Firstgratefuldeadshow

Total Page:16

File Type:pdf, Size:1020Kb

Firstgratefuldeadshow Great AlbumGRATEFUL DEAD s Includes: TERRAPIN STATION/ PASSENGER/SAMSON & DELILAH il Dead Terrapin Station is Giateiui Fameii iur hi^'.vurk as a Jerry Garcia's bano features While rock fads have'come and gone Keyboardist Keith Godchaux and vo• Dead music at its very best. guitarist, singer and Keith and Donna Godchaux, throughout the past decade, the Grate• calist Donna Godchaux joined before composer with the Grateful It's the Dead as you've never Ron Tutt, John Kahn, and ful Dead have remained a constant in Pigpen's untimely death. The Dead were Dead, Bob Weir has recorded heard them before. Merle Saunders and a great contemporary music. Their longevity is spawned from San Francisco's thriving a great album that showcases style all their own. not indicative of stagnation at all; rather psychedelic culture of the late sixties. the entire scope of his legions of Deadheads have been at• From the Dead's earliest days they remarkable talents. tracted by the new ideas and sounds earned a reputation as a superb live that the Dead never stop creating. band. Their spacey, highly improvisa- WATCH FOR THEIR NEW ALBUM The Grateful Dead have always been tional music is dependent on their synonymous with the glorious, youthful individual musical talents. They are COMING SOON days of the Surreal Sixties. That mys• tremendous musicians, and bring a terious band from the West Coast uniqueness to every song in their vast emerged with many different styles and repertoire. moods. Even without the big AM hit, The Dead come to Giants Stadium the Dead have created a huge following as legends in their own time. They that can only be described as the are popular recording artists, stars in world's largest family. their own feature length movie, and It all began in 1959 when lead underground heroes. Collectively they ARISTA guitarist/ Jerry Garcia hooked up are a driving force in command of their with lyricist Robert Hunter. By 1965 the sound. As masters of their art, they Av^ailable on nucleus was assembled as the Warlocks. mesmerize their audience through sheer Bob Weir played rhythm guitar. Bill r lusical magic. Kreutzmann handled drumming chores, Today that magic is being spread at ARISTA Records and Tapes Phil Lesh learned bass in order to join Giants Stadium. Their appearance re• the band, keyboardist Ron "Pigpen" calls the memorable show last year at McKernan groaned the blues, and Garcia the Englishtown raceway. played lead axe. Later percussionist Welcome Grateful Dead to Mickey Hart joined to give the Dead New Jersey. its double barreled drumming attack. New Riders of ftie Purple Sage The New Riders of the Purple Sage have remained a major concert attrac• tion in the eight years since their formation. The band has always show• cased the talents of rhythm guitarist/ vocalist John "Marmaduke" Dawson and lead guitarist/vocalist David Nelson. The current lineup of NRPS includes Patrick Shanahan on drums, Allen Kemp on bass, and Peter Grant on pedal steel guitar. The band was created in 1970. Be• sides Dawson and Nelson, NRPS in• cludes Dead members Garcia, Hart and Lesh. By the time they recorded their first LP, New Riders of the Purple Sage, only Garcia remained from the Dead, with Dave Torbert (later Kingfish), and Spencer Dryden (former Jefferson Air• plane drummer and future NRPS mana• ger). The fine debut LP preceded a series of strong records. Classics lilje "Henry" and "Panama Red" have been added to the general musical vocabulary of our generation thanks to NRPS. The New Riders of tlie Purple Sage Willie Nelson appeared at the huge Englishtown cele• THEATRE bration last September. They are here September 22 Willie Nelson is damn near the King all his own. with us again as last year to usher in LITTLE FEAT of Country Music right now. The pro• Who but Willie Nelson could release the close of another Jersey summer. September 29 gressive country movement that he has an album like Stardust, a collection of It is practically tradition. led has far surpassed the more tradition• his ten favorite songs, and sell millions NEW RIDERS of the PURPLE SAGE al Nashville sound in terms of album of them. Willie knows what the people Sam Ash Music Stores/Ludwig Drum Co. sales. Willie sells millions of records want to hear from his years in the KINGFISH now; it is ironic that the Outlaw has honkytonks. October 7 become King. Willie is no stranger to outdoor PHOEBE SNOW Nelson is unique in contemporary affairs. His "Willie Nelson's Annual October 21 Fourth of July Picnics" are major Benefit Concert for music. Certainly grouping him with BILL BRADLEY progressive country outlaws like Waylon musical events every year by all V SEPT. 14,1978 featuring Jennings, Jessi Colter, and Tompall standards. Today he comes to spur BUDDY RICH HARRY CHAPIN Glaser is fair, but his offbeat phrasing, New Jersey's progressive country move• and dark, deep songwriting, and unpre• ment to even greater heights. his Band CHEVY CHASE October 29 dictable albums put him in a category PETER GABRIEL November 4 MONARCH CONCERT PUBLICATIONS ROBIN TROWER Publisher JOHNSCHER Editor-in-chief BRUCE MORAN TICKETS ARE $6.50 AND $7.50 AVAILABLE NOW Advertising Manager GEOFF WOODING Copywriter JOHN WOODING AT THE BOX OFFICE AND ALL OUTLETS. BOX Production '7:30 PM' OFFICE 'OPEN (MONDAY THROUGH FRIDAY, Copy Editor ANNESCULLIN CHURCHMOUSE NOON TO 9PM, AND SATURDAY NOON TO 5PM. Art Director JAMES MOYSSIADIS Printing ANCHOR LITHOGRAPHY A<^issior Cover © 1978 Churchmouse, all rights reserved. © 1978 Monarch Entertainment Bureau, Inc., all rights reserved. This concert program Is part of a series of concert publications circulated free of charge to the audiences at specific Calderone Concert Hall events at Giants Stadium at the Meadowlands, East Rutherford, N.J.; the Capitol Theatre, Passaic, N.J.; On The 145 N. FRANKLIN ST. HEMPSTEAD Boardwalk, Asbury Park, N.J.; and elsewhere. Advertising and Editorial offices are located at 412 Pleasant Valley Way, TICKETS AND INFOHMATION AT ANY SAM ASH MUSIC STORE OR AT THEAIRE ON NIGHTOF CONCERT HOW TO GET FREE TICKETS OR DRUM-ORAMA T-SHIRTS: West Orange, N.J. 07052 (telephone 201-736-9828). Production offices are located at 4 Park Street, Setauket, N.Y. 11733 FREE TICKET WITH PURCHASE OF SZOO. DRUM EQUIPMENT AT SAM ASH FROM JULY 15. (telephone 516-751-6234). DRUM-O-flAMA T-SHIRTS ONLY S4. FREE WITH PURCHASE OF S1S0. DRUM EQUIPMENT AT SAM ASH. GIANTS STADIUM INFORMATION. > All gates will open at 8:30 AM. Enter Gate Some Goodies "A" Turnstiles 1-10 only for Field general from the Folks adnnlssions. All other admissions through all othef geites. The press gate is Gate "D". who bring you STADIUM POLICY J BOTTLES AND COOLERS - No one will be RELIX permitted to carry liquor, beer or wine into the stadium, or bottles of any kind regardless of their contents. Coolers and hampers Show the world who you art with Rollx itickora will have to be left outside the stadium. A — "There is notiiing lilce a Grateful Dead Concert" Anyone attempting to enter with such con• B — "Hot Fuelling Tuno" tainers will be obliged to leave them outside C — "I'd rattier be at o Grateful Deod Concert" the gates. This policy helps to preserve the 9x4" bumper sticlcers 7Sc eoch; or ony 7 f or $3.00 $. good order and safety of everyone. — D — Sl(ull and Roses BANNERS — Giants Stadium has been<~de- — E — SkuU ond Ligiitning signed to provide every seat with an excellent 5%" round sticliers $1.00 ooch; or oiy 4 for $3.75 $.. and unobstructed view of the entire field. To preserve that view. Giants Stadium bans F — Cyclops Merc Sticl<ers the hanging or carrying of banners in any' , (tlie design from Terrapin Station) part of the stadium. $1.25 eoch; or 3for $3.00 $... G — Sl<ull and Roses potches FIREWORKS — Fireworks are prohibited Original design, 3" round, red, wfiite & blue, embroid- and will be confiscated. Anyone suspected '' (. ered or apprehended with fireworks of any kind 75c; or 7 for $4.00 $.... will be subject to detention and prosecution. — H — Album Cover Card Sets For the benefit and safety of all, please ttie some ones tiiat Dead Heads set out years ago. comply with this regulation. Mixed«^tof 12card« 4%x4%" t $2.00 p«r »«t; or 3 lo'ti for $5.00 $.... MEDICAL EMERGENCIES - Observe medi• cal unit-signs. Medical units are located as For your woiU, Rolix poiteri lerliope, Simon Kirhe. follows: ON THE FIELD at the sen/ice drive, I — Janis Joplin and Pig Pen west service tunnel (opposite the stage); Ttie only linown poster of them together, 24" x 33", ON THE LOWER TIER behind section 121; full color ir.CarmleAppice, ON THE MEZZANINE behind sections 201 $2.50 aoch $ . and 221, and ON THE UPPER TIER behind J-58 Song Titles section 301. , .^jKoAynsieirpiinbaR This poster has 58 Grateful Dead song titles depicted in its drawing. FIELD LEVEL REST ROOMS are located Individually numbered, and signed by the artist. Limited edition Brewer. Roger iuior, on the service drive to the left as you exit the Field through the service tunnel. Please $5.00ooch $.... follow signs. Poitog* ond handling: Add 15c for each set of stickers, Alan uiime, Michael oerosier. patches and/or cards ordered, and $1.00 for each poster Field patrons interested in using the rest order. $.... rooms and concession stands in other levels Robert Nix. Barr emore Barlow of the stadium must use escalators or spiral SaleiTox: If you live in New York State $ ramps only. There is no access from the seating levels to the Field level.
Recommended publications
  • Relix Magazine
    RELIX MAGAZINE Relix Magazine is devoted to the best in live music. Originally launched in 1974 to connect the Grateful Dead community, Relix now features a wide spectrum of artists including: Phish, My Morning Jacket, Beck, Jack White, Leon Bridges, Ryan Adams, Tedeschi Trucks Band, Chris Stapleton, Tame Impala, Widespread Panic, Fleet Foxes, Joe Russo’s Almost Dead, Umphrey’s McGee and plenty more. Relix also offers a unique angle on the action with sections such as: Tour Diary, Behind The Scene, Global Beat, Track By Track, On The Verge and My Page as well as extensive reviews of live shows and recorded music. Each of our 8 annual issues covers new and established artists and comes with a free CD and digital downloads. TOTAL READERSHIP: 360,000+ MONTHLY PAGEVIEWS: 1.6 Million+ MONTHLY UNIQUE USERS: 280,000+ EMAIL SUBSCRIBERS: 225,000+ SOCIAL MEDIA FOLLOWERS: 410,000+ RELIX MEDIA GROUP Relix Media Group is a multifaceted, innovative, open-minded and creative resource for the live music scene. We are a passionate mix of writers, photographers, videographers, event coordinators, musicians and industry professionals. Above all, we are music lovers. Our mission is to seek out exciting, innovative performers and foster the live music community by connecting with the people who matter most: the fans. Since our earliest inception, we have opened doors for the sonically curious and sought to represent the voice of the concert community. Relix Media Group Info • relix.com • jambands.com • 3,700,000 total impressions • 375,000 total unique visitors
    [Show full text]
  • The Grateful Dead and the Long 1960S – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018
    Music 80N: The Grateful Dead and the Long 1960s – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018 Instructor: Dr. Melvin Backstrom [email protected] Teaching Assistants: Marguerite Brown [email protected] Ike Minton [email protected] Class Schedule: MWF, 12pm-1:05pm, Music 101 (Recital Hall) OFFICE HOURS & LOCATION INSTRUCTOR Room 126 Mondays 2-3pm or by appointment TEACHING ASSISTANTS TBA Course Description This music history survey course uses the seminal Bay Area rock band/improvisational ensemble the Grateful Dead as a lens to understand the music and broader history of countercultural music from the 1950s to the present. It combines an extensive engagement with the music of the Grateful Dead, as well as other related musicians, along with a wide variety of readings from non- musical history, political science, philosophy and cultural studies in order to encourage a deep reflection on what the countercultures of the 1960s meant in their heyday, and what their descendants continue to mean today in both musical and non-musical realms. It aims to be both an introduction to those interested in the Grateful Dead, though largely born after the group’s disbandment in 1995, as well as to appeal to those with a broader interest in recent cultural history. Because the University of California – Santa Cruz is the home of the Grateful Dead Archive, students are encouraged to make use of it. However, given the number of students in the course and limitations of UCSC Special Collections its use will not be required. Readings All texts will be available through UCSC’s online system.
    [Show full text]
  • Introduction in Their Thirty Years Together, the Grateful Dead Forever
    Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement.
    [Show full text]
  • 991.Com Sleevenotes : a Blog About Collecting Rare Vinyl 7", 12" & LP
    991.com Sleevenotes : A Blog about Collecting Rare Vinyl 7", 12" & LP... http://991.typepad.com/991sleevenotes/2009/04/wednesdays-forthcoming... 991.com Sleevenotes : A Blog about Collecting Rare Vinyl 7", 12" & LP Records, CDs, Memorabilia & Music home archives 991.com latest arrivals sell to us Wednesday, April 15, 2009 Wednesday's Forthcoming Releases At 991.com Shenker Barden http://991.com/Buy/ProductInformation.aspx?StockNumber=467371 * Scorpions and UFO giant Michael Schenker teams up with the legendary Gary Barden * The follow-up from his hugely successful album "In the Midst of Beauty" released last year * The first album from the Michael Schenker-Gary Barden Acoustic Project * Long-term collaborator, Gary Barden's vocals give the cleverly arranged songs just the touch of soul they need for full impact * With Michael Vetter, Schenker has an experienced producer, a second guitarist and a background vocalist on board, who delivers an outstanding performance * Kai Luennemann on percussion completes the team * An eclectic blend of songs and instruments: * The flamenco guitar with castanets in Dance Lady Gipsy conjures up a hot-blooded gipsy dancing * The fiddle and flutes in Fight For Freedom transport you to beautiful Ireland * The strings form just the right counterpart to Michael's guitar in the wonderful ballad All Of My Life * The mouth organ in Can't Live On Love Alone gives it a hint of the blues The Yardbirds http://991.com/Buy/ProductInformation.aspx?StockNumber=467379 When British groups were being introduced to the world back in the Sixties, their albums were often presented in different formats from the original UK release.
    [Show full text]
  • For Immediate Release July 2016 Rare Jerry Garcia Band
    FOR IMMEDIATE RELEASE JULY 2016 RARE JERRY GARCIA BAND PERFORMANCE OUT AUGUST 19TH VIA TWO-DISC ARCHIVAL SERIES RELEASE GARCIALIVE VOLUME SEVEN RECORDED NOVEMBER 8, 1976 AT SOPHIE’S IN PALO ALTO, CA PREVIOUSLY UNRELEASED AND UNCIRCULATED TAPES FOUND BY FORMER GRATEFUL DEAD & JGB VOCALIST DONNA JEAN GODCHAUX Nashville, TN – On August 19, Round Records & ATO Records will release the two-disc GarciaLive Volume Seven: November 8th, 1976 – Jerry Garcia Band, a previously unreleased and uncirculated performance recorded at Sophie’s in Palo Alto, CA. The original reels, along with several other recordings, which have come to be known as the “Houseboat Tapes,” were only recently discovered by former Grateful Dead and Jerry Garcia Band vocalist Donna Jean Godchaux. The chance finding is the subject of a Q&A with Godchaux in the current issue of Relix. Pre-order for GarciaLive Vol. Seven can be found at Garcia Family Provisions (http://jerrygarcia.shop.musictoday.com/). Once a supermarket, Sophie’s was an unassuming and intimate venue where the Jerry Garcia Band played four times in 1976. The hall eventually became the Keystone Palo Alto and hosted the group many more times through the years. Palo Alto itself holds a distinctive place in Garcia’s history. After a brief stint in the Army, it was where Garcia settled and became fully committed to music in the early 1960’s when he was teaching guitar and playing in bands around the area. With former Elvis Presley drummer Ron Tutt manning the throne, longtime Garcia collaborator John Kahn on bass, Keith Godchaux on keys and Donna Jean Godchaux on backing vocals, this ensemble performed almost 70 shows that year and became known as one of the Garcia Band’s strongest lineups.
    [Show full text]
  • Toni Brown, Former Owner/Publisher of Relix Magazine Releases New Book: Kindweb News Articles
    Toni Brown, Former Owner/Publisher of Relix Magazine Releases New Book: KindWeb News Articles Home News Reviews Directory eCards My KindWeb Forum KindBands Shopping Contests Polls Welcome to KindWeb! NNewsews Search Register for a Profile • Login News Categories: Music • Environmental • Political • Odd • Other • View All News Current Poll Toni Brown, Former Owner/Publisher of Relix Magazine Plans for NYE? Releases New Book Going out, seeing live music DeadheadEd 9/25/2009 | Comment on this Article | EMail This Article Going out, low key Staying home Toni Brown, former owner/publisher of Relix Magazine for more than 20 years, Not sure Relix: The Book has just released her new book, , published by BackBeat Books, Vote Now | View Results a division of Hal Leonard Books. Suggest a Poll - View Past Polls Relix: The Book covers the "greatest hits" of the first twenty seven years of the magazine (1974-2001), and chronicles the evolution of the Deadhead/Taper Featured Sponsor community from its first days as a relative "street rag". The book has 256 pages of color, and includes interviews with major personalities including Jerry Garcia, Bob Weir, Jorma Kaukonen, and Robert Hunter. Relix: The Book includes all the cover art of the magazine during this period, photos, art, and articles as diverse as concert taping to Deadheads in jail. Toni Brown is currently on national tour to sign her new book, and to support her new CD, State of Mind. State of Mind is Toni's fourth musical project and was produced at Paul Harlyn Studios in Celebration, Florida. Toni is performing with guitarist/songwriter Ed Munson, and will include special musical friends along the way on her tour.
    [Show full text]
  • Jerry Garcia from Wikipedia, the Free Encyclopedia
    Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson).
    [Show full text]
  • "Relix: the Book " Recounts 30 Years of the Grateful Dead and Jam Band History
    "Relix: The Book " recounts 30 years of the Grateful Dead and jam band history RSS | Go mobile | Favorite Examiners | Meet the Examiners Weather for Tampa Bay | 17° Search articles from thousands of Examiners Select your city Tampa Bay Home Entertainment Business Family & Home Life News & Politics Sports & Recreation Photos Tampa Bay Arts and Entertainment Music Examiner "Relix: The Book " recounts 30 years of the Grateful Dead and jam band history October 13, 9:31 PM Music Examiner Paul Gargano Comment Print Email RSS Subscribe Previous Next 100% Free Yearbook Find Friends from School Find Class Pictures, Year Keep Old Friendships Alive Books & School Buddies, 100% Online. Register Free at www.HighSchoolClassYearbook www.classmates.com Chitika | Premium Sponsored Results www.Webfetti.com Ads by Google There may not be a single music magazine that has impacted its genre more than Relix has impacted jam bands. Relix: The Book recounts how and why, Year in Review encapsulating the magazine's first 30 years and What will you remember from 2009? See bringing full-circle the world it helped to create. the Arts & Entertainment Year in Review. Relix started in 1974 as a way to connect Grateful Holiday Guide Dead fans, becoming a unique music and culture Examiners spread the seasonal cheer with magazine. Today, it remains the only publication of its the Examiner.com Holiday Guide. kind. As The Book unfolds, so does the story of one the most colorful bands and subsequent cultures in Popular Articles music history - the Grateful Dead and the Deadheads. Miley Cyrus reportedly wants Taylor Swift to get matching tattoo The current jam band evolution was born in the pages of Relix.
    [Show full text]
  • For Immediate Release February 2017 the Jerry Garcia Band Featured on New Garcialive Volume Eight Recorded November 23 1991 At
    FOR IMMEDIATE RELEASE FEBRUARY 2017 THE JERRY GARCIA BAND FEATURED ON NEW GARCIALIVE VOLUME EIGHT RECORDED NOVEMBER 23 1991 AT THE BRADLEY CENTER IN MILWAUKEE, WI TWO-DISC SET IS THE FIRST IN A YEAR_LONG SERIES OF PLANNED RELEASES AND EVENTS TO CELEBRATE GARCIA 75TH BIRTHDAY Nashville, TN – On March 10, Round Records & ATO Records will release GarciaLive Volume Eight: November 23rd, 1991 Bradley Center, recorded in Milwaukee, WI. The two-disc set has been re-mastered from the original soundboard recordings allowing more of the warmth and vibe of the performance to shine through. GarciaLive Volume Eight is the first release in a series of archival releases set for 2017 in celebration of Jerry Garcia‘s 75th birthday on August 1. Pre-order for GarciaLive Vol. Eight can be found at Garcia Family Provisions: http://jerrygarcia.shop.musictoday.com/. This show was recorded during the group’s 1991 fall tour, the Jerry Garcia Band’s first full fall tour since 1984. This bright, soulful and high-energy set features the Jerry Garcia Band’s longest continuous lineup with Melvin Seals (keyboards), John Kahn (bass), David Kemper (drums), Gloria Jones (backing vox) and Jacklyn LaBranch (backing vox) alongside Garcia. As Seals puts it, “That was the magic band...we all knew we had something special. That was the band.” And he wasn’t exaggerating. The band opens the set with a rousing version of the Garcia/Hunter fan favorite “Cats Under The Stars”, one of four songs by the seminal songwriting duo played that night. The show features Garcia’s signature renditions of classic covers including Bruce Cockburn’s “Waiting for A Miracle” and an electrifying version of Bob Dylan’s “Tangled Up In Blue”.
    [Show full text]
  • Stigma and the Inappropriately Stereotyped: the Deadhead Professional By
    Stigma and the Inappropriately Stereotyped: The Deadhead Professional By: Rebecca G. Adams Adams, R. G. 2003. Stigma and the Inappropriately Stereotyped: The Deadhead Professional. Sociation Today. v.1, no.1. Made available courtesy of NC Sociological Association: http://www.ncsociology.org/sociationtoday/deadhead.htm ***Note: Figures may be missing from this format of the document The Grateful Dead, a North American rock band that stopped performing in 1995 after thirty years together, was as well known for its fans as it was for its music. Deadheads, as these fans are called, traveled from venue to venue to hear the band play, sometimes staying "on tour" with them for extended periods of time. Although there is still a large concentration of Deadheads in the San Francisco Bay area where the band originally performed, there are now Deadheads everywhere in the United States and in many foreign countries as well. The community claims at least a half million members (Adams & Rosen-Grandon, 2002). It is not only remarkable among music communities because of the length of time it has survived, how geographically dispersed it is, and how large it is, it is also noteworthy because of the length and intensity of involvement of individual fans. When the band stopped playing together as the Grateful Dead, the average Deadhead had been attending their concerts for 10 or 11 years, and more than half of them had traveled at least 800 miles to attend a show (Adams, 1998b). In 2003, almost eight years after the death of Jerry Garcia, the band's lead guitarist, Deadheads remain loyal to the community and continue to attend concerts given by surviving members.
    [Show full text]
  • Jgarcia Flammia Spread.Pdf
    VOL 7 ISSUE 10 contents04.16 118 A GRATEFUL LEGEND An inside look at Grateful Dead vocalist, guitarist, father and all out amazing performer, Jerry Garcia, and his influence on the cannabis scene. 16 APRIL 2016 iReadCULTURE.com ON THE COVER: Photo © Jay Blakesberg Photography 118 APRIL 2016 iReadCULTURE.com Photos © Jay Blakesberg Photography erome John “Jerry” Garcia deadheads with day jobs. By the late 1980s, online archive of concert recordings; surviving was a larger than life figure, the travelling circus was so huge it could stop band members who have continued to tour the musical and spiritual a city in its tracks. And Garcia was the driver, in various incarnations; and dedicated fans leader of the Grateful “Uncle Jerry” or “Captain Trips,” whose wildly who refuse to let go. Some 70,000 of them Dead—a band so beloved improvisational guitar style melted the minds turned out in the summer of 2015 when the that many fans devoted their of generations of fans. band played what was billed as their last lives to following them from He also shared his fans’ love of cannabis; show together, ever. show to show. And when he when the house lights at a Dead show went CULTURE recently caught up with two died, millions mourned as if down, the whole audience lit up. But it was of Garcia’s four children, Trixie, 40, who they had lost a family member. heroin Garcia was battling when he checked represents the Garcia family in the Grateful Originating as the house band of the himself into rehab after a summer 1995 tour.
    [Show full text]
  • Choral Society, and Ballet BRAVO • HART Diana Wortham Theatre NC
    Diana Wortham Theatre’s 2009/10 Mainstage Music Series opens with fiddler and singer Justin David on September 11. PAGE 5 The Asheville Ballet’s 47th season will include cool jazz, modern, and classical ballet performances. PAGE 12 The Asheville Lyric Opera will present Mozart’s “Le Nozze di Figaro” as part of it’s 2009/10 season. PAGE 7 Asheville’s Lyric Opera, Choral Society, and Ballet BRAVO • HART BusIness ProFIles Diana Wortham Theatre NC Stage Company presents blue Goldsmiths . PAGE 11 NC Stage Company a season full of comedies, including Scott Treadway East Side Optical . PAGE 32 Terpsicorps Theatre of Dance and Charlie Flynn-McIver in Greg Vineyard . PAGE 38 WCU’s Galaxy of Stars “True West.” PAGE 33 RAPID RIVER ARTS & CULTURE MAGAZINE financial wellness forum Find Financial Solutions for Free Follow Your Financial Wellness Forum provides the public with ideas Money Mission Statement and solutions on how to better manage their personal finances and improve their economic future. – CREATE THE FINANCIAL FUTURE YOU LONG FOR Your Questions Answered Every Thursday eeta Wolfsohn, BY BYRON BELZAK CMSW, of Thursday, August 6 and Thurs., September 3, from 6 to 7 p.m. Asheville, North statement? Example one: “I Thursday, August 20, from 6 to 7 p.m. Carolina, founder will just say, No, to those Wills, Trusts, Powers of Attorney, of the financial R who want me to spend Create a Money and Eldercare Legal Issues social work discipline and money on them that I can’t Mission Statement Part One of the Forum’s ‘Planning the Center for Financial
    [Show full text]