in the Course Reader (see weekly calendar) that includes Essays by: Bazin, Burke, Chatman, Michaiczyck Assignments: Attendance to lectures and screenings One midterm paper and a final test (essay questions) covering the entire program Oral presentations Grading System: Participation 20% Oral Presentations 20% Mid-term exam 25% Final Exam 35% Course description The course introduces the student to the world of Italian Cinema. In the first part the class will be analysing Neorealism , a cinematic phenomenon that deeply influenced the ideological and aesthetic rules of film art. In the second part we will concentrate on the films that mark the decline of Neorealism and the talent of "new" auteurs such as Fellini and Antonioni . The last part of the course will be devoted to the cinema from 1970's to the present in order to pay attention to the latest developments of the Italian industry. The course is a general 1 1 analysis of post-war cinema and a parallel social history of this period using films as "decoded historical evidence". Together with masterpieces such as "Open City" and "The Bicycle Thief" the screenings will include films of the Italian directors of the "cinema d'autore" such as "The Conformist", "Life is Beautiful" and the 2004 candidate for the Oscar for Best Foreign Film, “I am not scared”.
  • UCLA Electronic Theses and Dissertations

    UCLA Electronic Theses and Dissertations

    UCLA UCLA Electronic Theses and Dissertations Title The Gendered and Sexual Politics of Excess in Nationalist Narrations of Pakistan Permalink https://escholarship.org/uc/item/8gj873hm Author Minai, Naveen Zehra Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Gendered and Sexual Politics of Excess In Nationalist Narrations of Pakistan A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Gender Studies by Naveen Zehra Minai 2014 © Copyright by Naveen Zehra Minai 2014 ABSTRACT OF THE DISSERTATION The Gendered and Sexual Politics of Excess In Nationalist Narrations of Pakistan by Naveen Zehra Minai Doctor of Philosophy in Gender Studies University of California, Los Angeles, 2014 Professor Purnima Mankekar, Chair Since 2001, Pakistan has become a highly visible location for the US-led War on Terror. This visibility is based on, and has produced, a transnational circuit of representations of Pakistan. Pakistan is either condemned as an exceptional failure of the nation-state, or redeemed through exceptional nationalist figures of courage and resistance. Such representations have material consequences for Pakistanis, including elisions between anti-state struggles due to injustice and inequality, sectarian violence, and transnational war machines based in Pakistan. This dissertation explores the transnational politics of class, gender, and sexuality of these representations. The tropes deployed by these narrations attempt to manage an epistemological, emotional, and material excess of lives that cannot be contained by the categorical structure of the Pakistani nation-state. ii I analyze the 2012 film “The Reluctant Fundamentalist,” by Mira Nair, based on Mohsin Hamid’s 2007 novel; the 1998 film, “Jinnah,” by Jamil Dehlavi; and the 2008 novel, A Case of Exploding Mangoes by Mohammed Hanif.
  • S. No S-1 S-2 S-3 S-4 S-5 S-6 S-7 S-8 S-9 S-10 S-11 S

    S. No S-1 S-2 S-3 S-4 S-5 S-6 S-7 S-8 S-9 S-10 S-11 S

    S. No Movie Name Language Director Name Production Duration Timings SCREEN-1 Lumiô Filmes and S-1 Rosinha Eng Gui Campos 14 m 8.00 am to 8.14 am Pavirada Filmes, Brazil LA LUNA LAW OF THE S-2 Arabic Lotfi ACHOUR PRODUCTIONS, 15 m 8.15 am to 8.30 am LAMB France S-3 Sparsh Hindi Dag Kaszlikowski Lens Rebels, Singapore 11 m 13 s 8.31 am to 8.43 am The Trolleybus- S-4 Lithuanian Jonas Trukanas Dansu Films, Lithuania 15 m 8.44 am to 8.55 am Man S-5 Tanga Hindi Arpita Das Independent, India 22 m 8.56 am to 9.18 am Arka Chakraborty Dark Lion Pictures, S-6 ID4 English 25 m 9.19 am to 9.44 am and Prasad Sen India FLYING Raindrops Production, S-7 English Abir Dutta 19 m 59 s 9.45 am to 10.00 am EMOTIONS India Gourab Sanyal, Imagenation S-8 Proshob Bengali Hambir Biswas, 30 m 34 s 10.01 am to 10.30 am Productions, India Prabal Dutta S-9 MY MOM Eng siva Teja Y Monochrom, India 3 m 10.31 am to 10.34 am REAL S-10 Eng Andrew English Gos Films, Germany 14 m 10.35 am to 10.49 am SOLDIERS Networking Tea Break: 10.50 am to 11.05 am S-11 Chai Glass Hindi Amrutendu Baral Independent, India 25 m 52 s 11.05 am to 11.31 am K K S-12 SHANDHA Marathi Vijay KKhairnar ENTERTAINMENT, 6 m 59 s 11.32 am to 11.39 am India S-13 Blood Money Urdu Jamil Dehlavi Dehlavi Films, Pakistan 14 m 11.40 am to 11.54 am Itvaar- The Rajdeep Paul & S-14 Hindi Krish Movies, India 10 m 4 s 11.55 am to 12.05 pm Sunday Sarmistha Maiti P M Shah Foundation Adv.