The SIXTIES: Relix, the Book: the Grateful Dead Experience
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Archived News
Archived News 2007-2008 News articles from 2007-2008 Table of Contents Alumnae Cited for Accomplishments and Sage Salzer ’96................................................. 17 Service................................................................. 5 Porochista Khakpour ’00.................................. 18 Laura Hercher, Human Genetics Faculty............ 7 Marylou Berg ’92 ............................................. 18 Lorayne Carbon, Director of the Early Childhood Meema Spadola ’92.......................................... 18 Center.................................................................. 7 Warren Green ................................................... 18 Hunter Kaczorowski ’07..................................... 7 Debra Winger ................................................... 19 Sara Rudner, Director of the Graduate Program in Dance .............................................................. 7 Melvin Bukiet, Writing Faculty ....................... 19 Rahm Emanuel ’81 ............................................. 8 Anita Brown, Music Faculty ............................ 19 Mikal Shapiro...................................................... 8 Sara Rudner, Dance Faculty ............................. 19 Joan Gill Blank ’49 ............................................. 8 Victoria Hofmo ’81 .......................................... 20 Wayne Sanders, Voice Faculty........................... 8 Students Arrive on Campus.............................. 21 Desi Shelton-Seck MFA ’04............................... 9 Norman -
Relix Magazine
RELIX MAGAZINE Relix Magazine is devoted to the best in live music. Originally launched in 1974 to connect the Grateful Dead community, Relix now features a wide spectrum of artists including: Phish, My Morning Jacket, Beck, Jack White, Leon Bridges, Ryan Adams, Tedeschi Trucks Band, Chris Stapleton, Tame Impala, Widespread Panic, Fleet Foxes, Joe Russo’s Almost Dead, Umphrey’s McGee and plenty more. Relix also offers a unique angle on the action with sections such as: Tour Diary, Behind The Scene, Global Beat, Track By Track, On The Verge and My Page as well as extensive reviews of live shows and recorded music. Each of our 8 annual issues covers new and established artists and comes with a free CD and digital downloads. TOTAL READERSHIP: 360,000+ MONTHLY PAGEVIEWS: 1.6 Million+ MONTHLY UNIQUE USERS: 280,000+ EMAIL SUBSCRIBERS: 225,000+ SOCIAL MEDIA FOLLOWERS: 410,000+ RELIX MEDIA GROUP Relix Media Group is a multifaceted, innovative, open-minded and creative resource for the live music scene. We are a passionate mix of writers, photographers, videographers, event coordinators, musicians and industry professionals. Above all, we are music lovers. Our mission is to seek out exciting, innovative performers and foster the live music community by connecting with the people who matter most: the fans. Since our earliest inception, we have opened doors for the sonically curious and sought to represent the voice of the concert community. Relix Media Group Info • relix.com • jambands.com • 3,700,000 total impressions • 375,000 total unique visitors -
December 2019
VOL. XXVIII, NO. 3 LENOX, MASSACHUSETTS DECEMBER, 2019 newsletters, photographs, and corporate documents; inci- Letter from the Editor dental papers and documents (some significant, some trivial, and some private); and……. the money. Dear Fellow Alumni and Friends of Lenox School, A group of folks, including Randy Harris, Bob Sansone, Ed Another October, another enjoyable and successful LSAA Miller, Paul Denzel, John Schneiter, Keith Simpson , and even reunion. Great weather, terrific fall colors in the Berk- my wife Carole (a trained and experienced archivist) have shires, many friends, a superb dinner at the Lenox Club. been gnawing on this issue. We don’t have all the answers, but we do have many suggestions and ideas. We’re working And a very significant business meeting. on it. More in future P&S issues as answers and plans are resolved. Clarity is on the horizon. The main topics of the meeting were the results of a second challenge grant and a firm decision concerning the We do have an answer for the money, however, and that LSAA’s future… or part of that future. was the central theme of our business meeting. Jeff Smith, Fritz Eckel, Ira Colby , and Paul Denzel, through hard work First, the money. For yet another year, we were challenged and appropriate due diligence, recommended that the LSAA to meet an ambitious donation hurdle. Last year, we met a engage a local trust management firm that specializes in challenge grant posed by two generous alumni. And again non-profit charitable fund management. You will read much for this year, another alumnus posed an even more ag- about the Berkshire Taconic Community Foundation (BTCF) gressive challenge, which we met and exceeded. -
The Grateful Dead and the Long 1960S – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018
Music 80N: The Grateful Dead and the Long 1960s – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018 Instructor: Dr. Melvin Backstrom [email protected] Teaching Assistants: Marguerite Brown [email protected] Ike Minton [email protected] Class Schedule: MWF, 12pm-1:05pm, Music 101 (Recital Hall) OFFICE HOURS & LOCATION INSTRUCTOR Room 126 Mondays 2-3pm or by appointment TEACHING ASSISTANTS TBA Course Description This music history survey course uses the seminal Bay Area rock band/improvisational ensemble the Grateful Dead as a lens to understand the music and broader history of countercultural music from the 1950s to the present. It combines an extensive engagement with the music of the Grateful Dead, as well as other related musicians, along with a wide variety of readings from non- musical history, political science, philosophy and cultural studies in order to encourage a deep reflection on what the countercultures of the 1960s meant in their heyday, and what their descendants continue to mean today in both musical and non-musical realms. It aims to be both an introduction to those interested in the Grateful Dead, though largely born after the group’s disbandment in 1995, as well as to appeal to those with a broader interest in recent cultural history. Because the University of California – Santa Cruz is the home of the Grateful Dead Archive, students are encouraged to make use of it. However, given the number of students in the course and limitations of UCSC Special Collections its use will not be required. Readings All texts will be available through UCSC’s online system. -
Long, Strange Trip Goes On
Thursday, February 27, 1997 Page 11 ----------------ROYALLIFE Long, strange trip goes on MarkeTVision Direct Press now counting themselves among entire New Years' Show and the least. The faithful came out campuses and the only on-cam Release the legions of Grateful Dead additional never-seen-before in true form at The Further pus provider that feeds entertain fans. video clips. Festival-a recently concluded ment programming via cable and They are probably the most This jam-packed program, Dick's Picks-Volume 5, the tour featuring the remaining · closed circuit TV, reaches more followed band in history. Their hosted by Mike "Zappy" ba11d's December 26, 1979 per members of The Grateful Dead," than 1.7 million college students fans have spanned d~cades. Zapolin, takes viewers on a pil formance, and t-shirts will also said Andrew Miller, President of directly in their dorm rooms. The Grateful Dead, the most grimage through the vault, be made available. MarkeTVision Direct. The network, with 132 affili successful live act in music his speaking with people inside the ates spanning 47 states, contin tory and the only band that gave organization. ues to give college students the birth to a culture, has created a Emerging from his journey, first peek at this unforgettable half-hour television program, Zappy said, "The adventure I experience. The Grateful Dead - The Long went on blew my mind. To real Maxell, whose very name Strange Trip Continues . .. which ly understand The Grateful Dead and famous "blown away" icon will air on the Burly Bear phenomenon you need to live it are synonymous with the College Network from February and viewers will." recording of music, is the 28 to March 13. -
(IP REPORT) - November 1, 2020 Through November 30, 2020 Subject Key No
NPR ISSUES/PROGRAMS (IP REPORT) - November 1, 2020 through November 30, 2020 Subject Key No. of Stories per Subject AGING AND RETIREMENT 5 AGRICULTURE AND ENVIRONMENT 56 ARTS AND ENTERTAINMENT 113 includes Sports BUSINESS, ECONOMICS AND FINANCE 73 CRIME AND LAW ENFORCEMENT 60 EDUCATION 22 includes College IMMIGRATION AND REFUGEES 17 MEDICINE AND HEALTH 177 includes Health Care & Health Insurance MILITARY, WAR AND VETERANS 22 POLITICS AND GOVERNMENT 563 RACE, IDENTITY AND CULTURE 76 RELIGION 16 SCIENCE AND TECHNOLOGY 49 Total Story Count 1249 Total duration (hhh:mm:ss) 115:46:09 Program Codes (Pro) Code No. of Stories per Show All Things Considered AT 580 Fresh Air FA 38 Morning Edition ME 434 TED Radio Hour TED 6 Weekend Edition WE 191 Total Story Count 1249 Total duration (hhh:mm:ss) 115:46:09 AT, ME, WE: newsmagazine featuring news headlines, interviews, produced pieces, and analysis FA: interviews with newsmakers, authors, journalists, and people in the arts and entertainment industry TED: excerpts and interviews with TED Talk speakers centered around a common theme Key Pro Date Duration Segment Title Aging and Retirement ALL THINGS CONSIDERED 11/27/2020 0:04:14 More Than 100,000 People Died Of COVID-19 In Nursing Homes, Findings Show Aging and Retirement ALL THINGS CONSIDERED 11/24/2020 0:04:38 'Atlanta Journal-Constitution' Political Columnist On Retiring After 41 Years Aging and Retirement MORNING EDITION 11/19/2020 0:03:35 Florida Looks At A Winter Without Canadians Aging and Retirement MORNING EDITION 11/16/2020 0:07:34 Iowa Is -
Introduction in Their Thirty Years Together, the Grateful Dead Forever
Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement. -
Socialnet Materialien: Zur Aktualität Abweichenden Verhaltens
Zur Aktualität abweichenden Verhaltens „Harold and Maude“ (1971) von Hal Ashby und „Alice‘s Restaurant“ (1969) von Arlo Guthrie in psychoanalytischer Sicht Hans-Adolf Hildebrandt veröffentlicht unter den socialnet Materialien Publikationsdatum: 17.08.2021 URL: https://www.socialnet.de/materialien/29331.php Zur Aktualität abweichenden Verhaltens – „Harold and Maude“ (1971) von Hal Ashby und „Alice’s Restaurant“ (1969) von Arlo Guthrie in psychoanalytischer Sicht Hans-Adolf Hildebrandt Denn nichts ist schwerer und nichts erfordert mehr Charakter, als sich im offenen Gegensatz zu seiner Zeit zu befinden und laut zu sagen: Nein! (Kurt Tucholsky) Harold and Maude. USA 1971. Regie: Hal Ashby. Produktion: Colin Higgins, Charles Mulvehill. Buch: Colin Higgins. Kamera: John A. Alonzo. Musik: Cat Stevens. Darsteller: Ruth Gordon (Maude Chardin), Bud Cort (Harold Chasen), Vivian Pickles (Mrs. Chasen), Charles Tyner (General Victor Ball), Cyril Cusack (Bildhauer Glaucus), u.a. 91 Min., Farbe Alice’s Restaurant. USA 1969. Regie: Arthur Penn. Produktion: Hillard Elkins, Joseph Manduke. Buch: Venable Herndon, Arthur Penn. Kamera: Michael Nebbia. Musik: Arlo Guthrie. Darsteller: Arlo Guthrie (Arlo Guthrie), Patricia Quinn (Alice Brock), James Broderick (Ray Brock), Pete Seeger (Pete Seeger), 111 Min., Farbe Gegenwärtig werden wir mit mehreren gesellschaftlichen Krisen konfrontiert, die insbesondere durch die Covid-19-Pandemie und ihrer psychosozialen Folgen („Querdenker“), die Zerstörungen der menschlichen Lebensräume durch den von Menschen verursachten -
Alice's Restaurant D'arthur Penn / Alice's Restaurant, États-Unis, 1969
Document generated on 09/29/2021 12:41 p.m. Séquences La revue de cinéma Alice's Restaurant d’Arthur Penn Alice's Restaurant, États-Unis, 1969, 111 minutes Maurice Elia Robert Morin Number 175, November–December 1994 URI: https://id.erudit.org/iderudit/49803ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Elia, M. (1994). Review of [Alice's Restaurant d’Arthur Penn / Alice's Restaurant, États-Unis, 1969, 111 minutes]. Séquences, (175), 28–28. Tous droits réservés © La revue Séquences Inc., 1994 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ il y ans sortait LALICE'S INSTAURANT d'Arthur Penn e temps départagera-t-il les admirateurs et les qu'il a l'intention d'acheter un grand terrain de ferme avec l'auteur dramatique Venable Herndon. Ils inter détracteurs d'Alice's Restaurant? Pour cela, il dans le Vermont. Mais les membres de la communauté, viewent tout le monde: Arlo, Ray, Alice, la mère d'Arlo, Ls'agira de réhabiliter le film, de lui donner une comme refroidis par la mort de Shelly, ne montrent la mère d'Alice, les jeunes de l'église, ceux qui avaient nouvelle visibilité, par exemple de le propulser sans aucun enthousiasme. -
Toni Brown, Former Owner/Publisher of Relix Magazine Releases New Book: Kindweb News Articles
Toni Brown, Former Owner/Publisher of Relix Magazine Releases New Book: KindWeb News Articles Home News Reviews Directory eCards My KindWeb Forum KindBands Shopping Contests Polls Welcome to KindWeb! NNewsews Search Register for a Profile • Login News Categories: Music • Environmental • Political • Odd • Other • View All News Current Poll Toni Brown, Former Owner/Publisher of Relix Magazine Plans for NYE? Releases New Book Going out, seeing live music DeadheadEd 9/25/2009 | Comment on this Article | EMail This Article Going out, low key Staying home Toni Brown, former owner/publisher of Relix Magazine for more than 20 years, Not sure Relix: The Book has just released her new book, , published by BackBeat Books, Vote Now | View Results a division of Hal Leonard Books. Suggest a Poll - View Past Polls Relix: The Book covers the "greatest hits" of the first twenty seven years of the magazine (1974-2001), and chronicles the evolution of the Deadhead/Taper Featured Sponsor community from its first days as a relative "street rag". The book has 256 pages of color, and includes interviews with major personalities including Jerry Garcia, Bob Weir, Jorma Kaukonen, and Robert Hunter. Relix: The Book includes all the cover art of the magazine during this period, photos, art, and articles as diverse as concert taping to Deadheads in jail. Toni Brown is currently on national tour to sign her new book, and to support her new CD, State of Mind. State of Mind is Toni's fourth musical project and was produced at Paul Harlyn Studios in Celebration, Florida. Toni is performing with guitarist/songwriter Ed Munson, and will include special musical friends along the way on her tour. -
Firstgratefuldeadshow
Great AlbumGRATEFUL DEAD s Includes: TERRAPIN STATION/ PASSENGER/SAMSON & DELILAH il Dead Terrapin Station is Giateiui Fameii iur hi^'.vurk as a Jerry Garcia's bano features While rock fads have'come and gone Keyboardist Keith Godchaux and vo• Dead music at its very best. guitarist, singer and Keith and Donna Godchaux, throughout the past decade, the Grate• calist Donna Godchaux joined before composer with the Grateful It's the Dead as you've never Ron Tutt, John Kahn, and ful Dead have remained a constant in Pigpen's untimely death. The Dead were Dead, Bob Weir has recorded heard them before. Merle Saunders and a great contemporary music. Their longevity is spawned from San Francisco's thriving a great album that showcases style all their own. not indicative of stagnation at all; rather psychedelic culture of the late sixties. the entire scope of his legions of Deadheads have been at• From the Dead's earliest days they remarkable talents. tracted by the new ideas and sounds earned a reputation as a superb live that the Dead never stop creating. band. Their spacey, highly improvisa- WATCH FOR THEIR NEW ALBUM The Grateful Dead have always been tional music is dependent on their synonymous with the glorious, youthful individual musical talents. They are COMING SOON days of the Surreal Sixties. That mys• tremendous musicians, and bring a terious band from the West Coast uniqueness to every song in their vast emerged with many different styles and repertoire. moods. Even without the big AM hit, The Dead come to Giants Stadium the Dead have created a huge following as legends in their own time. -
Your Shabbat Edition • December 4, 2020
YOUR SHABBAT EDITION • DECEMBER 4, 2020 Stories for you to savor over Shabbat and through the weekend, in printable format GET THE LATEST AT FORWARD.COM 1 GET THE LATEST AT FORWARD.COM Opinion The secret to Birthright’s success fighting intermarriage? It doesn’t fight intermarriage. By Gil Troy Brandeis University’s Jewish Futures Project just exponentially. released a blockbuster report following-up on Birthright And this is where Birthright comes in. Birthright’s goal Israel’s first decade of applicants that should have had is not that Jews marry other Jews, but rather, that Jews Jews united in celebration. Long-term tracking of stay engaged, a goal that the data also show is Birthright alumni shows that judging by eighteen key amplified by marrying Jewish. That experiencing Israel criteria of positive Jewish involvement, from feeling with Jewish peers also ends up encouraging Jews to connected to Israel to attending religious services to marry other Jews compounds this effect a third time having Jewish friends to marrying Jewish, the impact of over. these ten-day trips often lasts a lifetime. Alas, reflecting American society’s increasing addiction But instead of celebrating this feat, a small group of to all-or-nothing, either-or-ness, critics of Birthright academics have seized on the happy news to bash have cast this acknowledgement of a Jewish Birthright. partnership’s positive role in building American Jewry’s The chief complaint, as one Forward column charged, is future into an assault on those who intermarry. that “Birthright’s insulting obsession with intermarriage Moreover, confusing inputs with outcome, they assume is erasing young Jews.” “A closer look at the study that just because many Birthrighters marry Jews, reveals how deeply the Jewish community remains Birthright hounds Jews not to intermarry.