DOCSLIB.ORG

Modern Screen (Dec 1948-Oct 1949)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Gown by Ceil Chapman You'll find a lovelier you—the instant you start using Solitair cake make-up. Solitair is a special featherweight formula, unlike any make-up you have ever used. Solitair is a complete make-up. Combines powder and powder base. Hides little skin faults. Stays on longer. But never looks mask-like or "made-up." Contains Lanolin to help guard against New Beauty for Your Lips! dryness. Gives your skin petal-smooth appearance flawless, natural, — Yes—something excitingly new! quality. $1.00 youthful-looking. No better Here is the one and only lipstick with point actually shaped to fit the curve of your lips! Cake Make-Up Helps you miraculously Seven new to apply color quicker, FaBhion-right shades (Mat easier, more evenly. No ^Fashion-Point Lipstick blurred edges. See the new, exciting reds and "Dreamy Pink." So creamy smooth. Contains lanolin. Stays on so * Slanting cap with red long! Exquisite case. $1 enameled circle identifies Fashion-Point and color inside. U. S. Pat. No. 2162534. ! . Which. Twin iias Hie ionit Lila or Lttu frigren of Ctucago? new SPINcurlercuts winding time in half — makes it double-easy! New exclusive Toni Spin Curler grips . spins . locks with a flick of the finger. No rubber bands! All plastic, patented! Nothing to tangle up in your hair! Tiny teeth firmly grip hair-tips so even the shortest ends become easy to manage! Easy-spin action — built right in — rolls each curl up in one quick motion ! Snaps shut! Assures a better, longer-lasting curl. Winds more hair on each curler. Makes winding twice as easy— twice as fast! Now it's easier than ever before for any woman to wind perfect curls. new FASTERprocess gives you the most natural-looking wave ever! New Photo directions show how Toni waves hair in as little as 30 minutes! No other home permanent waves hair faster yet leaves it so soft and lustrous, so easy to set and style. For the Toni Waving Lotion is the same gentle lotion that has given more than 67 million SPECIAL permanents. Try this exciting Toni with new COMBINATION Spin Curlers and see how quickly . how easily . OFFER you give yourself the most natural-looking wave New Toni Refill Kit. Guaranteed you've ever had! to give the most natural-looking Which twin has the Toni ? "Now we're both Toni Twins," wave ever — or money back ! Waves hair in as little as 30 minutes says lovely Lila Wigren. "When I saw how easy it was SJOO for Ella to give herself a Toni with the new Spin Complete Set of new Toni SPIN Curlers 1 decided on a Toni Home Permanent, too!" Curlers. No more rubber bands! Makes every wave from now on twice as easy! Reg. Value «200 Included in this offer — Toni Creme Rinse to make your Toni wave even lovelier! BOTH FOR $229 1 OCTOBER, 1949 NOW! PROOF that brushing teeth right after eating is the safe, effective way to modern screen HELP STOP stories ... SO SHE MARRIED THE BOSS (Jennifer Jones) by Cynthia Miller 24 THE STORY BEHIND THE GABLE LEGEND (Clark Gable) by Jack Wade 28 GET OFF THAT HIGH HORSE! (Bergman, Wilde, Davis, etc.) . by Hedda Hopper 30 TOOTH MARRIAGE ON HER MIND (Lizabeth Scott) by Florence Sloan 32 HOW PERFECT IS "PERFECT?" (Joan Fontaine) by Viola Moore 34 RETURN FROM TRAGEDY (Robert Walker) by Arthur L. Charles 37 THIS LOVE OF OURS by Lucille Ball 38 NO HELP WANTED (John Agar) by Ida Zeitlin 40 DECAY HOUSE SWARMING (Bob Arthur) by Reba and Bonnie Churchill 42 THE TRUTH ABOUT RITA'S HONEYMOON (Rita Hayworth) by K. Roby Eunson 46 with Colgate HAS LANA TURNER CHANGED? by George Benjamin 48 MY OWN STORY by Montgomery Clift 50 STOP LYING ABOUT CROSBY! (Bing Crosby) by Frances Clark 54 HOLLYWOOD'S DIZZIEST MARRY-GO-ROUND (Flynn, Eddington, Dental Cream Haymes, Dm) by John Howley 56 MY PRAYER WAS ANSWERED by Jane Powell 59 features THE INSIDE STORY 4 LOUELLA PARSONS' GOOD NEWS 6 EDITORIAL: The Rule That Most Forget (Jane Wyman) 27 NOW dental science offers proof that PICTURE OF THE MONTH: Under Capricorn 52 always using Colgate Dental Cream right after eating helps stop tooth decay before it starts! departments Continuous research— hundreds of case histories — makes this the most important news in dental history! MOVIE REVIEWS by Christopher Kane 16 Eminent dental authorities supervised 2 ALSO SHOWING (Films Previously Reviewed) 23 groups of college men and women for over YOUR LETTERS 25 a year. One group always brushed their FASHION 64 teeth with Colgate Dental Cream right after eating. The other group followed their MUSIC: Sweet and Hot by Leonard Feather 84 usual dental care. THE FANS by Gloria Lampert 97 The average of the group using Colgate's as directed was a startling reduction in ON THE COVER: Color Portrait of Shirley Temple by Bert Six of Warners number of cavities—far less tooth decay! Other picture credits, page 102 The other group developed new cavities at a much higher rate. NO OTHER DENTIFRICE OFFERS PROOF .OF THESE RESULTS Colgate's has been proved to contain all WILLIAM B. HARTLEY, editor the necessary ingredients, including an exclusive patented ingredient, for effective DURBIN L. HORNER, managing editor CARL SCHROEDER, western manager daily dental care. No claim is made that WILLIAM IEFFERS, story editor ROMA BURTON, western editor using Colgate's can stop all tooth decay, or FLORENCE EPSTEIN, associate editor VIOLA MOORE, associate editor help cavities already started. But brushing FERNANDO TEXIDOR, art director BOB BEERMAN, staff photographer teeth right after eating is the proved way to BILL WEINBERGER, art editor BERT PARRY, staff photographer help stop tooth decay with Colgate Dental CONSTANCE BARTEL, Cream. The Colgate Dental Cream now at fashion editor GLORIA LAMPERT, assistant editor CHRISTOPHER KANE, movie reviewer OTT, assistant your dealer's is the same formula that was BEVERLY editor used in the tests. CAROL CARTER, beauty editor IRENE TURNER, research editor Always Use Colgate's" to Clean Your Breath While You Clean Your Teeth —and HELP STOP TOOTH DECAY! POSTMASTER: Please send notice on Form 3578 and copies returned under Label Form 3579 to 261 Fifth Avenue, New York 16, New/York *Right aft.ir ealing Vol. 39, No. 5, October, 1949. Copyright, 1949, the Dell Publishing Co., lnc.,-261 Fifth Ave New York. Published monthly. Printed in U. S. A. Published simultaneously in the Dominion of Canada, fnternationai copyright secured under the provisions of the Revised Convention for the Protection of Literary and Artistic Works. Office of publication at Washington and South Aves., Dunellen, N. J. Chicago Advertising office 360 N. Michigan Ave., Chicago 1, Illinois. George T. Delacorte, Jr., President; Helen Meyer, Vice-Presi- dent, Albert P. Delacorte, Vice-President. Single copy price, 1 5c in U. S. and Canada. Subscriptions in U. S. A. and Canada $1.80 a year, $3.50 two years, $5.00 three years; elsewhere $2.80 a year. Entered as second class matter Sept. 18, 1930, at the post office Dunellen, N. J., under Act of March 3, 1879. The NO CHANGE IN FLAVOR, publishers accept no responsibility for the return of unsolicited material. Names of characters used in semi-fictional matter FOAM, OR CLEANSING ACTION I are fictitious. If the name of any living person is used it is purely a coincidence. Trademark No. 301778. ©CI© •2 I 0«27« M-G-M... producer of the screen's finest Technicolor musicals presents another wonderful entertainment I STARRING ^||fP KATHRYN GRAYSON ^£ m JOSE ITURBI i ETHEL BARRYMORE KEENAN WYNN Screen Play by Bruce Manning J. CARROL NAISH • JULES MUNSHIN MEET A NEW STAR and Tamara Hovey THOMAS GOMEZ • MARJORIE REYNOLDS He's the rugged, Directed by romantic type NORMAN TAUROG and introducing and the singing Produced by JOE PASTERNAK discovery of a A Mitra-teldwya-Mayti Ficliri MARIO LANZA lifetime! NOTE! Something to watch for! The greatest picture since sound is M-G-M's "BATTLEGROUND"! ! Tfbur Loveliness is Doubly Safe e inside story WE'VE ALWAYS HAD uncanny luck at racetracks. Every time we put two dollars on a horse—he throws his rider. It's reached the point where we can't even pass through Jamaica without rearing. Our good friend, K. Roby Eunson, tells us we're behaving abnormally. But K. Roby isn't exactly herself these days, either. We can picture her right now poring over a green sheet in some Parisian garret. It all comes of K.'s trailing Rita Hayworth on her honeymoon. Naturally, K. did it for us (her story, "The Truth About Rita's Honeymoon," is on page 46), but we'd no idea it would lead to this. If only Rita had stayed put; if only she'd rented a houseboat on the Nile and given her horses the run of the deck, K. Roby would never have been sending us collect wires like: "Saxon took the field at Longchamps. Yippee. Stop." or, "Will Skylarking be scratched at Ascot?" All we can say is, "We don't know, K. Roby, we just don't know. And please, why don't you trot on home—now that the honeymoon is over?" . Follow-up from K. Roby: Seems Rita Hayworth has switched from horses to storks. It's rumored she's gone into seclusion in Deauville, France, to await the birth of a baby . Well, now, that's coming around to our way of thinking . LAST WINTER WE took a course at Arthur Murray's—and for what? So our wife would stop making odious comparisons between us and Clark Gable.
Recommended publications
  • BULLETIN PRESIDENT TREASURER EDITOR John Bachochin Loren Moore Mike Prero 15731 S

    BULLETIN PRESIDENT TREASURER EDITOR John Bachochin Loren Moore Mike Prero 15731 S

    BULLETIN PRESIDENT TREASURER EDITOR John Bachochin Loren Moore Mike Prero 15731 S. 4210 Rd., POB 1181 12659 Eckard Way Claremore, OK 74017 Roseville, CA 95678 Auburn,CA 95603 918-342-0710 916-783-6822 530-906-4705 No. 355 August 2014 by Mike Prero The hobby has produced a lot of covers over the last 75 years, and, perhaps not surprisingly, its share of bloopers...at the very least! To be fair, the manufacturers were responsible for most of them, but the designers had their share. In any event, we have a wide variety of offerings here—I‘ve left out all the miscuts and other production errors; these are all ‗somebody goofed‘ errors... No. 355 SIERRA-DIABLO BULLETIN-August 2014 Page 2 No. 355 SIERRA-DIABLO BULLETIN-August 2014 Page 3 In case you couldn’t find some of the errors... 1st page, 3rd cover: 7th Anniversary 2nd page, 1st cover: Schaumburg 2nd page, 2nd cover: wrong dates 2nd page, 3rd cover: Hotel 2nd page, 4th cover: congratulates 2nd page, 5th cover: Bitter 2nd page,6th cover: 1996 > 1997 2nd page, 7th cover: Congratulations 3rd page, 1st cover: it‘s > its 3rd page, 2nd cover: it‘s > its and Gouverneurs 3rd page, 3rd cover: Bob Lincoln 3rd Page, 4th cover: Heskett 3rd page, 5th cover: Cindy No. 355 SIERRA-DIABLO BULLETIN-August 2014 Page 4 Great Ships of the Seas: The Italia She began her life as the Swedish-American Line‘s Kungsholm, built in 1928. Even then,, she was a noted transatlantic liner. Later, beginning in the early thirties, she also developed a good reputation on luxury long-distance cruises.
  • SELLING ART in the AGE of RETAIL EXPANSION and CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS and the AMERICAN ART MARKET of the 1930S and 1940S

    SELLING ART in the AGE of RETAIL EXPANSION and CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS and the AMERICAN ART MARKET of the 1930S and 1940S

    SELLING ART IN THE AGE OF RETAIL EXPANSION AND CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS AND THE AMERICAN ART MARKET OF THE 1930s AND 1940s by TIFFANY ELENA WASHINGTON Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation advisor: Anne Helmreich Department of Art History CASE WESTERN RESERVE UNIVERSITY JANUARY, 2013 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of __________Tiffany Elena Washington_________ candidate for the __Doctor of Philosophy___ degree*. (signed) _______Anne L. Helmreich________ (chair of the committee) ______Catherine B. Scallen__________ ________ Jane Glaubinger__________ ____ _ _ Renee Sentilles___________ (date) 2 April, 2012 *We also certify that written approval has been obtained for any proprietary material contained herein. 2 For Julian, my amazing Matisse, and Livia, a lucky future artist’s muse. 3 Table of Contents List of figures 5 Acknowledgments 8 Abstract 11 Introduction 13 Chapter 1 46 Chapter 2 72 Chapter 3 93 Chapter 4 127 Chapter 5 155 Conclusion 202 Appendix A 205 Figures 207 Selected Bibliography 241 4 List of Figures Figure 1. Reeves Lewenthal, undated photograph. Collection of Lana Reeves. 207 Figure 2. Thomas Hart Benton, Hollywood (1937-1938). Tempera and oil on canvas mounted on panel. The Nelson Atkins Museum of Art, Kansas City. 208 Figure 3. Edward T. Laning, T.R. in Panama (1939). Oil on fiberboard. Smithsonian American Art Museum. 209 Figure 4. Plan and image of Associated American Artists Gallery, 711 5th Avenue, New York City. George Nelson, The Architectural Forum. Philadelphia: Time, Inc, 1939, 349. 210 Figure 5. Thomas Hart Benton, Departure of the Joads (1939).
  • Oral History Interview with John Spencer, 1994 September 1

    Oral History Interview with John Spencer, 1994 September 1

    Oral history interview with John Spencer, 1994 September 1 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with John Spencer on September 1, 1994. The interview took place in Spencer's home in Pasadena, California, and was conducted by Paul Karlstro for the Archives of American Art, Smithsonian Institution. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview PAUL KARLSTROM: The Smithsonian Institution, an interview with John Spencer, on September 1, 1994 at the subject's home in Pasadena [California]. The interviewer is Paul Karlstrom and the subject, or the main subject, is the—Dean Cornwell, with whom John Spencer worked on the Los Angeles Public Library murals back in the late ‘20s and early ‘30s. But as we talk about that, we'll also get into a little more—uh, some stories about Mr. Spencer's experiences and his ongoing relationship with Dean Cornwell. Anyway, John, it seems to me there are three topics that we might try to cover briefly in the time we have this morning: the public library murals, of course, but then your old role assisting Cornwell with the murals and your relationship with him that developed, and maybe something about him from your experience.
  • An Environmental History of Pecos National Historical Park

    An Environmental History of Pecos National Historical Park

    Crossroads of Change: An Environmental History of Pecos National Historical Park Volume II Public Lands History Center Colorado State University August 2010 By Cori Knudten and Maren Bzdek Forward by Dr. Mark Fiege Table of Contents Chapter Six Railroads, Timber, and Tourists, 1880-1925 ............................................................................ 98 Chapter Seven Hard Times in the Land of Enchantment, 1925-1941 ............................................................. 127 Chapter Eight Imagining the Past in a Postwar Landscape, 1941-1965 ........................................................ 146 Chapter Nine Restoring and Managing the Landscape, 1965-2000 .............................................................. 176 Conclusion .................................................................................................................................. 204 ii Figures Figure 8. Section of 1915 map showing temporary settlements located along the AT&SF railroad tracks.............................................................................................................................. 102 Figure 9. A portable sawmill cutting ties in Taos County in 1913. ............................................ 103 Figure 10. Historic roads in Pecos area, including segments of the Santa Fe Trail ................... 104 Figure 11. Pecos area, late 1800s and early 1900s. ................................................................... 105 Figure 12. Section of 1899 Forest Reserve map showing ranches up the Pecos Canyon
  • Freedom in Middle French Enlightenment : Interpreted Through a Picturesque Garden

    Freedom in Middle French Enlightenment : Interpreted Through a Picturesque Garden

    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2010 Freedom in middle French Enlightenment : interpreted through a picturesque garden. Ning Jia 1977- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Jia, Ning 1977-, "Freedom in middle French Enlightenment : interpreted through a picturesque garden." (2010). Electronic Theses and Dissertations. Paper 687. https://doi.org/10.18297/etd/687 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. FREEDOM IN MIDDLE FRENCH ENLIGHTENMENT: INTERPRETED THROUGH A PICTURESQUE GARDEN By Ning Jia B.A., Shandong University, 2000 M.A., Beijing Foreign Studies University, 2003 A Dissertation Submitted to the Faculty of the Graduate School of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Department of Humanities University of Louisville Louisville, Kentucky August 2010 ------- Copyright 2010 by Ning Jia All rights reserved FREEDOM IN MIDDLE FRENCH ENLIGHTENMENT: INTERPRETED THROUGH A PICTURESQUE GARDEN By NingJia B.A., Shandong University, 2000 M.A., Beijing Foreign Studies University, 2003 A Dissertation Approved on July 27, 2010 by the following Dissertation Committee: Dissertation Director ii DEDICATION This dissertation is dedicated to my family, the handsome and the lovely.
  • Differentkindswater Jaquecat.Pdf

    Differentkindswater Jaquecat.Pdf

    DIFFERENT KINDS of WATER POURING This book was published by the Roy and Edna Disney / CalArts Theater (REDCAT) on the occasion of INTO a SWIMMING POOL the exhibition Different Kinds of Waters Pouring into a Swimming Pool, Andrés Jaque / Office for Political Innovation, curated by Ruth Estévez and on view from September 21 through November 24, 2013 at REDCAT. Texts: Andrés Jaque Editor: Ruth Estévez Translation: Sarah Demeuse Book Design: Jessica Fleischmann / still room Cover Image: Andrés Jaque / Office for Political Innovation Andrés Jaque/ Water Illustrations: Florian Brozek Proofreading: Sohrab Mohebbi and Ruth Estévez Office for Political Innovation Printed and bound in the United States by Maskell Graphics REDCAT 631 West 2nd Street Los Angeles, California 90012 ISBN: 9780982539040 Copyright ©2013 by the California Institute of the Arts, 24700 McBean Parkway, Valencia, California 91355. All rights reserved. No part of this publication may be produced in any matter without permission. INDEX Prologue 7 PART I I. Urbanisms of the Common 12 II. Small Laboratories of Desire 17 III. Jacuzzi Riots in Pasadena 24 IV. The Mental Life of Objects 32 V. The Politics of the Bancal (Parcel) 38 VI. Four Kids in a Tree House 45 VII. Pan Am at the End of the Garden 50 VIII. Suddenly we are here immersed in a beach community 56 PART II I. The Interior and the Polemic: Re-Arranging the Tele-Urbanism of Some Moderns 67 Biography 90 P ROLOGUE Different Kind of Water Pouring into a Swimming Pool is the book that accompanies the exhibition of the same name that opened on September 20, 2013 in REDCAT.
  • Annual Report 2O11–2O12

    Annual Report 2O11–2O12

    annual report 2o11–2o12 1 FY 11/12 home of american illustration art president & chairman’s letter 4 director’s report fiscal year 2011-2o12 5 9 curatorial 10 acquisitions 20 exhibitions 23 education & visitor experience 25 measures of success 27 advancement 29 finance & administration contributors & donors 31 staff 35 in memoriam 36 3 FY 11/12 president & chairman’s letter Dear Friends of Norman Rockwell Museum, On behalf of our fellow Trustees, we are happy to present the 2011-2012 Annual Report of Norman Rockwell Museum. This comes with a magnificent account of the year’s exhibitions in Stockbridge and across the nation, educational and community programs, scholarship to advance illustration art, and curatorial achievements. This remarkable Museum does all of this and more, inspired by the values Norman Rockwell depicted in his iconic paintings. His works portray freedom, tolerance, humanity and kindness, integrity, honesty, and authenticity along with a joyfulness and celebration of life. These values inspire our visitors and staff alike. The Museum concluded its fiscal year on June 30, 2012 in a strong position. As noted a year ago, we eliminated our long-term debt. This year we are pleased to report that we have no short-term Norman Rockwell Museum President Anne Morgan borrowing on our balance sheet. Annual attendance at the Museum has generated good revenue, and and Chairman Thomas we saw nationwide interest and attendance grow for our traveling exhibition program as well. L. Pulling. We are especially grateful for the generosity of our members and donors who care so deeply for this national treasure in the Berkshires.
  • Ambler Heights Historic District Cuyahoga County, OH

    Ambler Heights Historic District Cuyahoga County, OH

    USDI/NPS Registration Form 1 Ambler Heights Historic District Cuyahoga County, OH NATIONAL REGISTER OF HISTORIC PLACES CONTINUATION SHEET ================================================================== SECTION 7 ================================================================== NARRATIVE DESCRIPTION The Ambler Heights Historic District is an early twentieth century suburban residential development of approximately 73 acres, platted in its current form in 1900. Development began about 1903 and was largely completed by 1927. The District is located mostly in the southwest corner of Cleveland Heights, Ohio, an inner-ring suburb of Cleveland; a small portion of the District is located within the boundaries of the City of Cleveland. It is an example of the successful marketing of “garden city” living to the wealthy during the first stage of the suburbanization of Cleveland. It consists today of 67 original, single-family, architect-designed private homes, one original home which has been converted to use by a retirement community (but continues to be a contributing resource) and 13 non-contributing homes. The original homes and the District are well-preserved and have experienced relatively little alteration since their construction; they therefore may be said to have integrity in terms of location, design, setting, materials, workmanship, feeling and association. The District is located approximately five miles east of downtown Cleveland. It is bounded by Cedar Glen Parkway (north), South Overlook Road (east), North Park Boulevard (south) and Ambleside Road and Martin Luther King, Jr. Boulevard (west). It is located on the rise of a gradual hill leading from the City of Cleveland at its lower elevation to the various “Heights” suburbs (including Cleveland Heights and Shaker Heights) at its higher elevations; this ledge of land forms the western limits of the Portage escarpment of the Allegheny Mountains.
  • Norman Kent Papers

    Norman Kent Papers

    Norman Kent papers Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Norman Kent papers AAA.kentnorm Collection Overview Repository: Archives of American Art Title: Norman Kent papers Identifier: AAA.kentnorm Date: 1939-1964 Creator: Kent, Norman, 1903-1972 Extent: 300 Items ((on 2 microfilm reels)) Language: English . Administrative Information Acquisition Information Lent for microfilming 1965 by Norman Kent. Location of Originals Originals located at the George Arents Research Library, Syracuse University. Related Materials Additional Norman Kent papers
  • News Flashes from Our Members

    News Flashes from Our Members

    PITTSBURGH SOCIETY OF ILLUSTRATORS NEWS AND EVENTS www.pittsburghillustrators.org January, 2010 My Spot by Anni Matsick News Flashes From Our Members The mast- head’s with the night scene of the house then change the Christmas lights popped up.” of colors announces Cool Kegerator the year’s New member Tim Oliveira was one first issue, of eight local artists picked back in guarantee- September to design/paint “Kegerators” ing lots of for the third annual Steel City Big Pour’s fresh things inside. Look for reports auction/raffle. The event is sponsored by of unusual work surfaces, including a Construction Junction, a non-profit retailer refrigerator and the human epidermis! promoting conservation through the Another member’s work is part of an reuse of building materials. According to exhibit curated in cyberspace. Tim, “They give you a white refrigerator and see what you can make of it. Then Our new segment on artistic influences they add the tap.” Tim also created an is off to a fascinating start with the acrylic painting on paper at the festival’s promise of many more installments, “Live Art” section. More on the event can providing insight on what inspires and be found at: www.constructionjunction. informs each of us. org/events A report on membership status shows that we are securely holding our num- New Year Cheer bers with more interest gained regu- Here is the New Year’s card Pat Lewis larly through word of mouth---maybe designed for Pittsburgh’s Toonseum. yours? Socials begin again this month, Dave Klug did last year’s design.
  • Hearst Corporation Los Angeles Examiner Photographs, Negatives and Clippings--Portrait Files (G-M) 7000.1B

    Hearst Corporation Los Angeles Examiner Photographs, Negatives and Clippings--Portrait Files (G-M) 7000.1B

    http://oac.cdlib.org/findaid/ark:/13030/c80v8b5j No online items Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (G-M) 7000.1b Finding aid prepared by Rebecca Hirsch. Data entry done by Nick Hazelton, Rachel Jordan, Siria Meza, Megan Sallabedra, Sarah Schreiber, Brian Whitaker and Vivian Yan The processing of this collection and the creation of this finding aid was funded by the generous support of the Council on Library and Information Resources. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2012 April 7000.1b 1 Title: Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (G-M) Collection number: 7000.1b Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 833.75 linear ft.1997 boxes Date (bulk): Bulk, 1930-1959 Date (inclusive): 1903-1961 Abstract: This finding aid is for letters G-M of portrait files of the Los Angeles Examiner photograph morgue. The finding aid for letters A-F is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1a . The finding aid for letters N-Z is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1c . creator: Hearst Corporation. Arrangement The photographic morgue of the Hearst newspaper the Los Angeles Examiner consists of the photographic print and negative files maintained by the newspaper from its inception in 1903 until its closing in 1962. It contains approximately 1.4 million prints and negatives. The collection is divided into multiple parts: 7000.1--Portrait files; 7000.2--Subject files; 7000.3--Oversize prints; 7000.4--Negatives.
  • The Fabulous El Morocco

    The Fabulous El Morocco

    The Fabulous El Morocco El Morocco (sometimes nicknamed Elmo or Elmer) was a 20th-century Manhattan nightclub frequented by the rich and famous from the 1930s until the decline of cafe society in the late 1950s. It was famous for its blue zebra-stripe motif. In 1931, John Perona (born Eriane Giovanni Perona in Chiaverano in the Province of Turin, Italy), an Italian immigrant, with Martín de Alzaga opened El Morocco as a speakeasy at 154 East 54th Street, on the south side of 54th Street in the middle of the block between Lexington Avenue and Third Avenue, where the Citigroup Center now stands. After prohibition was repealed, it became one of the most popular establishments in New York City. Its regular clientele consisted of fashionable society, politicians, and entertainers. Part of what made the club the 'place to be' was the photographs taken by Jerome Zerbe which were always in the news the next day. Everyone always knew from the background zebra stripes on the banquettes where the celebrities had been. The neighborhood started changing after World War II, and eventually Perona moved El Morocco to a four-storey townhouse at 307 East 54th Street, on the north side of the street near the corner of Second Avenue in 1960. Perona died in 1961, and his son, Edwin took over the proprietorship. Later that year, Edwin Perona sold the club to John Mills, who owned it for three years. It was then owned by Maurice Uchitel (1964–70) and Sheldon Hazeltine. Before taking over El Morocco, Uchitel owned the Eden Roc Hotel in Miami Beach for several years.