Broadcasting Notice of Consultation 2019 -379
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Grille Des Canaux Classique Février 2019
Shaw Direct | Grille des canaux classique février 2019 Légende 639 CTV Prince Albert ..................................... 092 Nat Geo WILD HD..................................... 210 ICI Télé Montreal HD ............................... 023 CTV Regina HD .......................................... 091 National Geographic HD ...................... 707 ICI Télé Ontario .......................................... Chaînes HD 648 CTV Saint John ........................................... 111 NBA TV Canada HD ................................. 221 ICI Télé Ottawa-Gatineau HD ............ ...............Chaîne MPEG-4 378 CTV Saskatoon .......................................... 058 NBC East HD (Detroit) ........................... 728 ICI Télé Quebec.......................................... La liste des chaînes varie selon la région.* 641 CTV Sault Ste. Marie ................................ 063 NBC West HD (Seattle) ............................... 732 ICI Télé Saguenay ..................................... 356 CTV Sudbury .................................................... 116 NFL Network HD....................................... 223 ICI Télé Saskatchewan HD ................... 650 CTV Sydney ................................................. 208 Nickelodeon HD ........................................ 705 ICI Télé Trois-Rivieres ............................. 642 CTV Timmins ............................................... 489 Northern Legislative Assembly ........ 769 La Chaîne Disney ..................................... -
Be a Disruptor Than to Defend Myself from Disruption.”
“I ultimately made the decision “The world that it would be more fun to wants us be a disruptor than to tell them that to defend myself the sky is falling. from disruption.” IT’s NOT.” – Le s L i e Mo o n v e s –Pe t e r Ch e r n i n aac e e s i ” – L “ . BEYO TECH NOL WELCOME NDDI OGY SRUP is the best ally democracy can have.” disruption and UNCERTAINTY good way to do it: embrace “There’s only one TION –Ad r i A n A Ci s n e r o s A Report on the AND PLEASE JOIN US INTERNATIONAL for the next International COUNCIL SUMMIT Council Summit September 14, 15, 16, 2011 April 26, 2012 Los Angeles Madrid, Spain CONTENTS A STEP BEYOND DISRUPTION 3 | A STEP BEYOND DISRUPTION he 2011 gathering of The Paley Center for Me- Tumblr feeds, and other helpful info. In addi- dia’s International Council marked the first time tion, we livestreamed the event on our Web site, 4 | A FORMULA FOR SUCCESS: EMBRacE DISRUPTION in its sixteen-year history that we convened in reaching viewers in over 140 countries. Los Angeles, at our beautiful home in Beverly To view archived streams of the sessions, visit 8 | SNAPSHOTS FROM THE COCKTAIL PaRTY AT THE PaLEY CENTER Hills. There, we assembled a group of the most the IC 2011 video gallery on our Web site at http:// influential thinkers in the global media and en- www.paleycenter.org/ic-2011-la-livestream. -
THE BEST :BROADCAST BRIEFING in CANADA Thursday, June 1, 2006 Volume 14, Number 2 Page One of Three
THE BEST :BROADCAST BRIEFING IN CANADA Thursday, June 1, 2006 Volume 14, Number 2 Page One of Three DO NOT RETRANSMIT THIS ADIO: MOJO Sports Radio (CHMJ) Vancouver, owned by Corus, PUBLICATION BEYOND YOUR will see 14 people out of a job come this weekend. On Monday, June RECEPTION POINT R5, CHMJ begins airing continuous traffic reports during the day and the best of talk from sister station CKNW Vancouver at other times. Howard Christensen, Publisher Broadcast Dialogue New ID is AM730 Continuous Drive Time Traffic and the Best of Talk and 18 Turtle Path will also feature the Vancouver Whitecaps and Giants and Seattle Lagoon City ON L0K 1B0 Seahawks games. Among those out of work are CKNW Sports Director JP (705) 484-0752 [email protected] McConnell and MOJO personalities John McKeachie, Bob Marjanovich, www.broadcastdialogue.com Jeff Paterson and Blake Price. Seen as the 100% CANADIAN As dagger to MOJO’s heart Canada’s public was CHUM-owned Team 1040 Vancouver’s acquisition of broadcaster, CBC offers all Canadians Vancouver Canucks radio rights, owned for decades by broadcasting services CKNW. And earlier, Team 1040 took play-by-play rights to that reflect and celebrate our country’s diverse the BC Lions away from Corus... Y101 (CKBY-FM) Ottawa heritage, culture and stories. is in the midst of a three-day Radiothon – May 31 to June 2 SENIOR BROADCAST TECHNOLOGIST – for the Children’s Hospital of Eastern Ontario (CHEO). th This is the 8 annual Y101 Country Cares Challenge for Your primary role will be to ensure the CHEO and organizers say they expect to break the $1- maintenance of broadcasting equipment and million dollar mark at this year’s event.. -
Getting a on Transmedia
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn. -
Broadcasting and Telecommunications Legislative Review Response to Panel’S Call for Comments – Canadian Media Guild (CMG) Submission January 2019
Broadcasting and Telecommunications Legislative Review Response to Panel’s Call for Comments – Canadian Media Guild (CMG) submission January 2019 The Canadian Media Guild is a union comprised of over 5000 media workers at APTN, The Canadian Press, CBC/Radio-Canada, Thomson Reuters, TFO, TVO, Vice Media, and ZoomerMedia. We work across all available media platforms including digital and online spaces. In terms of this federal Review of the Canadian Communications Legislative Framework, CMG advocates for the following principles and objectives: ✓ Rebuilding and Expanding CBC/Radio-Canada – Mandate Enhancement − Supporting in-house production and a culture of creativity and innovation − Reliable and increased public funding for the national public broadcaster ✓ Securing key components of the Broadcasting Act, including the following: − The special role of CBC/Radio‐Canada − Protecting CBC/Radio‐Canada’s independence − Support for Canadian Content − Mandatory carriage of Indigenous and community media − The value of local news as a vital public service − Quality jobs for media and cultural workers ✓ Advancing recommendations of the Truth and Reconciliation Commission - Media and Reconciliation, as well as Language Preservation ✓ Advancing local news and information programming - Public Service Media Fund proposal Page 1 of 13 Broadcasting and Telecommunications Legislative Review Canadian Media Guild (CMG) submission January 2019 ✓ Rebuilding and Expanding CBC/Radio-Canada – Mandate Enhancement The 1991 Broadcasting Act1 states that... ...the Canadian Broadcasting Corporation, as the national public broadcaster, should provide radio and television services incorporating a wide range of programming that informs, enlightens and entertains; ...the programming provided by the Corporation should: i. be predominantly and distinctively Canadian, reflect Canada and its regions to national and regional audiences, while serving the special needs of those regions, ii. -
The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode. -
Annual Report 2019–2020
CMF FMCANNUAL REPORT 2019 – 2020 CMF FMC CONTENTS ABOUT1 CMF SUCCESSES2 FUNDING3 RESULTS FINANCIAL4 OVERVIEW APPENDICES5 Financial Contributors 3 Audience Results: 51 Experimental 83 Management Discussion 153 Notice 179 Mandate and Vision 5 Television TV 95 and Analysis Television Audience 180 Funding Model 9 Audience Results: 67 Indigenous Support 115 Management’s 157 Data Sources Digital Media Responsibility for CMF by the Numbers 11 Official Language Minority 121 Financial Reporting Message from the Chair 13 Community Support Financial Statements 159 Regional Support 128 Message from 15 of Canada Media Fund the President and CEO Export-Related Programs 133 Board and Committee 19 International Treaty 137 Activities Coproductions and Board Members 25 International Incentives Management Team 29 Program Funding Summary 141 Industry Consultation 35 Sector Development 145 Support Industry Research 37 Program Administration 147 Industry Partnerships 39 Promotion 44 1 CANADA MEDIA FUND | FONDS DES MÉDIAS DU CANADA 2019–2020 ANNUAL REPORT 2 ABOUT CMF SUCCESSES FUNDING RESULTS FINANCIAL OVERVIEW APPENDICES Battle of the Blades 3 CANADA MEDIA FUND | FONDS DES MÉDIAS DU CANADA 2019 – 2020 ANNUAL REPORT 4 FINANCIAL CONTRIBUTORS The Canada Media Fund (CMF) receives contributions from Canada’s cable, satellite and IPTV distributors and the Government of Canada. The CMF thanks its funding contributors for their continued support of Canadian television and digital media content. 5 CANADA MEDIA FUND | FONDS DES MÉDIAS DU CANADA 2019 – 2020 ANNUAL REPORT 6 MANDATE AND VISION The Canada Media Fund (CMF) fosters, develops, finances and promotes the production of Canadian content and relevant applications for all audiovisual media platforms. Red Earth Uncovered Blasters of the Universe The CMF guides Canadian content towards a competitive global environment through fostering industry innovation, rewarding success, enabling a diversity of voices, and promoting access to content through industry and private sector partnerships. -
2009 2008 2007 Operational Budget1 2,579 2,629 2,663 Expenses2 2,460 2,474 2,485 Operational Budget Over Expenses 119 155 178
Founded in 1972, the Institute for Research Board of Directors on Public Policy is an independent, national, nonprofi t organization. Janice MacKinnon, Chair (Saskatoon, Saskatchewan) Graham Scott, Vice-Chair (Toronto, Ontario) IRPP seeks to improve public policy in Canada by generating research, providing insight and Peter Aucoin (Halifax, Nova Scotia) sparking debate that will contribute to the public Ian Clark (Toronto, Ontario) policy decision-making process and strengthen Jim Dinning (Calgary, Alberta) the quality of the public policy decisions made by Mary Lou Finlay (Toronto, Ontario) Canadian governments, citizens, institutions and Ann Fitz-Gerald (Shrivenham, Wiltshire, UK) organizations. Frederick Gorbet (Toronto, Ontario) Antonia Maioni (Montreal, Quebec) IRPP’s independence is assured by an endowment John Manley (Ottawa, Ontario) fund established in the early 1970s. Barbara McDougall (Toronto, Ontario) Anne McLellan (Edmonton, Alberta) Jacques Ménard (Montreal, Quebec) David Pecaut (Toronto, Ontario) Martha Piper (Vancouver, British Columbia) Guy Saint-Pierre (Montreal, Quebec) Bernard Shapiro (Montreal, Quebec) Gordon Smith (Victoria, British Columbia) Paul Tellier (Montreal, Quebec) Kent Weaver (Washington, DC, USA) Wanda Wuttunee (Winnipeg, Manitoba) FINANCIAL HIGHLIGHTS OF OPERATING FUND (In thousands of dollars) The IRPP’s operations have run at a surplus for the last three years. 2009 2008 2007 Operational budget1 2,579 2,629 2,663 Expenses2 2,460 2,474 2,485 Operational budget over expenses 119 155 178 FINANCIAL HIGHLIGHTS OF ENDOWMENT FUND (In thousands of dollars) 2009 2008 2007 Total year-end market value 31,055 38,633 42,159 1Operational budget consists of investment income approved for operations, prior year’s surplus, revenue from publications and other revenue. -
Building Resilience Through Partnership
BUILDING RESILIENCE THROUGH PARTNERSHIP 2019-2020 ANNUAL REPORT TABLE OF CONTENTS 1 HIGHLIGHTS 9 ACHIEVEMENTS 11 ABOUT US 14 MESSAGES MANAGEMENT DISCUSSION 18 AND ANALYSIS INDUSTRY AND 19 ECONOMIC CONDITIONS CORPORATE 28 PLAN DELIVERY ATTRACT ADDITIONAL FUNDING 29 AND INVESTMENT EVOLVE OUR FUNDING 33 ALLOCATION APPROACH OPTIMIZE OUR 45 OPERATIONAL CAPABILITY ENHANCE THE VALUE 50 OF THE “CANADA” AND “TELEFILM” BRANDS 57 FINANCIAL REVIEW 64 RISK MANAGEMENT CORPORATE SOCIAL 66 RESPONSIBILITY 70 TALENT FUND 81 GOVERNANCE FINANCIAL 95 STATEMENTS ADDITIONAL 117 INFORMATION TELEFILM CANADA / 2019-2020 ANNUAL REPORT 1 The Canadian industry and audiences embraced female voices and HIGHLIGHTS Indigenous expression in fiscal year 2019-2020. Telefilm remained committed to greater representation in the films we support and to bringing Canadian creativity to the world. LOOKING TO THE FUTURE, our vision is for Telefilm and Canada to strengthen their role of Partner of Choice—creating and building ties, expanding opportunities and deepening impact. BRINGING CANADIAN CREATIVITY TO THE WORLD The Canada-Norway coproduction THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN, directed by KATHLEEN HEPBURN and ELLE-MÁIJÁ TAILFEATHERS, received praise around the world— premiering at the Berlin Film Festival in 2019, selected as “REMARKABLE” a New York Times Critic’s Pick and being called “remarkable” by the Los Angeles Times. The film went on to be picked up ★★★★★ by Ava DuVernay’s ARRAY releasing for U.S and international. levelFilm distributed the film in Canada, while Another World LOS ANGELES TIMES Entertainment handled Norway. TELEFILM CANADA / 2019-2020 ANNUAL REPORT 2 HIGHLIGHTS BRINGING CANADIAN CREATIVITY TO THE WORLD MONIA CHOKRI’s debut feature filmLA FEMME DE WINNER MON FRÈRE (A Brother’s Love), which she both wrote COUP DE CŒUR AWARD and directed, premiered at the Cannes Film Festival CANNES opening the Un Certain Regard section, bringing home FILM FESTIVAL the jury’s Coup de Cœur award. -
Miptv 2020 Producers to Watch Contents
MIPTV 2020 PRODUCERS TO WATCH CONTENTS DOC & FACTUAL 3 DRAMA / FICTION 36 FORMATS 112 KIDS & TEENS 149 DOC & FACTUAL DOC & FACTUAL PRODUCERS LISTED BY COUNTRY AUSTRIA FINLAND HUNGARY SOUTH AFRICA COLLABORATE: IDEAS & IMAGES GS FILM FILM-& FERNSEHPRODUKTION AITO MEDIA SPEAKEASY PROJECT HOMEBREW FILMS Lauren Anders Brown E.U. Erna AAlto László Józsa Jaco Loubser EMPORIUM PRODUCTIONS Gernot Stadler GIMMEYAWALLET PRODUCTIONS OKUHLE MEDIA Emma Read Phuong Chu Suominen IRELAND Pulane Boesak IMPOSSIBLE DOC & FACTUAL BELGIUM RAGGARI FILMS FELINE FILMS Adam Luria CLIN D’ŒIL Minna Dufton Jessie Fisk SPAIN WOODCUT MEDIA Hanne Phlypo BRUTAL MEDIA Matthew Gordon FRANCE JAPAN Raimon Masllorens BELGIUM COLLABORATION INC 4TH DOC & FACTUAL TAMBOURA FILMS UNITED STATES EKLEKTIK PRODUCTION Bettina Hatami Toshikazu Suzuki Xaime Barreiro CREATIVE HEIGHTS ENTERTAINMENT Tatjana Kozar Jaswant Dev Shrestha BLEU KOBALT KOREA ZONA MIXTA CANADA Florence Sala GINA DREAMS PRODUCTION Robert Fonollosa GALAXIE Sunah Kim DBCOM MEDIA SWITZERLAND Nicolas Boucher Thierry Caillibot GEDEON PROGRAMMES PERU SLASH PRODUCTION TORTUGA Jean-Christophe Liechti Adam Pajot Gendron Maya Lussier Seguin PACHA FILMS URBANIA MÉDIAS HAUTEVILLE PRODUCTIONS Luis Del Valle UNITED KINGDOM Philippe Lamarre Karina Si Ahmed POLAND ALLEYCATS ILLEGITIME DEFENSE Desmond Henderson CHINA Arnaud Xainte KIJORA FILM Anna Gawlita BIG DEAL FILMS - UNSCRIPTED DA NENG CULTURE MEDIA YUZU PRODUCTIONS Thomas Stogdon Hengyi Zhi Christian Popp PORTUGAL CHALKBOARD TV ENCOUNTER MEDIA Simon Cooper Qi Zhao PANAVIDEO Diana Nunes SHUTTER BUG STUIO(BEIJING) Hongmiao Yu GS FILM FILM-& FERNSEHPRODUKTION E.U. AUSTRIA My previous works & partners : We have produced over 70 documentaries/docu-dramas and documentary series on various topics such as human interest, history, culture and nature. -
2000 Results by Bob Wilson
COMPLETE RESULTS FOR 2000 Date (Sanction/Event) – Winners 4/22 410 – Terry McCarl, 360 – John Kearney 4/28 (WoO) – Sammy Swindell 4/29 (WoO) – Danny Lasoski, 360 – John Kearney 5/6 410 – Terry McCarl, 360 – David Hesmer 5/13 410 – Jeff Mitrisin, 360 – No Winner (DQ) 5/20 (IRA) – Jaymie Moyle, 360 – Brett Golik 5/27 410 – Randy Anderson, 360 – Tony Norem 6/2 (Masters Classic) – Terry Pletch 6/3 410 – Larry Pinegar II, (Silver Crown Hawkeye Hundred) – Jay Drake 6/10 (NCRA) – Terry McCarl, 360 – David Hesmer 6/15 (360 Nationals Prelim) – Roger Rager 6/16 (360 Nationals Prelim) – Matt Moro 6/17 (360 Nationals) – Wayne Johnson, 410 – Jeff Mitrisin 6/21 (SCRA NWWC) – Jay Drake 6/24 Rain 6/27 (Hav-a-Tampa Late Models) – Billy Moyer 6/30 (WoO) – Johnny Herrera, 360 – Tony Norem 7/1 (WoO) Stevie Smith 7/8 (Twin Features) 410 – Terry McCarl, Brent Antill, 360 – John Kearney, David Hesmer 7/11 (NKF Modifieds) – Kelly Shryock 7/15 410 – Brent Antill, 360 – John Kearney 7/19 (WoO) – Steve Kinser 7/20 (Harris Clash for Modifieds) – John Logue 7/22 410 – Jeff Mitrisin, 360 – Terry Thorson 7/29 410 – Matt Moro, 360 – John Kearney 8/5 410 – Randy Anderson, 360 – John Kearney 8/9 (Knoxville Nationals Prelim) – Steve Kinser 8/10 (Knoxville Nationals Prelim) – Craig Dollansky 8/11 (Knoxville Nationals NQ Night) – Keith Kauffman 8/12 (Knoxville Nationals) – Mark Kinser 8/26 410 – Matt Moro, 360 – David Hesmer 9/2 410 – Manny Rockhold, 360 – John Kearney 4/22/00 By Bob Wilson April 22, 2000 KNOXVILLE, IOWA - April 22 - Terry McCarl took an exciting win in the 47th season opener at Knoxville Raceway Saturday night to pocket a $3000 paycheck in the twenty lap feature event. -
20-0809-1707+ PD E (Pdf)
CANADIAN BROADCAST STANDARDS COUNCIL ATLANTIC REGIONAL PANEL CJCH-TV, CKCW-TV & ASN re “Save Local TV” campaign (CBSC Decision 08/09-1707+) Decided January 12, 2010 B. Jones (Vice-Chair), R. Cohen (ad hoc), K. Hicks, B. MacEachern, R. McKeen, T.-M. Wiseman and CANADIAN BROADCAST STANDARDS COUNCIL ONTARIO REGIONAL PANEL CJOH-TV, CKCO-TV, CFTO-TV & CKVR-TV re “Save Local TV” campaign (CBSC Decision 08/09-1748+) Decided April 1, 2010 R. Cohen (ad hoc), M. Hamilton, J. David, G. Phelan (ad hoc) THE FACTS This decision deals with separate broadcasts on television outlets owned by CTVglobemedia, which took place in the Atlantic and Ontario Regions. Since the broadcasts fell under the jurisdiction of different CBSC Panels, they were destined to be treated separately. Although the challenged content of the various broadcasts was different, the underlying reasoning was common to both adjudications and, in addition to an individual complainant about an Atlantic CTV station, there was a group complainant 2 filing a single document covering both Atlantic and Ontario CTV station broadcasts. In the circumstances, although the Panel adjudications were held separately, the two Panels agreed that their decisions should be issued in a single document. Throughout 2009, factions of the Canadian broadcasting industry were debating an issue familiarly known as fee-for-carriage (and referred to in that way at material moments in all of the challenged broadcasts dealt with herein). The issue was also subsumed by the Canadian Radio-television and Telecommunications Commission (CRTC) as a part of its determinations listed immediately below under their terminological choice, value-for-signal.