Paradoxical Politics of Power, Language, and Truth in Orwell’S Nineteen Eighty-Four
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SAPIR A JOURNAL OF JEWISH CONVERSATIONS THE ISSUE ON POWER ELISA SPUNGEN BILDNER & ROBERT BILDNER RUTH CALDERON · MONA CHAREN MARK DUBOWITZ · DORE GOLD FELICIA HERMAN · BENNY MORRIS MICHAEL OREN · ANSHEL PFEFFER THANE ROSENBAUM · JONATHAN D. SARNA MEIR SOLOVEICHIK · BRET STEPHENS JEFF SWARTZ · RUTH R. WISSE Volume Two Summer 2021 And they saw the God of Israel: Under His feet there was the likeness of a pavement of sapphire, like the very sky for purity. — Exodus 24: 10 SAPIR Bret Stephens EDITOR-IN-CHIEF Mark Charendoff PUBLISHER Ariella Saperstein ASSO CIATE PUBLISHER Felicia Herman MANAGING EDITOR Katherine Messenger DESIGNER & ILLUSTRATOR Sapir, a Journal of Jewish Conversations. ISSN 2767-1712. 2021, Volume 2. Published by Maimonides Fund. Copyright ©2021 by Maimonides Fund. No part of this journal may be reproduced in any form or by any means without the prior written consent of Maimonides Fund. All rights reserved. Printed in the United States of America. WWW.SAPIRJOURNAL.ORG WWW.MAIMONIDESFUND.ORG CONTENTS 6 Publisher’s Note | Mark Charendoff 90 MICHAEL OREN Trial and Triage in Washington 8 BRET STEPHENS The Necessity of Jewish Power 98 MONA CHAREN Between Hostile and Crazy: Jews and the Two Parties Power in Jewish Text & History 106 MARK DUBOWITZ How to Use Antisemitism Against Antisemites 20 RUTH R. WISSE The Allure of Powerlessness Power in Culture & Philanthropy 34 RUTH CALDERON King David and the Messiness of Power 116 JEFF SWARTZ Philanthropy Is Not Enough 46 RABBI MEIR Y. SOLOVEICHIK The Power of the Mob in an Unforgiving Age 124 ELISA SPUNGEN BILDNER & ROBERT BILDNER Power and Ethics in Jewish Philanthropy 56 ANSHEL PFEFFER The Use and Abuse of Jewish Power 134 JONATHAN D. -
Master's Dissertation/ Trabajo Fin De Máster
UNIVERSIDAD DE JAÉN Centro de Estudios de Postgrado Master’s Dissertation/ Trabajo Fin de Máster A STORY COME TRUE: AN ANALYSIS OF GEORGE ORWELL’S ANIMAL FARM (1945) Student: Balbuena Jurado, Juana Tutor: Dr. Pilar Sánchez Calle Dpt.: English Philology Centro de Estudios de Postgrado de Centro de Estudios December, 2017 1 ABSTRACT AND KEY WORDS Nowadays, we are living in an age in which people are losing their critical thought and are easily influenced by other people. This situation can be connected to George Orwell‘s eclipsed work Animal Farm (1945). This story starred by naïve farm animals seems to provide a lighter criticism on politics than the one offered in Orwell‘s most famous work Nineteen Eighty-four (1949). Nevertheless, this Master‘s Dissertation aims to prove the relevance of this work as a social criticism. With this purpose, this MD will study literature as a social criticism, Animal Farm‘s literary genre, its context, formal aspects and the critical reflections that it displays such as manipulation through language or indoctrination. Additionally, there will be a section devoted to analyse the influence of Animal Farm in our modern world: literature, music, cinema, TV and even our current way to approach politics. This work will be ended by drawing some conclusions about the influence of Animal Farm and the impact of its criticism. Key words: Animal Farm, George Orwell, Russia, communism, manipulation, social criticism. RESUMEN Y PALABRAS CLAVE Actualmente estamos en medio de un periodo en el que la gente está perdiendo su pensamiento crítico y es influenciada fácilmente por otros. -
Download Critical Essays, George Orwell, Harvill Secker, 2009
Critical Essays, George Orwell, Harvill Secker, 2009, 1846553261, 9781846553264, . Orwell’s essays demonstrate how mastery of critical analysis gives rise to trenchant aesthetic and philosophical commentary. Here is an unrivalled education in – as George Packer puts in the foreword to this new two-volume collection – “how to be interesting, line after line.”. DOWNLOAD http://bit.ly/1979wHt Some Thoughts on the Common Toad , George Orwell, 2010, English essays, 115 pages. In this collection of eight witty and sharply written essays, Orwell looks at, among others, the joys of spring (even in London), the picture of humanity painted by Gulliver .... 1984 A Novel, George Orwell, 1977, Fiction, 268 pages. Portrays life in a future time when a totalitarian government watches over all citizens and directs all activities.. George Orwell: As I please, 1943-1946 , George Orwell, Jan 1, 2000, Literary Collections, 496 pages. Animal farm a fairy story, George Orwell, 1987, Fiction, 203 pages. I belong to the Left 1945, George Orwell, Peter Hobley Davison, Ian Angus, Sheila Davison, 1998, Literary Criticism, 502 pages. Collected Essays , George Orwell, 1968, , 460 pages. Voltaire's notebooks, Volumes 148-149 , Theodore Besterman, 1976, , 247 pages. Selected writings , George Orwell, 1958, English essays, 183 pages. George Orwell, the road to 1984 , Peter Lewis, Jan 1, 1981, Biography & Autobiography, 122 pages. Shooting an Elephant , George Orwell, 2003, Fiction, 357 pages. 'Shooting an Elephant' is Orwell's searing and painfully honest account of his experience as a police officer in imperial Burma; killing an escaped elephant in front of a crowd ... -
Nineteen Eighty-Four
MGiordano Lingua Inglese II Nineteen Eighty-Four Adapted from : http://en.wikipedia.org/wiki/Nineteen_Eighty-Four Nineteen Eighty-Four, sometimes published as 1984, is a dystopian novel by George Orwell published in 1949. The novel is set in Airstrip One (formerly known as Great Britain), a province of the superstate Oceania in a world of perpetual war, omnipresent government surveillance, and public manipulation, dictated by a political system euphemistically named English Socialism (or Ingsoc in the government's invented language, Newspeak) under the control of a privileged Inner Party elite that persecutes all individualism and independent thinking as "thoughtcrimes". The tyranny is epitomised by Big Brother, the quasi-divine Party leader who enjoys an intense cult of personality, but who may not even exist. The Party "seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power." The protagonist of the novel, Winston Smith, is a member of the Outer Party who works for the Ministry of Truth (or Minitrue), which is responsible for propaganda and historical revisionism. His job is to rewrite past newspaper articles so that the historical record always supports the current party line. Smith is a diligent and skillful worker, but he secretly hates the Party and dreams of rebellion against Big Brother. As literary political fiction and dystopian science-fiction, Nineteen Eighty-Four is a classic novel in content, plot, and style. Many of its terms and concepts, such as Big Brother, doublethink, thoughtcrime, Newspeak, Room 101, Telescreen, 2 + 2 = 5, and memory hole, have entered everyday use since its publication in 1949. -
Topic Abstract When the Clocks Were Striking Thirteen: 1984
Topic Abstract When the Clocks Were Striking Thirteen: 1984 Non-Traditionals | Washington, D.C. | February 11-14, 2021 A Georgetown International Relations Association, Inc. Conference Dear Delegates and Advisors, Greetings from NAIMUN LVIII! The staff has been working hard to make the conference the most rewarding and educational experience yet, and we are excited to welcome you all to D.C. in February! This document is the topic abstract for When the Clocks Were Striking Thirteen: 1984. It contains three key elements to allow you to prepare well in advance for the committee: topic descriptions, questions to consider, and research avenues. This abstract will give you a better understanding of the committee’s content and procedures, and it can act as a starting point for further research. We hope to be of assistance to you in your preparation for NAIMUN LVIII. If you have any questions, comments, or concerns, please feel free to contact the Secretary- General, Director-General, or your Under-Secretaries-General. You may also contact your dais directly at [email protected]. We look forward to welcoming you to the NAIMUN family! Best, Alexander Chen Sanjna Jain Secretary-General Director-General [email protected] [email protected] Kate Reeves Hellen Kuang Under-Secretary-General, Under-Secretary-General, Non-Traditionals Non-Traditionals [email protected] [email protected] Topic Abstract | naimun.modelun.org | 2 What is a Crisis Committee? Crisis Committees are markedly different from both GAs and ECOSOCs. They tend to focus on specific issues, geographic areas, and historical periods. For example, the Court of Louis XIV, 1665 simulates the peak years of King Louis XIV in power, tackling issues from the international expansion of the French empire to developing domestic institutions. -
Nineteen Eighty-Four
Nineteen Eighty-Four This article is about the Orwell novel. For other uses, see 1984 (disambiguation). Nineteen Eighty-Four, sometimes published as 1984, is a dystopian novel by English author George Orwell pub- lished in 1949.[1][2] The novel is set in Airstrip One (for- merly known as Great Britain), a province of the super- state Oceania in a world of perpetual war, omnipresent government surveillance and public manipulation, dic- tated by a political system euphemistically named English Socialism (or Ingsoc in the government’s invented lan- guage, Newspeak) under the control of a privileged Inner Party elite, that persecutes individualism and independent thinking as "thoughtcrimes".[3] The tyranny is epitomised by Big Brother, the quasi- divine Party leader who enjoys an intense cult of per- sonality but who may not even exist. The Party “seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power.”[4] The protagonist of the novel, Winston Smith, is a member of the Outer Party, who works for the Ministry of Truth (or Minitrue), which is responsible for propaganda and historical revisionism. His job is to rewrite past newspa- per articles, so that the historical record always supports A 1947 draft manuscript of the first page of Nineteen Eighty- the party line.[5] Smith is a diligent and skillful worker Four, showing the editorial development. but he secretly hates the Party and dreams of rebellion against Big Brother. As literary political fiction and dystopian science-fiction, his unforgiving novel” in 1944, the implications of divid- Nineteen Eighty-Four is a classic novel in content, plot ing the world up into Zones of influence that had been con- and style. -
Sample Pages
About This Volume Thomas Horan In his dystopian masterpiece Nineteen Eighty-Four, George Orwell deftly weaves political satire, cultural studies, linguistics, and prescient caveats into a haunting narrative replete with unforgettable characters and enduring motifs. Nineteen Eighty-Four is that rare book that transcends a niche genre—in this case, speculative ¿FWLRQ²WRDFKLHYHVHPLQDOVWDWXVZLWKLQERWKSRSXODUFXOWXUHDQG the canon of British and Commonwealth literature. Critical Insights: Nineteen Eighty-FourFRQWH[WXDOL]HV2UZHOO¶V¿QDODQG¿QHVWQRYHO within the author’s multidisciplinary oeuvre, the complex cultural climate of its composition, and the diverse range of critical responses WR WKH WH[W 7KH ¿UVW WKUHH HVVD\V ZKLFK FRPSULVH WKH ³&ULWLFDO Contexts” section of the book, address Nineteen Eighty-Four’s literary and historical importance as well as its ongoing relevance to contemporary readers, providing a foundation for further study and scholarly work. In his essay addressing Nineteen Eighty-Four’s cultural and historical background, Bradley W. Hart traces Orwell’s antiauthoritarian political development through the nineteen thirties and forties, focusing on Orwell’s increasing resistance to both left- DQGULJKWZLQJH[WUHPLVP7KURXJKDFORVHH[DPLQDWLRQRI2UZHOO¶V reaction to British domestic policy during the Second World War, Hart shows how Nineteen Eighty-Four was partially shaped by Orwell’s belief that unquestioning commitment to political ideology alienates people from the core sociopolitical values they espouse. ,Q WKH ³&ULWLFDO /HQV´ FKDSWHU 7RQ\ %XUQV SURYLGHV DQ overview of scholarship that questions the traditional notion that Nineteen Eighty-Four is an anti-utopia. Pointing to utopian possibilities embedded in Orwell’s overtly pessimistic dystopia, %XUQV GHPRQVWUDWHV KRZ 2UZHOO¶V ¿QDO QRYHO FDQ EH XQGHUVWRRG as a forerunner of the critical dystopias of the late twentieth and HDUO\WZHQW\¿UVWFHQWXULHVQDUUDWLYHVWKDWFRQFOXGHZLWKVXI¿FLHQW vii ambiguity to allow for the possibility, however remote, of social renewal. -
Narrative Viewpoint and the Representation of Power in George Orwell’S Nineteen Eighty-Four
Narrative viewpoint and the representation of power in George Orwell’s Nineteen Eighty-Four BRIGID ROONEY This essay considers how ‘perspective’ and ‘choice of language’ in George Orwell’s novel, Nineteen Eighty-Four, position the reader and contribute to the text’s representation of power, powerplay and people power.1 The aims of this essay can be restated in the form of two key questions. What specific features of the narrative in Orwell’s Nineteen Eighty-Four construct the text’s representation of power, and of powerplay? How do those features position the responder to think and feel about political power and about whether there can be people power? Questions of medium, textual form, and genre It is important to distinguish, at the outset, between ‘narrative’, as a general term for story or the telling of story, and ‘the novel’, as a particular medium or form of narrative. Narratives are everywhere in culture. Not only are they integral to novels but they also permeate films, news reports, and even the everyday stories we use to make sense of life. Narratives always position the listener, reader, or responder in particular ways, expressing partial truths, and creating or constructing certain views of reality while minimizing or excluding others. The novel, on the other hand, is a specific textual form that developed, in the medium of print, during the last three hundred years or so in European societies. Not all cultures and societies have given rise to ‘novels’, though all have told stories, in visual, oral, or written forms. The European novel’s popularity peaked in the nineteenth century. -
AP United States Government and Politics Study Questions
AP United States Government and Politics Study Questions - 1984 When George Orwell's novel, 1984, was published in 1949, it gained instant notoriety. Some saw it as a true vision of Stalin's Soviet Union, a condemnation of totalitarianism, a study of power and its abuse through propaganda and terror. Others viewed it as a cautionary tale of the future, a society without moral direction, willing to be dominated by its technology and the image of “Big Brother.” The book stands today as a classic, some would say sarcastic, description of repression and human frailty. It is a work which demands thought and seeks reasoned evaluation. After reading 1984, please analyze the book and develop answers to the following questions. You may attend to other themes or issues as well, but make sure you focus the assignment around the questions presented below: 1) What are some of the primary themes present in 1984? Please address the particular themes of love, technology, and revolt. How are love and human relationships viewed by Orwell in the society of 1984? To what extent is ideology the basis of revolt? Or is revolt based around other principles? 2) What is the function of technology in 1984? How has technology been perverted in 1984 and what technological problems are still being studied at that time? 3) How are classes structured in the society of 1984? What is the Inner Party and what is the Outer Party? What is the function of the Proles in the society of 1984? What is meant by the slogan, “Proles and Animals are Free?” Is Winston Smith a sane -
Here Is Truth and There Are Facts
STUDY GUIDE AUCKLAND ARTS FESTIVAL AND GWB ENTERTAINMENT IN ASSOCIATION WITH STATE THEATRE COMPANY SOUTH AUSTRALIA AND AUCKLAND THEATRE COMPANY PRESENT THE HEADLONG, NOTTINGHAM PLAYHOUSE & ALMEIDA THEATRE PRODUCTION BY GEORGE ORWELL A NEW ADAPTATION CREATED BY ROBERT ICKE AND DUNCAN MACMILLAN “There is truth and there are facts. Freedom is the freedom to say that two plus two makes four.” Winston STUDY GUIDE contents Cast Headshots and Roles 3 Plot Overview 4 Orwell’s 1984 Appendix 4 Q&A 5 Technical Design 11 Insight from the Cast 12 Theatrical Style 15 Characters 15 Themes 17 Symbolism 18 Quotes 19 Background Information 20 Activities for the Classroom 24 Responding to 1984 29 Further Questions 31 Useful Links 33 Simple Plot Summary 34 Essays and Further Information 35 Glossary of Newspeak 40 Please note: The Pre-Show Briefing Document includes; Introduction to the show, A list of the Cast and Creative Team, Biography on Orwell, Preshow Activities and Links, Theatre Review Preparation and a Note for Students. Photo Credit – James Hartley 2 cast Paul Blackwell – Parsons Tom Conroy – Winston Rose Riley – Julia Terence Crawford – O’Brien Bill Allert – Martin Guy O’Grady – Syme Fiona Press – Mrs Parsons Simon London – Charrington Please go to http://www.1984play.com.au where the cast and creative’s professional 3 bios are listed. plot overview 1984 is set in the same year as its name, in a world called Oceania. Oceania is a place where the Inner Party watches its citizens actions and scrutinizes their thoughts. Defying a ban on individuality, the protagonist, Winston, a member of the Outer Party, writes his thoughts in a diary and falls in love with a young headstrong woman named Julia. -
An Interpretive Case Study of a Leader's Effectual Power
Western Kentucky University TopSCHOLAR® Dissertations Graduate School Spring 2018 Winning on and off Theour C t: An Interpretive Case Study of a Leader’s Effectual Power and Influence Eugene Smith Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/diss Part of the Educational Leadership Commons, Leadership Studies Commons, and the Organizational Behavior and Theory Commons Recommended Citation Smith, Eugene, "Winning on and off Theour C t: An Interpretive Case Study of a Leader’s Effectual Power and Influence" (2018). Dissertations. Paper 142. https://digitalcommons.wku.edu/diss/142 This Dissertation is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Dissertations by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. WINNING ON AND OFF THE COURT: AN INTERPRETIVE CASE STUDY OF A LEADER’S EFFECTUAL POWER AND INFLUENCE A Dissertation Presented to The Faculty of the Educational Leadership Doctoral Program Western Kentucky University Bowling Green, Kentucky In Partial Fulfillment of the Requirements for the Degree Doctor of Education By Eugene Smith May 2018 “As a leader, I want to help others be better. I believe good leaders give others the opportunity to be better. Good leaders know their shortcomings and rely on others to contribute in the areas of the leader’s shortcomings.” Steve Moore, Head Basketball Coach at The College of Wooster, 2018 It is with great honor that I dedicate this dissertation to Steve Moore and his family. This research endeavor has been an incredible journey and immense learning experience. -
Quiz for 1984
Quiz for 1984 1. What are the Party slogans – War Is Peace, 7. Where is the telescreen hidden in the room Freedom Is Slavery, Ignorance Is Strength – with Julia and Winston? examples of? a. Behind a painting a. Old Speak b. Behind the bureau b. New Speak c. Above the sink c. Doublethink d. Behind a mirror d. Oceanian 8. Where is Winston taken to be tortured? 2. Where does Winston Smith work? a. The Ministry of Torture a. The Fiction Deparment b. The Ministry of Love b. The Ministry of Truth c. The Ministry of Hate c. The War Ministry d. The Ministry of Justice d. The Outer Party Headquarters 9. What room is Winston sent to in order to 3. What does the note that Julia first gives confront his worst fears? Winston say? a. Room 212 a. “Can we meet?” b. Room 18 b. “I am your ally.” c. Room 222 c. “I am Big Brother.” d. Room 101 d. “I love you.” 10. What is Winston’s greatest fear? 4. Where do Winston and Julia go for their a. Cockroaches romantic trysts? b. Snakes a. The file room in the office c. Rats b. A room above a shop d. Needles c. The Fiction Department d. A parked car in the country 11. What does the paperweight symbolize? a. Totalitarianism 5. What group do Julia and Winston believe b. Winston and Julia’s relationship O’Brien is a member of? c. Big Brother a. The Counter Action Force d. The destruction of religion b. The Eurasian Alliance c.