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BBC Member for England Role Specification
BBC Member for England The BBC’s mission is defined by Royal Charter: to act in the public interest, serving all audiences through the provision of impartial, high-quality and distinctive output and services which inform, educate and entertain. The BBC is required to do this through delivering five public purposes: 1. To provide impartial news and information to help people understand and engage with the world around them; 2. To support learning for people of all ages; 3. To show the most creative, highest quality and distinctive output and services; 4. To reflect, represent and serve the diverse communities of all of the United Kingdom’s nations and regions and, in doing so, support the creative economy across the United Kingdom; and, 5. To reflect the United Kingdom, its culture and values to the world. The BBC is a public corporation, independent in all matters concerning the fulfilment of its mission and the promotion of the public purposes. It is funded primarily by the licence fee and has a subsidiary commercial operation, which supports the delivery of the Corporation’s mission and public purposes. Each year the BBC is required to publish an Annual Plan, setting out details of its creative remit for the forthcoming year, and an Annual Report and Accounts, reporting back on performance in the previous year. Copies of these can be found here and here. The BBC’s activities and services The BBC Board is responsible for the operation of the entirety of the BBC Group, which includes both the public service broadcasting responsibilities as well as its commercial operations, both in the UK and around the world. -
Scottish Affairs Committee Oral Evidence: Public Broadcasting in Scotland, HC 574
Scottish Affairs Committee Oral evidence: Public broadcasting in Scotland, HC 574 Tuesday 20 July 2021 Ordered by the House of Commons to be published on 20 July 2021. Watch the meeting Members present: Pete Wishart (Chair); Mhairi Black; Andrew Bowie; Deidre Brock; Wendy Chamberlain; Alberto Costa; John Lamont; Douglas Ross. Questions 1-72 Witnesses I: Steve Carson, Director, BBC Scotland, Gary Smith, Head of News and Current Affairs, BBC Scotland, and Louise Thornton, Head of Multiplatform Commissioning, BBC Scotland. Examination of witnesses Witnesses: Steve Carson, Gary Smith and Louise Thornton. Q1 Chair: Welcome to the Scottish Affairs Committee for this one-off session with BBC Scotland, in which we will explore some of the pressing issues which are engaging us just now. Before we get started with the questions, I will let our colleagues introduce themselves. Mr Carson, please tell us anything by way of a short introductory statement, and please introduce your colleagues while you’re there. Steve Carson: Good morning Chair and members of the Committee. BBC Scotland last appeared at the Scottish Affairs Committee in December 2018, a few months before the launch of our BBC Scotland channel. Since then, I am delighted to say that that service has become the most- watched digital channel in Scotland, with a higher reach and higher share than some long-established household names. Over the past year and a half, the landscape has been dominated by covid and, like all other industries in Scotland, public broadcasting has adapted and changed its speed to meet the needs of our audiences during this time. -
RFI20200347 Response
British Broadcasting Corporation Room BC2 A4 Broadcast Centre White City Wood Lane London W12 7TP Telephone 020 8008 2882 Email [email protected] Information Rights bbc.co.uk/foi bbc.co.uk/privacy Emily [email protected] 9 July 2020 Dear Emily, Freedom of Information request – RFI20200915 Thank you for your request to the BBC of 6 July 2020 seeking the following information under the Freedom of Information (FOI) Act 2000: I intend to apply for a permanent job currently available in BBC Children's, that states it is Band B. Can you please tell me the current pay bracket for this band, for this area of the BBC. In response to your request, all our Public Service Broadcasting (PSB) jobs fall into a broad band career level from A-F and each level has a pay range. The bands are the same for both inside and outside of London; however those within London are entitled to London Weighting. In addition to Bands A-F there is also a senior leader (SL) Band. There are no set salary ranges for staff at this level. Please note the bands below do not cover BBC Orchestras, BBC subsidiaries including BBC Studios, BBC Studios & Post Production Ltd, UKTV, BBC Global News Ltd and BBC Worldwide Ltd; as well as the charities BBC Media Action and BBC Children in Need. The broad band pay ranges effective 1st August 2019 are the following: Band Band Pay Range 2019 A £20,536 - £30,804 B £23,103 - £37,992 C £25,670 - £50,313 D £36,195 - £64,688 E £48,516 - £82,144 F £61,608 - £112,948 As set out in section 6(1)(b)(ii) of the Act, our subsidiaries (including BBC Studioworks Limited, UKTV, BBC Global News Ltd and BBC Studios Ltd), as well as the charities BBC Media Action and BBC Children in Need, are not subject to the Act. -
What Is a Lighting Director?
What is a lighting director by Martin Kempton What is a lighting director? Simply put - a lighting director designs the lighting for multi-camera television productions. He or she instructs the crew of electricians in their work in addition to guiding the team of operators who usually sit with the LD in the lighting control room. All this while working closely with the director and the rest of the production team to deliver the best possible pictures. However, there's rather more to it than that, and on this page on the website I explain where LDs work, what kinds of shows LDs work on and give some of the background to what we do. It's important to point out right away that simple 'illumination' is actually a relatively unimportant part of our work. Current TV cameras are capable of operating in very low light levels so it would be quite possible to see what was going on in most studios simply by switching on the houselights. Fortunately, producers and directors realise that the result would look pretty awful. Another thing is also worth making clear – a lighting director is not an electrician. He or she might have been once, but an LD is not another name for a crew chief or gaffer. Most television LDs do not have electrical qualifications, although some may have. In any case, this is not a requirement of the job. The electrical supervisor (gaffer) is in charge of realising the LD’s design in the studio from the rigging and electrical point of view. -
The Future of Public Service Broadcasting
House of Commons Digital, Culture, Media and Sport Committee The future of public service broadcasting Sixth Report of Session 2019–21 Report, together with formal minutes relating to the Report Ordered by the House of Commons to be printed 17 March 2021 HC 156 Published on 25 March 2021 by authority of the House of Commons The Digital, Culture, Media and Sport Committee The Digital, Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Digital, Culture, Media and Sport and its associated public bodies. Current membership Julian Knight MP (Conservative, Solihull) (Chair) Kevin Brennan MP (Labour, Cardiff West) Steve Brine MP (Conservative, Winchester) Alex Davies-Jones MP (Labour, Pontypridd) Clive Efford MP (Labour, Eltham) Julie Elliott MP (Labour, Sunderland Central) Rt Hon Damian Green MP (Conservative, Ashford) Rt Hon Damian Hinds MP (Conservative, East Hampshire) John Nicolson MP (Scottish National Party, Ochil and South Perthshire) Giles Watling MP (Conservative, Clacton) Heather Wheeler MP (Conservative, South Derbyshire) Powers The Committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No. 152. These are available on the internet via www.parliament.uk. Publication © Parliamentary Copyright House of Commons 2021. This publication may be reproduced under the terms of the Open Parliament Licence, which is published at www.parliament.uk/site-information/copyright-parliament/. Committee Reports are published on the Committee’s website at www.parliament.uk/dcmscom and in print by Order of the House. -
Weekly Highlights Week 21/22: Sat 29Th May - Fri 4Th June 2021
Weekly Highlights Week 21/22: Sat 29th May - Fri 4th June 2021 The Masked Dancer, Saturday, 7pm Sunday-Tuesday, Thursday & Friday, 7.30pm This information is embargoed from reproduction in the public domain until Tue 25th May 2021. Pictu Press contacts EMBARGO NOTICE The information contained herein is embargoed from all Press, online, social media, non-commercial publication or syndication - in the public domain until: Tuesday 25th May 2021 Further programme publicity information: ITV Press Office [email protected] www.itv.com/presscentre @itvpresscentre ITV Pictures [email protected] www.itv.com/presscentre/itvpictures ITV Billings [email protected] www.ebs.tv This information is produced by EBS New Media Ltd on behalf of ITV +44 (0)1462 895 999 Please note that all information is embargoed from reproduction in the public domain as stated. Weekly highlights The Masked Dancer Saturday, 7pm Sunday-Tuesday, Thursday & Friday 7.30pm 29th May-4th June ITV TV’s greatest guessing game is back - but this time they’re dancing! Joel Dommett hosts, and is joined by Jonathan Ross, Davina McCall, Mo Gilligan and Oti Mabuse. This series runs across the week, with the panel trying to guess the identities of the dancers in the weird and wonderful costumes. They’ll have more clues than normal - will they be able to work out who is throwing shapes before they’re unmasked?. Beat the Chasers - Celebrity Special Saturday, 8.30pm 29th May ITV More famous faces go head-to-head with not just one, but five Chasers. With big money on offer for charity, who has what it takes to Beat the Chasers? The famous faces are confident they have what it takes to win, but can Gregg Wallace, Brenda Edwards, Jake Wood, Dom Joly and Krishnan Guru-Murthy take the Chasers down and go home with money for their charities? Bradley Walsh hosts. -
Stanhopeplc.Com Stanhope 2021 Stanhope 2021
2021 STANHOPEPLC.COM STANHOPE 2021 STANHOPE 2021 “Every project is different. We start with a blank canvas and our collective experience.” Stanhope are fortunate to have been involved in some of London’s major placemaking projects. We provide innovative responses to complex development opportunities and are known for delivering high quality developments within budget and time constraints. Stanhope’s overriding objective is to leave a legacy of sustainable improvement to the built environment. We aim to create memorable places for living, working and enjoyment that provide a range of uses supporting local communities and acting as a catalyst for further renewal. DAVID CAMP CEO 2 3 STANHOPE 2021 STANHOPE 2021 Trusted partners creating sustainable buildings and urban places Stanhope is a multi-skilled property developer. We deliver projects from inception to operation. Our multi-disciplinary in house team can offer the right experience at every stage of the development process. Originate Design Build Manage Defining the overall vision and brief Establishing the foundations to for the project make the project possible Managing the process to make the Delivering ongoing asset project a reality management and growth RESEARCH CONCEPTUAL DESIGN PROCUREMENT STRATEGY Site | Area | Trends | Uses Uses | Product | Massing Strategy | Implementation | Risk Objectives | Financials | Approach ACQUISITION PLANNING TECHNICAL DESIGN IMPLEMENTATION Appraisals | Legals | Risk Analysis Strategy | Consultation | Consents Buildability | Efficiency | Supply Chain -
BBC Fair Trading: BBC Studioworks Group Trading Manual
BBC Fair Trading: BBC Studioworks Group Trading Manual 20 December 2017 1 Introduction This document sets out the specific arrangements the BBC is implementing to set charges for the goods and services BBC Studioworks obtains from the BBC Public Service, and the services that BBC Studioworks sells to the BBC Public Service. Many of these arrangements, and supporting Service Level Agreements, are in place. The BBC expects that all of the arrangements described in this document will be fully implemented by the 2018-2019 financial year. Table 1 summarises the goods and services BBC Studioworks may use from the BBC Public Service, and for which there are arrangements in place. BBC Studioworks will not necessarily use all of these services on a regular basis. Table 2 summarises the goods and services that BBC Studioworks may sell back to the BBC Public Service. Tables 1 and 2 also describe the BBC’s approach to charging for these goods and services. The remainder of this document further describes these goods and services. The BBC has carried out an internal review to ensure that all services potentially traded between the BBC Public Service and BBC Studioworks have been covered by this Manual. This included: A review of activity from both BBC Studioworks and the BBC Public Service; A review of transfer prices from the prior BBC Trust Fair Trading regime; and An accounting review from the BBC’s finance team and a review of transactions from the BBC’s finance’s systems. The activity, service and finance reviews provide assurance that all significant costs are covered by the transfer pricing arrangements. -
Full Mobile Signal Coverage at BBC Studioworks
Full mobile signal coverage at BBC Studioworks JANUARY 5, 2020 FREQUENCY TELECOM 1 Full mobile coverage at BBC Studioworks at Television Centre Award-winning Cel-Fi Quatra provides great mobile coverage on all networks in the world-famous Television Centre in London Despite the central location of BBC Studioworks’ Television Centre studios in London, the in- building mobile coverage was poor on all floors. After unsuccessful attempts to resolve this, Studioworks found Cel-Fi mobile signal boosters – an OFCOM-compliant solution that caters for all mobile networks. 2 The Business BBC Studioworks is a commercial subsidiary of the BBC, providing studios and postproduction services to all the major TV broadcasters. Its studio facility in White City, London is home to some of the nation’s most watched and loved television shows, including The Graham Norton Show, Good Morning Britain, This Morning, Sunday Brunch and The Jonathan Ross Show. Television Centre has three fully equipped TV studios, ranging from 3,430 ft² to 10,800 ft² which are fitted with industry-leading technology. Other facilities include edit suites, apparatus rooms, dressing rooms, green rooms, and production offices. The Challenge The purpose-built production facility is soundproofed throughout and comprises thick concrete external and internal walls. While this creates ideal conditions to capture TV shows, it can severely hinder mobile signal from penetrating the building. 3 With the facility used by BBC Studioworks’ employees and freelancers, client production teams, on-screen talent and contributors, an in-building mobile coverage solution to cover all networks was required. Mindful of the problem, BBC Studioworks set about finding a solution that could provide adequate mobile coverage for the scale and complexity of the building. -
Frankie Boyle
Frankie Boyle “His stand-up act is honed to gilt-edged perfection” The List Frankie Boyle is a stand-up comedian and writer. Frankie first established himself as a household name on BBC2’s topical news quiz Mock The Week, fast garnering a devoted audience for his unique brand of razor-sharp satirical comedy. Since leaving the show to pursue other projects, he has continued to be one of the most popular and sought-after comics working in the UK, creating his own Channel 4 shows Tramadol Nights and The Boyle Variety Performance, while also performing sold-out tours across the UK. Most recently Frankie created three political specials for the BBC, Referendum Autopsy, Election Autopsy and American Autopsy, each released to widespread critical and public acclaim. Other recent TV credits include Live at the Apollo, Room 101, QI, Kevin Bridges: Live at the Referendum and an original comedy short for BBC iPlayer entitled Frankie Boyle and Bob Mortimer’s Cooking Show. Frankie has also been a guest on and hosted Have I Got News For You and has made appearances on shows such as Would I Lie To You?, The Jonathan Ross Show and 8 Out Of 10 Cats. His live work has seen him complete three nationwide sell-out tours, his 2012 show Last Days Of Sodom, culminating in a string of arena dates. His latest show, Hurt Like You’ve Never Been Loved, toured across the UK and is now available on Netflix, making him only the second UK comedian ever to create exclusive stand-up content for the online streaming behemoth. -
BTS' 'Life Goes On' Launches As Historic No. 1 on Billboard Hot
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth NOVEMBERAirplay 30, 2020 Page 1 of 36 Leader; Travis Denning Makes History INSIDE BTS’ ‘Life Goes On’ Launches as Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupHistoric Nashville), debuts at No. 1 on No. Billboard’s 1lion on audience Billboard impressions, up 16%). Hot 100 Top• CountryBTS Earns Albums Fifth chartNo. dated April 18. In its first week (ending April 9), it earned1 Album 46,000 on Billboardequivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording200 toChart Nielsen With Music/MRC ‘Be’ Data. and totalBY GARY Country TRUST Airplay No. 1 as “Catch” (Big Machine Label Group) ascends Southside marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart• and Why fourth The Musictop 10. It followsBTS freshman’ “Life Goes LP On” soars onto the Billboard Hot ending Nov. 26,Young’s according first ofto six Nielsen chart entries,Music/MRC “Sleep With- Publishing Market Is Montevallo, which arrived at the summit songs in chart No - at No. 1. Data. It alsoout earned You,” 410,000 reached No.radio 2 in airplay December audience 2016. He Still Booming — And 100 vember 2014 and reigned for nine weeks.The song To date, is the South Korean septet’s third Hot 100 impressionsfollowed in the week with the ending multiweek Nov. -
BBC Equality Information Report 2016-17
BBC Equality Report Information 2016/17 BBC Equality Information Report 2016/17 Front cover: BBC Young Dancer, 2017 Introduction Progress Reflecting the UK Our Audiences Our Workforce Appendix Contents 01 Introduction 03 05 Page 02 Reflecting the UK Our Workforce Page 07 Page 22 04 Our Audiences Page 18 02 06 Progress Appendix Page 04 Page 28 BBC Equality Information Report 2016/17 01 Introduction Progress Reflecting the UK Our Audiences Our Workforce Appendix Naga Munchetty A familiar face at breakfast 01 Introduction 02 BBC Equality Information Report 2016/17 Introduction Progress Reflecting the UK Our Audiences Our Workforce Appendix INTRODUCTION Accelerating our journey Introduction from Tony Hall, Meanwhile, our employees have responded openly and positively BBC Director-General to our recent Diversity and Inclusion census, providing us with the highest levels of information and data we’ve ever had on the make-up Twelve months ago, we launched our Diversity and Inclusion Strategy. of our workforce. The level of response is an important sign of an It set out ambitious plans for how we would make a difference, increasingly inclusive and supportive organisation and means that building on the good work the BBC has already been doing but making we have a far better understanding of our workforce and how close sure we – and the industry – can go much further. we are to achieving our 2020 targets. Currently we are more diverse than other broadcasters and the Civil Service. As far as we know, we Over the last year we have made great progress. You can see it in the are more diverse than any FTSE 100 company that has reported the range of voices and faces across some of our most popular content – make-up of its workforce.