Yandro to Travel 60 Miles
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
CFP-Essays on Librarians/Archives/Libraries in Graphic Novels, Comic Strips and Sequential Art
H-Announce CFP-Essays on Librarians/Archives/Libraries in Graphic Novels, Comic Strips and Sequential Art Announcement published by rob weiner on Wednesday, September 2, 2020 Type: Call for Papers Date: November 15, 2020 Location: Texas, United States Subject Fields: Art, Art History & Visual Studies, Cultural History / Studies, Film and Film History, Library and Information Science, Popular Culture Studies Call for Essays: Libraries, Archives, and Librarians in Graphic Novels, Comic Strips and Sequential Art edited by Carrye Syma, Donell Callender, and Robert G. Weiner. The editors of a new collection of articles/essays are seeking essays about the portrayal of libraries, archives and librarians in graphic novels, comic strips, and sequential art/comics. The librarian and the library have a long and varied history in sequential art.Steven M. Bergson’s popular website LIBRARIANS IN COMICS (http://www.ibiblio.org/librariesfaq/comstrp/comstrp.htm; http://www.ibiblio.org/librariesfaq/combks/combks.htm) is a useful reference source and a place to start as is the essay Let’s Talk Comics: Librarians by Megan Halsband (https://blogs.loc.gov/headlinesandheroes/2019/07/lets-talk-comics-librarians/). There are also other websites which discuss librarians in comics and provide a place for scholars to start. Going as far back as the Atlantean age the librarian is seen as a seeker of knowledge for its own sake. For example, in Kull # 6 (1972) the librarian is trying to convince King Kull that of importance of gaining more knowledge for the journey they about to undertake. Kull is unconvinced, however. In the graphic novel Avengers No Road Home (2019), Hercules utters “Save the Librarian” which indicates just how important librarians are as gatekeepers of knowledge even for Greek Gods. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
Pseudoscience and Science Fiction Science and Fiction
Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot. -
By JOHN WELLS a M E R I C a N C H R O N I C L E S
AMERICAN CHRONICLES THE 1965-1969 by JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data.......................................... 5 Introduction & Acknowledgements ............ 6 Chapter One: 1965 Perception................................................................8 Chapter Two: 1966 Caped.Crusaders,.Masked.Invaders.............. 69 Chapter Three: 1967 After.The.Gold.Rush.........................................146 Chapter Four: 1968 A.Hazy.Shade.of.Winter.................................190 Chapter Five: 1969 Bad.Moon.Rising..............................................232 Works Cited ...................................................... 276 Index .................................................................. 285 Perception Comics, the March 18, 1965, edition of Newsweek declared, were “no laughing matter.” However trite the headline may have been even then, it wasn’t really wrong. In the span of five years, the balance of power in the comic book field had changed dramatically. Industry leader Dell had fallen out of favor thanks to a 1962 split with client Western Publications that resulted in the latter producing comics for themselves—much of it licensed properties—as the widely-respected Gold Key Comics. The stuffily-named National Periodical Publications—later better known as DC Comics—had seized the number one spot for itself al- though its flagship Superman title could only claim the honor of -
Xero Comics 3
[A/katic/Po about Wkatto L^o about ltdkomp5on,C?ou.l5on% ^okfy Madn.^5 and klollot.-........ - /dike U^eckin^z 6 ^Tion-t tke <dk<dfa............. JlaVuj M,4daVLi5 to Tke -dfec'iet o/ (2apta Ln Video ~ . U 1 _____ QilkwAMyn n 2t £L ......conducted byddit J—upo 40 Q-b iolute Keto.................. ............Vldcjdupo^ 48 Q-li: dVyL/ia Wklie.... ddkob dVtewait.... XERO continues to appall an already reeling fandom at the behest of Pat & Dick Lupoff, 21J E 7Jrd Street, New York 21, New York. Do you want to be appalled? Conies are available for contributions, trades, or letters of comment. No sales, no subs. No, Virginia, the title was not changed. mimeo by QWERTYUIOPress, as usual. A few comments about lay ^eam's article which may or lay not be helpful. I've had similar.experiences with readers joining fan clubs. Tiile at Penn State, I was president of the 3F‘Society there, founded by James F. Cooper Jr, and continued by me after he gafiated. The first meeting held each year packed them in’ the first meeting of all brought in 50 people,enough to get us our charter from the University. No subsequent meeting ever brought in more than half that, except when we held an auction. Of those people, I could count on maybe five people to show up regularly, meet ing after meeting, just to sit and talk. If we got a program together, we could double or triple that. One of the most popular was the program vzhen we invited a Naval ROTO captain to talk about atomic submarines and their place in future wars, using Frank Herbert's novel Dragon in the ~ea (or Under Pressure or 21 st Century Sub, depending upon where you read itj as a starting point. -
Science Fiction Review 19 Geis 1976-11
SCIENCE FICTION REVIEW 19 $1.25 SFR INTERVIEWS Philip K. Dick • keiiy fi*eas ALIEN THOUGHTS SFR-type zine is a special interest item with inherently limited sales BY THE EDITOR potential (except in the growing number of science fiction and fantasy bookstores who sell quite a few). Sometimes I think I should have The following 'diary' format for started a zine called EROTIC VIEW¬ SFR is a change I've been tinkering POINTS: pics, letters, opinion, fic¬ with in the back of my head (far away tion. I'd be rich. from Alter's lair) for about a year. A combination of the usual "Alien • Thoughts" elements in dated form, in 8-3-76 Boxed and Jiffy-bagged all extensia and extremis. How much of the bookstore orders and got them it can the readers want? IMs seems off. Took two days. Every issue I to be the ultimate domination of the pick up two or three new bookstores, zine by the editor and will probably and drop two or three. quiet those who continually cry for 'more Geis'. ************************************ The advantages are obvious: I THE HADONIST don't have to buy as much outside FLIGHT TO OPAR material and I can indulge myself By Philip Jose Farmer shamelessly. Hie disadvantages are 7-30-76 Made my Friday self-impos¬ DAW UW1238, $1.50 the rigors of reading and reviewing ed deadline and got the subscription- a great deal more, and the danger complimentary- trade copies to the Reviewed by REG and the likelihood of making a damn post office in labeled sacks, all in Book two in the saga of Hadon of fool of myself---more exposure, more order, nice, nice, for the second Opar, the hero of the savage, Olympic risk. -
Challenger #34
Mike Resnick on Facebook: Just received the following from a friend. "Being a modest man, when I checked into my hotel I said to the lady at the registration desk ... 'I hope the porn channel in my room is disabled.' To which she replied, 'No, it's regular porn, you sick bastard.'" CHALLENGER #34 FALL-winter 2011 Guy H. Lillian III 5915 River Road, Shreveport LA 71105 318/797-1822 * 318/218-2345 [email protected] COVER BY BRAD FOSTER CONTENTS Themes Mark Verheiden How I Spent My “Summer” “Vacation” GHLIII Six Songs, Seven Woman Christopher J. Garcia (art by Randy Cleary) Donald Gilmore’s Lechery Lessons Earl Kemp Big MAC GHLIII & Anne Winston (photos by & of Anne Winston) The Night I Proposed Steven H. Silver Everything But the Plumbing Greg Benford Rosy’s Photo Album Rose-Marie Lillian I Love a Happy Ending Darlene Marshall (art by Charlie Williams) Why So Serious? Joseph Major The Challenger Tribute: Bobbi Armbruster (art by Linda Miller) The Predictions of H.G. Wells Joseph Green Whose Royals Are They, Anyway? Taral Wayne (art by the author & anon.) In Sorting Family Papers EMBH Hughes The Trail Richard Brandt The “Al” Side Alan Hutchinson Poems Michael Estabrook (art by Frankie MacDonald) The Kingpin Mike Resnick The Chorus Lines readers ERB Goes Postal Patrick H. Adkins The Greatest Strip Joint in the World GHLIII (art by Jose Sanchez) After the Magic Kent McDaniel (art by Victor Hess) How I Spent My “Christmas” “Vacation” GHLIII Challenger #34 is GHLIII Press Publication #1111 in 2011. Ah, the themes to Challenger 34 .. -
Roy Thomas Roy Thomas
Edited by RROOYY TTHHOOMMAASS Celebrating 100 issues— and 50 years— of the legendary comics fanzine Characters TM & ©2011 DC Comics Centennial Edited by ROY THOMAS TwoMorrows Publishing - Raleigh, North Carolina ALTER EG O: CENTENNIAL THE 100TH ISSUE OF ALTER EGO, VOLUME 3 Published by: TwoMorrows Publishing 10407 Bedfordtown Drive Raleigh, North Carolina 27614 www.twomorrows.com • e-mail: [email protected] No part of this book may be reproduced in any form without written permission from the publisher. First Printing: March 2011 All Rights Reserved • Printed in Canada Softcover ISBN: 978-1-60549-031-1 UPC: 1-82658-27763-5 03 Trademarks & Copyrights: All illustrations contained herein are copyrighted by their respective copyright holders and are reproduced for historical reference and research purposes. All characters featured on the cover are TM and ©2011 DC Comics. All rights reserved. DC Comics does not endorse or confirm the accuracy of the views expressed in this book. Editorial package ©2011 Roy Thomas & TwoMorrows Publishing. Individual contributions ©2011 their creators, unless otherwise noted. Editorial Offices: 32 Bluebird Trail, St. Matthews, SC 29135 • e-mail: [email protected] Eight-issue subscriptions $60 U.S., $85 Canada, $107 elsewhere (in U.S. funds) Send subscription funds to TwoMorrows, NOT to editorial offices. Alter Ego is a TM of Roy & Dann Thomas This issue is dedicated to the memory of Mike Esposito and Dr. Jerry G. Bails, founder of A/E Special Thanks to: Christian Voltar Alcala, Heidi Amash, Michael Ambrose, Ger Apeldoorn, Mark Arnold, Michael Aushenker, Dick Ayers, Rodrigo Baeza, Bob Bailey, Jean Bails, Pat Bastienne, Alberto Becattini, Allen Bellman, John Benson, Gil Kane panel above from The Ring Doc Boucher, Dwight Boyd, Jerry K. -
From Pulp Hero to Superhero: Culture, Race, and Identity in American Popular Culture, 1900-1940 Julian C
Rollins College Rollins Scholarship Online Faculty Publications 10-2008 From Pulp Hero to Superhero: Culture, Race, and Identity in American Popular Culture, 1900-1940 Julian C. Chambliss Rollins College, [email protected] William L. Svitavsky Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/as_facpub Part of the American Popular Culture Commons Published In Chambliss, Julian C., and William Svitavsky. 2008. From pulp hero to superhero: Culture, race, and identity in american popular culture, 1900-1940. Studies in American Culture 30 (1) (October 2008). This Article is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. From Pulp Hero to Superhero: Culture, Race, and Identity in American Popular Culture, 1900-1940 Adventure characters in the pulp magazines and comic books of the early twentieth century reflected development in the ongoing American fascination with heroic figures. 1 As the United States declared the frontier closed, established icons such as the cowboy became disconnected from everyday American experience and were supplanted by new popular adventure fantasies with heroes whose adventures stylized the struggle of the American everyman with a modern industrialized, heterogeneous world. The challenges posed by an urbanizing society to traditional masculinity, threatened to a weaken men’s physical and mental form and to disrupt the United States’ vigorous transformation from uncivilized frontier to modern society.2 Many middle-class social commentators embraced modern industrialization while warning against “sexless” reformers who sought to constrain modern society’s excesses through regulations design to prevent social exploitation, environmental spoilage, and urban disorder. -
Newfangles 39 1970-09
» NEWF.AnGLES #39, the September 1970 issue of this monthly newsletter from Don 5; ‘.'aggie Thompson, 3786 Hendricks Rd., Hentor, Ohio 44060, is the last 10p issue. Future issues will be 20£ each, 6 for $1, though we still give free copies for news, favors, cartoons and so forth. This issue’s logo is by Charles 1‘eyerson (and we have a good backlog of logos now; could use more cartoons) and the picture below is by Daniel Gheno. Eack copies (29 30 33 35 36 38) are available for a dime each for a while. Circulations 526. >-^393939393939393939393939393939393939393939393939393939393939393939393939393939393939393939 Hi Dick Giordano, editor of Aquaman, Teen Titans and other DC comics, has resigned as editor effective Oct. 9. He intends t-o- concentrate on drawing, hopes to get enough work from DC so that he won’ to gououtside the. company. He is not closing the door on editing, hopes to get back into it someday. The only reason he would give for quitting is a desire to get Lack to the drawing board, but it is . known that he has had differences of editorial opinion with Carmine Infantino. DC’s editorial director. For some time now, Stan Lee has been telling college cuuiences that, when his contract is up in three years, no one will see anything of him but dust clouds. It is common gossip in the comic book world that manner of speaking, Lee has resigned but will stay on the . job for three years. This is not final, of course. The Academy of Comic Book Arts will present its own awards in competition with the Alleys Billy Graham is now production editor for Garren, replacing Charles GcNaughton( .insor EcNemo). -
X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media Lyndsey E
Georgia Southern University Digital Commons@Georgia Southern University Honors Program Theses 2015 X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media Lyndsey E. Shelton Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/honors-theses Part of the American Popular Culture Commons, International and Area Studies Commons, and the Religion Commons Recommended Citation Shelton, Lyndsey E., "X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media" (2015). University Honors Program Theses. 146. https://digitalcommons.georgiasouthern.edu/honors-theses/146 This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in University Honors Program Theses by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media An Honors Thesis submitted in partial fulfillment of the requirements for Honors in International Studies. By Lyndsey Erin Shelton Under the mentorship of Dr. Darin H. Van Tassell ABSTRACT It is a widely accepted notion that a child can only be called stupid for so long before they believe it, can only be treated in a particular way for so long before that is the only way that they know. Why is that notion never applied to how we treat, address, and present religion and the religious to children and young adults? In recent years, questions have been continuously brought up about how we portray violence, sexuality, gender, race, and many other issues in popular media directed towards young people, particularly video games.