The Second Life of Inscriptions 59-76
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Spolia's Implications in the Early Christian Church
BEYOND REUSE: SPOLIA’S IMPLICATIONS IN THE EARLY CHRISTIAN CHURCH by Larissa Grzesiak M.A., The University of British Columba, 2009 B.A. Hons., McMaster University, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Art History) THE UNVERSIT Y OF BRITISH COLUMBIA (Vancouver) April 2011 © Larissa Grzesiak, 2011 Abstract When Vasari used the term spoglie to denote marbles taken from pagan monuments for Rome’s Christian churches, he related the Christians to barbarians, but noted their good taste in exotic, foreign marbles.1 Interest in spolia and colourful heterogeneity reflects a new aesthetic interest in variation that emerged in Late Antiquity, but a lack of contemporary sources make it difficult to discuss the motives behind spolia. Some scholars have attributed its use to practicality, stating that it was more expedient and economical, but this study aims to demonstrate that just as Scripture became more powerful through multiple layers of meaning, so too could spolia be understood as having many connotations for the viewer. I will focus on two major areas in which spolia could communicate meaning within the context of the Church: power dynamics, and teachings. I will first explore the clear ecumenical hierarchy and discourses of power that spolia delineated through its careful arrangement within the church, before turning to ideological implications for the Christian viewer. Focusing on the Lateran and St. Peter’s, this study examines the religious messages that can be found within the spoliated columns of early Christian churches. By examining biblical literature and patristic works, I will argue that these vast coloured columns communicated ideas surrounding Christian doctrine. -
The Little Metropolis at Athens 15
Bucknell University Bucknell Digital Commons Honors Theses Student Theses 2011 The Littleetr M opolis: Religion, Politics, & Spolia Paul Brazinski Bucknell University Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the Classics Commons Recommended Citation Brazinski, Paul, "The Little eM tropolis: Religion, Politics, & Spolia" (2011). Honors Theses. 12. https://digitalcommons.bucknell.edu/honors_theses/12 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. Paul A. Brazinski iv Acknowledgements I would like to acknowledge and thank Professor Larson for her patience and thoughtful insight throughout the writing process. She was a tremendous help in editing as well, however, all errors are mine alone. This endeavor could not have been done without you. I would also like to thank Professor Sanders for showing me the fruitful possibilities in the field of Frankish archaeology. I wish to thank Professor Daly for lighting the initial spark for my classical and byzantine interests as well as serving as my archaeological role model. Lastly, I would also like to thank Professor Ulmer, Professor Jones, and all the other Professors who have influenced me and made my stay at Bucknell University one that I will never forget. This thesis is dedicated to my Mom, Dad, Brian, Mark, and yes, even Andrea. Paul A. Brazinski v Table of Contents Abstract viii Introduction 1 History 3 Byzantine Architecture 4 The Little Metropolis at Athens 15 Merbaka 24 Agioi Theodoroi 27 Hagiography: The Saints Theodores 29 Iconography & Cultural Perspectives 35 Conclusions 57 Work Cited 60 Appendix & Figures 65 Paul A. -
Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century
Patrizio Pensabene Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century Summary This paper is a historical outline of the practice of reuse in Rome between the th and th century AD. It comments on the relevance of the Arch of Constantine and the Basil- ica Lateranensis in creating a tradition of meanings and ways of the reuse. Moreover, the paper focuses on the government’s attitude towards the preservation of ancient edifices in the monumental center of Rome in the first half of the th century AD, although it has been established that the reuse of public edifices only became a normal practice starting in th century Rome. Between the th and th century the city was transformed into set- tlements connected to the principal groups of ruins. Then, with the Carolingian Age, the city achieved a new unity and several new, large-scale churches were created. These con- struction projects required systematic spoliation of existing marble. The city enlarged even more rapidly in the Romanesque period with the construction of a large basilica for which marble had to be sought in the periphery of the ancient city. At that time there existed a highly developed organization for spoliating and reworking ancient marble: the Cos- matesque Workshop. Keywords: Re-use; Rome; Arch of Constantine; Basilica Lateranensis; urban transforma- tion. Dieser Artikel bietet eine Übersicht über den Einsatz von Spolien in Rom zwischen dem . und dem . Jahrhundert n. Chr. Er zeigt auf, wie mit dem Konstantinsbogen und der Ba- silica Lateranensis eine Tradition von Bedeutungsbezügen und Strategien der Spolienver- wendung begründet wurde. -
SPOLIA. DAMNATIO and RENOVATIO MEMORIAE Dale
"SPOLIA. DAMNATIO" AND "RENOVATIO MEMORIAE" Author(s): Dale Kinney Source: Memoirs of the American Academy in Rome, Vol. 42 (1997), pp. 117-148 Published by: University of Michigan Press for the American Academy in Rome Stable URL: http://www.jstor.org/stable/4238749 Accessed: 26/07/2010 09:43 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=aarome. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. American Academy in Rome and University of Michigan Press are collaborating with JSTOR to digitize, preserve and extend access to Memoirs of the American Academy in Rome. http://www.jstor.org SPOLIA.DAMNATIO AND RENOVATIOMEMORIAE Dale Kinney L ike most aspects of Roman artistic practice, the introductionof spolia occurred in si- lence. -
Uvic Thesis Template
The Transformation of Administrative Towns in Roman Britain by Lara Bishop BA, Saint Mary‟s University, 1997 MA, University of Wales Cardiff, 2001 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Greek and Roman Studies Lara Bishop, 2011 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee The Transformation of Administrative Towns in Roman Britain by Lara Bishop BA, Saint Mary‟s University, 1997 MA, University of Wales Cardiff, 2001 Supervisory Committee Dr. Gregory D. Rowe, (Department of Greek and Roman Studies) Supervisor Dr. J. Geoffrey Kron, (Department of Greek and Roman Studies) Departmental Member iii Abstract Supervisory Committee Dr. Gregory D. Rowe, (Department of Greek and Roman Studies) Supervisor Dr. J. Geoffrey Kron, (Department of Greek and Roman Studies) Departmental Member The purpose of this thesis is to determine whether the Roman administrative towns of Britain continued in their original Romanized form as seen in the second century AD, or were altered in their appearance and function in the fourth and fifth century, with a visible reduction in their urbanization and Romanization. It will be argued that British town life did change significantly. Major components of urbanization were disrupted with the public buildings disused or altered for other purposes, and the reduction or cessation of public services. A reduction in the population of the towns can be perceived in the eventual disuse of the extramural cemeteries and abandonment of substantial areas of settlement or possibly entire towns. -
Saint Sophia Museum Project 2009: the Collection of Byzantine Marble Slabs in the Ayasofya Müzesi, Istanbul
SAINT SOPHIA MUSEUM PROJECT 2009: THE COLLECTION OF BYZANTINE MARBLE SLABS IN THE AYASOFYA MÜZESİ, İSTANBUL Alessandra GUIGLIA1 Claudia BARSANTI Roberta FLAMINIO The project of a Corpus of the Byzantine sculptures in the Ayasofya Müzesi at İstanbul started in 2005 and has been carried on through the following years by the universities of Rome Sapienza, Rome Tor Vergata, and, since 2007, Bologna2. It is a pleasure to thank here the Ministry of Culture and Tourism of the Republic of Turkey for giving us permission to work in the Museum; thanks are also due to the Ayasofya Müzesi authorities. Research work for the year 20093 focused on a group of marble slabs that, although few in number, display noteworthy decorative and technical characteristics, as has already been observed about the refined Middle-Byzantine slabs that are now preserved in Saint Irene and which we presented at the Kocaeli Symposium4. Among the sculptures in Saint Irene figures a very interesting, but damaged and incomplete Early-Byzantine slab, inv. 388, which was briefly published by Ayten Erder in 19655 (Fig. 1). Of unknown provenance, it shows a quite unusual composition 1 Prof. Dr. Alessandra GUIGLIA, Sapienza Università di Roma, Facoltà di Lettere e Filosofia, Dipartimento di Storia dell’Arte, Piazzale Aldo Moro 5, 00185 Roma/ITALY; e-mail: [email protected] Doç. Dr. Claudia BARSANTI, Università di Roma “Tor Vergata”, Facoltà di Lettere e Filosofia, Dipartimento di Beni Culturali, Musica e Spettacolo, via Colombia, 00133 Roma/ITALY; e-mail: [email protected] Dr. Roberta FLAMINIO, Università di Roma “Tor Vergata”, Facoltà di Lettere e Filosofia, Dipartimento di Beni Culturali, Musica e Spettacolo, via Colombia, 00133 Roma/ITALY; e-mail: robfl[email protected] 2 The research project, which in the years 2006-2008 has been already financed by the Ministry of Education, University and Research (project PRIN, national coordinator Prof. -
A Study on the Building Techniques and Materials in the Late Antique and Byzantine Fortifications in Anatolia: Ancyra and Nicaea
A STUDY ON THE BUILDING TECHNIQUES AND MATERIALS IN THE LATE ANTIQUE AND BYZANTINE FORTIFICATIONS IN ANATOLIA: ANCYRA AND NICAEA A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF NATURAL AND APPLIED SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY MERCAN YAVUZATMACA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN CONSERVATION OF CULTURAL HERITAGE IN ARCHITECTURE DECEMBER 2016 Approval of the thesis: A STUDY ON THE BUILDING TECHNIQUES AND MATERIALS IN THE LATE ANTIQUE AND BYZANTINE FORTIFICATIONS IN ANATOLIA: ANCYRA AND NICAEA submitted by MERCAN YAVUZATMACA in partial fulfillment of the requirements for the degree of Master of Science in Conservation of Cultural Heritage in Architecture Department, Middle East Technical University by, Prof. Dr. Gülbin Dural Ünver Dean, Graduate School of Natural and Applied Sciences ____________________ Prof. Dr. Elvan Altan Head of Department, Architecture _____________________ Assoc. Prof. Dr. Ufuk Serin Supervisor, Architecture Dept., METU _____________________ Examining Committee Members: Prof. Dr. Suna Güven Architecture Department, METU ______________________ Assoc. Prof. Dr. Ufuk Serin Architecture Department, METU ______________________ Prof. Dr. Ayşıl Tükel Yavuz Architecture Department, METU. ______________________ Assoc. Prof. Dr. Namık Erkal Architecture Department, TED Uni. ______________________ Assist. Prof. Dr. Çiğdem Atakuman Settlement Archeology Dept., METU ______________________ Date: 02.12.2016 I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Mercan YAVUZATMACA Signature : iv ABSTRACT A STUDY ON THE BUILDING TECHNIQUES AND MATERIALS IN THE LATE ANTIQUE AND BYZANTINE FORTIFICATIONS IN ANATOLIA: ANCYRA AND NICAEA Yavuzatmaca, Mercan M.Sc. -
Restauratio and Reuse: the Afterlife of Roman Ruins
Peer Reviewed Title: Restauratio and Reuse: The Afterlife of Roman Ruins Journal Issue: Places, 20(1) Author: Jacks, Philip Publication Date: 2008 Publication Info: Places Permalink: http://escholarship.org/uc/item/66n5329v Acknowledgements: This article was originally produced in Places Journal. To subscribe, visit www.places-journal.org. For reprint information, contact [email protected]. Keywords: places, placemaking, architecture, environment, landscape, urban design, public realm, planning, design, volume 20, issue 1, restauratio, reuse, afterlife, roman, ruins, Philip Jacks Copyright Information: All rights reserved unless otherwise indicated. Contact the author or original publisher for any necessary permissions. eScholarship is not the copyright owner for deposited works. Learn more at http://www.escholarship.org/help_copyright.html#reuse eScholarship provides open access, scholarly publishing services to the University of California and delivers a dynamic research platform to scholars worldwide. Restauratio and Reuse: The Afterlife of Roman Ruins Philip Jacks As sustainability becomes ever more critical to the archi- not look upon classical antiquities solely as models for tectural profession, it is worth noting that the practice of imitation. Their objective was to critically analyze these recycling has a long history. Perhaps nowhere is this so remains and assimilate their forms into new typologies. richly documented as in Rome—both for the abundance Their projects—some executed, some known only from of its classical ruins and the fact that over many centuries drawings—hold many lessons for contemporary design- it was really two cities—one pagan, the other Christian. ers seeking to reuse and recontextualize the architectural As the institutions of imperial Rome gradually gave forms of modern cities. -
Market Buildings and Shops
Appendix 4 Market Buildings and Shops W1 Market Buildings, New / Comprehensively Rebuilt Of dimensions, the structure measures ca. 27.8 m by The study of market buildings in Late Antiquity is somewhat ca. 30.1 m, hand-measuring off the plan. difficult, when compared to Roman macella of the first Of architectural form, this phase of the complex saw a three centuries AD or market halls of the Hellenistic pe- substantial rebuilding, with the replacement of the inter- riod. Firstly, the architectural form of new market build- nal rooms and their courtyard by a design based on an aisle ings is less well-defined than it was in earlier centuries. and two naves, represented by two long walls with piers at When compared with ecclesiastical architecture from the “10 ft” (3.05 m) intervals, which may have supported vault- same period, late market buildings seem heterogeneous. ing over the central aisle, whilst the apse in the east wall Their identification rests on: (i) an inscription (as at Ostia); was levelled and a new wall built further back [although (ii) their form, echoing that of earlier structures (as at this ‘further back’ wall does not appear on the plan for this Geneva and at Athens, although the latter is too large); phase]. Along the street façade, to the west, the veranda (iii) their physical connection to a site where an exist- was replaced by a massive frontage supporting a portico or ing market building is well-attested (as at St. Bertrand or monumental entrance, with a foundation of 19 ft (5.79 m) Sagalassos); (iv) finds and paving details (Geneva produced by 7 ft (2.13 m) set down on its northern end, perhaps to a deposit of sheep and cattle bones; Ostia had holes for the support an arched side entrance, in the view of the report canopies of stalls). -
Spolia Usage in Anatolian Rulers: a Comparison of Ideas for Byzantines, Anatolian Seljuqs and Ottomans
ITU A|Z • Vol 12 No 2 • July 2015 • 3-17 Spolia usage in Anatolian rulers: A comparison of ideas for Byzantines, Anatolian Seljuqs and Ottomans Bilge AR [email protected] • Department of Architecture, Faculty of Architecture, Istanbul Technical University, Istanbul, Turkey Received: February 2015 Final Acceptance: April 2015 Abstract Te re-evaluation and re use of antique construction material as spolia may have much deeper meanings than sole economic purposes. It may be because of aesthetic taste or the wish to give a political or religious message. Te origins and choice of spolia, the motives for the use of it, possible political, ideological, litur- gical and perhaps legal reasons behind it must all be evaluated. Spolia materials are subject to many diferent felds by nature of their given and original lives. Tis work covers some ideas between approaches to spolia material and meanings attibuted to them in mainly monumental buildings of Byzantine Empire, Anato- lian Seljuq Sultanate and Ottoman Empire. Te evaluation starts with the reign of Constantine, on vast lands covering the East and the West, Rome and Constan- tinople where extensive use of spolia was deliberately applied. Trough Middle Ages diferent approaches were encountered in Europe, Byzantine territories and in the lands dominated by Anatolian Seljuqs. Later on while Early Ottoman era applications get integrated to the applications of the Byzantine era, a completely diferent attitude and usage is developed during Classical Ottoman era. Tis work tries to give an overview of these usages and the ideas behind them through some comparative ideas. Keywords Ottoman Architecture, Anatolian Seljuq Architecture, Reuse, Roman-Byzantine Architecture, Spolia material. -
Reexamining Raphael's Transformation Through
“Finding Rome in Rome”: Reexamining Raphael’s Transformation Through His Roles at the Villa Farnesina Alexis Ruth Culotta A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Committee: Stuart P. Lingo Estelle Lingo Ann C. Huppert Program Authorized to Offer Degree: Art History ©Copyright 2014 Alexis Ruth Culotta University of Washington Abstract “Finding Rome in Rome”: Reexamining Raphael’s Transformation Through His Roles at the Villa Farnesina Alexis Ruth Culotta Chair of the Supervisory Committee: Professor Stuart P. Lingo Art History As an iconic figure of the Renaissance, Raphael has been the subject of extensive scholarly study. His contributions to the Roman villa of Agostino Chigi, now known as the Villa Farnesina, however, have garnered minimal attention. This thesis aims to reevaluate Raphael’s contributions to the villa, as they represent some of his most diverse production, not only as artist but also as antiquarian, architect and theatrical scenographer. As this synthesis will reveal, these key evolutions within Raphael’s pursuits can be tied to his exchanges with Venetian painter Sebastiano del Piombo and painter/architect Baldassarre Peruzzi with whom Raphael worked while at the Farnesina. These exchanges will be considered through the emergent artistic application of co-opetition, a blend of competition and cooperation. It is through these interactions that Raphael’s work at the Farnesina can be positioned as catalyst to his continued development beyond prominent artist into esteemed architect and archaeologist working in early cinquecento Rome. The aim of this study is not only to advance our knowledge of Raphael but also to better contextualize the dynamic atmosphere fostered within Chigi’s grounds, giving better understanding of Peruzzi’s and Sebastiano’s contributions that resulted in the artistic and architectural landmark that was the sixteenth-century Villa Farnesina. -
The Church of Hagia Sophia in Bizye (Vize): Results of the Fieldwork Seasons 2003 and 2004
Dumbarton Oaks Papers Number Sixty, 2006 Published by Dumbarton Oaks Research Library and Collection Distributed by Harvard University Press, 2007 The Church of Hagia Sophia in Bizye (Vize): Results of the Fieldwork Seasons 2003 and 2004 Franz Alto Bauer and Holger A. Klein ocated in Turkish Thrace on the southwestern slopes of the Strandža mountains (Yıldız Dağları), the ancient city of Bizye (modern Vize) is well known not only as a place of exile during the early Byzantine period, but also as the home and cult center of St. Mary the Younger, a pious woman of Armenian origin who died there in 902 and was subsequently buried in the city’s cathedral.1 Relying on an inscription recorded by Georgios Lampousiades, the region’s super- intendent of antiquities during the Greek occupation of Thrace from 1920 to 1922, Cyril Mango was the first to suggest that the Byzantine church still standing on the acropolis of Vize, now known as Ayasofya or Süleyman Paşa Camii, should be identified as Bizye’s Byzantine cathedral and location of the saint’s first tomb as mentioned in herLife .2 Citing similar cross-domed churches such as Dereağzı in Lycia, Mango concluded that the former church of Hagia Sophia at Vize may well pertain to “the period of Byzantine expansion in the Balkans in the late eighth and ninth centuries, a period that is…very poorly represented in terms of architectural monuments, but which <m>ay also have pro- duced St. Sophia at Salonica.”3 While the building’s imposing size of circa twenty-five by twelve meters seems to support Mango’s hagio- graphical arguments for identifying the church as the city’s Byzantine cathedral, his dating of the structure to the eighth or ninth century has not remained unchallenged.