This Week on `Ljci Read Here Reviews of the New Films You'll Soon Be Seeing

Total Page:16

File Type:pdf, Size:1020Kb

This Week on `Ljci Read Here Reviews of the New Films You'll Soon Be Seeing This Week on `LJCi Read here reviews of the new films you'll soon be seeing "Andy Hardy Meets "My Love Came Back" a Debutante" Cast: Olivia de Havilland, Jeffrey Lynn, Eddie Albert, Jane Wyman, Charles Cast: M'ckey Rooney, Lewis Stone, Ce- Winninger, Spring Byington, Grant Mit- cilia Parker, Fay Holden, Judy Garland, chell, William Orr, et al. A Warner Ann Rutherford, Diana Lewis, George Bros. picture, produced by Hal B. Breakston, et al. An M -G -M 3icture, di- Wallis; directed by Kurt Bernhardt, rected by George B. Seitz, who directed who also directed the British film, many of the "Andy Hardy" films. "The Girl in the Taxi." FUNNIEST yet of the Hardy SPARKLING freshness and Family films is this, in which A infusion of a slight old -world Andy Hardy boasts himself into BETTY GRABLE and DESI ELSIE, the glamour -cow of New flavor makes "My Love Came a precarious position as a lady - ARNAZ, a recent twosome at York World's Fair exhibit fame, Back" a charming screen offering killer, only to be called to a show- and a picture film Ciro's. Arnaz, a stage actor, will will act in RKO's "Little for connoisseurs Men." down, with resultant complica- to place upon their play the lead in "Too Many Girls" Kay Francis "must" list. milks Elsie in the film tions of an order most familiar Olivia de Havilland, playing her to all men and women who once first part since Melanie were in "Gone boys and girls. With the Wind," is a tempestuous Briefly, Andy tells his pals back musical student who becomes un- home in Carvel Seeing Eye of his affair with knowingly involved with Charles dogs for the blind. There ating in a frilly white dress, sitting on Debutante No. 1, played by Diana Winninger, a patron of the arts naturally has been a great deal of a platform in front of the assembled Lewis (Mrs. William Powell), publicity, with such distinguished and pretty girls. Winninger gives offi- school and receiving a diploma. But who, safely for Andy, -esides in cers and their many helpful star on the June her a fake scholarship to enable day that Deanna finished distant New York. But sweetheart her to continue friends. Hugh resigned because he her West Los Angeles University Polly her violin study High Benedict (Ann RLtherford) at a famous institute felt that the fans misunderstood his School work, her teacher, Kellephene Beezy in what and (George Brea_cston) in- might well have been old Vienna. efforts. Cranks wrote letters that Morrison, said, "Well, I guess that's sist upon photographic clearly showed they proof, and Trouble arises, however, when did not know the all," and Deanna went back to the set just as Andy is about to admit purpose of the organization, so Hugh of Universal's Jeffrey Lynn, manager of the "Spring Parade." Un- defeat his dad is called to New Winninger estate, decided to "give up a little time to able to attefid the night's commence- York meets the object and takes the family along. of his employer's subsidy, falls in making pictures." Once mayor of ment exercise, her diploma was sent Puppy -lover Andy Studio City Hardy makes love with her, but misunderstands (Smiley Burnette is the to her by the school. Deanna is con- the most and worst of his mayor now), a oppor- her connections with the risque former president of tinuing her studies in musical history tunity, gets into a series of jams, the Chamber of Commerce of Studio with her old millionaire. sister, Mrs. Edith Heckman, is called a "small -town sport" in When Olivia learns City, a newspaper editor and column- who is an English and the real dramatics front of the glamorous debutante nature of her "scholarship," she ist, and a member of the advisory teacher. Irony: Deanna's good friend, he is striving to meet, board of Bank and is final- breaks off relations with Win - the of America, Hugh Judy Garland, was graduated from the ly extricated from his difficulties is now just a plain citizen. same ninger, organizes others in the high school with all the trim- by an ex- home -town sweetheart, school into mings! played a dance orchestra, and by Judy Garland, who in- eventually straightens out all RONNIE REAGAN is acting with troduces him dif- his wife, to the deb and gets ficulties and misunderstandings in Jane Wyman, in Warners' TYRONE POWER, who has a head the photographic evider.ce Andy "Tugboat Annie Sails Again." Said for business, has rented his amphibian a tale that never, for a moment, is so badly needs to save face in permitted to Ronnie, "Marriage certainly does plane to a passenger company which Carvel. lag. change Combining temper with talent, a person. The other night Jane flies it from Wilmington to Santa Cata- Less of a cyclone in and I this latest Miss de Havilland gives a per- were doing a love scene for the lina Island on a regular run. Tyrone Hardy film, Mickey adds picture and we discovered to the formance which is a far cry from were mad as heck be- that the expense of tuning realistic quality of the homey se- cause it was getting late and we up the plane's engines for the few her Melanie and perhaps much ries by slowly growing - .ap. Judy better, while Jeffrey wanted to get home to supper!" week -ends when he could fly it was Garland, Lynn is a seen with him for the most convincing young business- too great for pleasure. When Tyrone first time since "Babes in Arms," GINGER ROGERS' stand -in worked wishes to use the plane himself he man, a little on the strait -laced turns out to be a scene -stealer, side. The a week for Carole Lombard, and Gin- simply notifies the company a week making old roue which Charles even the irrepressible Winninger creates is, ger borrowed Joan Blondell's stand - in advance. Payoff: Unknowing fans Mickey lose ground in -spite of in while she completed in their scenes his aims, a most charming and scenes for have been ferrying over to Catalina together. She sings "Alone" and RKO's "Lucky Partners." But there Island in the Power plane for sev- lovable old scoundrel. "I'm Nobody's Baby" with rave Olivia actually wasn't any feud. The inside story: eral months! quality, Diana Lewis took violin les- The mix -up began when Betty Hall, is convincing sons for several months in prep- in her portrayal of the deb, and aration who stands in for Carole Lombard in A WELL -KNOWN young character Judge Hardy for her role. So did Jane "They Knew (Lewis Stone) turns Wyman. Eddie Albert plays the What They Wanted," be- actor induced a younger actor friend in his usual polished performance. came ill and was sent to the hospital. of his to go out on a party one eve- Eye tuba but required no tutoring. Jef- -filling details -and stirring frey Lynn, who has Ginger's picture was temporarily ning, leaving his wife at home. As the ones to Americans played musi- -are the fam- cians in several pictures of halted, so she offered Carole her stand - hour grew late, the more famous of the ily's views of late, Rockefeller Center, doesn't touch a in, Dorothy Panter. In the meantime, two became conscience-stricken, feel- New York University, musical instru- Ginger was called Hall of ment in this. The music used back to work, so she ing that perhaps he was contributing Fame, and New York from the - borrowed Irene Martin, who has stood to a misunderstanding in an otherwise which is an important part of the Staten Island Ferry. The swank film in for Joan Blondell for several years. happy home. Of his own accord, he New York -includes swing versions of Irene apartments seen in the Liszt's "Second Hungarian had to darken her hair in order called his friend's wife and in a kid- film, as well Rhap- to work with her as the interior of the sody," Chopin's "Nocturne," and new employer. Then ding way said, "Don't worry, I'm Surrogate's Court, have been re- Betty Hall insisted on cutting short bringing that no-good husband of other classics arranged by Ray produced accurately on the Holly- Heindorf with her convalescent period and going to yours home right away." On the wood lot. the advice of Max work again for Carole, Dorothy re- journey home the married actor got a Rabinowitch, the great Chaliapin's turned to Ginger, and Irene is now accompanist. bad case of wife fright and spent the WHAT THEY THOUGHT OF IT: Edwin waiting for Joan to do another pic- entire time framing excuses to Schallert (in Los Angeles over- Times): ". WHAT THEY THOUGHT OF IT: Variety: ture! come the mood he Puppy -love comedy to rival the knew she'd be in. best ... has . Sweet, fresh and human, and delight- The wife greeted the two in the hall- all the ingredients . ." Variety: "... By ful in its comedy ..." Hollywood Reporter: DEANNA far and wide, the best DURBIN paid the price of way, utterly ignored her husband's of the Hardy family . A blithe romantic comedy, set to the series fame the day she was graduated from babblings and pitched into his friend, ..." Hollywood Reporter: " . Con- lilt of swing music ..." Los Angeles Times: tains all the elements of excellent high school. Like every girl, she had raving, "What do you mean, he's NO screen .
Recommended publications
  • George B. Seitz Motion Picture Stills, 1919-Ca
    http://oac.cdlib.org/findaid/ark:/13030/c8h41trq No online items Finding Aid for the George B. Seitz motion picture stills, 1919-ca. 1944 Processed by Arts Special Collections Staff, pre-1999; machine-readable finding aid created by Julie Graham and Caroline Cubé; supplemental EAD encoding by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2014 The Regents of the University of California. All rights reserved. Finding Aid for the George B. PASC 31 1 Seitz motion picture stills, 1919-ca. 1944 Title: George B. Seitz motion picture stills Collection number: PASC 31 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 3.8 linear ft.(9 boxes) Date (bulk): Bulk, 1930-1939 Date (inclusive): ca. 1920-ca. 1942, ca. 1930s Abstract: George B. Seitz was an actor, screenwriter, and director. The collection consists of black and white motion picture stills representing 30-plus productions related to Seitz's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Seitz, George B., 1888-1944 Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs.
    [Show full text]
  • (Dayton, Ohio), 1940-09-27
    FRIDAY. SEPTEMBER 27, 1940. ' THE FORUM PAGE SEVEN RIDGEW00D STALWART DILLARD LINESMAN >* *2 HEIGHTS n "Vv V'I :— " • ^ *-,v .x (CROWN POINT) Send all news t0 be published to Mrs. Prilly Wright, Tuesday of each WPckj 274 Cornell uvonue phone ADams 5395. Miss Lula Wright, daughter of • tu c Mr*. Prilly Wright of 274 Cornell avenue is very much improv v . atcer a severe illnc j. .Among ^oine of the early squirrel 1 tenters W£ts Mr. Prilly Wri.-rht wh. was seen coming in Wednesday nig!i with his license on his back but w i r<0 squirrels. trtl Mr. and Mrs. Irvin Orr and Mr. ar.d Mrs. Vermont Dickerson of iivinpver street were the house guests of Mr. and Mrs. Smith and Mrs. ijm Gaston of Chicago. vWhile there dominant! they visited the Negro Exposition and the Catholic church exposition. They saw the Streets of Paris and th,e Joe Louis exhibits and other in­ teresting sights. • • * Dtaglus Community Club li The Douglass Community Club has ordered 100 chairs for the center. All members are urged to be pres­ ent Monday October 6, business of :4k importance. Come and see the show ELLIOTT GRAY^ I every Tuesday night. The WPA Elliott Gray, stalwart Dillard ;ftis Gra Is expecten to give a band will P*ay at the center every y linesman, wh0 with Peter Tliornlou, Wednesday night, you will enjoy good account of himself in his final J will captain the Dillard Blue Devils thei music. r » this season. A veteran of three sea- year. He hails from St.
    [Show full text]
  • S Olympia Theatre “Summer Time Talent Quest* • Bank Night Wednesday Blank and TALENT QUEST” Mall to the ^ Name
    I HE HAMPTON BEACH ADVOCATE PAGE 8 The plane, however, had lauded NYA Emphasize Mechanics SEACOAST GROUPS almost upside down, and had plow, (Continued from Pago q* PLANE CRASH — ed a 16-foot furrow in the marshy l Continued from Page one) earth, and some ditiiculty was ex­ In Youth Training Program t M perienced in extricating the body. First of these trip , is sch m rate Marines On Guard forf Aug. 5. The plane was first sighted ovo. An ambulauce from the Ports- ..........In line_ with the rapid advance tion in dismantling and assembly Those at the meeting the Five Corners in Hampton and moulh Naval hospital In charge national defense program in- of aircraft structures. At the Na­ Frank C. Rernick of Port* b l . x i v Friday, August 2,1940 followed the Winnacuunet road »o Lleut Comdr. L. M DeCiccIo, M- C.. cjuding non-combatant as well as shua automechanics unit, a fully vice president of the regional 5000 Free Distribution the sea, going out over the water lQOk llie bady t0 tbe Navy Yard military aspects of preparedness, equipped garage contains valve ciation, who presided; A1 before the pilot reversed his course whpe a detachmeut from the Ma- the NYA in New Hampshire is grinders, hydraulic presses and Redden of Portsmouth, E and headed west. 11 ine Bunacks In cominaud of Chipi . - spccjai emphasis on mech- modern motor testing apparatus. Adams, Seabrook Beach, c The ship gradually seemed to lose p c ^Saulis was posted on guard ^ mgch|ne shop 0nd forge A special opportunity exists at) t|ie natural resources com Shriners Annual Marfa
    [Show full text]
  • MGM: Hollywood's Greatest Backlot a Lavish Illustrated History of Ho
    MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ AUTHORS BIBLIOGRAPHY EVENTS LETTERS PREVIEW QUIZ Once upon a time, long ago, there existed a vast and magical empire, ruled by money and power and fueled by imagination, talent and ambition. This magical place was not a work of fiction and its location was not a far away mountain top or a remote tropical island. It was found in Culver City, California and was known through out the world as Metro-Goldwyn Mayer Studios. 1 of 23 6/27/14, 5:12 PM MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ Through the M-G-M gates passed the greatest stars of filmdom from the Silent Era (Buster Keaton, Lon Chaney, Ramon Novarro, John Gilbert, Norma Shearer, Greta Garbo, and Marion Davies) to the Golden Era, (Jean Harlow, Joan Crawford, Clark Gable, Lana Turner, James Stewart, Judy Garland, Mickey Rooney, Hedy Lamarr, Fred Astaire, Ava Gardner and Elizabeth Taylor) and beyond (Debbie Reynolds, Glenn Ford, Rod Taylor, Elvis Presley, George Hamilton, and Doris Day). 2 of 23 6/27/14, 5:12 PM MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ The finest creative artists of show business, the world’s most beautiful women, kings and queens, presidents and princes, titans of industry, the great and the near-great from all nations and generations of movie lovers from around the world found their way to this Movieland institution. As the premiere movie factory, M-G-M Studios was a self-sufficient, self proclaimed “city within a city” built on six separate lots and spread across 185 fenced and gated acres.
    [Show full text]
  • The Development of Child Stars in the Studio System of the 1930S Through '50S
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work 5-2011 "Daddy Dearest": The Development of Child Stars in the Studio System of the 1930s through '50s Brittany N. Dalton [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Part of the Child Psychology Commons, and the Film and Media Studies Commons Recommended Citation Dalton, Brittany N., ""Daddy Dearest": The Development of Child Stars in the Studio System of the 1930s through '50s" (2011). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/1437 This Dissertation/Thesis is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. 1 “Daddy Dearest”: The Development of Child Stars in the Studio System of the 1930s through the ‘50s Written by Brittany N. Dalton Special Thanks: Julia A. Malia, Ph. D., C.F.L.E. May 10, 2011 Abstract 2 The purpose of this paper is to analyze the effects growing up in the studio system had on child stars from the 1930s through 1950s. I chose to focus my research and analysis on three child stars in particular: Judy Garland, Elizabeth Taylor, and Shirley Temple. These three actresses each had different experiences in their careers and relationships to the studio; however, they were all well-known and influential child stars.
    [Show full text]
  • Suggestions for Your Vacation Needs IIIDI6E$TI0II
    Friday, July 5, 1940. Page Six THE PILOT, Southern Pines and Aberdeen, North Carolina ' Announce Program For Legion Rifle Meet at • Business Men’s Camp iCHURCHESi Fort Bragg July 27 Lewis Stone, Mickey Rooney and The Church of Wide Fellowship Urig. Gen. Van Horn To Be In Sandhills Invited To Send Team the rest of the Hardy family, plus will maintain its regular services To Compete Against Other Charge of Special Group throughout the summer. This next golden-volceu Judy Garland, comes to at Fort McPherson State Posts the Pinehurst Theatre Sunday night, Sunday there will be the regular SOUTHERN PINES, N- C- morning worship and communion ser­ July 7th^ at 8:30 and to the Southern A well-rounded program is the The first annual ilfle meet of the vice, with sermon by the pastor. Ves­ Pines Theatre Monday and Tuesday, crder for the special Citizens Mili­ N orth Carolina American Legion will per service each Sunday evening at July 8, 9, at 8:20 p. m. in the ninth tary Training Camp for the Fourth be held at Fort Bragg on July 27th Suggestions For Your 7:00 o’clock in the church garden and latest oJ the popular series, Corps Area to be given business and and 28th, and members of Sandhills planned by the Fellowship Forum. •'Andy Hardy Meets Debutante.’ The professional men at Fort McPhei- Post desiring to enter should contact story takes them to New York where son, Ga. This course will be given “God” is the subject of the lesson- T. L. Campbell, telephone 5903, South, Vacation Needs Andy Hardy, son of the family, is 300 trainees from the eight states in sermon at the Christian Science ern Pines, post officials announced AIRPLANE LUGGAGE COMPLETE faced with a problem very serious this area from July 8 to Aug^ust 6.
    [Show full text]
  • The Morning Line
    THE MORNING LINE DATE: Monday, April 7, 2014 FROM: Emily Meagher, Michelle Farabaugh Connor Davis PAGES: 28, including this page April 4, 2014 ‘Jesus Christ Superstar’ to Return for Arena Tour By Dave Itzkoff Hosanna hey or hosanna huh? “Jesus Christ Superstar,” Andrew Lloyd Webber and Tim Rice’s musical about the final days of Jesus, will soon rise again, this time as a arena show that will feature an eclectic roster of rock and pop artists and will tour North America starting in June. This new production of “Jesus Christ Superstar,” which was announced Friday morning on “Good Morning America,” will feature Brandon Boyd of the rock band Incubus as Judas Iscariot; JC Chasez of *NSYNC as Pontius Pilate; Michelle Williams of Destiny’s Child as Mary Magdalene; and John Lydon (a k a Johnny Rotten of the Sex Pistols) as King Herod. The tour will also star Ben Forster, the winner of a British reality- TV casting competition, as Jesus. Performances will begin on June 9 at the Lakefront Arena in New Orleans, and the tour is expected to conclude on Aug. 17 at the Wells Fargo Arena in Philadelphia. (Other area dates include an Aug. 5 performance at Madison Square Garden in New York.) “Jesus Christ Superstar,” which began as a concept album in 1970 and has spawned numerous stage productions, was last presented on Broadway in 2012, starring Paul Nolan as Jesus and Josh Young as Judas Iscariot. Total Daily Circulation–1,586,757 Sunday Circulation– 2,003,247 April 6, 2014 Powerhouse Theater Summer Season By Adam Kepler Among the highlights of the summer season for the Powerhouse Theater will be “In Your Arms,” a collection of wordless dance vignettes written by playwrights like Terrence McNally, Christopher Durang, Carrie Fisher, Douglas Carter Beane and Lynn Nottage, with music by Stephen Flaherty (“Ragtime”) and choreography by Christopher Gattelli (“Newsies”).
    [Show full text]
  • Plan to Atten
    PAGE FOUR THE BEAUFORT NEWS BEAUFORT. N. C. Thursday, October 31, 1940. .The Beaufort News fort-Morehe- ad Railroad Corn Fertilizer The Stanton, Ruth Lewis, Raymond a has !! Hardy Family Dickinson, Jewel Eubanks, John Published at span crosses, hearing z : MORE ABOUT every Thursday been set for next IS: I W W- ii Demonstrations At The Sea Breeze Turner, Jr., Annie D. Foreman, 120 Thursday T T Craven Street at the HalMn Morehead g L. Ut I I tU l w ij Virginia Stanton, Josephine Allen, Carteret N. C. City Given In Beaufort, Co., which is held for the H H County Once again the Sea Breeze The Club Members Arnicia Wi! y, Earl Garner, Mi- By-Be- aufort City ldred Hil-die- atre will America's best Springle, d purpose of determining what The Corn Demonstrations on the present from Clyde Garner, Publishing Co. must be done loved familv in their latest and (Continued Fage 1) Carraway, Lillian to the bridge L. L. farm in Wjlliamn, U. S. PRAISES PRISON Higgins Newport most adventure. "Andy Sarah Boyd, Evie ATCOCK BROWN Editor and when. The Engi- have been harvested enjoyable Kittrell, and South Atlantic Township by Meets a Debutante", is the Elizabeth Simpson. and Advertising Manager neers and the CAMP ARTICLE the of the New- Hardy was in the form of a poem written Agricultural Boys and bee-in- a three day en Waterways Association are a title, L. HATSELL Bus. port High School and group of by Virginia Stanton. Wm. Mgr. a new draw- on Sunday. 4-- anxious that To the Editor: local farmers.
    [Show full text]
  • Torrance Herald
    '• ./ 0 v^-ft-tV-S^i^^ii-WW^W^.**^^^^ ^^^.••z-ia^wrawtrtMr'.!^^ TORRANCE HERALD. Torrance, California THURSDAY, AUGUST 26, 1938 NEW 'JUDGE HARDY FAMILY' DRAMA AIR THRILLER Indian Ceremonial at Gallup New Faces in REVIVED AT THEATRE 'Series' Film THE LOMITA CHltOREN lOo "Hell's Angels," outstanding*** ^The rapidly growing 'series' alr_thrHler_ pf all time, is ^how- Thursday, Friday, Saturday, August 25, 2(>, 27 ... Idea in motion pictures is offer­ Inp nt the Lomita theatre"slarT-"" ing one solution to Hollywood's Ing tonight. This great air MICKEY ROONEY perennial plea ror new faces," epic, featuring Ben Lyon and says George Scitz, who directed .Toan Harlow, which cost Howard k JUDY GARLAND — LEWIS STONE in the fourth of the "Judge Hardy" erles, Hughes many millions to pro­ 'LOVE FINDS ANDY HARDY* "Love Finds Andy Hardy," duce, Is being brought back for opening Saturday at the Plazu a revival to tremendous success also DICK POWELL -, PAT O'BRIEN theatre in Hawthorne. by many theatres. On the same and PRISCILLA LANE in tn these pictures the ca^-t 'nucleus' program, "Reckless Living," a "COWBOY FROM BROOKLYN" remains unchanged, but comedy-drama, race track story Ith new adventures encountered of sudden wealth $$$—PLAY NITE FRIDAY—$$$ in each successive release, It is and romance. necessary to provide new talont. Also cartoon, news and Flash Sunday, Monday, Tuesday, August Cordon serial with Saturday 28, 29, 30 ... :n both the Judge Hardy and night Jones Family groups, tho pri­ surprise as usual. The AMAZING Dr. CUTTERHOUSE mary Interest Opening Sunday Is another being In youth­ giant program.
    [Show full text]
  • Love Finds Andy Hardy by Charlie Achuff
    Love Finds Andy Hardy By Charlie Achuff "Love Finds Andy Hardy" represented something completely new for its home studio and its young stars. The fourth in a series of family-friendly B pictures, it sur- passed all expectations of success and provided a cultural touchstone of small- town innocence. As author Scott Eyman notes, it captured the way America viewed itself just before the world would enter one of its darkest periods and the quaint life Andy represented would seem lost forever. The MGM that created the wholesome Hardy universe was not the studio of "Ben-Hur" (1925), "Grand Hotel" (1932) or "Camille" (1936). Irving Thalberg, boy wonder producer at the studio, died in September 1936. A dedicated executive with an eye for glamour and prestige, Thalberg had been a major force in the industry, taking risks for the sake of art, valuing quality as much as profit, and es- tablishing a stable of some of the most talented and well-loved stars in Hollywood. But with his death came a change in re- gime at MGM and a change in direction for the studio’s films. Louis B. Mayer, who had a volatile relationship with the young man he once considered as a son, was much more pragmatic about film-making This photo spread featuring scenes from the film appeared in the than Thalberg. Preferring sensible, formulaic September 1938 edition of Hollywood magazine. Courtesy Media films to the sophisticated fare offered by a History Digital Library. Crawford, Shearer or Garbo drama, Mayer did not take risks. An executive committee was formed, comprising nine producers who oversaw all Mickey Rooney had starred in the prior three films productions on the lot.
    [Show full text]
  • Metro-Goldwyn-Mayer Architectural Set Plans PASC.0024
    http://oac.cdlib.org/findaid/ark:/13030/c8639s1s No online items Finding Aid for the Metro-Goldwyn-Mayer Architectural Set Plans PASC.0024 Finding aid prepared by Arts Special Collections staff, pre-1999; machine-readable finding aid created by Julie L. Graham and Caroline Cubé. UCLA Library Special Collections Online finding aid last updated 2021 August 16. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections PASC.0024 1 Contributing Institution: UCLA Library Special Collections Title: Metro-Goldwyn-Mayer architectural set plans Creator: Metro-Goldwyn-Mayer Identifier/Call Number: PASC.0024 Physical Description: 148.0 Linear Feet(354 boxes) Date (inclusive): 1917-1950 Abstract: During its peak years Metro-Goldwyn-Meyer (MGM) lineup included many of the most creative artists, technicians, and stars in the film industry. The collection consists of original architectural designs, sketches, and blueprint set plans for MGM motion picture productions. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materias are in English. Restrictions on Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Restrictions on Use and Reproduction Property rights to the physical objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
    [Show full text]
  • STUDENT GUIDE to the THEATRE MICHAEL GENNARO Executive Director
    GOODSPEED MUSICALS STUDENT GUIDE TO THE THEATRE MICHAEL GENNARO Executive Director MICHAEL P. PRICE Founding Director presents Book by MARC ACITO Conceived by TINA MARIE CASAMENTO LIBBY Musical Adaptation by DAVID LIBBY Scenic Design by Costume Design by Lighting Design by Wig & Hair Design by KRISTEN ROBINSON ELIZABETH CAITLIN WARD KEN BILLINGTON MARK ADAM RAMPMEYER Creative Consultiant/Historian Assistant Music Director Arrangements and Original JOHN FRICKE WILLIAM J. THOMAS Orchestrations by DAVID LIBBY Orchestrations by Sound Design by DAN DeLANGE JAY HILTON Production Manager Production Stage Manager Casting by R. GLEN GRUSMARK BRADLEY G. SPACHMAN STUART HOWARD & PAUL HARDT Associate Producer Line Producer General Manager BOB ALWINE DONNA LYNN COOPER HILTON RACHEL J. TISCHLER Music Direction by MICHAEL O'FLAHERTY Choreographed by CHRIS BAILEY Directed by TYNE RAFAELI SEPT 16 - NOV 27, 2016 THE GOODSPEED TABLE OF CONTENTS Show Synopsis.........................................................................................................................................................................................4 The Characters.........................................................................................................................................................................................6 Meet the Writers.....................................................................................................................................................................................7 Behind the Scenes: Costume
    [Show full text]