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Mourning the Fallen
TONIGHT Showers & T-storms. Low of 48. Search for The Westfield News The WestfieldNews “COURAGESearch forIS TheTHE Westfield MOST IMPORTANT News OF Westfield350.com The WestfieldNews ALL THE VIRTUES, BECAUSE WITHOUT Serving Westfield, Southwick, and surrounding Hilltowns COURAGE“TIME YOU IS THECAN’ TONLY PRAC TICE ANY OTHER VIRTUE CONSISTENTLY. WEATHER CRITIC WITHOUT YOU CAN PRACTICE ANY VIRTUE TONIGHT AMBITION ERRATICALLY, BUT.” NOTHING Partly Cloudy. CONSISTENTLYJOHN WITHOUT STEINBECK COURAGE.” Low of 55. Search for The Westfield News Westfield350.comWestfield350.org Thewww.thewestfieldnews.com WestfieldNews — Maya ANGELOU Serving Westfield, Southwick, and surrounding Hilltowns “TIME IS THE ONLY WEATHERVOL. 86 NO. 151 TUESDAY, JUNE 27, 2017 75CRITIC centsWITHOUT VOL. 88 NO. 122 TUESDAY, MAY 28, 2019 75 Cents TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL. 86 NO. 151 MourningTUESDAY, JUNE 27, 2017 the fallen 75 cents By PETER CURRIER Correspondent WESTFIELD- The city held its annual Memorial Day Parade Monday morning, with 29 groups representing the branches of the military, elected officials, first responders and other public services. The parade began on North Elm Street near the Mestek prop- erty and continued south to their destination at Westfield Middle School. Once there, a ceremony was held across the street at Parker Memorial Park. The ceremony began with State Representative John Velis (left) speaks of his experi- remarks from Master of Ceremony Cindy Lacoste, Past ences as a veteran at the ceremony. Cindy Lacoste (right) Commander of American Legion Post 124 in Westfield. She was the Master of Ceremony for the day. (Photo by Peter introduced Westfield High School band member Madison Currier) Curbello, who sang the National Anthem. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities. -
THTR 363 Syl-Fall
THTR 363: Introduction to Sound Design INSTRUCTOR: Richard K. Thomas, 494-8050 [email protected] OFFICE HOURS: Tuesday: 2:30 – 3:30 p.m., Thursday, 1:30 – 2:30 p.m. PAO 2184 CLASS SCHEDULE: Fall 2011 August 23 Intro to Course (Music As a Foundation, pp. 1 - 6) 25 Lecture: Music Language and Theatre (Music As a Foundation, pp. 6 - 25) 30 Music as a Foundation of Theatre: Origins September 1 Lecture: Primal Elements of Music (Music As a Foundation, pp. 25 – 45) 6 Lecture: Primal Elements of Music (Cont.) 8 Lecture: Primal Elements of Music (Cont.) 13 Lecture: Dramatic Time and Space 17 Lecture: The Function of the Soundscape 20 Group Presentations: General Overview of Design Elements 22 Group Presentations: General Overview of Design Elements (cont.) 27 Watch “More to Live For” in studio (No Rick) 29 No Class: Rick at IRT October 4 Color DVDʼs DUE 6 Color Projects DUE 11 Color (Cont) 13 Octoberbreak 18 Color Composition DUE 20. Time DVDʼs Due 25 Time Projects DUE 27 Time (Cont.) November 1 Time Composition DUE 3 Mass DVDʼs DUE 8 Mass Projects DUE 10 Mass (Cont.) 15 Mass Composition DUE THTR 363 Syllabus: Fall, 2011 Page 2 17 Space DVDʼs DUE 22 Space Projects DUE 24 THANKSGIVING BREAK 29 Space Compositions DUE December 1 Line DVDʼs DUE 6 Line Projects DUE 8 Line (Cont) Final Exam Period: Sonnet Projects Due NOTE: THIS SYLLABUS SUBJECT TO CHANGE!! Course Objectives: The purpose of this course is to introduce students to an aesthetic vocabulary of design elements that is useful in both visual and auditory design. -
Arrowverse Expands
AJW Landscaping • 910-271-3777 We’ll makeyour yard BOO-ti-ful! October 5 - 11, 2019 Ruby Rose as Kate Kane in “Batwoman” Arrowverse 12780 S Caledonia Rd expands Laurinburg, NC 28352 910-276-7474 Joy Jacobs, Store Manager 234 E. Church Street, Laurinburg NC 910-277-8588 www.kimbrells.com Page 2 — Saturday, October 5, 2019 — Laurinburg Exchange Holy diversity Batman!: ‘Batwoman’ premieres on CW By Breanna Henry I say that Batwoman, a.k.a. Kate With the beautifully androgynous pect from Batwoman and Alice’s TV Media Kane, is a fantastic character with a Ruby Rose (“The Meg,” 2018) at on-screen relationship. For those ton of incredible story potential. the helm (or cowl) and Rachel not familiar with Rucka’s work, just may or may not own an overflow- As someone who’s already a fan, Skarsten (“Acquainted,” 2018) know that you’re in for some of the Iing stack of comic books that’s I’m very interested to see how CW’s playing the totally twisted Alice, “Batwoman” comic books’ most getting dangerously close to weigh- “Batwoman” recreates, reimagines CW’s newest prime-time addition to outrageous, unexpected and dis- ing more than its current shelf can or reinvents the title character, and its DC Comics-based Arrowverse — turbing twists and turns. The psy- handle, so it’s safe to trust me when luckily I won’t have to wait long. “Batwoman” — premieres Sunday, chedelic imagery and mind-warping Oct. 6. colors for which the comic is known FOR NEW ACCOUNTS Not everyone seems to be as ex- don’t seem to have been carried cited as I am about CW’s “Batwom- over to the new TV series, but other an.” Many of the preemptively neg- such DC Comics television pro- UP ative thoughts are likely the result grams (“Arrow,” “The Flash,” “Su- SAVE of people being afraid. -
Test Your Oscar ESP
Test your Oscar ESP Achievement in music d. “Tanghi Argentini”: Guido Thys and AND THE OSCAR written for motion pictures Anja Daelemans GOES TO... (Original score) e. “The Tonto Woman”: Daniel Barber and Matthew Brown You’ve seen the films. You a. “Atonement”: Dario Marianelli have your opinions. So, who do b. “The Kite Runner”: Alberto Iglesias Achievement in sound you think will win the statue? c. “Michael Clayton”: James Newton editing The correct answers will be Howard a. “The Bourne Ultimatum”: Karen revealed on ABC at 8 p.m. Sun- d. “Ratatouille”: Michael Giacchino Baker Landers and Per Hallberg day. e. “3:10 to Yuma”: Marco Beltrami b. “No Country for Old Men”: Skip Lievsay Performance by an actor in Achievement in music a leading role c. “Ratatouille”: Randy Thom and written for motion pictures Michael Silvers a. George Clooney in “Michael (Original song) d. “There Will Be Blood”: Christopher Clayton” a. “Falling Slowly” from “Once”: Scarabosio and Matthew Wood b. Daniel Day-Lewis in “There Will Be music and lyric by Glen Hansard and e. “Transformers”: Ethan Van der Ryn Blood” Marketa Irglova and Mike Hopkins c. Johnny Depp in “Sweeney Todd: The b. “Happy Working Song” from Demon Barber of Fleet Street” Achievement in sound “Enchanted”: music by Alan Menken; mixing d. Tommy Lee Jones in “In the Valley Photos provided lyric by Stephen Schwartz of Elah” a. “The Bourne Ultimatum”: Scott “American Gangster” c. “Raise It Up” from “August Rush”: Millan, David Parker and Kirk Francis e. Viggo Mortensen in “Eastern music and lyric by Jamal Joseph, Promises” Charles Mack and Tevin Thomas b. -
ALBERT R. BROCCOLI's EON PRODUCTIONS LTD. Presents DANIEL CRAIG As IAN FLEMING's JAMES BOND 007 in SKYFALL Starring JAVIER B
ALBERT R. BROCCOLI’S EON PRODUCTIONS LTD. Presents DANIEL CRAIG as IAN FLEMING’S JAMES BOND 007 in SKYFALL starring JAVIER BARDEM RALPH FIENNES NAOMIE HARRIS BÉRÉNICE LIM MARLOHE BEN WHISHAW RORY KINNEAR OLA RAPACE with ALBERT FINNEY and JUDI DENCH as M Co-Producers ANDREW NOAKES DAVID POPE Script Supervisor JAYNE-ANN TENGGREN Sound Recordist STUART WILSON Electrical Supervisor JOHN HIGGINS Second Unit Assistant Director TERRY MADDEN Makeup Designer NAOMI DONNE Hair Designer ZOE TAHIR Mr. Craig’s Makeup DONALD MOWAT Wardrobe Supervisor GORDON HARMER Publicity and Marketing STEPHANIE WENBORN Promotions KEITH SNELGROVE Supervising Art Director CHRIS LOWE Set Decorator ANNA PINNOCK Property Master JAMIE WILKINSON Construction Manager STEPHEN BOHAN Stills Photographer FRANÇOIS DUHAMEL Visual Effects Producer LESLIE LERMAN Production Supervisor JANINE MODDER Location Production Managers CHRIS BROCK ANGUS MORE GORDON ANTHONY WAYE Second Unit Production Manager TERRY BAMBER Post Production Supervisor MICHAEL SOLINGER Visual Effects and Miniature Supervisor STEVE BEGG Associate Producer GREGG WILSON Unit Production Managers CALLUM McDOUGALL JEREMY JOHNS First Assistant Director MICHAEL LERMAN Casting DEBBIE McWILLIAMS Main Titles Designed by DANIEL KLEINMAN Special Effects and Miniature Effects Supervisor CHRIS CORBOULD Stunt Coordinator GARY POWELL Second Unit Director ALEXANDER WITT Costume Designer JANY TEMIME Editors STUART BAIRD A.C.E. KATE BAIRD Director of Photography ROGER DEAKINS ASC BSC Production Designer DENNIS GASSNER Music by THOMAS -
Case 2:14-Bk-19980-SK Doc 1 Filed 05/21/14 Entered
B1 (Official FormCase 1) (04/13) 2:14-bk-19980-SK Doc 1 Filed 05/21/14 Entered 05/21/14 20:55:00 Desc UNITED STATES BANKRUPTCY Main C OURTDocument Page 1 of 298 VOLUNTARY PETITION Central District of California Name of Debtor (if individual, enter Last, First, Middle): Name of Joint Debtor (Spouse) (Last, First, Middle): TODD-SOUNDELUX, LLC All Other Names used by the Debtor in the last 8 years All Other Names used by the Joint Debtor in the last 8 years (include married, maiden, and trade names): (include married, maiden, and trade names): Last four digits of Soc. Sec. or Individual-Taxpayer I.D. (ITIN)/Complete EIN Last four digits of Soc. Sec. or Individual-Taxpayer I.D. (ITIN)/Complete EIN (if more than one, state all): 26-3115549 (if more than one, state all): Street Address of Debtor (No. and Street, City, and State): Street Address of Joint Debtor (No. and Street, City, and State): 7080 Hollywood Blvd. 6th Floor Hollywood, CA ZIP CODE 90028 ZIP CODE County of Residence or of the Principal Place of Business: Los Angeles County of Residence or of the Principal Place of Business: Mailing Address of Debtor (if different from street address): Mailing Address of Joint Debtor (if different from street address): ZIP CODE ZIP CODE Location of Principal Assets of Business Debtor (if different from street address above): ZIP CODE Type of Debtor Nature of Business Chapter of Bankruptcy Code Under Which (Form of Organization) (Check one box.) the Petition is Filed (Check one box.) (Check one box.) Health Care Business Chapter 7 Chapter 15 Petition for Individual (includes Joint Debtors) Single Asset Real Estate as defined in Chapter 9 Recognition of a Foreign Main Proceeding See Exhibit D on page 2 of this form. -
Arrowverse Expands 101 E
Veterinary Medical Clinic October 5 - 11, 2019 William Oglesby, DVM We Treat Both Small Animals and Ruby Rose as Kate Kane Large Animals in “Batwoman” 804 Southeast Boulevard Clinton, NC 28328 Monday-Friday 7:30am-5:30pm (910) 592-3338 Healthy Animals are Happy Animals AUTO HOME FLOOD LIFE WORK Arrowverse expands 101 E. Clinton St., Roseboro, N.C. 910-525-5222 [email protected] We ought to weigh well, SEE WHAT YOUR NEIGHBORS ARE TALKING ABOUT! what we can only once decide. Complete Funeral Service including: Traditional Funerals, Cremation Outdoor Power Equipment Pre-Need-Pre-Planning Independently Owned & Operated Since 1920’s Complete parts Butler Funeral Home and service department! 401 W. Roseboro Street 2 locations to Hwy. 24 Windwood Dr. Roseboro, NC better serve you Stedman, NC 401 NE Blvd., Clinton, NC • 910-592-7077 • www.clintonappliance.com 910-525-5138 910-223-7400 910-525-4337 (fax) 910-307-0353(fax) Sampson Independent — Saturday, October 5, 2019 — Page 3 Sports This Week SATURDAY 10:30 p.m. ESPN NCAA Football Wash- 8:20 p.m. WECT WITN WRAL NFL Foot- TBS MLB Baseball Game 4 National WEDNESDAY 5:30 p.m. ESPN Pardon the Interruption ington at Stanford. (Live) (3h) ball Indianapolis Colts at Kansas City League Division Series. (Live) (3h30) (30m) 6:00 a.m. WGN Wingshooting USA Chiefs. (Live) (3h10) USA WWE Monday Night Raw (3h) 6:00 a.m. ESPN2 Golic and Wingo (Live) ESPN2 Highly Questionable (30m) (30m) SUNDAY 8:30 p.m. TBS MLB Baseball Game 3 Na- 8:15 p.m. -
LIONS GATE FILMS Presents 3:10 to YUMA
LIONS GATE FILMS Presents 3:10 TO YUMA Produced by: Cathy Konrad Directed by: James Mangold NOMINEES Supervising Sound Editor/Sound Designer: Donald Sylvester Supervising Foley Editor: John Murray Editors: Ted Caplan Scott Curtis, MPSE Matthew Harrison Steve Bissinger Simon Coke Foley Artists: Dawn Fintor Elizabeth Rainey Alicia Stevenson UNIVERSAL PICTURES Presents AMERICAN GANGSTER Produced by: Ridley Scott Brian Glazer Directed by: Ridley Scott NOMINEES Supervising Sound Editors/Sound Designers: Per Hallberg, MPSE Karen Baker Landers Supervising Foley Editor: Craig S. Jaeger, MPSE Sound Editors: Christopher Assells, MSPE Dino R. Dimuro, MPSE Daniel Hegeman Peter Staubli, MPSE Jon Title, MPSE UNIVERSAL PICTURES Presents THE BOURNE ULTIMATUM Produced by: Frank Marshall Patrick Crowley Paul Sandberg Directed by: Paul Greengrass NOMINEES Supervising Sound Editors/Sound Designers: Per Hallberg, MPSE Karen Baker Landers Supervising Foley Editors: Craig S. Jaeger, MPSE Kelly Oxford, MPSE Sound Editors: Peter Staubli, MPSE Christopher Assells, MPSE Dino R. Dimuro, MPSE Daniel Hegeman Ann Scibelli, MPSE Jon Title, MPSE Christopher W. Hogan, MPSE Hector Gika WARNER BROTHERS PICTURES Presents I AM LEGEND Produced by: Akiva Goldsman David Heyman James Lassiter Neal H. Moritz Erwin Stoff Directed by: Francis Lawrence NOMINEES Supervising Sound Editor: Skip Lievsay Sound Design: Jeremy Peirson Sound Editors: Jason W. Jennings Craig Berkey James Morioka Greg ten Bosch Supervising Foley Editor: John Thomas Foley Editor: Ryan Juggler Christopher Flick -
Best Sound Editing in a FOREIGN FEATURE – SFX-Foley, Dia-ADR
Best Sound Editing in a FOREIGN FEATURE – SFX-Foley, Dia-ADR WARNER BROTHERS Presents BATMAN BEGINS Produced by: Larry Franco Charles Roven Emma Thomas Directed by: Christopher Nolan NOMINEES Supervising Sound Editors: David G. Evans Stefan Henrix Sound Editors: Justine Angus Rodney Berling Rodney Glenn Jethro Loughran Nigel Holland Dialogue Editor: Iain Gyre ADR Editor: Howard Halsall Foley Editor: Derek Trigg Foley Artists: Peter Burgis Andie Derrick ADDITIONAL CREW Assistant Sound Editors: Barney Pratt Nathan Duncan Glen Gathard Gemma Stansfield Sound Effects Designers: James Boyle Andy Kennedy ADR Mixer: Jamie Roden Re-Recording Mixers: Lora Hirschberg Gary A. Rizzo WARNER BROTHERS Presents CHARLIE AND THE CHOCOLATE FACTORY Produced by: Brad Grey Richard D. Zanuck Directed by: Tim Burton NOMINEES Supervising Sound Editor: Eddy Joseph Sound Designer: Steve Boeddeker Supervising Foley Editor: Alex Joseph Supervising Dialogue Editor: Colin Ritchie Sound Editors: Martin Cantwell John Warhurst Dialogue/ADR Editor: Tony Currie Foley Editor: Simon Chase Foley Artists: Peter Burgis Andie Derrick ADDITIONAL CREW Assistant Sound Editors: Alistair Hawkins Nathan Duncan Production Mixer: Tony Dawe Foley Mixer: Nigel Heath Re-Recording Mixers: Michael Semanick Thomas Johnson Studio Mix Technicians: Vincent Cosson Phillip Freudenfeld FOCUS FILMS Presents THE CONSTANT GARDENER Produced by: Simon Channing-Williams Directed by: Fernando Meirelles NOMINEES Supervising Sound Editor: Joakim Sundström Sound Editors: Nick Adams Jennie Evans ADR Editor: