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Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette
www.ssoar.info Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Kester, B. (2002). Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933). (Film Culture in Transition). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/ urn:nbn:de:0168-ssoar-317059 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. -
Page 1 of 3 Moma | Press | Releases | 1998 | Gallery Exhibition of Rare
MoMA | press | Releases | 1998 | Gallery Exhibition of Rare and Original Film Posters at ... Page 1 of 3 GALLERY EXHIBITION OF RARE AND ORIGINAL FILM POSTERS AT THE MUSEUM OF MODERN ART SPOTLIGHTS LEGENDARY GERMAN MOVIE STUDIO Ufa Film Posters, 1918-1943 September 17, 1998-January 5, 1999 The Roy and Niuta Titus Theater 1 Lobby Exhibition Accompanied by Series of Eight Films from Golden Age of German Cinema From the Archives: Some Ufa Weimar Classics September 17-29, 1998 The Roy and Niuta Titus Theater 1 Fifty posters for films produced or distributed by Ufa, Germany's legendary movie studio, will be on display in The Museum of Modern Art's Roy and Niuta Titus Theater 1 Lobby starting September 17, 1998. Running through January 5, 1999, Ufa Film Posters, 1918-1943 will feature rare and original works, many exhibited for the first time in the United States, created to promote films from Germany's golden age of moviemaking. In conjunction with the opening of the gallery exhibition, the Museum will also present From the Archives: Some Ufa Weimar Classics, an eight-film series that includes some of the studio's more celebrated productions, September 17-29, 1998. Ufa (Universumfilm Aktien Gesellschaft), a consortium of film companies, was established in the waning days of World War I by order of the German High Command, but was privatized with the postwar establishment of the Weimar republic in 1918. Pursuing a program of aggressive expansion in Germany and throughout Europe, Ufa quickly became one of the greatest film companies in the world, with a large and spectacularly equipped studio in Babelsberg, just outside Berlin, and with foreign sales that globalized the market for German film. -
Meister Des Weimarer Kinos Joe May Und Das Wandernde Bild Programm-Übersicht 17.-25
Meister des Weimarer Kinos Joe May und das wandernde Bild Programm-Übersicht 17.-25. November 2018, Hamburg Kommunales Kino Metropolis, Kleine Theaterstr. 10 / Zentralbibliothek der Bücherhallen Hamburg (Arno Schmidt Platz) 12:00 14:00 17:00 20:00 21:15 SA 19:30 Eröffnung mit Gästen. Verleihung des Reinhold Schünzel-Preis 17.11. Der Farmer aus Texas (D 1924/25, Joe May), ca. 115 min, engl. + dt. Titel, stumm Musikbegleitung: Marie-Luise Bolte SO Das wandernde Bild 14:30 Das indische Grabmal. 1. 17:30 Das indische Grabmal. 2. 20:00 Confession (US 1937, Joe May) 87 min, OF 18.11. (D 1920, Fritz Lang), Die Sendung des Yoghi Der Tiger von Eschnapur Einf.: Jan-Christopher Horak 67 min, stumm (D 1921, Joe May), 132 min, stumm (D 1921, Joe May), 110 min, stumm Musikeinspielung: Aljoscha Einf.: Michael Töteberg Einf.: Michael Töteberg Zimmermann Musikbegleitung: Irena & Vojtěch Havel Musikbegleitung: Irena & Vojtěch Havel MO 14-16 Uhr Der Mann im Keller 18:30 Asphalt 20:30 Der Tiger von Eschnapur 19.11. Forum (Zentralbibliothek) Eintritt frei (D 1914, J. Guter), ca. 60 min, stumm (D 1928/29, Joe May), 94 min, stumm (D 1937/38, Richard Eichberg), 95 min Film-Macher Musikbegleitung: Marie-Luise Bolte Musikeinspielung: Karl Ernst Sasse Der Regisseur als Produzent und Autor Einf.: Jan-Christopher Horak DI, Das rollende Hotel (D 1918, Harry Piel), The House of Fear 20:30 Das indische Grabmal 20.11. ca. 75 min, dän. + dt. Titel, stumm (US 1939, Joe May), 66 min, OF (BRD/I/F) 1958/59 Fritz Lang), 102 min Musikbegleitung: Marie-Luise Bolte Einf.: Jan-Christopher Horak MI, 14-16 Uhr Die Frau und der Fremde Kongress-Eröffnung mit Gästen 21.11. -
Film Film Film Film
City of Darkness, City of Light is the first ever book-length study of the cinematic represen- tation of Paris in the films of the émigré film- PHILLIPS CITY OF LIGHT ALASTAIR CITY OF DARKNESS, makers, who found the capital a first refuge from FILM FILMFILM Hitler. In coming to Paris – a privileged site in terms of production, exhibition and the cine- CULTURE CULTURE matic imaginary of French film culture – these IN TRANSITION IN TRANSITION experienced film professionals also encounter- ed a darker side: hostility towards Germans, anti-Semitism and boycotts from French indus- try personnel, afraid of losing their jobs to for- eigners. The book juxtaposes the cinematic por- trayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Anatole Litvak and others with wider social and cultural debates about the city in cinema. Alastair Phillips lectures in Film Stud- ies in the Department of Film, Theatre & Television at the University of Reading, UK. CITY OF Darkness CITY OF ISBN 90-5356-634-1 Light ÉMIGRÉ FILMMAKERS IN PARIS 1929-1939 9 789053 566343 ALASTAIR PHILLIPS Amsterdam University Press Amsterdam University Press WWW.AUP.NL City of Darkness, City of Light City of Darkness, City of Light Émigré Filmmakers in Paris 1929-1939 Alastair Phillips Amsterdam University Press For my mother and father, and in memory of my auntie and uncle Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 633 3 (hardback) isbn 90 5356 634 1 (paperback) nur 674 © Amsterdam University Press, Amsterdam, 2004 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book. -
Winthrop University Athletics
Winthrop University this is Winthrop University one of America’s best where students live, learn and lead Founded in 1886, Winthrop University is rated as one of top regional With its 100-acre main campus and 300-acre athletic complex, Win- higher education institutions in the nation. The picturesque campus is throp is home to a student body that numbers nearly 6,400.Unique ideally located in the beautiful upstate section of South Carolina in the acxademic coiurse offerings and modern, well-equipped facilities growing city of Rock Hill and only 30 minutes from uptown Charlotte, guarantee a national-caliber education. Winthrop, students excel in an North Carolina. academic environment that is second to none. University President ‘We are Eagles, come fly with us’ Dr. Daniel F. Mahony became Winthrop University’s 11th president on July 1, 2015, after serving for seven years as dean of the College of Education, Health, and Human Services and a professor of sport management at Kent State Univer- sity in Ohio. Dr. Mahony also spent 13 years as a faculty member and administrator at the University of Louisville where his positions included sport administration program director, department chair, associate dean, assistant provost, and associate pro- vost. Prior to his faculty and administrative positions, Dr. Mahony worked in both public accounting and intercollegiate athletics. He earned a B.S. in accounting from Virginia Tech, an M.S. in sport manage- ment from West Virginia University, and a Ph.D. in sport management from Ohio State University. He is an active researcher in the areas of sport consumer behav- ior and intercollegiate athletics and has published more than 60 articles in various refereed journals, several book chapters, and one book. -
The Film Music of Edmund Meisel (1894–1930)
The Film Music of Edmund Meisel (1894–1930) FIONA FORD, MA Thesis submitted to The University of Nottingham for the degree of Doctor of Philosophy DECEMBER 2011 Abstract This thesis discusses the film scores of Edmund Meisel (1894–1930), composed in Berlin and London during the period 1926–1930. In the main, these scores were written for feature-length films, some for live performance with silent films and some recorded for post-synchronized sound films. The genesis and contemporaneous reception of each score is discussed within a broadly chronological framework. Meisel‘s scores are evaluated largely outside their normal left-wing proletarian and avant-garde backgrounds, drawing comparisons instead with narrative scoring techniques found in mainstream commercial practices in Hollywood during the early sound era. The narrative scoring techniques in Meisel‘s scores are demonstrated through analyses of his extant scores and soundtracks, in conjunction with a review of surviving documentation and modern reconstructions where available. ii Acknowledgements I would like to thank the Arts and Humanities Research Council (AHRC) for funding my research, including a trip to the Deutsches Filminstitut, Frankfurt. The Department of Music at The University of Nottingham also generously agreed to fund a further trip to the Deutsche Kinemathek, Berlin, and purchased several books for the Denis Arnold Music Library on my behalf. The goodwill of librarians and archivists has been crucial to this project and I would like to thank the staff at the following institutions: The University of Nottingham (Hallward and Denis Arnold libraries); the Deutsches Filminstitut, Frankfurt; the Deutsche Kinemathek, Berlin; the BFI Library and Special Collections; and the Music Librarian of the Het Brabants Orkest, Eindhoven. -
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Directory of Information
2014 DIRECTORY OF INFORMATION 2014 NFCA Directory Four-Year Institutions ____________________________________ 4-68 Two-Year Institutions ____________________________________ 69-81 High Schools _________________________________________ 83-107 Travel Ball __________________________________________ 109-132 Affliates-Individuals ___________________________________ 134-141 Affliates-Businesses, Clubs & Sponsors ___________________ 143-146 Affiliates-Umpires ____________________________________ 148-149 Members-International _____________________________________ 150 NFCA Bylaws ________________________________________ 151-172 NFCA Board/Staff ________________________________________ 174 NFCA History _______________________________________ 175-176 NFCA Hall of Fame/2013 Coaching Staffs of the Year ________ 177-179 NFCA Code of Ethics ______________________________________ 180 The National Fastpitch Coaches Association is pleased to bring you this 2014 Directory of Information. The information contained within is based on our membership files as of January 17, 2014. Please contact us throughout the year concerning address, telephone or e-mail changes. Volume 19, No. 1 Made available one time per year by the National Fastpitch Coaches Association, 2641 Grinstead Drive, Louisville, Kentucky 40206. Phone: 502/409-4600; Fax: 502/409-4622. Members of the NFCA receive the directory for free; non-members can purchase for $10. 4 Four-Year Institutions A Adrian College Ralph Messura, Asst. -A- Kristina Schweikert, Head 1 Saxon Dr. 110 S. Madison McLane Center Abilene Christian University Adrian, MI 49221 Alfred, NY 14802 Bobby Reeves, Head Work 517/264-3998 [email protected] Box 27916 [email protected] Member Since 2013 Abilene, TX 79699-7916 NCAA III, NFCA C Work 806/786-3379 Member Since 2007 Allegheny College [email protected] Beth Curtiss, Head NCAA I, NFCA MW Lauren Nacke, Asst. 520 N. Main St. Member Since 1991 1225 Michigan Ave. -
Film Front Weimar’ 30-10-2002 14:10 Pagina 1
* pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. These films shed light on the way Ger- many chose to remember its recent past. A body of twenty-five films is analysed. For insight into the understanding and reception of these films at the time, hundreds of film reviews, censorship re- ports and some popular history books are discussed. This is the first rigorous study of these hitherto unacknowledged war films. The chapters are ordered themati- cally: war documentaries, films on the causes of the war, the front life, the war at sea and the home front. Bernadette Kester is a researcher at the Institute of Military History (RNLA) in the Netherlands and teaches at the International School for Humanities and Social Sciences at the University of Am- sterdam. She received her PhD in History FilmFilm FrontFront of Society at the Erasmus University of Rotterdam. She has regular publications on subjects concerning historical representation. WeimarWeimar Representations of the First World War ISBN 90-5356-597-3 -
Division I Records
Division I Records Individual Records .................................................................. 2 Individual Leaders .................................................................. 4 Annual Individual Champions .......................................... 18 Team Records ........................................................................... 24 Team Leaders ............................................................................ 25 Annual Team Champions .................................................... 32 2011 Most-Improved Teams .............................................. 35 All-Time Most-Improved Teams ........................................ 35 USA Today/National Fastpitch Coaches Association Division I Final Polls ............................................................ 36 Statistical Trends ...................................................................... 37 2 NCAA DIVISION I SOFTBALL RECORDS THROUGH 2011 Individual Records Official NCAA softball records began with the Career BASES ON BALLS 1982 season and are based on information sub- 0.37—Crystal Boyd, Hofstra, 1991-94 (68 in 183 games) Game mitted to the NCAA statistics service by insti- TRIPLES 6—Wendy Stewart, Utah vs. Creighton, May 12, 1991 tutions participating in the statistics rankings. Game (25 inn.); Oli Keohohou, BYU vs. Utah, May 12, 2001 Official career records of players include only 3—Nine times, most recent: Hayle Guess, Mississippi St. (10 inn.) vs. Ole Miss, April 7, 2007 Consecutive those years in which they competed in Division -
Table of Contents INTRO THIS IS LS CO a CHES PL a YERS
Table of Contents INTRO THIS IS LS CO A CHES PL A YERS 2 Quick Facts Records 3 Roster/Roster Breakdown 60 Individual Records 4 2004 Season Outlook 61 Team Records This is LSU 62 Individual Single-Season Records OPPONENT 8 Campus Life 64 Individual Career Records 10 City of Baton Rouge 66 Team Single-Game Records/Streaks 11 State of Louisiana 68 Team Season Records 12 Cox Communications Academic 70 Yearly Leaders S Center for Student-Athletes History 14 Academic Success 72 Honors/Awards 16 LSU Greats 74 Letterwinners 18 Athletic Training 75 Year-by-Year Results REVIEW 19 Strength and Conditioning 79 All-Time Weekly Polls 20 Tiger Park 80 Series Records/Coaching Records Coaches 81 Postseason History 22 Head Coach Yvette Girouard 84 Tiger Park 26 Assistant Coaches LSU 27 Support Staff 86 President William L. Jenkins 28 2004 Diamond Backers 87 Chancellor Mark A. Emmert RECORDS Tigers 88 Athletics Director Skip Bertman 30 Leigh Ann Danos 89 Athletics Administration 31 Lauren Delahoussaye 90 SEC Information 32 Sara Fitzgerald Media 33 Camille Harris 92 Media Guidelines 34 Stephanie Hill 93 LSU on the Air 35 LaDonia Hughes 94 Media List 36 Kristin Schmidt 95 LSUsports.net HIST 37 Julie Wiese 96 Radio/TV Roster 38 Amber Brooks/Lauren Castle OR 39 Kristen Hobbs/Leslie Klein Y 40 Emily Turner/Lauren Uhle CREDITS 2004 Opponents 42 Opponents EDITOR: Melissa Reynaud 45 Tournament/Travel Information 2003 Season Review LAYOUT & DESIGN: Annie Martin, Melissa Reynaud PRODUCTION ASSISTANTS: LSU 48 Season Review Jason Feirman, David Hurd, 50 NCAA Regionals Melissa Giardina 51 2003 Senior Tribute 52 2003 Game Results PHOTOGRAPHY 53 2003 Final Statistics Steve Franz, Greg LaRose 54 2003 Statistical Summary 55 2003 Honors/SEC Review PRINTING MEDIA 56 2003 SEC Rankings EBSCO Media - Birmingham, Ala. -
Liberty Softball Game Notes @Libertyflames @Libertysb LIBERTY SOFTBALL SB Contact: Joe Carmany - [email protected]; Cell Phone - (434) 534-4325
2017 Liberty Softball Game Notes @libertyflames @libertySB LIBERTY SOFTBALL SB Contact: Joe Carmany - [email protected]; Cell Phone - (434) 534-4325 2018 NCAA Columbia Regional Liberty Lady Flames Friday, May 18 2018 Record ............................47-12 (18-3 Big South) G1: Liberty vs. Hofstra, 5 p.m. (ESPN3.com) 2018 RPI..................................................................32 G2: No. 9 seed South Carolina vs. UNCG, 7:30 p.m. Coach ............................. Dot Richardson (UCLA, ‘83) Saturday, May 19 Lberty 2018 Softball Record at school (Yr.) ............................ 164-140 (5th) G3: G1 Winner vs. G2 Winner, 1 p.m. Schedule Overall Record....................................................Same G4: G1 Loser vs. G2 Loser, 3:30 p.m. (loser elimin.) Feb. 9 vs. Fairl. Dickin.@ W, 6-0 G5: G4 Winner vs. G3 Loser, 6 p.m. (loser elmin.) Feb. 9 vs. Morgan State@ W, 8-0 (5) Sunday, May 20 Feb. 10 vs. Chattanooga@ W, 8-0 (6) G3 Winner vs. G5 Winner, 4 p.m. Feb. 10 vs. Toledo@ W, 3-1 G6: Feb. 11 vs. Detroit Mercy@ W, 11-4 G7: Rematch of G6, 6:30 p.m. (if necessary) Feb. 15 DELAWARE ST.# W, 2-1 Feb. 15 CENTRAL MICH.# L, 5-8 Feb. 16 DELAWARE ST.# W, 6-0 Big South regular-season and tournament champion Liberty (47-12) makes its third appear- Feb. 16 CENTRAL MICH.# W, 4-3 (9) ance in the NCAA Division I Softball Championship, competing in the Columbia Regional, Friday Feb. 22 vs. North Carolina$ W, 3-2 (9) through Sunday. Liberty will open Regional play on Friday at 5 p.m. against CAA champion No.