Why German Film Needs Immigrants

Total Page:16

File Type:pdf, Size:1020Kb

Why German Film Needs Immigrants TV FICTION Details of all programmes nominated for PRIX EUROPA 2020 are based on the information provided by the submitting organisation. TV FICTION Programmes in Competition 2020 01 Vienna Blood Austria 02 Blackout Belgium 03 Actor Czech Republic 04 Traitor Estonia 05 Peacemaker Finland 06 Merkel Germany 07 The Turncoat - Part 1 Germany 08 The Windermere Children Germany 09 Unterleuten Germany 10 The Minister Iceland 11 My Brilliant Friend - The Story of a New Name Italy 12 ANNE+Sara The Netherlands 13 Bitch The Netherlands 14 22 July Norway 15 The Butler Poland 16 24 Land – The Spy Portugal 17 Spring on the Last Lake Serbia 18 Quarantine Diaries Spain 19 The Paradise Spain 20 Caliphate Sweden 21 Limboland Sweden 22 Labyrinth of Peace Switzerland 23 No. 47 - Sophie Switzerland 24 Anthony United Kingdom 26 Foodie Love Spain TV FICTION Vienna Blood, Episode 1 Vienna Blood Vienna Blood is set in 1900s Vienna: a hot bed of philosophy, science and art, where a clash of cultures and ideas play out in the city’s grand cafes and opera houses. Max Liebermann is a brilliant young English doctor, studying under the famed psychoanalyst Sigmund Freud. Max is keen to understand the criminal mind and begins to observe Oskar Rheinhardt, a Detective Inspector in the Vienna Police Department, who is struggling with a perplexing case. Max’s extraordinary skills of perception and forensics, and his deep understanding of human behaviour and deviance, help Oskar solve Vienna’s most mysterious cases. In ‘The Last Séance’ Junior doctor Max Liebermann is undertaking research in the new discipline of psychotherapy much to the disgust of his professor. As part of his understanding the criminal mind, he is given permission to trail Inspector Oskar Rheinhardt, who has been called to the murder of a mysterious woman in Leopoldstadt. Rheinhardt at first is not impressed with having to endure Max, who he sees as arrogant, and is not at all sympathetic to Max’s chosen field of study but is persuaded to allow an autopsy on the mysterious woman, which reveals that she was pregnant. Further investigations reveal that the victim ran secretive seances from her apartment. Max convinces Rheinhardt that someone who attended those seances was the father of her unborn child and her murderer. The series is filmed in English and on location in Vienna. Submitting organisation: Mr Film GmbH Contact: Manuela Poehn – [email protected] Author: Steve Thompson Adapted from: crime fiction Liebermann Papers by Frank Tallis Director: Robert Dornhelm Camera: Andreas Thalhammer, XiaoSu Han Commissioning editor: Klaus Lintschinger, Wolfgang Feindt Producer: Oliver Auspitz, Andreas Kamm, Hilary Bevan Jones, Jez Swimer Production company: Mr Film GmbH Co-producer: Endor Ltd., Red Arrow Studios International Titel of series: The Last Seance Episode: 1 of 3 Length: 98 min Total budget: € 4,166,667 Original language: English First broadcast by: BBC Two Date of first broadcast: 18 November 2019, 21:00 Competing for: Best European TV Movie or Mini-Series of the Year 01 AUSTRIA TV FICTION Blackout, Episode 1 Black-out A nuclear plant gets sabotaged during winter, and causes a nationwide blackout. The Belgian power grid is down and the nation relies on Prime Minister Annemie Hillebrand, the first female prime minister in Belgium, to handle this crisis. What nobody knows, but we - the audience - do know, is that moments before the blackout she received footage of her daughter Elke who appears to be held captive. The video comes with a message: “If the lights turn back on, your daughter dies.” Annemie hesitates. She’s trapped between her sense of duty and the love for her daughter. But can she risk the life of her daughter in favour of the country? Annemie decides to let one person in on her secret: Michael Dendoncker, who is in charge of the Counter Terrorism Unit and investigating the sabotage of the nuclear plant. His police inquiry will take place in a special world, a world where 11 million people are stuck in the cold, dark winter without electricity, light or heat. Submitting organisation: VRT Contact: Franky Audenaerde – [email protected] Author: Bas Adriaensen, Philippe De Schepper Director: Joël Vanhoebrouck Camera: Jan Vancaillie Commissioning editor: Olivier Goris Producer: Helen Perquy, Philippe De Schepper Production company: Jonnydepony Titel of series: Blackout Episode: 1 : 10 Length: 43 min Total budget: confidential Original language: Dutch First broadcast by: VTR Één Date of first broadcast: 15 November 2020, 21:00 Competing for: Best European TV Fiction Series of the Year 02 BELGIUM TV FICTION Actor, Episode 1 Herec A dramatic story of a promising young actor is set at the beginning of the 1950s, in other words, the culmination of the communist oppression. Many young people then had to choose like him: stand up to the totalitarian regime, adapt to it or even actively participate in it. The choice to be made by the main protagonist is somewhat more complicated. He has to hide his sexual orientation, not just from the regime but from society as a whole. ‘Taking an interest in boys’ was a criminal offence. And if you add to it a serious black mark in his political file because of his parents’ transgressions, the question arises of how to transform an existence in fear into a fully-fledged life? Our protagonist decides to use his handicap to his advantage. He offers to actively co-operate with the repressive organs of state power – he becomes ‘the Secret Police’s operational informer’. And it works. It is easy to believe that this way he will protect himself as well as his kith and kin. That after a few years of dirty work he will get the chance to be truly free. For this prospect he will do anything. This three-part mini-series is a study of human character and behaviour in stressful situations when questions of morality and conduct are by no means clear-cut. The clash of the individual with the system’s mechanisms has in the case of the Actor a well worked-through backdrop of the socio-political events of the time which tragically scramble the fate of all the main protagonists and place them before a fateful decision as to what price they are willing to pay for coming to terms with remaining part of the dictatorship, or, to the contrary, by confronting it. And how much they are prepared to sacrifice for this rebellion – particularly in terms of their own conscience. Submitting organisation: Česká televize - Czech Television Contact: Jitka Procházková – [email protected] Author: Petr Bok, Pavel Gotthard Director: Peter Bebjak Camera: Martin Žiaran Commissioning editor: Nátália Rau Guzikiwieczová, Jarmila Hoznauerová, Vladimír Burianek Producer: Rasťo Šesták, Peter Bebjak, Kateřina Ondřejková, Jana Kákošová Production company: Czech Television Co-producer: DNA Production, Rozhlas a televízia Slovenska Titel of series: Herec Episode: 1 of 3 Length: 76 min Total budget: € 389,763 Original language: Czech First broadcast by: Czech Television, CT1 Date of first broadcast: 25 October 2020, 20:00 Competing for: Best European TV Movie or Mini-Series of the Year 03 CZECH REPUBLIC TV FICTION Traitor, Episode 1 Reetur Inspired by some real spy-scandals from recent Estonian history, the story begins in the year 2004 when Estonia joined NATO and became a top target for Russian intelligence. Greed and the need for recognition leads the protagonist Alfred Vind to cooperate with Russian intelligence. Then the thrilling cat-and-mouse game begins with the determined young Estonian counterintelligence officer Marko Arrak. The twists and turns of the action are framed by the the characters’ personal lives, adding a deeper humane dimension to the story. Submitting organisation: Eesti Rahvusringhääling - ERR / Estonian Public Broadcasting Contact: Marje Tõemäe – [email protected] Author: Martin Algus, Andres Anvelt Director: Ergo Kuld Camera: Tauno Sirel Commissioning editor: Marje Tõemäe Producer: Ergo Kuld Production company: Kassikuld OÜ Co-producer: Elisa Estonia Titel of series: Traitor Episode: 1 : 6 Length: 51 min Total budget: € 300,000 Original language: Estonian, Russian First broadcast by: ETV Date of first broadcast: 18 September 2020, 20:00 Competing for: Best European TV Fiction Series of the Year 04 ESTONIA TV FICTION Peacemaker, Episode 1 Rauhantekijä Peacemaker is a searingly topical political drama series which is set in the world of international peace negotiations, arms trade and the complex relationships of those in power. The Finnish Ann-Mari Sundell has a long career behind her as a peace negotiator in warring countries. In addition to building peace, she has closely observed how politicians’ promises seldom lead to concrete actions. During a UN Security Council meeting, Ann-Mari decides to speak out. She reveals that the State of Finland is selling weapons to the warring Saudi Arabia, which is a violation of human rights. A scandal has been unleashed. Theo Slobo, the Secretary General of the United Nations and Ann-Mari’s friend, offers her what is perhaps the only chance for a new career after the scandal. Theo asks Ann-Mari to act as a peacemaker in a position of trust for the UN. Her task would be to negotiate an agreement for the conflict between Turkey and the Kurds that has lasted for decades. The Foreign Minister of Finland, Oskar Rantala, attempts to stop Ann-Mari from revealing any more details about Finland’s arms industry. Rantala assigns Tom Virta, a security man and former soldier, to protect Ann-Mari in Istanbul, where Ann-Mari travels with the members of her team, the Swedish Emilia Engblom and the German Diyar Amedi. In Turkey, Ann-Mari quickly finds out that Turkey and Saudi Arabia are building a massive oil pipeline from Saudi Arabia to Europe, hiding it from public gaze.
Recommended publications
  • Morina on Forner, 'German Intellectuals and the Challenge of Democratic Renewal: Culture and Politics After 1945'
    H-German Morina on Forner, 'German Intellectuals and the Challenge of Democratic Renewal: Culture and Politics after 1945' Review published on Monday, April 18, 2016 Sean A. Forner. German Intellectuals and the Challenge of Democratic Renewal: Culture and Politics after 1945. Cambridge: Cambridge University Press, 2014. xii +383 pp. $125.00 (cloth), ISBN 978-1-107-04957-4. Reviewed by Christina Morina (Friedrich-Schiller Universität Jena) Published on H-German (April, 2016) Commissioned by Nathan N. Orgill Envisioning Democracy: German Intellectuals and the Quest for Democratic Renewal in Postwar German As historians of twentieth-century Germany continue to explore the causes and consequences of National Socialism, Sean Forner’s book on a group of unlikely affiliates within the intellectual elite of postwar Germany offers a timely and original insight into the history of the prolonged “zero hour.” Tracing the connections and discussions amongst about two dozen opponents of Nazism, Forner explores the contours of a vibrant debate on the democratization, (self-) representation, and reeducation of Germans as envisioned by a handful of restless, self-perceived champions of the “other Germany.” He calls this loosely connected intellectual group a network of “engaged democrats,” a concept which aims to capture the broad “left” political spectrum they represented--from Catholic socialism to Leninist communism--as well as the relative openness and contingent nature of the intellectual exchange over the political “renewal” of Germany during a time when fixed “East” and “West” ideological fault lines were not quite yet in place. Forner enriches the already burgeoning historiography on postwar German democratization and the role of intellectuals with a profoundly integrative analysis of Eastern and Western perspectives.
    [Show full text]
  • Winona Daily News Winona City Newspapers
    Winona State University OpenRiver Winona Daily News Winona City Newspapers 2-7-1963 Winona Daily News Winona Daily News Follow this and additional works at: https://openriver.winona.edu/winonadailynews Recommended Citation Winona Daily News, "Winona Daily News" (1963). Winona Daily News. 393. https://openriver.winona.edu/winonadailynews/393 This Newspaper is brought to you for free and open access by the Winona City Newspapers at OpenRiver. It has been accepted for inclusion in Winona Daily News by an authorized administrator of OpenRiver. For more information, please contact [email protected]. ^ w 17,000 Sovfef Freezing Drizzle Tonight arid Troops; 100 Early Friday MIGs There By FRED S. HOFFMAN WASHINGTON (AP)-Tiie Ken- nedy' administration has . flashed across the nation 's television Dunn Submits screens an unprecedented display of intelli gence data to support its stand that Cuba is free of Soviet Draftof New offensive weapons; Kennedy Offers . The report to the nation late Wednesday had a double purpose: To reassure the people and (o Taconite Plan (AP) sq u eeze the steam out of a boilin g ST. PAUL — A proposed political controversy- over Cuba's draft of a taconite amendment ac- ¦ armed might ¦< ?' • ceptable to both the Steelworkers But despite Secretary of De- Union and the northeastern Minne- sota iron mining companies was Health Bill ' New fense Robert S. McNamara s made public today by Rep, Roy- statement that he believes beyond Dunn of Pelican Rapids , chair- any reasonable doubt that all of- man- of the House Tax . Committee. fensive weapons have been' re- . - . He said . the drafl , along with a Medicare Plan moved from Cuba, Sen.
    [Show full text]
  • German Films Quarterly 1/2021
    GFQGERMAN FILMS QUARTERLY WITH ARTICLES AND PORTRAITS ON FACE TO FACE WITH GERMAN FILMS – THE FILMMAKERS DIVERSITY IN GERMAN FILMMAKING DIRECTORS BARBARA OTT & JULIAN RADLMAIER PRODUCER MARTIN HEISLER ISSUE 1-2021 ACTOR & EUROPAN SHOOTING STAR ALBRECHT SCHUCH efp_ESS2021_Anzeige_GERMANFILM_148x210_pfad_druck.indd 1 18.01.21 11:23 GFQ 1-2021 INTRODUCTION © Kurt Krieger © Kurt Dear Readers, The pandemic has changed the film industry to a great extent, bringing it close to a standstill at times in 2020. Despite the challenges we and the industry are facing, we are optimistic about 2021. This is because we love cinema and good films and series – and particularly in these difficult times, they are also some­ thing that is needed by audiences around the world. Time and again in recent years, German feature films and series have succeeded in captivating viewers abroad, and we are confident that this will be the case in 2021 as well. In particular, the new wave of German documentaries is establishing itself increasingly as a favourite with international audiences. We are just as proud of the German Films campaign FACE TO FACE, which has been in existence for six years now, and delighted that we will be able to continue it with a great new pool of talent in 2021 – despite the difficult current conditions. Films and series are created through the work of a large team, which is why we have decided to highlight a greater diversity of film professions in 2021 and are proudly presenting the premiere of our new faces in this issue of GFQ. German Films Quarterly will broaden its format in 2021: We will also open our publication to contri­ butions dealing with internationally controversial topics in the film industry.
    [Show full text]
  • 1. Bericht Über Programmliche Leistungen Und Perspektiven Des Nationalen Hörfunks
    1. 1 kapitel Bericht über programmliche Leistungen und Perspektiven des nationalen Hörfunks 2014 – 2016 1. 3 kapitel Bericht über programmliche Leistungen und Perspektiven des nationalen Hörfunks Impressum Herausgeber: Deutschlandradio, Körperschaft öffentlichen Rechts Raderberggürtel 40 50968 Köln www.deutschlandradio.de Redaktion: Dr. Helmut Buchholz, Dr. Sebastian Engelbrecht Inhaltsverzeichnis 5 inhalt Vorwort ................................................... 7 1. Information und Kultur – der Auftrag von Deutschlandradio ..........12 2. Der Hörer als Adressat der Programmgestaltung . 14 3. Deutschlandradio als Radio der Länder . 15 4. Deutschlandradio als Radio für Deutschland in Europa ..............16 5. Umfassende Berichterstattung über das Weltgeschehen . 18 6. Deutschlandradio als Quelle kompetenter Fachinformation...........19 7. Bildung als Schwerpunktthema................................. 21 8. Schwerpunktsendungen zu Kulturthemen ........................ 23 9. Geschichte und Zeitgeschichte................................. 25 10. Weltanschauliche Orientierung und interreligiöser Dialog . 27 11. Deutschlandradio als Kulturproduzent und -vermittler.............. 29 12. Deutschlandradio als Förderer und Spiegel des Musiklebens..........31 13. Eigenproduktionen . 33 14. Integrationsprogramm für alle Generationen . 34 15. Förderung des journalistischen und künstlerischen Nachwuchses . 35 16. Die Online-Angebote von Deutschlandradio . 37 17. Deutschlandradio als Kooperationspartner . 38 18. Deutschlandradio als Partner von ARD
    [Show full text]
  • Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette
    www.ssoar.info Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Kester, B. (2002). Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933). (Film Culture in Transition). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/ urn:nbn:de:0168-ssoar-317059 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933.
    [Show full text]
  • The Big Guns of Tv Dxing
    The Official Publication of the Worldwide TV-FM DX Association NOVEMBER 2003 The Magazine for TV and FM DXers! THE BIG GUNS OF TV DXING DETAILS INSIDE! OVER 5,500 STATIONS LOGGED! Bob Seybold – Jeff Kadet – Bob Cooper- Frank Merrill THIS MONTH! ATSC-101 PART II, Understanding Digital TV Gordon Simkin’s Exotic DX And a Ton of TV and FM DX Loggings! TV and FM DXing Was Never So Much Fun! THE WORLDWIDE TV-FM DX ASSOCIATION Serving the UHF-VHF Enthusiast THE VHF-UHF DIGEST IS THE OFFICIAL PUBLICATION OF THE WORLDWIDE TV-FM DX ASSOCIATION DEDICATED TO THE OBSERVATION AND STUDY OF THE PROPAGATION OF LONG DISTANCE TELEVISION AND FM BROADCASTING SIGNALS AT VHF AND UHF. WTFDA IS GOVERNED BY A BOARD OF DIRECTORS: TOM BRYANT, GREG CONIGLIO, BRUCE HALL, DAVE JANOWIAK AND MIKE BUGAJ. Editor and publisher: Mike Bugaj Treasurer: Dave Janowiak Webmaster: Tim McVey Editorial Staff: Steven Wiseblood, Victor Frank, George W. Jensen, Jeff Kruszka, Keith McGinnis, Fred Nordquist, Matt Sittel, Doug Smith, Thomas J. Yingling, Jr. and John Zondlo, Our website: www.anarc.org/wtfda ANARC Rep: Jim Thomas, Back Issues: Dave Nieman ELECTRONIC EDITION for NOVEMBER 2003 _______________________________________________________________________________________ CONTENTS Page Two 2 Mailbox 3 Finally! For those of you online with an email TV News…Doug Smith 5 address, we now offer a quick, convenient ATSC Primer Part II…Doug Smith 19 and secure way to join or renew your Photo News…Jeff Kruszka 22 membership in the WTFDA from our page at: Eastern TV DX…Matt Sittel 26 http://fmdx.usclargo.com/join.html Western TV DX…Victor Frank 28 Southern FM DX…John Zondlo 33 Dues are $25 if paid to our Paypal account.
    [Show full text]
  • 2019 List of Awards
    List of Awards PRIX EUROPA Best European TV Documentary of the Year 2019 The Raft Sveriges Television - SVT, Sweden Author and Director: Marcus Lindeen, Producer: Erik Gandini 2nd Maelstrom Omroep Human, The Netherlands 3rd The Trial of Ratko Mladic WDR, Germany / International Co-production PRIX EUROPA IRIS Best European TV Programme of the Year 2019 about Cultural Diversity But When Mommy Is Coming? Radiotelevisione svizzera - RSI / SRG SSR, Switzerland Author and Director: Stefano Ferrari, Producer: Michael Beltrami 2nd Back to Rwanda De Chinezen, Belgium 3rd The Sit-in Cinelandia, Sweden PRIX EUROPA Best European Radio Music Programme of the Year 2019 The Man Who Sings From the Heart Polskie Radio S.A., Poland Author and Director: Agnieszka Czyzewska Jacquemet 2nd Ask the Music Professor SR, Sweden 3rd Misia VRT, Belgium 1 List of Awards PRIX EUROPA Best European Radio Investigation of the Year 2019 The Puppet Master BBC, United Kingdom Author, Director and Producer: Neal Razzell 2nd Documentary On One: The Case of Majella Moynihan RTÉ, Ireland 3rd Painkillers NDR, Germany PRIX EUROPA Best European TV Investigation of the Year 2019 MISSION INVESTIGATE: Deceptive Diplomacy SVT, Sweden Author: Ali Fegan, Director and Producer: Axel Gordh Humlesjö 2nd ENVOYÉ SPECIAL: Monsanto Papers, Manufacturing Doubt France Télévisions, France 3rd GREEN WARRIORS: Paraguay’s Poisoned Fields Premières Lignes Télévision, France PRIX EUROPA Best European Radio Documentary Series of the Year 2019 Lord of the Ring Pulls NRK, Norway Author and Director: Grete
    [Show full text]
  • HYPE-34-Genesis.Pdf
    Exclusive benefits for Students and NSFs FREE Campus/Camp Calls Unlimited SMS Incoming Calls Data Bundle Visit www.singtel.com/youth for details. Copyright © 2012 SingTel Mobile Singapore Pte. Ltd. (CRN : 201012456C) and Telecom Equipment Pte. Ltd. (CRN: 198904636G). Standard SingTel Mobile terms and conditions apply. WHERE TO FIND HYPE COMPLIMENTARY COPIES OF HYPE ARE AVAILABLE AT THE FOLLOWING PLACES Timbre @ The Arts House Island Creamery Swirl Art 1 Old Parliament Lane #01-04 11 King Albert Park #01-02 417 River Valley Road Timbre @ The Substation Serene Centre #01-03 1 Liang Seah Street #01-13/14 45 Armenian Street Holland Village Shopping Mall #01-02 Timbre @ Old School The Reckless Shop 11A Mount Sophia #01-05 Sogurt Orchard Central #02-08/09 617 Bukit Timah Road VivoCity #02-201 Cold Rock Blk 87 Marine Parade Central #01-503 24A Lorong Mambong DEPRESSION 313 Somerset #02-50 Leftfoot Orchard Cineleisure #03-05A 2 Bayfront Avenue #B1-60 Far East Plaza #04-108 Millenia Walk Parco #P2-21 Orchard Cineleisure #02-07A BooksActually The Cathay #01-19 Beer Market No. 9 Yong Siak Street, Tiong Bahru 3B River Valley Road #01-17/02-02 Once Upon a Milkshake St Games Cafe 32 Maxwell Road #01-08 Strictly Pancakes The Cathay #04-18 120 Pasir Ris Central #01-09 44A Prinsep Street Frolick Victoria Jomo Ice Cream Chefs Lot One #B1-23 9 Haji Lane Ocean Park Building, #01-06 Hougang Mall #B1-K11 47 Haji Lane 12 Jalan Kuras (Upper Thomson) 4 Kensington Park Road Tampines 1 #B1-32 VOL.TA Marble Slab 241 Holland Avenue #01-02 The Cathay #02-09 Iluma
    [Show full text]
  • *2019-09 •fi Beleå¾nica
    1 41 1 42 KYGO & WHITNEY HOUSTON - HIGHER LOVE 2 34 0 34 SHAWN MENDES & CAMILA CABELLO - SENORITA 3 32 1 33 DADDY YANKEE & SNOW - CON CALMA 4 29 0 29 ED SHEERAN & JUSTIN BIEBER - I DON'T CARE 5 27 1 28 LEA SIRK - PO SVOJE 6 27 0 27 TAYLOR SWIFT - YOU NEED TO CALM DOWN 7 26 1 27 EME & ZEEBA - SAY GOODBYE 8 25 0 25 VILI RESNIK - MOJ OBJEM 9 24 0 24 NINNAY - SRCE ZAGORI 10 24 2 26 PINK - WALK ME HOME 11 23 2 25 MEDUZA - PIECE OF YOUR HEART 12 23 1 24 MATIC MARENTIČ - LEN DAN 13 22 0 22 2B - KOT MORJE 14 22 0 22 AVICII & ALOE BLAC - SOS 15 22 0 22 SHAWN MENDES - IF I CAN'T HAVE YOU 16 22 0 22 MARK RONSON & MILEY CYRUS - NOTHING BREAKES LIKE A HEART 17 22 0 22 FED HORSES - SPREMEMBE 18 22 0 22 CHAINSMOKERS - WHO DO YOU LOVE 19 21 0 21 LEWIS CAPALDI - HOLD ME WHILE YOU WAIT 20 21 1 22 SAM SMITH & NORMANI - DANCING WITH A STRANGER 21 20 0 20 ALYA - SPET ZALJUBLJENA 22 20 1 21 TOM WALKER - JUST YOU AND I 23 20 1 21 TINKARA KOVAČ - BODI Z MANO DO KONCA 24 20 0 20 VITAVOX - MALO NAD OBLAKI 25 19 0 19 LENA & NICO SANTOS - BETTER 26 18 0 18 OFENBACH - BE MINE 27 18 0 18 DRAGO MISLEJ MEF - MA NE ŽE SPET 28 18 0 18 NERA - RABLJENO DEKLE 29 18 0 18 ONE REPUBLIC - RESCUE ME 30 17 0 17 ŠANK ROCK - DVIGNI POGLED 31 17 0 17 DON ALLEN - OKUS MARELICE 32 17 1 18 IMAGINE DRAGONS - BAD LIAR 33 17 0 17 LV - LOVE YOU A LOT 34 16 0 16 LEA SIRK & DRILL - RECEPT ZA LAJF 35 16 0 16 GROMEE - LIGHT ME UP 36 16 0 16 GAŠPER RIFELJ & EVA BOTO - DOVOLJ JE POLETJA 37 15 0 15 BISERI - ZA NJO 38 15 0 15 5 SECONDS OF SUMMER - LIE TO ME 39 15 0 15 NIKA ZORJAN - NA PLAŽO 40 15
    [Show full text]
  • Stockholm Cinema Studies 11
    ACTA UNIVERSITATIS STOCKHOLMIENSIS Stockholm Cinema Studies 11 Imagining Safe Space The Politics of Queer, Feminist and Lesbian Pornography Ingrid Ryberg This is a print on demand publication distributed by Stockholm University Library www.sub.su.se First issue printed by US-AB 2012 ©Ingrid Ryberg and Acta Universitatis Stockholmiensis 2012 ISSN 1653-4859 ISBN 978-91-86071-83-7 Publisher: Acta Universitatis Stockholmiensis, Stockholm Distributor: Stockholm University Library, Sweden Printed 2012 by US-AB Cover image: Still from Phone Fuck (Ingrid Ryberg, 2009) Contents 1. Introduction ................................................................................................... 13 Research aims and questions .................................................................................... 13 Queer, feminist and lesbian porn film culture: central debates.................................... 19 Feminism and/vs. pornography ............................................................................. 20 What is queer, feminist and lesbian pornography?................................................ 25 The sexualized public sphere................................................................................ 27 Interpretive community as a key concept and theoretical framework.......................... 30 Spectatorial practices and historical context.......................................................... 33 Porn studies .......................................................................................................... 35 Embodied
    [Show full text]
  • Christian Lerch
    Christian Lerch www.agentur-midpoint.com Agentur MIDPOINT Phone: +49 89 890 58053 Email: [email protected] Website: www.agentur-midpoint.com © Adrian Schätz Information Acting age 38 - 45 years Nationality German Year of birth 1966 Languages German: native-language Height (cm) 194 English: medium Eye color gray green French: medium Hair color Black Dialects Bairisch Stature very slim Instruments Guitar: medium Place of residence München Piano: medium Housing options Wasserburg Am Inn bei Drums: medium München Sport Aikido, Alpine skiing, Horse riding Dance Argentine tango: medium Profession Actor Other Education & Training Hochschule für Musik und darstellende Kunst in Graz Awards 2008 Die Perlmutterfarbe - Prädikat: besonders wertvoll 2006 Wer früher stirbt ist länger tot - Deutscher Filmpreis in der Kategorien: "Bestes Drehbuch" Teilnahme an zahlreichen Festivals u.a. LOLA Festival, Berlinale, Filmfest München Film 2016 In Our Country Role: Leading role Director: Louisa Wagener 2016 Amelie rennt Role: Supporting role Director: Tobias Wiemann 2015 Runter Role: Leading role Director: Katharina Bischof 2012 Rico, Oskar und die Tieferschatten Director: Nele Lena Vollmar 2011 Was weg is, is weg 2010 Der Sommer der Gaukler Role: Vorarbeiter Director: Marcus H. Rosenmüller 2009 Vita Christian Lerch by www.castupload.com — As of: 2021-04- 21 Page 1 of 6 Bernd Trautmann Director: Marcus H. Rosenmüller 2008 Die Perlmutterfarbe Role: Herr Gumberger Director: Marcus H. Rosenmüller 2007 Räuber Kneissl Role: Anton Wörndl Director: Marcus
    [Show full text]
  • Macron Leaks” Operation: a Post-Mortem
    Atlantic Council The “Macron Leaks” Operation: A Post-Mortem Jean-Baptiste Jeangène Vilmer The “Macron Leaks” Operation: A Post-Mortem Jean-Baptiste Jeangène Vilmer ISBN-13: 978-1-61977-588-6 This report is written and published in accordance with the Atlantic Council Policy on Intellectual Indepen- dence. The author is solely responsible for its analysis and recommendations. The Atlantic Council and its donors do not determine, nor do they necessarily endorse or advocate for, any of this report’s conclusions. June 2019 Contents Acknowledgments iv Abstract v Introduction 1 I- WHAT HAPPENED 4 1. The Disinformation Campaign 4 a) By the Kremlin media 4 b) By the American alt-right 6 2. The Aperitif: #MacronGate 9 3. The Hack 10 4. The Leak 11 5. In Summary, a Classic “Hack and Leak” Information Operation 14 6. Epilogue: One and Two Years Later 15 II- WHO DID IT? 17 1. The Disinformation Campaign 17 2. The Hack 18 3. The Leak 21 4. Conclusion: a combination of Russian intelligence and American alt-right 23 III- WHY DID IT FAIL AND WHAT LESSONS CAN BE LEARNED? 26 1. Structural Reasons 26 2. Luck 28 3. Anticipation 29 Lesson 1: Learn from others 29 Lesson 2: Use the right administrative tools 31 Lesson 3: Raise awareness 32 Lesson 4: Show resolve and determination 32 Lesson 5: Take (technical) precautions 33 Lesson 6: Put pressure on digital platforms 33 4. Reaction 34 Lesson 7: Make all hacking attempts public 34 Lesson 8: Gain control over the leaked information 34 Lesson 9: Stay focused and strike back 35 Lesson 10: Use humor 35 Lesson 11: Alert law enforcement 36 Lesson 12: Undermine propaganda outlets 36 Lesson 13: Trivialize the leaked content 37 Lesson 14: Compartmentalize communication 37 Lesson 15: Call on the media to behave responsibly 37 5.
    [Show full text]