Strengthening the Business: Capitalizing Canada’S Content Business
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Be a Disruptor Than to Defend Myself from Disruption.”
“I ultimately made the decision “The world that it would be more fun to wants us be a disruptor than to tell them that to defend myself the sky is falling. from disruption.” IT’s NOT.” – Le s L i e Mo o n v e s –Pe t e r Ch e r n i n aac e e s i ” – L “ . BEYO TECH NOL WELCOME NDDI OGY SRUP is the best ally democracy can have.” disruption and UNCERTAINTY good way to do it: embrace “There’s only one TION –Ad r i A n A Ci s n e r o s A Report on the AND PLEASE JOIN US INTERNATIONAL for the next International COUNCIL SUMMIT Council Summit September 14, 15, 16, 2011 April 26, 2012 Los Angeles Madrid, Spain CONTENTS A STEP BEYOND DISRUPTION 3 | A STEP BEYOND DISRUPTION he 2011 gathering of The Paley Center for Me- Tumblr feeds, and other helpful info. In addi- dia’s International Council marked the first time tion, we livestreamed the event on our Web site, 4 | A FORMULA FOR SUCCESS: EMBRacE DISRUPTION in its sixteen-year history that we convened in reaching viewers in over 140 countries. Los Angeles, at our beautiful home in Beverly To view archived streams of the sessions, visit 8 | SNAPSHOTS FROM THE COCKTAIL PaRTY AT THE PaLEY CENTER Hills. There, we assembled a group of the most the IC 2011 video gallery on our Web site at http:// influential thinkers in the global media and en- www.paleycenter.org/ic-2011-la-livestream. -
Results for the Year Ended 31 March 2015 19 May 2015 Summary
RESULTS FOR THE YEAR ENDED 31 MARCH 2015 19 MAY 2015 SUMMARY Strong financial performance Strategy on track to double the size of the business Dividend declared, up 10% Positive outlook 2 3 BRINGING THE BEST CONTENT TO THE WORLD SOURCE: CONNECT WITH CREATIVE TALENT A TRUE PARTNER TO THE BEST CREATIVE TALENT SCALE SELECT: PRODUCE / ACQUIRE GLOBAL RIGHTS REACH THE WORLD’S LEADING INDEPENDENT DISTRIBUTOR Cinema Retailer Broadcaster Digital SELL: 4 INDUSTRY DYNAMIC CREATES OPPORTUNITIES Audiences demanding high quality content Global multi-platform rights distribution a competitive advantage 5 TARGET TO DOUBLE THE SIZE OF BUSINESS Goal by 2020 2015 6 FINANCIAL OVERVIEW 7 KEY FINANCIAL HIGHLIGHTS PRO FORMA EBITDA1,2 ADJUSTED DILUTED EPS3 £117.2m 23.5p Up 11% Up 12% ADJUSTED FREE CASH ADJUSTED NET DEBT5 FLOW4 £41.0m £224.9m Up £22.2m 1.9x EBITDA1,2 1 Pro forma financial results include the results of Phase 4 Films, Paperny Entertainment, Force Four Entertainment and The Mark Gordon Company (which were acquired on 3 June 2014, 31 July 2014, 28 August 2014 and 7 January 2015, respectively) as if those businesses had been acquired on the first day of the comparative year, with comparative figures translated at 2015 actual foreign exchange rates. 2 Underlying EBITDA is operating profit before one-off items, amortisation of acquired intangible assets, depreciation, amortisation of software, share-based payment charge, and ‘tax, finance costs and depreciation’ related to joint ventures. Underlying EBITDA is reconciled to operating profit in the ‘Other Financial Information’ section of the Results Announcement. 3 Adjusted profit before tax is profit before amortisation of acquired intangible assets, share-based payment charge, ‘tax, finance costs and depreciation’ related to joint ventures, operating one-off items and one-off items relating to the Group’s financing arrangements; adjusted diluted 8 earnings is adjusted for the tax effect of these items. -
Investment Section
Investment Section Investment Overview Authority The Board has the responsibility to invest funds of the System in accordance with guidelines and limitations set forth in the Code and other applicable state law. Act 29 of 1994 authorizes the Board to invest the funds of the System using the “prudent person” standard that allows the Board to consider the probable safety of investments, avoid speculative investments, and invest as people of prudence, discretion, and intelligence would manage their own affairs. Policies and Objectives The Board is responsible for the formulation of investment policies for the System. The overall investment objectives of the System are to: (i) preserve capital in real terms; (ii) maximize total returns while limiting the risk of volatility through diversification; (iii) achieve returns in excess of the policy benchmark (the policy benchmark is a custom index created based on the Board established asset allocation structure to generate a return that meets the actuarial rate of return assumption); (iv) achieve a real rate of return over CPI over time; and, (v) provide sufficient liquidity to meet the current operating needs of the System. To achieve these objectives, the Board meets at least once per year to establish an overall asset allocation plan and investment policies for the System. Implementation of the investment policies is accomplished through external investment management firms who act as agents for the System and through internal investment managers. The Board also retains various investment consultants to assist with the formulation and implementation of investment policies. Operations The Board provides oversight of investment activities through the Finance Committee that makes recommendations to the Board. -
Getting a on Transmedia
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn. -
ONS Acquisition Corp. Form S-1/A Filed 2021-07-19
SECURITIES AND EXCHANGE COMMISSION FORM S-1/A General form of registration statement for all companies including face-amount certificate companies [amend] Filing Date: 2021-07-19 SEC Accession No. 0001213900-21-037309 (HTML Version on secdatabase.com) FILER ONS Acquisition Corp. Mailing Address Business Address 407 N. MAPLE DRIVE, SUITE 407 N. MAPLE DRIVE, SUITE CIK:1810200| IRS No.: 000000000 | State of Incorp.:E9 | Fiscal Year End: 1231 GRD1 GRD1 Type: S-1/A | Act: 33 | File No.: 333-254495 | Film No.: 211096425 BEVERLY HILLS CA 90210 BEVERLY HILLS CA 90210 SIC: 6770 Blank checks 3103676825 Copyright © 2021 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document As filed with U.S. Securities and Exchange Commission on July 16, 2021 Registration No. 333-254495 UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 __________________________________________ Amendment No. 3 to Form S-1 REGISTRATION STATEMENT UNDER THE SECURITIES ACT OF 1933 __________________________________________ ONS Acquisition Corp. (Exact name of registrant as specified in its charter) __________________________________________ Cayman Islands 6770 N/A (State or other jurisdiction of (Primary Standard Industrial (I.R.S. Employer Incorporation or organization) Classification Code Number) Identification No.) 407 N. Maple Drive, Ground Floor Beverly Hills, CA 90210 Telephone: (424) 210-9848 (Address, including zip code, and telephone number, including area code, of registrant’s principal executive offices) __________________________________________ Alexander Crutchfield Chief Executive Officer and Executive Chairman 407 N. Maple Drive, Ground Floor Beverly Hills, CA 90210 Telephone: (424) 210-9848 (Name, address, including zip code, and telephone number, including area code, of agent for service) __________________________________________ Copies to: Christian O. -
Firm Brochure Part 2A Natixis Advisors, LP
Firm Brochure Part 2A Natixis Advisors, L.P. (“Natixis Advisors”) Managed Portfolio Advisors®, a division of Natixis Advisors (“MPA”) Active Index Advisors®, a division of Natixis Advisors (“AIA”) Boston Office San Francisco Office 888 Boylston Street 101 Second Street, Suite 1600 Boston, MA 02199 San Francisco, CA 94105 Phone: 617-449-2810 Phone: 617-449-2810 Fax: 617-369-9794 Fax: 617-369-9794 www.im.natixis.com This brochure provides information about the qualifications and business practices of Natixis Advisors. If you have any questions about the contents of this brochure, please contact us at 617-449-2810, or by email at [email protected]. The information in this brochure has not been approved or verified by the United States Securities and Exchange Commission (“SEC”) or by any state securities authority. Additional information about Natixis Advisors is available on the SEC’s website at www.adviserinfo.sec.gov. Registration does not imply that any particular level of skill or training has been met by Natixis Advisors or its personnel. September 6, 2019 Item 2 – Material Changes This section of the brochure is intended to address “material changes” that have been incorporated since the last delivery or posting of this document on March 29, 2019. Item 12 has been updated to reflect a more detailed description of Natixis Advisor’s trade rotation policy. Appendices 2, 3, and 5 have been updated to reflect the Description, Fees, and Risks associated with four additional Investment Strategies. Part 2B has been updated to reflect changes -
20-0809-1707+ PD E (Pdf)
CANADIAN BROADCAST STANDARDS COUNCIL ATLANTIC REGIONAL PANEL CJCH-TV, CKCW-TV & ASN re “Save Local TV” campaign (CBSC Decision 08/09-1707+) Decided January 12, 2010 B. Jones (Vice-Chair), R. Cohen (ad hoc), K. Hicks, B. MacEachern, R. McKeen, T.-M. Wiseman and CANADIAN BROADCAST STANDARDS COUNCIL ONTARIO REGIONAL PANEL CJOH-TV, CKCO-TV, CFTO-TV & CKVR-TV re “Save Local TV” campaign (CBSC Decision 08/09-1748+) Decided April 1, 2010 R. Cohen (ad hoc), M. Hamilton, J. David, G. Phelan (ad hoc) THE FACTS This decision deals with separate broadcasts on television outlets owned by CTVglobemedia, which took place in the Atlantic and Ontario Regions. Since the broadcasts fell under the jurisdiction of different CBSC Panels, they were destined to be treated separately. Although the challenged content of the various broadcasts was different, the underlying reasoning was common to both adjudications and, in addition to an individual complainant about an Atlantic CTV station, there was a group complainant 2 filing a single document covering both Atlantic and Ontario CTV station broadcasts. In the circumstances, although the Panel adjudications were held separately, the two Panels agreed that their decisions should be issued in a single document. Throughout 2009, factions of the Canadian broadcasting industry were debating an issue familiarly known as fee-for-carriage (and referred to in that way at material moments in all of the challenged broadcasts dealt with herein). The issue was also subsumed by the Canadian Radio-television and Telecommunications Commission (CRTC) as a part of its determinations listed immediately below under their terminological choice, value-for-signal. -
2015 Annual Report Contents
2015 Annual Report Contents 4 Executive Director’s Report 7 Chief Curator’s Report 12 Education Report 14 Programming Report 17 Development Report 20 Marketing and Public Relations Report 22 Shop Report 24 Financial Report 26 Governance Report 27 Donor List Cover: Leopard (detail), Germany, Meissen, c.1750. Gift of Helen E. Gardiner Opposite Page: At the end of the exhibition’s run, the public was invited to take away the figures from Clare Twomey: Piece by Piece on Sunday January 4, 2015. Executive Director’s Report Our objectives for 2015 were inspired by two key words from our strategic plan: vital and audacious. The best example of this was the evolution of the Gardiner’s Kent Monkman’s The Rise and Fall of Civilization, a massive signature fundraising event, 12 Trees. Its 26th year demonstrated installation inspired by bone china in the Gardiner’s collection, how the Museum could continue an iconic event and build on demonstrated the Museum’s dedication to the artist intervention its remarkable legacy to attract new audiences and supporters. program which was started four years ago—a revolution for the Instead of decorating trees in a traditional fashion, the event’s institution when it began. Monkman’s installation centred curator, architect Dee Dee Eustace, commissioned twelve around the near extinction of the bison population and the artists to create their versions of an unconventional, reimagined devastating effect that this had on the First Nations who Christmas tree, with audacious and successful results. depended on these animals. The exhibition programming gave context to the artist’s inspiration and message, and we were A classic ceramics show, such as the one that opened in January grateful to have wonderful collaborators such as imagineNATIVE 2015, also gave us the opportunity to demonstrate how we could Film + Media Arts Festival, Art Toronto, RPM.FM Indigenous give a beautiful exhibition a contemporary relevance. -
(“Agreement”) Covering FREELANCE WRITERS of THEATRICAL FILMS
INDEPENDENT PRODUCTION AGREEMENT (“Agreement”) covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the “Guild”) and The CANADIAN MEDIA PRODUCTION ASSOCIATION (“CMPA”) and ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE (“AQPM”) (the “Associations”) March 16, 2015 to December 31, 2017 © 2015 WRITERS GUILD OF CANADA and CANADIAN MEDIA PRODUCTION ASSOCIATION and the ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE. TABLE OF CONTENTS Section A: General – All Productions p. 1 Article A1 Recognition, Application and Term p. 1 Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 15 Article A5 Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p. 22 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p. 23 Article A8 Story Editors and Story Consultants p. 29 Article A9 Credits p. 30 Article A10 Security for Payment p. 41 Article A11 Payments p. 43 Article A12 Administration Fee p. 50 Article A13 Insurance and Retirement Plan, Deductions from Writer’s Fees p. 51 Article A14 Contributions and Deductions from Writer’s Fees in the case of Waivers p. 53 Section B: Conditions Governing Engagement p. 54 Article B1 Conditions Governing Engagement for all Program Types p. 54 Article B2 Optional Bibles, Script/Program Development p. 60 Article B3 Options p. 61 Section C: Additional Conditions and Minimum Compensation by Program Type p. 63 Article C1 Feature Film p. 63 Article C2 Optional Incentive Plan for Feature Films p. 66 Article C3 Television Production (Television Movies) p. -
Appointment of CFO I
28 November 2017 IG Design Group PLC (the "Company", the “Group” or "Design Group") Appointment of CFO IG Design Group plc, one of the world's leading designers, innovators and manufacturers of celebration, gifting, stationery and creative play products, is pleased to announce the appointment of Giles Willits as Chief Financial Officer. Giles will replace Anthony Lawrinson, who is stepping down from the board as previously announced, effective from 2nd January 2018. Giles, aged 51, has more than 20 years’ experience in senior leadership and financial roles in multiple household name businesses. He was most recently the Chief Financial Officer of Entertainment One Ltd. (LSE: ETO), having joined prior to its IPO on AIM in 2007. Giles was pivotal in the Group’s transition from AIM into a leading global FTSE 250 entertainment company and a household name, with properties such as Peppa Pig, The BFG and 12 Years a Slave in its portfolio. During his tenure the Group grew revenues to over £1bn and completed a number of strategic acquisitions including Alliance Films, The Mark Gordon Company and Peppa Pig. Giles was also formerly Director of Group Finance at J Sainsbury plc and Woolworths Group plc and qualified as a chartered accountant at Price Waterhouse Coopers. John Charlton, Non-Executive Chairman, commented: “We are delighted to welcome Giles to the Group and the Board. Giles has a wealth of experience working with major retail and media brands that we can draw upon and he will be an invaluable asset for the Group now and as we grow. Giles -
CMPA (Formerly CFTPA) Signatory Producers 2015 to 2017 (Extended to June 30, 2019) Live Action up to April 9, 2019
CMPA (formerly CFTPA) Signatory Producers 2015 to 2017 (extended to June 30, 2019) Live Action up to April 9, 2019 #REF! Production Ltd. 0744770 B.C. Ltd. 0897624 B.C. Ltd. 0897624 B.C. Ltd. For ""Prison MD"" 0978603 B.C. Ltd for ""Year of the Rat"" 101117088 Saskatchewan Ltd 10237981 Pelee Entertainment 10283690 Canada Inc. for ""Trump's Left Behind America"" 10564141 Canada Inc. 1106126 BC Ltd. for ""Angel's Flight"" 1162831 B.C. Ltd. 1181106 Alberta Inc (o/a) Draw Your Cat 1259534 Alberta Inc. 1380099 Ont. Inc. Heroic Films Co. for ""Ladies Killing Circle"" 1380099 Ont. Inc.as Heroic Film Cpy for ""First Things First"" 1380099 Ontario Inc. o/a Heroic Film Company 1514373 Ontario Inc. 1555135 Alberta Inc 16 Lighthouse Road Productions, Ltd. for "Cedar Cove" - TV Series - Season 1 1664121 Ontario Ltd for ""Ganesh Boy Wonder"" 1743722 Ontario, Inc. 1746020 Ontario, Inc. 1760451 Ontario, Inc. 1900333 Ontario Limited for ""Asset"" 1921391 Ontario Inc 1972 Productions Inc. 1972 Productions Inc. 1st Person Media Inc. for ""My Wife's Affair is Kind of A Funny Story"" 2005519 Ontario Limited 2006376 Ontario Inc. 2033162 Ontario Inc c.o.b.a Floating Island Entertainment for ""Untitled AI Television Series"" 2051657 Alberta Ltd. 2075382 Ontario Limited 2104023 Ontario Inc. 2108602 Ontario Ltd 22 Minutes (Nye) IV Incorporated 22 Minutes XI Incorporated 22 Minutes XIV Limited 2215190 Ontario, Inc. 2215190 Ontario, Inc. for "The Backpackers" 2218373 Ontario Inc for ""Splashings"" 2218373 Ontario Inc for ""Upstaged"" 2223702 Ontario, Inc. 2255478 Ont. Ltd. 2282131 Ontario Inc for ""Hardy Boys"" 2289543 Ontario Ltd 229543 Ontario, Inc for "URL" 2296613 Ontario Inc. -
Los Angeles County Venture Capital Firms
Los Angeles County Venture Capital Firms Ad-Ventures, LLC. Alcatel Ventures Ambient Capital Arcturus Capital Aurora Capital Group Baroda Ventures, LLC. Bastion Capital Corporation Brentwood Associates California Technology Ventures, LLC Caltius Private Equity Celerity Partners Century Park Capital Partners, L.P. Chanin Capital Partners Clarity Partners, L.P. Clearstone Venture Partners Colony Capital, LLC Digital Coast Ventures Corporation DynaFund Ventures EastWest VentureGroup Entertainment Media Ventures, LLC. Finaventures Freeman Spogli & Co. Fulcrum Capital Group, LLC. Funk Ventures, Inc. GKM Venture Partners GRP Partners Hitachi Corporate Ventures Catalyst Fund Huntington Holdings, Inc. Idealflow Angel Fund LLC. ITU Ventures J.F. Shea Venture Capital Kline Hawkes & Co. Leonard Green & Partners, L.P. Levine Leichtman Capital Partners, Inc. Millennium Hanson Myers Capital Partners, LLC Oaktree Capital Management, LLC Omninet Capital, LLC P & M Investments 1 Pacific Venture Group, L.P. Palomar Ventures PCRS Capital Partners, LLC Putnam Lovell Capital Partners, Inc. Ridgestone Corporation Rolling Oaks Capital Rustic Canyon Ventures Saber Capital, LLC Seidler Equity Partners, LP Shamrock Holdings, Inc. Shelter Capital Partners, LLC Smart Technology Ventures St. Cloud Capital, LLC Steamboat Ventures, LLC Stone Canyon Venture Partners, LP SunAmerica Ventures TCW/Crescent Mezzanine, LLC TI Capital Ad-Ventures, LLC. Description: As both an investor and an entrepreneurial force, adventures seeks to infuse it’s financial and managerial knowledge