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Relix Magazine
RELIX MAGAZINE Relix Magazine is devoted to the best in live music. Originally launched in 1974 to connect the Grateful Dead community, Relix now features a wide spectrum of artists including: Phish, My Morning Jacket, Beck, Jack White, Leon Bridges, Ryan Adams, Tedeschi Trucks Band, Chris Stapleton, Tame Impala, Widespread Panic, Fleet Foxes, Joe Russo’s Almost Dead, Umphrey’s McGee and plenty more. Relix also offers a unique angle on the action with sections such as: Tour Diary, Behind The Scene, Global Beat, Track By Track, On The Verge and My Page as well as extensive reviews of live shows and recorded music. Each of our 8 annual issues covers new and established artists and comes with a free CD and digital downloads. TOTAL READERSHIP: 360,000+ MONTHLY PAGEVIEWS: 1.6 Million+ MONTHLY UNIQUE USERS: 280,000+ EMAIL SUBSCRIBERS: 225,000+ SOCIAL MEDIA FOLLOWERS: 410,000+ RELIX MEDIA GROUP Relix Media Group is a multifaceted, innovative, open-minded and creative resource for the live music scene. We are a passionate mix of writers, photographers, videographers, event coordinators, musicians and industry professionals. Above all, we are music lovers. Our mission is to seek out exciting, innovative performers and foster the live music community by connecting with the people who matter most: the fans. Since our earliest inception, we have opened doors for the sonically curious and sought to represent the voice of the concert community. Relix Media Group Info • relix.com • jambands.com • 3,700,000 total impressions • 375,000 total unique visitors -
The Grateful Dead and the Long 1960S – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018
Music 80N: The Grateful Dead and the Long 1960s – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018 Instructor: Dr. Melvin Backstrom [email protected] Teaching Assistants: Marguerite Brown [email protected] Ike Minton [email protected] Class Schedule: MWF, 12pm-1:05pm, Music 101 (Recital Hall) OFFICE HOURS & LOCATION INSTRUCTOR Room 126 Mondays 2-3pm or by appointment TEACHING ASSISTANTS TBA Course Description This music history survey course uses the seminal Bay Area rock band/improvisational ensemble the Grateful Dead as a lens to understand the music and broader history of countercultural music from the 1950s to the present. It combines an extensive engagement with the music of the Grateful Dead, as well as other related musicians, along with a wide variety of readings from non- musical history, political science, philosophy and cultural studies in order to encourage a deep reflection on what the countercultures of the 1960s meant in their heyday, and what their descendants continue to mean today in both musical and non-musical realms. It aims to be both an introduction to those interested in the Grateful Dead, though largely born after the group’s disbandment in 1995, as well as to appeal to those with a broader interest in recent cultural history. Because the University of California – Santa Cruz is the home of the Grateful Dead Archive, students are encouraged to make use of it. However, given the number of students in the course and limitations of UCSC Special Collections its use will not be required. Readings All texts will be available through UCSC’s online system. -
Introduction in Their Thirty Years Together, the Grateful Dead Forever
Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement. -
991.Com Sleevenotes : a Blog About Collecting Rare Vinyl 7", 12" & LP
991.com Sleevenotes : A Blog about Collecting Rare Vinyl 7", 12" & LP... http://991.typepad.com/991sleevenotes/2009/04/wednesdays-forthcoming... 991.com Sleevenotes : A Blog about Collecting Rare Vinyl 7", 12" & LP Records, CDs, Memorabilia & Music home archives 991.com latest arrivals sell to us Wednesday, April 15, 2009 Wednesday's Forthcoming Releases At 991.com Shenker Barden http://991.com/Buy/ProductInformation.aspx?StockNumber=467371 * Scorpions and UFO giant Michael Schenker teams up with the legendary Gary Barden * The follow-up from his hugely successful album "In the Midst of Beauty" released last year * The first album from the Michael Schenker-Gary Barden Acoustic Project * Long-term collaborator, Gary Barden's vocals give the cleverly arranged songs just the touch of soul they need for full impact * With Michael Vetter, Schenker has an experienced producer, a second guitarist and a background vocalist on board, who delivers an outstanding performance * Kai Luennemann on percussion completes the team * An eclectic blend of songs and instruments: * The flamenco guitar with castanets in Dance Lady Gipsy conjures up a hot-blooded gipsy dancing * The fiddle and flutes in Fight For Freedom transport you to beautiful Ireland * The strings form just the right counterpart to Michael's guitar in the wonderful ballad All Of My Life * The mouth organ in Can't Live On Love Alone gives it a hint of the blues The Yardbirds http://991.com/Buy/ProductInformation.aspx?StockNumber=467379 When British groups were being introduced to the world back in the Sixties, their albums were often presented in different formats from the original UK release. -
For Immediate Release July 2016 Rare Jerry Garcia Band
FOR IMMEDIATE RELEASE JULY 2016 RARE JERRY GARCIA BAND PERFORMANCE OUT AUGUST 19TH VIA TWO-DISC ARCHIVAL SERIES RELEASE GARCIALIVE VOLUME SEVEN RECORDED NOVEMBER 8, 1976 AT SOPHIE’S IN PALO ALTO, CA PREVIOUSLY UNRELEASED AND UNCIRCULATED TAPES FOUND BY FORMER GRATEFUL DEAD & JGB VOCALIST DONNA JEAN GODCHAUX Nashville, TN – On August 19, Round Records & ATO Records will release the two-disc GarciaLive Volume Seven: November 8th, 1976 – Jerry Garcia Band, a previously unreleased and uncirculated performance recorded at Sophie’s in Palo Alto, CA. The original reels, along with several other recordings, which have come to be known as the “Houseboat Tapes,” were only recently discovered by former Grateful Dead and Jerry Garcia Band vocalist Donna Jean Godchaux. The chance finding is the subject of a Q&A with Godchaux in the current issue of Relix. Pre-order for GarciaLive Vol. Seven can be found at Garcia Family Provisions (http://jerrygarcia.shop.musictoday.com/). Once a supermarket, Sophie’s was an unassuming and intimate venue where the Jerry Garcia Band played four times in 1976. The hall eventually became the Keystone Palo Alto and hosted the group many more times through the years. Palo Alto itself holds a distinctive place in Garcia’s history. After a brief stint in the Army, it was where Garcia settled and became fully committed to music in the early 1960’s when he was teaching guitar and playing in bands around the area. With former Elvis Presley drummer Ron Tutt manning the throne, longtime Garcia collaborator John Kahn on bass, Keith Godchaux on keys and Donna Jean Godchaux on backing vocals, this ensemble performed almost 70 shows that year and became known as one of the Garcia Band’s strongest lineups. -
Toni Brown, Former Owner/Publisher of Relix Magazine Releases New Book: Kindweb News Articles
Toni Brown, Former Owner/Publisher of Relix Magazine Releases New Book: KindWeb News Articles Home News Reviews Directory eCards My KindWeb Forum KindBands Shopping Contests Polls Welcome to KindWeb! NNewsews Search Register for a Profile • Login News Categories: Music • Environmental • Political • Odd • Other • View All News Current Poll Toni Brown, Former Owner/Publisher of Relix Magazine Plans for NYE? Releases New Book Going out, seeing live music DeadheadEd 9/25/2009 | Comment on this Article | EMail This Article Going out, low key Staying home Toni Brown, former owner/publisher of Relix Magazine for more than 20 years, Not sure Relix: The Book has just released her new book, , published by BackBeat Books, Vote Now | View Results a division of Hal Leonard Books. Suggest a Poll - View Past Polls Relix: The Book covers the "greatest hits" of the first twenty seven years of the magazine (1974-2001), and chronicles the evolution of the Deadhead/Taper Featured Sponsor community from its first days as a relative "street rag". The book has 256 pages of color, and includes interviews with major personalities including Jerry Garcia, Bob Weir, Jorma Kaukonen, and Robert Hunter. Relix: The Book includes all the cover art of the magazine during this period, photos, art, and articles as diverse as concert taping to Deadheads in jail. Toni Brown is currently on national tour to sign her new book, and to support her new CD, State of Mind. State of Mind is Toni's fourth musical project and was produced at Paul Harlyn Studios in Celebration, Florida. Toni is performing with guitarist/songwriter Ed Munson, and will include special musical friends along the way on her tour. -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson). -
"Relix: the Book " Recounts 30 Years of the Grateful Dead and Jam Band History
"Relix: The Book " recounts 30 years of the Grateful Dead and jam band history RSS | Go mobile | Favorite Examiners | Meet the Examiners Weather for Tampa Bay | 17° Search articles from thousands of Examiners Select your city Tampa Bay Home Entertainment Business Family & Home Life News & Politics Sports & Recreation Photos Tampa Bay Arts and Entertainment Music Examiner "Relix: The Book " recounts 30 years of the Grateful Dead and jam band history October 13, 9:31 PM Music Examiner Paul Gargano Comment Print Email RSS Subscribe Previous Next 100% Free Yearbook Find Friends from School Find Class Pictures, Year Keep Old Friendships Alive Books & School Buddies, 100% Online. Register Free at www.HighSchoolClassYearbook www.classmates.com Chitika | Premium Sponsored Results www.Webfetti.com Ads by Google There may not be a single music magazine that has impacted its genre more than Relix has impacted jam bands. Relix: The Book recounts how and why, Year in Review encapsulating the magazine's first 30 years and What will you remember from 2009? See bringing full-circle the world it helped to create. the Arts & Entertainment Year in Review. Relix started in 1974 as a way to connect Grateful Holiday Guide Dead fans, becoming a unique music and culture Examiners spread the seasonal cheer with magazine. Today, it remains the only publication of its the Examiner.com Holiday Guide. kind. As The Book unfolds, so does the story of one the most colorful bands and subsequent cultures in Popular Articles music history - the Grateful Dead and the Deadheads. Miley Cyrus reportedly wants Taylor Swift to get matching tattoo The current jam band evolution was born in the pages of Relix. -
For Immediate Release February 2017 the Jerry Garcia Band Featured on New Garcialive Volume Eight Recorded November 23 1991 At
FOR IMMEDIATE RELEASE FEBRUARY 2017 THE JERRY GARCIA BAND FEATURED ON NEW GARCIALIVE VOLUME EIGHT RECORDED NOVEMBER 23 1991 AT THE BRADLEY CENTER IN MILWAUKEE, WI TWO-DISC SET IS THE FIRST IN A YEAR_LONG SERIES OF PLANNED RELEASES AND EVENTS TO CELEBRATE GARCIA 75TH BIRTHDAY Nashville, TN – On March 10, Round Records & ATO Records will release GarciaLive Volume Eight: November 23rd, 1991 Bradley Center, recorded in Milwaukee, WI. The two-disc set has been re-mastered from the original soundboard recordings allowing more of the warmth and vibe of the performance to shine through. GarciaLive Volume Eight is the first release in a series of archival releases set for 2017 in celebration of Jerry Garcia‘s 75th birthday on August 1. Pre-order for GarciaLive Vol. Eight can be found at Garcia Family Provisions: http://jerrygarcia.shop.musictoday.com/. This show was recorded during the group’s 1991 fall tour, the Jerry Garcia Band’s first full fall tour since 1984. This bright, soulful and high-energy set features the Jerry Garcia Band’s longest continuous lineup with Melvin Seals (keyboards), John Kahn (bass), David Kemper (drums), Gloria Jones (backing vox) and Jacklyn LaBranch (backing vox) alongside Garcia. As Seals puts it, “That was the magic band...we all knew we had something special. That was the band.” And he wasn’t exaggerating. The band opens the set with a rousing version of the Garcia/Hunter fan favorite “Cats Under The Stars”, one of four songs by the seminal songwriting duo played that night. The show features Garcia’s signature renditions of classic covers including Bruce Cockburn’s “Waiting for A Miracle” and an electrifying version of Bob Dylan’s “Tangled Up In Blue”. -
Stigma and the Inappropriately Stereotyped: the Deadhead Professional By
Stigma and the Inappropriately Stereotyped: The Deadhead Professional By: Rebecca G. Adams Adams, R. G. 2003. Stigma and the Inappropriately Stereotyped: The Deadhead Professional. Sociation Today. v.1, no.1. Made available courtesy of NC Sociological Association: http://www.ncsociology.org/sociationtoday/deadhead.htm ***Note: Figures may be missing from this format of the document The Grateful Dead, a North American rock band that stopped performing in 1995 after thirty years together, was as well known for its fans as it was for its music. Deadheads, as these fans are called, traveled from venue to venue to hear the band play, sometimes staying "on tour" with them for extended periods of time. Although there is still a large concentration of Deadheads in the San Francisco Bay area where the band originally performed, there are now Deadheads everywhere in the United States and in many foreign countries as well. The community claims at least a half million members (Adams & Rosen-Grandon, 2002). It is not only remarkable among music communities because of the length of time it has survived, how geographically dispersed it is, and how large it is, it is also noteworthy because of the length and intensity of involvement of individual fans. When the band stopped playing together as the Grateful Dead, the average Deadhead had been attending their concerts for 10 or 11 years, and more than half of them had traveled at least 800 miles to attend a show (Adams, 1998b). In 2003, almost eight years after the death of Jerry Garcia, the band's lead guitarist, Deadheads remain loyal to the community and continue to attend concerts given by surviving members. -
Jgarcia Flammia Spread.Pdf
VOL 7 ISSUE 10 contents04.16 118 A GRATEFUL LEGEND An inside look at Grateful Dead vocalist, guitarist, father and all out amazing performer, Jerry Garcia, and his influence on the cannabis scene. 16 APRIL 2016 iReadCULTURE.com ON THE COVER: Photo © Jay Blakesberg Photography 118 APRIL 2016 iReadCULTURE.com Photos © Jay Blakesberg Photography erome John “Jerry” Garcia deadheads with day jobs. By the late 1980s, online archive of concert recordings; surviving was a larger than life figure, the travelling circus was so huge it could stop band members who have continued to tour the musical and spiritual a city in its tracks. And Garcia was the driver, in various incarnations; and dedicated fans leader of the Grateful “Uncle Jerry” or “Captain Trips,” whose wildly who refuse to let go. Some 70,000 of them Dead—a band so beloved improvisational guitar style melted the minds turned out in the summer of 2015 when the that many fans devoted their of generations of fans. band played what was billed as their last lives to following them from He also shared his fans’ love of cannabis; show together, ever. show to show. And when he when the house lights at a Dead show went CULTURE recently caught up with two died, millions mourned as if down, the whole audience lit up. But it was of Garcia’s four children, Trixie, 40, who they had lost a family member. heroin Garcia was battling when he checked represents the Garcia family in the Grateful Originating as the house band of the himself into rehab after a summer 1995 tour. -
Choral Society, and Ballet BRAVO • HART Diana Wortham Theatre NC
Diana Wortham Theatre’s 2009/10 Mainstage Music Series opens with fiddler and singer Justin David on September 11. PAGE 5 The Asheville Ballet’s 47th season will include cool jazz, modern, and classical ballet performances. PAGE 12 The Asheville Lyric Opera will present Mozart’s “Le Nozze di Figaro” as part of it’s 2009/10 season. PAGE 7 Asheville’s Lyric Opera, Choral Society, and Ballet BRAVO • HART BusIness ProFIles Diana Wortham Theatre NC Stage Company presents blue Goldsmiths . PAGE 11 NC Stage Company a season full of comedies, including Scott Treadway East Side Optical . PAGE 32 Terpsicorps Theatre of Dance and Charlie Flynn-McIver in Greg Vineyard . PAGE 38 WCU’s Galaxy of Stars “True West.” PAGE 33 RAPID RIVER ARTS & CULTURE MAGAZINE financial wellness forum Find Financial Solutions for Free Follow Your Financial Wellness Forum provides the public with ideas Money Mission Statement and solutions on how to better manage their personal finances and improve their economic future. – CREATE THE FINANCIAL FUTURE YOU LONG FOR Your Questions Answered Every Thursday eeta Wolfsohn, BY BYRON BELZAK CMSW, of Thursday, August 6 and Thurs., September 3, from 6 to 7 p.m. Asheville, North statement? Example one: “I Thursday, August 20, from 6 to 7 p.m. Carolina, founder will just say, No, to those Wills, Trusts, Powers of Attorney, of the financial R who want me to spend Create a Money and Eldercare Legal Issues social work discipline and money on them that I can’t Mission Statement Part One of the Forum’s ‘Planning the Center for Financial