DOCSLIB.ORG

Filmmakers Embrace Avid Everywhere to Bring Summer Blockbusters to the Big Screen

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Filmmakers Embrace Avid Everywhere to Bring Summer Blockbusters to the Big Screen September 29, 2015 Filmmakers Embrace Avid Everywhere to Bring Summer Blockbusters to the Big Screen Avid Customers Rely on Avid Artist Suite Creative Tools to Create Hits Including Mission: Impossible - Rogue Nation, Mad Max: Fury Road, Straight Outta Compton, and San Andreas BURLINGTON, Mass., Sept. 29, 2015 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) announced today that the film industry's top creative talent embraced Avid EverywhereTM to bring some of the summer's biggest blockbuster movies to life. The industry's leading editors and sound teams used Avid Artist® Suite creative tools powered by the Avid MediaCentral™ Platform to enable them to meet tight deadlines, collaborate over great distances, and work in harsh production environments to deliver some of the most popular films of 2015. For the fifth installment of the Mission: Impossible franchise, Mission: Impossible - Rogue Nation, Editor Eddie Hamilton, Supervising Sound Editor James Mather, and Sound Re-recording Mixer Mike Prestwood Smith relied on Artist Suite video and audio solutions to bring Director Christopher McQuarrie's vision to life. While Hamilton cut the film using the industry's preeminent editing solution, Avid Media Composer®, the sound team relied on the industry standard Pro Tools®, Pro Tools | S6 and Pro Tools | S3. According to Prestwood Smith, Avid has changed the game for sound mixing over the past decade. "With Avid's creative and collaborative workflow, filmmakers can keep finessing their work, and get a lot more done in a shorter timeframe. Because of this new way of working, you can keep tweaking your mixes without having to compromise. As music cues change and the mix evolves, you can easily adapt all the other sounds in an organic way. Filmmakers can now keep their options open until the very last minute." The film and sound editing teams for Mad Max: Fury Road, the fourth film in veteran Director George Miller's Mad Max franchise, and the first Mad Max film in 30 years, also relied on Artist Suite video and audio solutions. From their cutting rooms in Sydney, Australia, the editing team relied on Media Composer and the Avid ISIS® shared storage to weave together more than 470 hours of location footage from the Namib Desert in Southern Africa into the final 120-minute film. Supervising Sound Editors Mark Mangini and Scott Hecker from Los Angeles-based Formosa Group worked alongside an Australian sound team, using Pro Tools. "Pro Tools has become the de facto standard for feature film sound editorial and design, whether you're designing sounds that you've never heard before or just doing traditional sound editing," said Mangini. "As a worldwide standard, Pro Tools made it very easy to start the project in Sydney, transfer the final mix process to Los Angeles, and simply pick up where we left off." The talented supervising sound editors at Formosa Group used Pro Tools on several other summer blockbusters including Furious 7 (Peter Brown), Hot Pursuit (Karen Baker Landers), San Andreas (Per Hallberg), Insidious 3 (Martyn Zub), Stanford Prison Experiment (Martyn Zub), and Straight Outta Compton (Mark Stoeckinger and Greg Hedgepath). "I can't imagine using anything except Pro Tools. It's the only way our workflow works," said Stoeckinger. "Pro Tools allows you to understand what you're creating as you go, and gives you the flexibility to modify things as you need to. With 768 tracks, you can put everything in one session, from sound effects to backgrounds, instead of having to go back and forth between sessions. For Straight Outta Compton, it helped speed up our work, which allowed us to spend more time on the creative process." "We congratulate our customers on creating some of the most popular movies of the year," said Kyle Kim-Hays, senior vice president and chief marketing officer, Avid. "With Avid Everywhere we give filmmakers the collaborative workflows and creative tools they need to bring the biggest blockbusters to audiences everywhere." About Avid Through Avid Everywhere™, Avid delivers the industry's most open, innovative and comprehensive media platform connecting content creation with collaboration, asset protection, distribution and consumption. Media organizations and creative professionals use Avid solutions to create the most listened to, most watched and most loved media in the world—from the most prestigious and award-winning feature films, to the most popular television shows, news programs and televised sporting events, as well as a majority of today's most celebrated music recordings and live concerts. Industry leading solutions include Pro Tools®, Media Composer®, ISIS®, Interplay®, ProSet and RealSet, Maestro, PlayMaker, and Sibelius®. For more information about Avid solutions and services, visit www.avid.com, connect with Avid on Facebook, Instagram, Twitter, YouTube, LinkedIn, or subscribe to Avid Blogs. © 2015 Avid Technology, Inc. All rights reserved. Avid, the Avid logo, Avid Everywhere, iNEWS, Interplay, ISIS, AirSpeed, Media Composer, Pro Tools, and Sibelius are trademarks or registered trademarks of Avid Technology, Inc. or its subsidiaries in the United States and/or other countries. The Interplay name is used with the permission of the Interplay Entertainment Corp. which bears no responsibility for Avid products. All other trademarks are the property of their respective owners. Product features, specifications, system requirements and availability are subject to change without notice. CONTACT: PRESS CONTACT: Sara Griggs Avid [email protected] 310-907-6909 Source: Avid Technology, Inc. News Provided by Acquire Media.
Load more

Recommended publications
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • THTR 363 Syl-Fall
    THTR 363: Introduction to Sound Design INSTRUCTOR: Richard K. Thomas, 494-8050 [email protected] OFFICE HOURS: Tuesday: 2:30 – 3:30 p.m., Thursday, 1:30 – 2:30 p.m. PAO 2184 CLASS SCHEDULE: Fall 2011 August 23 Intro to Course (Music As a Foundation, pp. 1 - 6) 25 Lecture: Music Language and Theatre (Music As a Foundation, pp. 6 - 25) 30 Music as a Foundation of Theatre: Origins September 1 Lecture: Primal Elements of Music (Music As a Foundation, pp. 25 – 45) 6 Lecture: Primal Elements of Music (Cont.) 8 Lecture: Primal Elements of Music (Cont.) 13 Lecture: Dramatic Time and Space 17 Lecture: The Function of the Soundscape 20 Group Presentations: General Overview of Design Elements 22 Group Presentations: General Overview of Design Elements (cont.) 27 Watch “More to Live For” in studio (No Rick) 29 No Class: Rick at IRT October 4 Color DVDʼs DUE 6 Color Projects DUE 11 Color (Cont) 13 Octoberbreak 18 Color Composition DUE 20. Time DVDʼs Due 25 Time Projects DUE 27 Time (Cont.) November 1 Time Composition DUE 3 Mass DVDʼs DUE 8 Mass Projects DUE 10 Mass (Cont.) 15 Mass Composition DUE THTR 363 Syllabus: Fall, 2011 Page 2 17 Space DVDʼs DUE 22 Space Projects DUE 24 THANKSGIVING BREAK 29 Space Compositions DUE December 1 Line DVDʼs DUE 6 Line Projects DUE 8 Line (Cont) Final Exam Period: Sonnet Projects Due NOTE: THIS SYLLABUS SUBJECT TO CHANGE!! Course Objectives: The purpose of this course is to introduce students to an aesthetic vocabulary of design elements that is useful in both visual and auditory design.
    [Show full text]
  • Test Your Oscar ESP
    Test your Oscar ESP Achievement in music d. “Tanghi Argentini”: Guido Thys and AND THE OSCAR written for motion pictures Anja Daelemans GOES TO... (Original score) e. “The Tonto Woman”: Daniel Barber and Matthew Brown You’ve seen the films. You a. “Atonement”: Dario Marianelli have your opinions. So, who do b. “The Kite Runner”: Alberto Iglesias Achievement in sound you think will win the statue? c. “Michael Clayton”: James Newton editing The correct answers will be Howard a. “The Bourne Ultimatum”: Karen revealed on ABC at 8 p.m. Sun- d. “Ratatouille”: Michael Giacchino Baker Landers and Per Hallberg day. e. “3:10 to Yuma”: Marco Beltrami b. “No Country for Old Men”: Skip Lievsay Performance by an actor in Achievement in music a leading role c. “Ratatouille”: Randy Thom and written for motion pictures Michael Silvers a. George Clooney in “Michael (Original song) d. “There Will Be Blood”: Christopher Clayton” a. “Falling Slowly” from “Once”: Scarabosio and Matthew Wood b. Daniel Day-Lewis in “There Will Be music and lyric by Glen Hansard and e. “Transformers”: Ethan Van der Ryn Blood” Marketa Irglova and Mike Hopkins c. Johnny Depp in “Sweeney Todd: The b. “Happy Working Song” from Demon Barber of Fleet Street” Achievement in sound “Enchanted”: music by Alan Menken; mixing d. Tommy Lee Jones in “In the Valley Photos provided lyric by Stephen Schwartz of Elah” a. “The Bourne Ultimatum”: Scott “American Gangster” c. “Raise It Up” from “August Rush”: Millan, David Parker and Kirk Francis e. Viggo Mortensen in “Eastern music and lyric by Jamal Joseph, Promises” Charles Mack and Tevin Thomas b.
    [Show full text]
  • ALBERT R. BROCCOLI's EON PRODUCTIONS LTD. Presents DANIEL CRAIG As IAN FLEMING's JAMES BOND 007 in SKYFALL Starring JAVIER B
    ALBERT R. BROCCOLI’S EON PRODUCTIONS LTD. Presents DANIEL CRAIG as IAN FLEMING’S JAMES BOND 007 in SKYFALL starring JAVIER BARDEM RALPH FIENNES NAOMIE HARRIS BÉRÉNICE LIM MARLOHE BEN WHISHAW RORY KINNEAR OLA RAPACE with ALBERT FINNEY and JUDI DENCH as M Co-Producers ANDREW NOAKES DAVID POPE Script Supervisor JAYNE-ANN TENGGREN Sound Recordist STUART WILSON Electrical Supervisor JOHN HIGGINS Second Unit Assistant Director TERRY MADDEN Makeup Designer NAOMI DONNE Hair Designer ZOE TAHIR Mr. Craig’s Makeup DONALD MOWAT Wardrobe Supervisor GORDON HARMER Publicity and Marketing STEPHANIE WENBORN Promotions KEITH SNELGROVE Supervising Art Director CHRIS LOWE Set Decorator ANNA PINNOCK Property Master JAMIE WILKINSON Construction Manager STEPHEN BOHAN Stills Photographer FRANÇOIS DUHAMEL Visual Effects Producer LESLIE LERMAN Production Supervisor JANINE MODDER Location Production Managers CHRIS BROCK ANGUS MORE GORDON ANTHONY WAYE Second Unit Production Manager TERRY BAMBER Post Production Supervisor MICHAEL SOLINGER Visual Effects and Miniature Supervisor STEVE BEGG Associate Producer GREGG WILSON Unit Production Managers CALLUM McDOUGALL JEREMY JOHNS First Assistant Director MICHAEL LERMAN Casting DEBBIE McWILLIAMS Main Titles Designed by DANIEL KLEINMAN Special Effects and Miniature Effects Supervisor CHRIS CORBOULD Stunt Coordinator GARY POWELL Second Unit Director ALEXANDER WITT Costume Designer JANY TEMIME Editors STUART BAIRD A.C.E. KATE BAIRD Director of Photography ROGER DEAKINS ASC BSC Production Designer DENNIS GASSNER Music by THOMAS
    [Show full text]
  • Case 2:14-Bk-19980-SK Doc 1 Filed 05/21/14 Entered
    B1 (Official FormCase 1) (04/13) 2:14-bk-19980-SK Doc 1 Filed 05/21/14 Entered 05/21/14 20:55:00 Desc UNITED STATES BANKRUPTCY Main C OURTDocument Page 1 of 298 VOLUNTARY PETITION Central District of California Name of Debtor (if individual, enter Last, First, Middle): Name of Joint Debtor (Spouse) (Last, First, Middle): TODD-SOUNDELUX, LLC All Other Names used by the Debtor in the last 8 years All Other Names used by the Joint Debtor in the last 8 years (include married, maiden, and trade names): (include married, maiden, and trade names): Last four digits of Soc. Sec. or Individual-Taxpayer I.D. (ITIN)/Complete EIN Last four digits of Soc. Sec. or Individual-Taxpayer I.D. (ITIN)/Complete EIN (if more than one, state all): 26-3115549 (if more than one, state all): Street Address of Debtor (No. and Street, City, and State): Street Address of Joint Debtor (No. and Street, City, and State): 7080 Hollywood Blvd. 6th Floor Hollywood, CA ZIP CODE 90028 ZIP CODE County of Residence or of the Principal Place of Business: Los Angeles County of Residence or of the Principal Place of Business: Mailing Address of Debtor (if different from street address): Mailing Address of Joint Debtor (if different from street address): ZIP CODE ZIP CODE Location of Principal Assets of Business Debtor (if different from street address above): ZIP CODE Type of Debtor Nature of Business Chapter of Bankruptcy Code Under Which (Form of Organization) (Check one box.) the Petition is Filed (Check one box.) (Check one box.) Health Care Business Chapter 7 Chapter 15 Petition for Individual (includes Joint Debtors) Single Asset Real Estate as defined in Chapter 9 Recognition of a Foreign Main Proceeding See Exhibit D on page 2 of this form.
    [Show full text]
  • LIONS GATE FILMS Presents 3:10 to YUMA
    LIONS GATE FILMS Presents 3:10 TO YUMA Produced by: Cathy Konrad Directed by: James Mangold NOMINEES Supervising Sound Editor/Sound Designer: Donald Sylvester Supervising Foley Editor: John Murray Editors: Ted Caplan Scott Curtis, MPSE Matthew Harrison Steve Bissinger Simon Coke Foley Artists: Dawn Fintor Elizabeth Rainey Alicia Stevenson UNIVERSAL PICTURES Presents AMERICAN GANGSTER Produced by: Ridley Scott Brian Glazer Directed by: Ridley Scott NOMINEES Supervising Sound Editors/Sound Designers: Per Hallberg, MPSE Karen Baker Landers Supervising Foley Editor: Craig S. Jaeger, MPSE Sound Editors: Christopher Assells, MSPE Dino R. Dimuro, MPSE Daniel Hegeman Peter Staubli, MPSE Jon Title, MPSE UNIVERSAL PICTURES Presents THE BOURNE ULTIMATUM Produced by: Frank Marshall Patrick Crowley Paul Sandberg Directed by: Paul Greengrass NOMINEES Supervising Sound Editors/Sound Designers: Per Hallberg, MPSE Karen Baker Landers Supervising Foley Editors: Craig S. Jaeger, MPSE Kelly Oxford, MPSE Sound Editors: Peter Staubli, MPSE Christopher Assells, MPSE Dino R. Dimuro, MPSE Daniel Hegeman Ann Scibelli, MPSE Jon Title, MPSE Christopher W. Hogan, MPSE Hector Gika WARNER BROTHERS PICTURES Presents I AM LEGEND Produced by: Akiva Goldsman David Heyman James Lassiter Neal H. Moritz Erwin Stoff Directed by: Francis Lawrence NOMINEES Supervising Sound Editor: Skip Lievsay Sound Design: Jeremy Peirson Sound Editors: Jason W. Jennings Craig Berkey James Morioka Greg ten Bosch Supervising Foley Editor: John Thomas Foley Editor: Ryan Juggler Christopher Flick
    [Show full text]
  • Best Sound Editing in a FOREIGN FEATURE – SFX-Foley, Dia-ADR
    Best Sound Editing in a FOREIGN FEATURE – SFX-Foley, Dia-ADR WARNER BROTHERS Presents BATMAN BEGINS Produced by: Larry Franco Charles Roven Emma Thomas Directed by: Christopher Nolan NOMINEES Supervising Sound Editors: David G. Evans Stefan Henrix Sound Editors: Justine Angus Rodney Berling Rodney Glenn Jethro Loughran Nigel Holland Dialogue Editor: Iain Gyre ADR Editor: Howard Halsall Foley Editor: Derek Trigg Foley Artists: Peter Burgis Andie Derrick ADDITIONAL CREW Assistant Sound Editors: Barney Pratt Nathan Duncan Glen Gathard Gemma Stansfield Sound Effects Designers: James Boyle Andy Kennedy ADR Mixer: Jamie Roden Re-Recording Mixers: Lora Hirschberg Gary A. Rizzo WARNER BROTHERS Presents CHARLIE AND THE CHOCOLATE FACTORY Produced by: Brad Grey Richard D. Zanuck Directed by: Tim Burton NOMINEES Supervising Sound Editor: Eddy Joseph Sound Designer: Steve Boeddeker Supervising Foley Editor: Alex Joseph Supervising Dialogue Editor: Colin Ritchie Sound Editors: Martin Cantwell John Warhurst Dialogue/ADR Editor: Tony Currie Foley Editor: Simon Chase Foley Artists: Peter Burgis Andie Derrick ADDITIONAL CREW Assistant Sound Editors: Alistair Hawkins Nathan Duncan Production Mixer: Tony Dawe Foley Mixer: Nigel Heath Re-Recording Mixers: Michael Semanick Thomas Johnson Studio Mix Technicians: Vincent Cosson Phillip Freudenfeld FOCUS FILMS Presents THE CONSTANT GARDENER Produced by: Simon Channing-Williams Directed by: Fernando Meirelles NOMINEES Supervising Sound Editor: Joakim Sundström Sound Editors: Nick Adams Jennie Evans ADR Editor:
    [Show full text]
  • Are You Just Watching, Or Learning? a Word from the Executive 02 03
    British Academy of Film and Television Arts Annual Review 2007 /2008 Are you just watching, or learning? A Word from the Executive 02 03 How were you first inspired? By a thrilling piece of dialogue? A moving portrayal? A directorial masterstroke? A faultless evocation of time and place? The art forms Inspiration comes in many forms. As practitioners in the art forms of the moving image, we can find it easily in the work of our peers and predecessors. Many of those works will enthuse and inspire our audiences, of course. But there is much more we can all offer – every single one of us. of the moving By engaging the public in other ways – in talks, lectures, Q&As, festivals, workshops and masterclasses – we enhance the understanding and the enjoyment of our art forms. That’s the very real public benefit that this Academy can deliver. image have Our new Learning & Events strategy promises inspiration for thousands – perhaps millions. The partnerships, pilot projects, learning programmes and broadcasts that we’ve been developing will bring insights and enjoyment to these audiences. At live events and online, through never meant webcasts and archive material, we’re opening doors to directing, producing, performing, designing and every kind of craft. We all have inspiration to offer. So pass it on. so much to so many. From left to right: 1. Hilary Bevan Jones Chairman 2. Amanda Berry Chief Executive 3. Kevin Price Chief Operating Officer Key Performance Indicators 04 05 Inspiration is what the Academy aims to deliver. And today we’re Our aims How we performed delivering more of what we believe to be inspiring, to more people, through more channels than ever before.
    [Show full text]
  • DE-PUB-Presseheft-Press-Notes-Final-GLTN.Pdf
    2 WARNER BROS. PICTURES präsentiert eine DE LINE PICTURES Produktion RYAN REYNOLDS BLAKE LIVELY PETER SARSGAARD MARK STRONG ANGELA BASSETT und TIM ROBBINS Regie MARTIN CAMPBELL Produzenten DONALD DE LINE, GREG BERLANTI Drehbuch GREG BERLANTI & MICHAEL GREEN & MARC GUGGENHEIM und MICHAEL GOLDENBERG Story GREG BERLANTI & MICHAEL GREEN & MARC GUGGENHEIM Nach den Comic-Charakteren erschienen bei DC COMICS Executive Producers HERBERT W. GAINS, ANDREW HAAS Kamera DION BEEBE, ACS, ASC Produktionsdesign GRANT MAJOR Schnitt STUART BAIRD, A.C.E. Kostümdesign NGILA DICKSON Musik JAMES NEWTON HOWARD Deutscher Filmstart: 28. Juli 2011 im Verleih von Warner Bros. Pictures Germany a division of Warner Bros. Entertainment GmbH www.GreenLantern-DerFilm.de 3 INHALT Im ebenso endlosen wie geheimnisvollen Universum existiert seit Jahrhunderten eine kleine, aber schlagkräftige Einheit, die für Gesetz und Gerechtigkeit eintritt: das Green Lantern Corps. Jeder Green Lantern wird durch einen Eid auf die Bruderschaft der Krieger dazu verpflichtet, in der Galaxis Recht und Ordnung aufrechtzuerhalten, alle tragen einen Ring, der ihnen übernatürliche Kräfte verleiht. Doch als ein neuer Gegner namens Parallax das Gleichgewicht der Kräfte im Universum auszuhebeln droht, liegt das Schicksal der Green Lanterns und der gesamten Erde in der Hand ihres jüngsten Rekruten: Er ist der erste Mensch, der in ihre Reihen aufgenommen wurde – Hal Jordan (Ryan Reynolds). Hal ist zwar ein begabter und ziemlich großspuriger Testpilot, doch die Green Lanterns haben für Menschen wenig übrig, weil sie im Umgang mit den unermesslichen Möglichkeiten des Rings keinerlei Erfahrung mitbringen. Dennoch ist Hal ganz offensichtlich das fehlende Teil im Puzzle, denn neben seiner Hartnäckigkeit und Willensstärke ist er den anderen Mitgliedern des Corps in einem Aspekt überlegen: in seiner Menschlichkeit.
    [Show full text]
  • 2007 Nominations
    2012 NOMINATIONS (presented in 2013) BEST FILM ARGO - Grant Heslov, Ben Affleck, George Clooney LES MISÉRABLES - Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh LIFE OF PI - Gil Netter, Ang Lee, David Womark LINCOLN - Steven Spielberg, Kathleen Kennedy ZERO DARK THIRTY - Mark Boal, Kathryn Bigelow, Megan Ellison OUTSTANDING BRITISH FILM ANNA KARENINA - Joe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard THE BEST EXOTIC MARIGOLD HOTEL - John Madden, Graham Broadbent, Pete Czernin, Ol Parker LES MISÉRABLES - Tom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer SEVEN PSYCHOPATHS - Martin McDonagh, Graham Broadbent, Pete Czernin SKYFALL - Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER BART LAYTON (Director), DIMITRI DOGANIS (Producer)- The Imposter DAVID MORRIS (Director), JACQUI MORRIS (Director/Producer) - McCullin DEXTER FLETCHER (Director/Writer), DANNY KING (Writer) - Wild Bill JAMES BOBIN (Director) - The Muppets TINA GHARAVI (Director/Writer) - I Am Nasrine DIRECTOR AMOUR - Michael Haneke ARGO - Ben Affleck DJANGO UNCHAINED - Quentin Tarantino LIFE OF PI - Ang Lee ZERO DARK THIRTY - Kathryn Bigelow DOCUMENTARY THE IMPOSTER - Bart Layton, Dimitri Doganis MARLEY - Kevin Macdonald, Steve Bing, Charles Steel McCULLIN - David Morris, Jacqui Morris SEARCHING FOR SUGAR MAN - Malik Bendjelloul, Simon Chinn WEST OF MEMPHIS - Amy Berg ORIGINAL SCREENPLAY AMOUR - Michael Haneke DJANGO UNCHAINED - Quentin Tarantino THE MASTER - Paul Thomas Anderson MOONRISE KINGDOM - Wes Anderson, Roman Coppola ZERO DARK THIRTY - Mark Boal ADAPTED SCREENPLAY ARGO - Chris Terrio BEASTS OF THE SOUTHERN WILD - Lucy Alibar, Benh Zeitlin LIFE OF PI - David Magee LINCOLN - Tony Kushner SILVER LININGS PLAYBOOK - David O.
    [Show full text]
  • KIRK FRANCIS, Filmografija Red Dawn (2010) (Filming) Sound Mixer the Tree of Life (2010) (Post-Production) Sound Mixer Eagle
    KIRK FRANCIS, filmografija Red Dawn (2010) (filming) Sound Mixer The Tree of Life (2010) (post-production) Sound Mixer Eagle Eye (2008) -Production Sound Mixer Sound Mixer Indiana Jones and the Kingdom of the Crystal Skull (2008) -(2nd Unit) Sound Mixer The Bourne Ultimatum (2007) -Production Sound Mixer Sound Mixer Won, Oscar Best Achievement in Sound for The Bourne Ultimatum (2007) Shared With: Scott Millan, David Parker Won, BAFTA Film Award Best Sound for The Bourne Ultimatum (2007) Shared With: Scott Millan, David Parker, Karen M. Baker, Per Hallberg Nominated, C.A.S. Award (Cinema Audio Society Award, USA) Outstanding Achievement in Sound Mixing for Motion Pictures for The Bourne Ultimatum (2007) Shared With: Scott Millan (re-recording mixer), David Parker (re-recording mixer) Won, Satellite Award Best Sound (Mixing & Editing) for The Bourne Ultimatum (2007) Shared With: Karen M. Baker, Per Hallberg, Scott Millan, David Parker Eight Below (2006) Song, Song Performer, Sound Mixer Ladder 49 (2004) Sound, Sound Mixer The Bourne Supremacy (2004) Sound Mixer Nominated, C.A.S. Award (Cinema Audio Society Award, USA) Outstanding Achievement in Sound Mixing for Motion Pictures for The Bourne Supremacy (2004) Shared With: Scott Millan (re-recording mixer), Bob Beemer (re-recording mixer) Hollywood Homicide (2003) Sound Mixer The Hunted (2003) Sound Mixer Tuck Everlasting (2002) -Production Sound Mixer Sound Mixer Wonder Boys (2000) -production sound mixer Sound Mixer The Postman (1997) -production mixer Sound L.A. Confidential (1997) -production sound mixer Sound Mixer Nominated, Oscar Best Sound for L.A. Confidential (1997) Shared With: Andy Nelson, Anna Behlmer Won, BAFTA Film Award Best Sound for L.A.
    [Show full text]
  • Numero 60 – Febbraio 2013
    ISSN 2239-7035 LIBERTÀ EGUAGLIANZA MONITORE NAPOLETANO Fondato nel 1799 da Rifondato nel 2010 Carlo Lauberg ed Eleonora de Fonseca Pimentel Direttore: Giovanni Di Cecca Anno CCXIV Polvere di Stelle Esplode una cometa in Russia 1000 feriti Oscar 2013 – Nessun asso pigliatutto № 60 – Febbraio 2013 www.monitorenapoletano.it 2 Monitore Napoletano – www.monitorenapoletano.it Numero 60 – Febbraio 2013 Monitore Napoletano – www.monitorenapoletano.it 3 Numero 60 – Febbraio 2013 © 2013 – Monitore Napoletano – http://www.monitorenapoletano.it Direttore Responsabile: Giovanni Di Cecca Anno CCXIV – Numero 60 – Febbraio 2013 Periodico Mensile Registrato presso il Tribunale di Napoli № 45 dell’8 giugno 2011 ISSN: 2239-7035 4 Monitore Napoletano – www.monitorenapoletano.it Numero 60 – Febbraio 2013 Monitore Napoletano – www.monitorenapoletano.it 5 Numero 60 – Febbraio 2013 Sommario - L’Editoriale 7 - Cronache 9 o Monitore Napoletano Anno III 11 o Napoli: Assicurazioni Auto, un progetto di legge per renderle più eque? 12 o A spasso nel Grand Canyon con Google 14 o Shock al Politecnico di Napoli: una ragazza di 24 anni si suicida 15 o Napoli: Ai Campi Flegrei si è aperta una nuova fumarola che emette gas e acqua 17 o Napoli: una gruviera ha meno buchi! 19 o Cyberbullismo un fenomeno sempre più frequente 22 o Napoli: ZTL Piazza Dante – il Presidente della II Municipalità strappa un accordo sul passaggio ai residenti 23 o *** Il Papa lascia il pontificato il 28 febbraio 2013 25 o Crozza Contestato, Crozza Atapirato 26 o Russia: un meteorite esplode a bassa
    [Show full text]