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8364 Licensed Charities As of 3/10/2020 MICS 24404 MICS 52720 T
8364 Licensed Charities as of 3/10/2020 MICS 24404 MICS 52720 T. Rowe Price Program for Charitable Giving, Inc. The David Sheldrick Wildlife Trust USA, Inc. 100 E. Pratt St 25283 Cabot Road, Ste. 101 Baltimore MD 21202 Laguna Hills CA 92653 Phone: (410)345-3457 Phone: (949)305-3785 Expiration Date: 10/31/2020 Expiration Date: 10/31/2020 MICS 52752 MICS 60851 1 For 2 Education Foundation 1 Michigan for the Global Majority 4337 E. Grand River, Ste. 198 1920 Scotten St. Howell MI 48843 Detroit MI 48209 Phone: (425)299-4484 Phone: (313)338-9397 Expiration Date: 07/31/2020 Expiration Date: 07/31/2020 MICS 46501 MICS 60769 1 Voice Can Help 10 Thousand Windows, Inc. 3290 Palm Aire Drive 348 N Canyons Pkwy Rochester Hills MI 48309 Livermore CA 94551 Phone: (248)703-3088 Phone: (571)263-2035 Expiration Date: 07/31/2021 Expiration Date: 03/31/2020 MICS 56240 MICS 10978 10/40 Connections, Inc. 100 Black Men of Greater Detroit, Inc 2120 Northgate Park Lane Suite 400 Attn: Donald Ferguson Chattanooga TN 37415 1432 Oakmont Ct. Phone: (423)468-4871 Lake Orion MI 48362 Expiration Date: 07/31/2020 Phone: (313)874-4811 Expiration Date: 07/31/2020 MICS 25388 MICS 43928 100 Club of Saginaw County 100 Women Strong, Inc. 5195 Hampton Place 2807 S. State Street Saginaw MI 48604 Saint Joseph MI 49085 Phone: (989)790-3900 Phone: (888)982-1400 Expiration Date: 07/31/2020 Expiration Date: 07/31/2020 MICS 58897 MICS 60079 1888 Message Study Committee, Inc. -
Q2-2013-2014-En.Pdf
COVER PAGE [placeholder] 0 CBC/Radio-Canada Second Quarter Financial Report 2013–2014 Table of Contents CBC/Radio‐Canada’s Commitment to Transparency and Accountability ..................................................... 3 Management Discussion and Analysis .......................................................................................................... 4 Quarter in Review ......................................................................................................................................... 5 Financial Highlights .............................................................................................................................. 5 Business Highlights .............................................................................................................................. 7 1. Performance Update .......................................................................................................................... 12 1.1 Strategic Indicators ............................................................................................................... 12 1.2 Operational Indicators .......................................................................................................... 14 2. Capability to Deliver Results ............................................................................................................... 17 2.1 People and Leadership .......................................................................................................... 17 2.2 Resource Capacity ................................................................................................................ -
Queensland University of Technology Philip Neilsen Philip Roth at 11.00Am
Neilsen Philip Roth Queensland University of Technology Philip Neilsen Philip Roth at 11.00am Biographical note: Philip Neilsen is professor of creative writing and literary studies at QUT, where he founded the creative writing program. He has published a dozen books of poetry, fiction and literary criticism and edited major anthologies. He wrote the first monograph on David Malouf’s work, Imagined Lives (University of Queensland Press), and edited The Penguin Book of Australian Satirical Verse. His creative work has been shortlisted for and won prizes including a CBC Australian Notable Book award, and been translated into several languages. He has been a member of the Literature Board of the Australia Council and chair of the Queensland Writers Centre. Together with Professor Robert King he is researching the therapeutic use of creative arts to assist in the ‘recovery’ process of individuals with mental illness. His most recent book is a fifth collection of poetry, Without an Alibi (Cambridge: Salt Publishing, 2008). He is currently co-editing The Cambridge Companion to Creative Writing with Professor David Morley, Director of the Warwick Writing Programme, UK. Keywords: Life-writing – therapeutic – multiple selves – poetry – mixed genres Brien, Krauth & Webb (eds) 1 TEXT Special issue, The ERA era: creative writing as research, Oct. 2010 Neilsen Philip Roth Philip Roth at 11.00am And as he spoke I was thinking, the kind of stories that people turn life into, the kind of lives that people turn stories into. Nathan Zuckerman in The Counterlife Philip Roth is correcting proofs when he looks out his French windows at the woods the silver birches with triangular leaves and sees Alex Portnoy limping alongside him. -
III. David Malouf
Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson MUSE: MUNICH STUDIES IN ENGLISH MÜNCHENER SCHRIFTEN ZUR ENGLISCHEN PHILOLOGIE Edited by / Herausgegeben von Christoph Bode and / und Ursula Lenker VOL. 45 MUSE: MUNICH STUDIES IN ENGLISH Ruth Barratt-Peacock MÜNCHENER SCHRIFTEN ZUR ENGLISCHEN PHILOLOGIE Edited by / Herausgegeben von Christoph Bode and / und Ursula Lenker Concrete Horizons: Romantic Irony in the VOL. 45 Poetry of David Malouf and Samuel Wagan Watson Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available online at http://dnb.d-nb.de. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Zugl.: Jena, Univ., Diss., 2019 The project was undertaken at the research group Modell Romantik: Variation, Reichweite, Aktualität generously financed by the German Research Foundation (DFG) – 250805958 / GRK2041 Cover illustration: Stunning city view of Brisbane in Australia © iStock by Getty Images Printed by CPI books GmbH, Leck 27 ISSN 2364-088X ISBN 978-3-631-81268-6 (Print) · E-ISBN 978-3-631-81963-0 (E-PDF) E-ISBN 978-3-631-81964-7 (EPUB) · E-ISBN 978-3-631-81965-4 (MOBI) DOI 10.3726/b17077 Open Access: This work is licensed under a Creative Commons Attribution CC-BY 4.0 license. To view a copy of this license, visit https://creativecommons.org/licenses/by/4.0/ © Ruth Barratt-Peacock, 2020 Peter Lang – Berlin · Bern · Bruxelles · New York · Oxford · Warszawa · Wien This publication has been peer reviewed. -
Westerly Magazine
Provisional Maps: Critical Essays On DAVID MALOUF edited by Amanda Nettelbeck Amanda Nettelbeck has gathered new critical essays by Thomas Shapcott, Dennis Haskell, Andrew Taylor, Samar Attar, Gillian Whitlock, Leigh Dale and Helen Gilbert, Amanda Nettelbeck, Maryanne Dever, Annie Patrick, Paul Kavanagh, Patrick Buckridge, and Peter Pierce, plus an interview by Beate Josephi and a detailed critical bibliography. $18'.00 The Centre for Studies in Australian Literature Department of English The University of Western Australia Nedlands WA 6009 CONTENTS WESTERLY VOLUME 39, No.2, WINTER 1994 STORIES The Musings of Marion Fiona Crago 5 Therapy Justin D'Ath 7 Private Matters Margaret Betts 32 The Escaping Housewife Joy Kilian 57 Miranda Fair David Levell 59 Pale Sand, Dark Sand Sarah French 81 POEMS Anthony Lawrence 12 David Ray 69 Vivienne Plumb 15 Andrew Burke 73 Les Harrop 38 Jan Owen 74 Eric Beach 39 Syd Harrex 84 Anna Brooks 40 Jena Woodhouse 85 Paul Hetherington 54 Roland Leach 86 ARTICLES The Iphigenia Complex: Repression and Empowerment in Michael Ackland 17 Australian Colonial Women's Verse Reading Aboriginal Writing Veronica Brady 41 A Hard Freedom - The Poetry of Lee Knowles Hal Colebatch 61 The Dancing Body - Somantic Expression in Julie Carr 75 Elizabeth Jolley's Fiction REVIEWS Dorothy Hewett, 'Peninsula' Tracy Ryan 87 The Penguin Book of Australian Ballads' Gareth Griffiths 88 Tracy Ryan, 'Killing Delilah' Lucy Dougan 90 Judith Wright Shirley Walker 91 Philip Neilsen, The Sting in the Wattle' Ross Fitzgerald 93 'Shrieks - A Horror Anthology' Stephanie Green 95 Carmel Bird, 'Not Now Jack, I'm Writing a Novel' Georgia Richter 97 Giovanna Capone, 'Percorsi Immaginati' Antonio Casella 98 Ric Throssell, 'In a Wilderness of Mirrors' Cathy Greenfield & Peter Williams 100 CONTRIBUTORS 103 Cover design by Robyn Mundy of Mundy Design. -
Accepted Version (PDF 98Kb)
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Bourke, Nicole& Neilsen, Philip (2004) The Problem Of The Exegesis In Creative Writing Higher Degree Pro- grams. TEXT: Journal of Writing and Writing Programs, 8(1-Special Issue 3), pp. 1-8. This file was downloaded from: https://eprints.qut.edu.au/4598/ c Copyright Nicole A. Bourke and Philip M. Neilsen This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.textjournal.com.au/ speciss/ issue3/ bourke.htm COVER SHEET Bourke, Nicole A. and Neilsen, Philip M. -
Philip Neilsen
Germany, offers much to admire. Apart from the many historical mon- uments, the bookshops alone - the range of titles they carry, the service they provide if what one wants is out of stock - are enough to drive one crazy. As a holiday-maker, however, as a visitor whose stay cannot be long, one is apt, in the excitement of exploration and discovery, or in rushing to the theatre or to this or that concert, to imagine cultural opportunities necessarily mean more here than at home. The fact, that one is experiencing the culture through the medium of a language acquired by study, inclines one to be impressed, easily pleased and optimistic. One tends, maybe, to construct and preserve in one's mind an image of city and society as charming and misleading as the Budden- brook facade. But what, one might ask, do the history and traditions of Luebeck mean to her stevedores, for example? How many teenagers in the city know who Thomas Mann was, or could truthfully say they read even one of his stories? And what of poetry, so little regarded in Australia, the concern, outside classroom and lecture theatre, seemingly of poets and pretenders only? Does it really engage more of the public's time and intelligence in North Germany than in North Queensland? The brevity of my stop-over in Luebeck does not permit me to answer such questions with authority. I can only report that on December 12, 1985, in the Zentrum on the corner of the Mengstrasse and An der Untertrave, a fascinating, totally committed performance of "Lyrisches Koerpertheater" was loudly applauded by an enthusiastic audience of ten. -
University of Mumbai Syllabus for MA English Program: Part II Semester III
University of Mumbai Syllabus for M. A. English Program: Part II Semester III & IV (Choice Based Credit System) 1 Syllabus for M.A. Semester III and IV as per Choice Based Credit System with effect from the Academic Year 2017-18: Course Structure: 1.1 Credits: A course that is taught for 4 hours a week for a period of 15 weeks will carry six credits. 1.2. Course credits: To qualify in a given course, a student will have to acquire six credits in the course. Out of these, four credits are central teaching component and two credits are for the self-study component. The self study component will consist of academic tasks outside the classroom that will be assigned by the teacher from time to time. The self study component assigned in this manner will be related to or an extension of but not in lieu of the prescribed syllabus. The self-study component will be given a weightage of 33% in the evaluation of the student. In case of courses with practical component/ field-work components, four credits are for theory course and two credits shall be practical component/filed-work component (regulation 5.1 to 5.9). 1. 3. M. A. Programme: A student who acquires a minimum of 100 credits over four semesters will be declared eligible for the award of the M.A. degree. 1.4. Courses: There shall be five types of courses: (i) Core Course; (ii) Elective Course; (iii) Interdisciplinary/Cross-disciplinary Courses; (iv) Audit Courses; (v) Project-based Courses; (vi) Ability Enhancement Courses (i) Core Course: Core courses are courses that impart instruction in the basic non- specialized aspects of a discipline that constitute the minimum basic competency in that discipline, regardless of any specialization that the learner might choose in the future. -
CHANGING the EQUATION ARTTABLE CHANGING the EQUATION WOMEN’S LEADERSHIP in the VISUAL ARTS | 1980 – 2005 Contents
CHANGING THE EQUATION ARTTABLE CHANGING THE EQUATION WOMEN’S LEADERSHIP IN THE VISUAL ARTS | 1980 – 2005 Contents 6 Acknowledgments 7 Preface Linda Nochlin This publication is a project of the New York Communications Committee. 8 Statement Lila Harnett Copyright ©2005 by ArtTable, Inc. 9 Statement All rights reserved. No part of this publication may be reproduced or transmitted Diane B. Frankel by any means, electronic or mechanical, including photocopying, recording, or information retrieval system, without written permission from the publisher. 11 Setting the Stage Published by ArtTable, Inc. Judith K. Brodsky Barbara Cavaliere, Managing Editor Renée Skuba, Designer Paul J. Weinstein Quality Printing, Inc., NY, Printer 29 “Those Fantastic Visionaries” Eleanor Munro ArtTable, Inc. 37 Highlights: 1980–2005 270 Lafayette Street, Suite 608 New York, NY 10012 Tel: (212) 343-1430 [email protected] www.arttable.org 94 Selection of Books HE WOMEN OF ARTTABLE ARE CELEBRATING a joyous twenty-fifth anniversary Acknowledgments Preface together. Together, the members can look back on years of consistent progress HE INITIAL IMPETUS FOR THIS BOOK was ArtTable’s 25th Anniversary. The approaching milestone set T and achievement, gained through the cooperative efforts of all of them. The us to thinking about the organization’s history. Was there a story to tell beyond the mere fact of organization started with twelve members in 1980, after the Women’s Art Movement had Tsustaining a quarter of a century, a story beyond survival and self-congratulation? As we rifled already achieved certain successes, mainly in the realm of women artists, who were through old files and forgotten photographs, recalling the organization’s twenty-five years of professional showing more widely and effectively, and in that of feminist art historians, who had networking and the remarkable women involved in it, a larger picture emerged. -
Notes on Contributors
NOTES ON CONTRIBUTORS LucY BONANNO is currently finalising her BA in Anthropology and English at James Cook University in Townsville. She is the recipient of the 2012 Mabel Innes Award for Lyric Poetry and a keen writer of poetry and fiction. Lucy lives with her fiancé Stef, and their three chickens, Hetty, Delia, and Nigella. For inspiration, Lucy sits in her backyard with the chooks and the trees. SIMON BOSSELL is a postgraduate student in Creative Writing at the University of Sydney. After completing his master's degree he received a mentorship with the Australian Society of Authors to finish his first novel. He regularly produces reviews and interviews for Megaphone Oz online as well as writing fiction and non-fiction. KATE CANTRELL is a lecturer in the school of Creative Writing and Literary Studies at the Queensland University of Technology. Her research interests include women's memoir, travel, and confession. Kate's doctorate is a practice-led thesis that draws on the study of curves to imagine a new image of thought. Her most recent fiction has been published by Stilts, Swamp, and Wet Ink. Kate is the current editor of Rex. DAVID R. CRAvENS received his undergraduate degree in philosophy at the University of Missouri and his master's degree in English literature from Southeast Missouri State University. He was the recipient of the 2008 Saint Petersburg Review Prize in Poetry, the 2011 Bedford Poetry Prize, and was a finalist for Ohio State University's The Journal William Allen Creative Nonfiction Contest. He is regularly published in numerous journals and teaches composition and literature at Mineral Area College. -
Multicultural Literature in Australia
Coolabah, Nr 26, 2019, ISSN 1988-5946, Observatori: Centre d’Estudis Australians i Transnacionals / Observatory: Australian and Transnational Studies Centre, Universitat de Barcelona A Look Back in Doubt “Confessions of a Heretic”: Multicultural Literature in Australia Manfred Jurgensen Copyright© 2019 Manfred Jurgensen. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged, in accordance with our Creative Commons Licence. Abstract. It is argued that the emergence of ‘multiculturalism’ in Australia during the Nineteen-eighties was almost entirely determined by political considerations. An application of the concept to literary culture was not anticipated. Nor was there a discourse of migrant or ethnic literature before post-war immigration. As part of the Australia Council’s decision to sponsor a literary culture of ‘New Australians’ it encouraged the creation of a journal for multicultural literature, Outrider. This article is an attempt to characterise a group of perceived ‚multicultural writers’ by raising doubt about their real or assumed status. It is true they employ highly individual creative imagination and variations of literary style by questioning the nature of migration (often without being migrants themselves). However, such writing is hardly unique to inherent characteristics of ‚multicultural aesthetics’. Formally and thematically these authors’ language frequently employs a wide range of elective affinities, alienation techniques or correlative analogies. They can hardly be considered ‚minority writers’ of limited literary genius. In truth they are creators of sophisticated poetry and prose by overcoming (or ‘integrating’) foreign language restriction. To them migration is not merely a subject or theme: it is a consciousness manifesting itself in literary form and style. -
NIAGARA REEBOK in Her Dream, Meyer Says on the Concept Came to Meyer
NIAGARATHE COMMUNITY NEWSPAPER OF NIAGARA NEW COLLEGE S FREE November 7, 2008 Vol 39 • Issue 4 FACE OF VALOUR By MALLORY BRESOLIN Staff Writer I pick up the telephone and there is a duck on the other end. “Quack, quack, quack.” I begin to chuckle. “Quack, quack, quack, quack, quack.” I laugh hysterically. “Stop, Grandpa!” I plead. It happens every time. My mom passes me the telephone and my grandpa starts to quack. “It’s Grandpa Quack Quack,” I tell my mom. It is one of the best of memories I have of my grandpa. He died when I was four. I didn’t understand how great he was until many years later. Albert Victor George Hulme was born Jan. 16, 1920, in Edinburgh, Scotland. When he was three, his family moved to Thorold. He was an avid hunter, fi sherman and member of the local gun club. He was also an army man. On Jan. 26, 1941, he joined his father in the Lincoln and Welland Regiment. Not long after, he was sent to serve in Newfoundland. The 21-year-old never fought in a war but was forced to fi ght a battle of his own. Dec. 12, 1942, is a bitter cold evening in wartime St. John’s. More than 350 civilians and ser- vicemen cram into the auditorium of the Knights of Columbus Hostel to watch a performance by the Uncle Tim’s Barn Dance Band. In addition to the auditorium, packed Cpl. Albert Hulme recovers in Sunnybrook Hospital in Toronto after suff ering severe burns in the Knights of Columbus Hostel Fire in St.