DOCSLIB.ORG

Read Book Intermedia, Fluxus and the Something Else Press

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Book Intermedia, Fluxus and the Something Else Press INTERMEDIA, FLUXUS AND THE SOMETHING ELSE PRESS - SELECTED WRITINGS BY DICK HIGGINS Author: Hannah Higgins Number of Pages: 336 pages Published Date: 20 Nov 2018 Publisher: Siglio Press Publication Country: Los Angeles, United States Language: English ISBN: 9781938221200 DOWNLOAD: INTERMEDIA, FLUXUS AND THE SOMETHING ELSE PRESS - SELECTED WRITINGS BY DICK HIGGINS Intermedia, Fluxus and the Something Else Press - Selected Writings by Dick Higgins PDF Book A variety of techniques for properly collecting and evaluating cerebrospinal fluid are detailed in Chapter 4. Fluency Disorders is divided into four main sections: Fluency and Verbal Communication address general fluency-related concepts, approaches to describing fluency, and fluency characteristics of typical speakers. In his new book, he zeros in on what motivates men and provides tips on how women can use that knowledge to get more of what they need out of their relationships, whether it's more help around the house, more of the right kind of attention in the bedroom, more money in the joint bank account, or more truth when it comes to the hard questions such as: Are you committed to building a future together. That journal became the basis of this wonderfully written memoir, the story of a man coming to terms with his own mortality, contemplating what means the most to him now, and reflecting on what has meant the most to him throughout his life. A Long Way Home is a moving, poignant, and inspirational true story of survival and triumph against incredible odds. All aspects of care and repair are covered. Wife-and-husband author team Barbara and Stuart Strother have extensive experience working, traveling, and living in China. Thieves, Deceivers, and Killers: Tales of Chemistry in NatureThe tobacco plant synthesizes nicotine to protect itself from herbivores. In practice most decisions are made intuitively rather than the result of careful data collection and analysis, or analysing others' views and associated factors. forgottenbooks. You don't need to be silent. Rev up those engines and Get a copy of Cars and Curves today. is a pleiotropic cytokine involved in a va- ety of physiological and pathological processes. Many of these locations effortlessly played themselves, while others were disguised as hostile, alien deserts, futuristic cityscapes, or Jedi hideaways. Central Indiana Interurban, IndianaDo you have a job. The final result gives us a cosmology very considerably removed from Aristotle's. Get this book now and enjoy learning Farsi today. Are you a stressed-out single mum, juggling childcare, work and home--and struggling to cope with all the emotional and practical demands on you. Jacobs show that conservative efforts to expand markets and shrink government often have the ironic effect of expanding government's reach by creating problems that force legislators to enact new rules and regulations. Detailed review of each body system - with in-depth information about the cells, tissues and organs that comprise each body system. Dedicated chapter to 'Wellbeing' outlining the core principles of naturopathic practice. This is an enchanting, beautifully written account of family, love, loss, and the unstoppable march of time. Au prix de quelles tensions. Vor allem dem Spracherwerb von Kindern und Jugendlichen mit Migrationshintergrund kommt eine elementare Bedeutung zu, denn die Sprache ist der Schlussel zur Erschliessung aller weiteren Wissensbestande und zur Teilhabe an allen gesellschaftlichen Kommunikationsprozessen. -Comprehensive guidance on using herbs safely. Passenger trains declined from the 1950s and today there is only a minimal long-distance passenger service operated by Amtrak, leaving the railroads to concentrate on moving freight. CROESER. Acknowledgment is due to Mr. Intermedia, Fluxus and the Something Else Press - Selected Writings by Dick Higgins Writer The Ultimate Medical Mnemonic Comic Book combines mnemonics, over 150 cartoons, bullet points, and humor to review and retain important medical information. Rolls-Royce Silver Spirit Silver Spur, Bentley Mulsanne, Eight, Continental, Brooklands AzureIntroduced in 1980, the Silver Spirit and Bentley Mulsanne are the most successful post-war Rolls-Royces, and their longevity means ownership of these fine cars is as practical as it is pleasurable. North and Abel recount the history of how our solar system came to be, and the myths that once shaped astronomy. The Weebies books also teach early Child development with a sense of right and wrong, developing at an early age a moral compass to care for others. Teaching in Your Office: A Guide to Instructing Medical Students and ResidentsTrauma Surgery provides an illustrative, instructive, and comprehensive review that depicts the rationale of basic operative principles essential to surgical therapy in the trauma patient. Find That Your Breathing Is Extremely Difficult During Your Sleep. Primer In Game TheoryGame theory has revolutionized economics research and teaching during the past two decades. And when a "talking virus" reveals its secrets, they are hard to forget. Weexpressourappreciationtothe66expertrefereeswhoprovided reportsonaverytightschedule. explores the origins of these essential words and highlights the contributions of these previously unheralded parts of speech. Using the first group as door-to-door salesmen and the second group as his gullible target, Cornfeld built a multi-billion-dollar and multi-national company, famous for its salesmen s winning one-line pitch: Do you sincerely want to be rich. This monograph is aimed at inorganic, organic, industrial and catalysis chemists, especially those who wish to carry out specific organic oxidations using catalytic methods. This volume consists of two parts: a general study rethinking the place of autobiography in the Arabic tradition, and the translated texts. Warning: The Electricity around You May be Hazardous to Your HealthGetting Your FREE Bonus Download this book, read it to the end and see "BONUS: Your FREE Gift" chapter after the conclusion. Nigel and Maggie Percy have drawn on their many years of working with clients around the world to provide you with a comprehensive, accurate and useful book on the subject of space clearing. XML-Based Data Management and Multimedia Engineering - EDBT 2002 Workshops: EDBT 2002 Workshops XMLDM, MDDE, and YRWS, Prague, Czech Republic, March 24-28, 2002, Revised PapersThe book is written in a straightforward style and avoids sales and marketing hype. Screw Light Bulbs delivers straight answers to all those questions and more. This book will be a useful resource for trainee and practising teachers; students and practitioners in special needs, remedial education and educational psychology and all those interested in dyslexia. Intermedia, Fluxus and the Something Else Press - Selected Writings by Dick Higgins Reviews New to This Edition: Incorporates over a decade of advances in the field; heightened focus on practitioner-researcher collaboration. He built a company where leaps of the imagination were combined with remarkable feats of engineering. During the meeting there were one complete mini-course, invited presentations, contributed talks and software presentations. The catalogue contains 6497 observations of 2907 stars situated between the parallels of 500 north and south declination. " --Amy Dickinson, New York Times bestselling author and America's favorite advice columnist "Jon Yates gives consumers a great primer on how to solve their own customer service problems. Budget management is important - Learn the best budget planning strategies - Learn from your millionaire teacher Christina Sorg - Budgeting for beginners made easy Start your journey on the millionaire fastlane by sorting out your budget No matter your income - without a budget you cannot succeed. This book summarizes developments of the last decade concerning the thermal shock and thermal fatigue behavior of advanced ceramics. The American Way of Poverty: How the Other Half Still LivesIn modern Britain, the working class has become an object of fear and ridicule. Where Critical Pedagogy is often treated as a discourse of academics in universities, this book explores the applications of Critical Pedagogy to actual classroom situations. This handy guide teaches you how to use Excel's most powerful feature to crunch large amounts of data, without having to write new formulas, copy and paste cells, or reorganize rows and columns. As banking undergoes its biggest transformation since the 1929 crash and the Great Depression, McGee shows where it stands today and points to where it needs to go next, examining the future of those financial institutions supposedly "too big to fail. Thank you for supporting classic literature. Intermedia, Fluxus and the Something Else Press - Selected Writings by Dick Higgins Read Online The European Debt Crisis: The Greek CaseIn this book, former Greek Prime Minister Costas Simitis examines the European debt crisis with particular reference to the case of Greece. Remember though, it only a few percentage points divide the PASS from the FAIL students. Designed for classroom use and to preserve the rich heritage of the Choctaw language, the lessons introduce new words, explain sentence construction and correct usage, and provide exercises in grammar and composition. This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Would you like to worry less and earn more. As insiders, the authors' aim is to show you how to beat
Load more

Recommended publications
  • Modernism 1 Modernism
    Modernism 1 Modernism Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes the modernist movement, its set of cultural tendencies and array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late 19th and early 20th centuries. Modernism was a revolt against the conservative values of realism.[2] [3] [4] Arguably the most paradigmatic motive of modernism is the rejection of tradition and its reprise, incorporation, rewriting, recapitulation, revision and parody in new forms.[5] [6] [7] Modernism rejected the lingering certainty of Enlightenment thinking and also rejected the existence of a compassionate, all-powerful Creator God.[8] [9] In general, the term modernism encompasses the activities and output of those who felt the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated in the new economic, social, and political conditions of an Hans Hofmann, "The Gate", 1959–1960, emerging fully industrialized world. The poet Ezra Pound's 1934 collection: Solomon R. Guggenheim Museum. injunction to "Make it new!" was paradigmatic of the movement's Hofmann was renowned not only as an artist but approach towards the obsolete. Another paradigmatic exhortation was also as a teacher of art, and a modernist theorist articulated by philosopher and composer Theodor Adorno, who, in the both in his native Germany and later in the U.S. During the 1930s in New York and California he 1940s, challenged conventional surface coherence and appearance of introduced modernism and modernist theories to [10] harmony typical of the rationality of Enlightenment thinking.
    [Show full text]
  • Dick Higgins Papers, 1960-1994 (Bulk 1972-1993)
    http://oac.cdlib.org/findaid/ark:/13030/tf1d5n981n No online items Finding aid for the Dick Higgins papers, 1960-1994 (bulk 1972-1993) Finding aid prepared by Lynda Bunting. Finding aid for the Dick Higgins 870613 1 papers, 1960-1994 (bulk 1972-1993) ... Descriptive Summary Title: Dick Higgins papers Date (inclusive): 1960-1994 (bulk 1972-1993) Number: 870613 Creator/Collector: Higgins, Dick, 1938-1998 Physical Description: 108.0 linear feet(81 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles, California, 90049-1688 (310) 440-7390 Abstract: American artist, poet, writer, publisher, composer, and educator. The archive contains papers collected or generated by Higgins, documenting his involvement with Fluxus and happenings, pattern and concrete poetry, new music, and small press publishing from 1972 to 1994, with some letters dated as early as 1960. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical/Historical Note Dick Higgins is known for his extensive literary, artistic and theoretical activities. Along with his writings in poetry, theory and scholarship, Higgins published the well-known Something Else Press and was a cooperative member of Unpublished/Printed Editions; co-founded Fluxus and Happenings; wrote performance and graphic notations for theatre, music, and non-plays; and produced and created paintings, sculpture, films and the large graphics series 7.7.73. Higgins received numerous grants and prizes in support of his many endeavors. Born Richard Carter Higgins in Cambridge, England, March 15, 1938, Higgins studied at Columbia University, New York (where he received a bachelors degree in English, 1960), the Manhattan School of Printing, New York, and the New School of Social Research, 1958-59, with John Cage and Henry Cowell.
    [Show full text]
  • Two-Sides-Of-A-Coin-Fluxus-And-The
    After briefly outlining the process by which the Fluxus community coalesced, the author pro­ ceeds to recount the birthing of Something Else Press, Inc., and the transformation of aspects of the Press' objectives into Printed Editions. In the process, the essay discusses many of the paral­ lel concerns shared by both Something Else Press and Fluxus publication activities as well as their divergent agendas and strategies. Two Sides of a Coin Fluxus and the Something Else Press Dick Hieeins Dick Higgins, pp . 143-153 Visible Language, 26 :1/2 © Visible Language, 1992 Rhode Island School of Design Providence, Rl 02903 144 Visible Language Volume 26 number 1/2 When happenings and events began to be performed in New York and elsewhere in the late 1950s, there was some consensus that the works which visual artists performed in spaces of their own devising (usually constructed in or sponsored by art galleries) constituted "Happenings." There was, however, no name for works which were made by people who were not primarily visual artists. These were spoken of simply as "events," a convenient term used by myself and my fellow students in John Cage's class in "Experimental Composition," at the New School for Social Research. 1 At first the individuals who were doing them had no agreed-upon name for what they were doing, but performances of this kind of work at Yoko Ono's loft on Chambers Street in New York (1960-61) and at George Maciunas' AG Gallery on Madison Avenue (1961 ), made it obvious that a name was needed. Maciunas gave up his art gallery in 1961 and undertook the design and production of La Monte Young and Jackson Mac Low's An Anthology.
    [Show full text]
  • Getting Into Events by Ken Friedman Over the Years Since 1962, Many
    Getting into Events by Ken Friedman Over the years since 1962, many event scores have been published under the aegis of Fluxus. The scores have appeared in boxes and multiple editions, on cards, in books and catalogues, and in several other forms. Several of us have presented our scores as exhibitions, on paper as drawings, calligraphy or prints, and on canvas as silk‐screens or paintings. The event scores of the artists associated with Fluxus have never been available in the single, encyclopedic compilation that George Maciunas envisioned. George announced on any number of occasions grand plans to publish 'the complete works' or 'the collected works' of Fluxus artists, La Monte Young, Emmett Williams and Jackson Mac Low among them. His failure to do so ‐‐ or their unwillingness to permit George sole authority over their work under the Fluxus aegis, led to some of the fractures within Fluxus. Other plans to publish major selections of work never came to fruition. This led in Dick Higgins' case to the publication of Postface/Jefferson's Birthday, and to the establishment of the legendary Something Else Press (and yet another schism in Fluxus). In my case, it led to a series of carbon‐ copy, xerox and mimeograph editions of my events and scores during the 60s, while waiting for George, and by the end of the 60s, to exhibitions and publications of the scores in the many different forms and contexts in which they have been seen since. )I was always careful to copyright them to Fluxus while waiting for George to finish the boxed Fluxus edition, which, as with so many of George's wonderful plans, remained unfinished.) George did realize boxed editions of many important suites of event scores.The Magna Carta of boxed event structures was surely George Brecht's WaterYam, a quintessential Fluxus edition.
    [Show full text]
  • Something Else Press As Publisher
    City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 1-3-2020 Something Else Press as Publisher Rachel High CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/550 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Something Else Press as Publisher by Rachel High Submitted in partial fulfillment of the requirements for the degree of Master of Arts Art History, Hunter College The City University of New York 2019 January 3, 2020 Howard Singerman Date Thesis Sponsor January 3, 2020 Lynda Klich Date Second Reader Table of Contents List of Illustrations ii Introduction and Literature Review 1 Chapter 1. Production and Design 14 Chapter 2. Funding and Distribution 39 Chapter 3. Advertising and Press 53 Chapter 4. Education 64 Conclusion 72 Bibliography 74 Illustrations 82 i List of Illustrations Figure 1: Dick Higgins, Danger Music Number Seventeen, Mimeograph and ballpoint pen on cardstock, 1962. Figure 2: Willem de Ridder, European Mail-order Warehouse/Fluxshop, Winter 1964-65. Photo: Wim van der Linden/MAI. Figure 3: Peter Moore, Photograph of Alison Knowles’s Big Book. Photograph from original installation in the Something Else Gallery, New York, New York, 1966. Figure 4: George Maciunas, Fluxus Manifesto, Offset Lithography, 1963. Figure 5 a-c: Cover and interior pages of Ray Johnson, The Paper Snake, New York: Something Else Press: 1965.
    [Show full text]
  • Intermedia Higgins, Dick, 1938-1998
    Intermedia Higgins, Dick, 1938-1998. Higgins, Hannah, 1964- Leonardo, Volume 34, Number 1, February 2001, pp. 49-54 (Article) Published by The MIT Press For additional information about this article http://muse.jhu.edu/journals/len/summary/v034/34.1higgins.html Access Provided by your local institution at 03/01/11 6:10AM GMT S A Y N N D E S I Intermedia T N H T E E S R 8 S I E A N S Dick Higgins E with an Appendix by Hannah Higgins S 1965 an institution, however. It is absolutely natural to (and inevi- Much of the best work being produced today seems to fall be- table in) the concept of the pure medium, the painting or tween media. This is no accident. The concept of the separa- precious object of any kind. That is the way such objects are tion between media arose in the Renaissance. The idea that a marketed since that is the world to which they belong and to painting is made of paint on canvas or that a sculpture should which they relate. The sense of “I am the state,” however, will not be painted seems characteristic of the kind of social shortly be replaced by “After me the deluge,” and, in fact, if thought—categorizing and dividing society into nobility with the High Art world were better informed, it would realize that its various subdivisions, untitled gentry, artisans, serfs and land- the deluge has already begun. less workers—which we call the feudal conception of the Great Who knows when it began? There is no reason for us to go Chain of Being.
    [Show full text]
  • Community Building and Social Restructuring in Fluxus Margaret Sherer Washington University in St
    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-2016 A Network of Experience: Community Building and Social Restructuring in Fluxus Margaret Sherer Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the American Art and Architecture Commons, and the Contemporary Art Commons Recommended Citation Sherer, Margaret, "A Network of Experience: Community Building and Social Restructuring in Fluxus" (2016). Arts & Sciences Electronic Theses and Dissertations. 716. https://openscholarship.wustl.edu/art_sci_etds/716 This Thesis is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Art History and Archaeology A Network of Experience: Community Building and Social Restructuring in Fluxus by Margaret Sherer A thesis presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Masters of Arts May 2016 St. Louis, Missouri Table of Contents List of Figures…………………………………………………………………………………….iii Acknowledgments………………………………………………………………………………..iv Introduction………………………………………………………………………………………..1
    [Show full text]
  • Fluxus Games and Contemporary Folklore: on the Non-Individual Character of Fluxus Art
    Bengt af Klintberg Fluxus Games and Contemporary Folklore: on the Non-Individual Character of Fluxus Art (Paper read at the symposium In the Spirit of Fluxus at Walker Art Center, Minneapolis, February 12-13, 1993) j(?1/i I Offprint from Konsthistorisk Tidskrift Vol. LXll:2, 1993 Fluxus Games and Contemporary Folklore: on the Non-Individual Character of Fluxus Art BENGT AF KLINTBERG The similarities and differences between the most distinctive and important achievement. work of individual Fluxus artists have been They are characterized by such a striking simi­ much debated. The views expressed are diver­ larity that it is legitimate to talk about an art gent, to say the least. The artists themselves form with a conscious non-individual character. stress their indi vi dualism. Eric Andersen, for It is, as a matter of fact, difficult for a person example, has claimed that the only uniting factor who sees photo documentation of these early is that the Fluxus artists happened to appear pieces or reads or hears descriptions of them te together in public at a certain time. At a press decide which one of the artists is the originator. conferencc held in Copenhagen in connection Ken Friedman has recently collected a great with the arrangement "ExceUent 1992" several deal of them in The Fluxus Performance Work­ of the artists present protested against being book (Friedman 1990b ). Something that strikes calJcd a group. the reader is that this volume from 1990 is ac­ There are, nevertheless, Fluxus artists as well tually the first attempt at collecting scores of as art critics who see many uniting factors in the performance pieces by all artists who have been works which have been presented as Fluxus art.
    [Show full text]
  • Yoko Ono's Cut Piece
    YOKO ONO’S CUT PIECE From Text to Performance and Back Again Kevin Concannon Art is inexorably bound up in the situation where it is produced and where it is experienced. You can emphasize this, or you can emphasize where it is produced or experienced: you can even equate them, and emphasize the equation. The relationship exists in any case, and, either as artist or as audience, we are in a situation analogous to a swimmer who may fight the surf, dive through it and struggle against it until he gets out beyond where the surf is noticeable: or else this swimmer can roll with the waves. Dick Higgins, Postface (1964)1 he seemingly sudden and recent popularity of reprise performances of live artworks of the 1960s and 1970s has been greeted with an equally abundant supply of critical analysis, much of which frames these events as “reenact- Tments.” Such is the case with Yoko Ono’s 2003 performance of her 1964 Cut Piece. It was performed by Ono on at least six occasions and by others many times more. The first two performances took place in Kyoto and Tokyo in July and August 1964. The third performance was presented at Carnegie Recital Hall in New York City in March 1965. And the fourth and fifth performances were offered as part of the Destruction in Art Symposium presentation of Two Evenings with Yoko Ono at the Africa Centre in London in September 1966. While Ono “directed” later performances of the work, these were—until September 2003—the only confirmed occasions on which she herself publicly performed it.
    [Show full text]
  • Fluxus-Reference-Or-P-Paradigm-For
    FLUXUS AND A___& __ s__ t_r_a__ c _t_ ___________ : It is often said that Fluxus exerts profound influence on contem- porary artists. This essay argues that Fluxus has done much more than this. This article argues that Fluxus has, in fact, established the general frame of contemporary art. Fluxus did this by reshaping the paradigm within which art is made in Thomas Kuhn's sense of the term paradigm. Rather than exerting a visible influence on artists, Fluxus forms the invisible background to much contemporary art. As a result, young artists are generally unaware ofF!uxus and its achievements even though they create works that are strongly inspired by it. This article points to similarities and differences be­ tween the era in which Fluxus was born and the current moment. It examines the relationship of art and artist to audience, the mingling of art and life, cultural institutions and economic structures as key concepts in Fluxus work. University of Lyon II Visible Language 39 ·3 Clavez,236-247 ©Visible Language, 2005 Rhode Island School of Design UAGE 39 · 3 V Providence, Rhode Island 02903 BERTRAND CLAVEZ "Being, acting and making are much more useful concepts. Art is a process. At the limit, everything is art ... I imagine that the art of the future will always be moving, never arrived, the art of being lost without losing oneself." ROBERT FILLIOU "The entire subject ofmodes of meeting and the invention of relationships represents esthetic objects that deserve being studied as such." NICOLAS BOURRIAUD Reference or paradigm for IN HIS BOOK ESTHETIQ..UE RELATION­ 1 Nicolas Bourriaud, 1998.
    [Show full text]
  • Representing the Eternal Network: Vancouver Artists' Publications, 1%9-73
    Representing The Eternal Network: Vancouver Artists' Publications, 1%9-73 Tusa Shea B.A., University of Victoria, 2001 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS In the Department of History in Art We accept this thesis as conforming to the required standard OTusa Shea, 2004 University of Victoria All rights reserved. This thesis may not be reproduced n whole or in part, by photocopy or other means, without the permission of t e author. Supervisor: Dr. Christopher Thomas ABSTRACT A number of artists' publications produced by the Vancouver-based collectives Image Bank, Ace Space Co., and Poem Company, which were circulated through Correspondence Art networks between 1%9 and 1m were crucial to the development of an "imagined community" known as the Eternal Network. This thesis uses the social, political, and art historical context specific to the development of artists' self-publishing in Vancouver as a case study. It examines how, at this particular time and place, these artists helped to build a parallel communications structure that functioned as an autonomous fictive space in which they could adhere to their anti-commodity, decentralized, and democratic ideals. Examiners: iii TABLE OF CONTENTS .. ABSTRACT. ..................................................................................II ... TABLE OF CONTENTS.. .................................................................III LIST OF ILLUSTRATIONS.. ............................................................. .iv INTRODUCTION.
    [Show full text]
  • SELECTED WRITINGS by DICK HIGGINS Edited by Steve Clay and Ken Friedman
    FOR IMMEDIATE RELEASE: AUGUST 13, 2018 CONTACT: LISA PEARSON [email protected] SIGLIO PO BOX 111 CATSKILL, NY 12414 P: 310-857-6935 “A book, in its purest form, is a phenomenon of space and time and dimensionality that is unique unto itself. Every time we turn the page, the previous page passes into our past and we are confronted by a new world.” —from “A Book” by Dick Higgins INTERMEDIA, FLUXUS and the SOMETHING ELSE PRESS: SELECTED WRITINGS BY DICK HIGGINS edited by Steve Clay and Ken Friedman PUB DATE: NOVEMBER 20, 2018 $35 PB 7.25 x 9.75 364 pages 100+ color/100+ bw artist’s writings/poetics/theory ISBN: 978-1-938221-20-0 LIMITED ADVANCES AVAILABLE AUGUST 17. All Siglio titles are available at www.sigliopress.com and distributed by ARTBOOK/D.A.P. There are few art-world figures as influential—and as little known—as Dick Higgins (1938-1998), co-founder of Fluxus, “polyartist,” poet, scholar, theorist, composer, performer and, not least, the publisher of the Something Else Press. In 1965 he restored the term “intermedia” to the English language, giving it new dimension to recognize the dissolution of boundaries, the expansion of liminal spaces between traditional modes of art making, and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many—as a participant and instigator of Happenings, as writer and composer straddling traditional and vanguard forms, among others—but it was the Something Else Press (1963-1974) that redefined how “the book” could inhabit that energized, in-between space.
    [Show full text]