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Hazaaron Khwaishein Aisi a Thousand Dreams Such As These
52 Hazaaron khwaishein aisi A Thousand Dreams Such as These Regie: Sudhir Mishra Land: Indien, Frankreich 2003. Produktion: Pritish Nandy Communi- Synopsis cations Ltd. (Bombay), Artcam International (Paris); mit Unterstüt- Set against a backdrop of immense political turmoil in the zung des Centre National de la Cinématographie/Fonds Sud (Paris) country, HAZAARON KHWAISHEIN AISI is the story of und Montecinema Verità (Ascona, Schweiz). Regie: Sudhir Mishra. Siddharth Tyabji, the son of left liberal parents; Geeta Rao, Buch: Sudhir Mishra, Shiv Kumar Subramanyum, Ruchi Narain. Kame- the daughter of a brilliant but conservative scientist; and ra: Jacques Bouquin. Ausstattung: Ashok Bhagat. Musik: Shantanu Vikram Malhotra, a small-town boy totally contemptuous Moitra. Ton: Jean-Claude Brisson, Madhu Apsara. Schnitt: Catherine of his father’s inconsequential political idealism. D’Hoir. Produzent: Rangita Pritish Nandy. Produktionsleitung: Bobbie The story begins at a prestigious Delhi college where the Ghosh, Sushil Datta, Joel Farges, Elise Jalladeau. three have completed their undergraduate studies and are Darsteller: Kay Kay Menon (Siddharth Tyabji), Chitrangda Singh (Geeta charting out their future. Geeta is in love with Siddharth Rao), Roshan ’Shiney’ Ahuja (Vikram Malhotra), Saurabh Shukla (Polizei- but politics is Siddharth’s first love. Vikram, however, is oberst in Bihar), Arif Zakaria (Daryll), Anupam Shyam (Jhanda Singh), madly in love with Geeta. Siddharth decides to join the Ram Kapoor (Arun Mehta), Aditya Bhattacharya (Politiker Nadiq), Naxal movement in the villages of Bihar to fight for the Yashpal Sharma (Randhir Singh), Sohrab Ardeshir (Maharadscha). cause of the peasants there. Geeta goes to England for Format: 35mm, 1:1.85, Farbe. Länge: 135 Minuten, 24 Bilder/Sek. -
Cyfy 2017 Conference Booklet Final 02.Indd
CONFERENCE BOOKLET 3 & 4 OCTOBER THE TAJ MAHAL HOTEL MANSINGH ROAD NEW DELHI Partners Contents Welcome Note Organisers Agenda Speakers Contents Welcome Note ince the internet’s commercial availability in the 1990s, cyber While focusing on these competing narratives, it is sometimes for- governance has increasingly reshaped politics, economics gotten that it is technology that drives policy and not the other way and indeed societies. In the year since the last CyFy in 2016, around. From the humble beginnings of the steam engine, which Sa series of tumultuous events has thrown cyber governance into the kick started the fi rst industrial revolution, innovation has always proverbial eye of the storm. Artifi cial intelligence, Russian infl uence defi ned the organizing principles of society. As we hold our breath operations and social media echo chambers all converged in 2016 for the next breakthrough in artifi cial intelligence, we are also slowly to make the American elections one of the most divisive in history. waking up to the realization that our decisions, however big or small, Riding on a wave of populist sentiment, the election of President are likely to be driven by a machine conscience. But are we con- Donald Trump has thrown up questions around America’s role in scious of this reality? global governance generally and cyber policy specifi cally. AI will not only script new rules of relationships and jobs but may And the implications extend beyond the American shores. In a world eventually determine who lives and who dies. The fi erce debate over where power is diffusing rapidly, the United States is no longer the lethal autonomous weapons exemplifi es two uncertainties – the sole determinant of the future of cyberspace. -
The Home and the World: Women and Gender in South Asia WAGS 207 Fall 2011 Webster 220
The Home and the World: Women and Gender in South Asia WAGS 207 Fall 2011 Webster 220 Amrita Basu Krupa Shandilya 301 Cooper House 30E Johnson Chapel x2942 x5464 Office hours: Wednesdays: 4-6 pm Office hours: M/W.:10-11 am Course Materials Books for Purchase: Available from Food for Thought Books, 106 N. Pleasant Street, Amherst 413.253.5432 Rabindranath Tagore, Home and the World Rokeya Sakhawat Hussain, Sultana’s Dream Mahasweta Devi, Imaginary Maps Amitav Ghosh, River of Smoke Books for purchase are marked P on the syllabus. All other required readings for this course can be found on E-Reserve (E) and/or in the Course Reader packet – Multilith. The Multilith is not a required purchase but is highly recommended. To buy it, you will need to submit a Multilith Order Form for Course Materials found on the WAGS homepage. Estimated cost is $35-50. You will receive an e-mail when it arrives. Films are marked (F). We will be discussing the following films over the course of the semester: Chokher Bali (dir. Rituparno Ghosh) Mother India (dir. Mehboob Khan) Khamosh Pani (dir. Sabiha Sumar) Hazaaron Khwaishein Aisi (dir. Sudhir Mishra) Satta (dir. Madhur Bhandarkar) The Terrorist (dir. Santosh Sivan) (F) Fire (dir. Deepa Mehta) Sarkar (dir. Ram Gopal Varma) Khuda ke Liye (dir. Sohaib Mansoor) Films will be streamed on the course website under the e-reserves tab. Please plan to see them before we discuss them. Course Requirements 1. We expect you to attend class regularly and inform us by email if you miss a class. -
U N I V E R S I T Ä T H E I D E L B E
U N I V E R S I T Ä T H E I D E L B E R G WiSe 2016/17 Verzeichnis der Lehrveranstaltungen - kommentiert Transcultural Studies (Stand: 11.09.2017) Die ausführliche Darstellung der Veranstaltungen findet sich unter https://lsf.uni-heidelberg.de Transcultural Studies Transcultural Studies In diesem Bereich erscheinen Kurse verschiedener Fakultäten der Geistes-, Kultur- und Sozialwissenschaften, die sich an einem transkulturellen Ansatz orientieren. Die Lehrveranstaltungen des M.A. Transcultural Studies sind unter der entsprechenden Überschrift aufgeführt. Forschungskolloquien für fortgeschrittene Studierende und DoktorandInnen finden sich unter "Colloquia". M.A. Transcultural Studies Please choose the course listing according to the Examination Rules and Regulations under which you enrolled and are studying. Terms and Regulations of Examination as of WS 2011/12 To know which classes you are supposed to take in a given semester and module please refer to the Description of Modules (as of winter term 2011/12) and the Examination Rules and Regulations ("Prüfungsordnung" from 24.2.2011, last changes 29.7.2015). Academic Writing in English 9719KJC675; Übung; Sprache: Englisch; SWS: 2; LP: 4 Mi; wöch; 16:00 - 18:00, 26.10.2016 - 08.02.2017; Voßstr. 2, 4400 / R 112; Chatterjee, S. Voraussetzung Students are required to register via email to [email protected] until 21 October 2016. Inhalt This semester-long course offers concrete guidelines and practical strategies for composing and editing academic texts in English. It aims to educate students in the tried-and-true methods of essay writing (thesis development, paragraph construction and composition), which students will apply practically in writing and developing a research paper (10-20 pages of written prose which can be part of a student’s MA thesis, or a paper for another course). -
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VRGR '%&((!1#VCEB R BP A"'!#$#1!$"#0$"T utqBVQWBuxy( 0 1 C#!! (& ) $!! !"%)& ) $!! 897'84- => 8"+!" $,< 9:884 9.. 8 ! #%"! ! .!%/ "*+, #!&- > ? @> = + ; < = > 6> N>+ > + </ , = > + / !" ! % ?+! + ? @# A>B $ %'( $) f future generations were to ganzas held in India. Besides, Ilook for a memorial to Sheila Games-related activities pro- Dikshit, they would only need pelled Delhi’s infrastructural to look at the present cityscape growth to new heights. of Delhi and not any particu- In the passing away of lar monument. Indeed con- Sheila Dikshit, India has lost temporary Delhi is itself a trib- because, as president of the the Delhi Assembly by her one of the last remaining politi- ute to the vision and energy of Delhi Pradesh Congress boss Rahul Gandhi once more. cians with dignity and vision. the City-State’s longest-serving Committee she was enthusias- issue, she braved the crisis by overs and underpasses, planner (Her accessibility too was Indeed they don’t make politi- Chief Minister who untiringly tically immersed in political firmly implementing the of a drastic overhaul of road legendary. Personally, I will cians like her any more. She worked for its people till almost activities till the evening before Supreme Court order to direct structures, a massive proponent miss her classy but frugal will be remembered for many her last breath. Apart from her she was taken ill. In an age Delhi’s public transport vehicles of metro rail and other trans- breakfast over which we things, but mostly for her con- visionary leadership, Dikshit when politics is the preserve of to shift to CNG from polluting port innovations, Sheila Dikshit exchanged views at her invita- tribution to the making of the will be remembered for her the uncivil, she was an embod- fuels like diesel almost lived and died for Delhi’s bet- tion very often despite my ide- new, New Delhi, a city built not charm, affability and connect iment of civility who bore mal- overnight. -
Gangs of Wasseypur As an Active Archive of Popular Cinema
M A D H U J A M U K H E R J E E Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema This paper studies Gangs of Wasseypur (Parts 1 and 2, 2012) as a definitive text via which Anurag Kashyap’s style became particularly provocative and pointed. While a range of films (both directed and produced by Kashyap) seemingly bear a certain ‘Kashyap mark’ in the manner in which they tackle subjects of violence and belligerent speech with an unpredictable comic sense, I argue that, more importantly, these films work within a particular visual framework with regard to its mise-en- scène (including the play of light, camera movement, modes of performance), as well as produce recognisable plot structures (involving capricious and realistic events), settings and locations (like the city’s underbelly, police stations, etc.), and so on. Indeed, Kashyap has made a set of films—including Paanch (unreleased), No Smoking (2007) and Ugly (2014)—which deal with similar issues, and explore contemporary cityscapes, especially Mumbai, with fervidness, thereby commenting on urban dystopia.1 Furthermore, these films speak to what has been analysed as the ‘Bombay noir’ mode by Lalitha Gopalan, by means of thoughtful art and set design, engaging (and often hand-held) camera movements and swish-pans, uses of blue or yellow filters, character prototypes, and reflective performances, which generate a world that is engulfed by a deep sense of disquiet and distress. This paper draws attention to such stylistic explorations, especially JOURNAL OF THE MOVING IMAGE 91 to the ways in which it has developed through Kashyap’s recent films. -
Coalition Between Politics & Entertainment in Hindi Films: A
Journal of Education & Social Policy Vol. 1 No. 1; June 2014 Coalition between Politics & Entertainment in Hindi Films: A Discourse Analysis Dr. C. M. Vinaya Kumar Assistant Professor & Head Department of Journalism and Mass Communication Krishna University Machilipatnam-521 001 91-9985085530 Romesh Chaturvedi Sr. Lecturer Amity School of Communication Amity University, Lucknow Campus Uttar Pradesh, 91-9721964685 India Shruti Mehrotra Sr. Lecturer Amity School of Communication Amity University, Lucknow Campus Uttar Pradesh, India 91-9451177264 Abstract The study attempts to explore dynamics of political discourse as reflected in Hindi films. Political messages in most Hindi films are concealed within entertainment. Films use thrilling & entertaining plots mixed with political content in order to convey their messages to the public. Films not only reflect reality but also construct the political ideology. The public is generally unaware of the extent to which they are being influenced, managed and conditioned by the political discourses in Hindi films. This study attempts to conduct the discourse analysis on the Hindi film “Chakravyuh” to find how politics and entertainment are merged together to influence public opinion. The film is based on the dark, largely-unexposed world of the Naxalites fighting for their land and dignity. Discourse analysis of the film will help in exploring how an entertaining film can carry a meaningful message. For over 40 years in India, since the emergence of the Naxalite rebellion, cinema has drawn inspiration from the rupture caused by this iconic movement in Indian political history. Hindi films seem to have woken up to Naxalism, or Maoism, as it is more commonly known today. -
Adaptation of Shakespeare in Recent Bollywood Movies Dr
Adaptation of Shakespeare in Recent Bollywood Movies Dr. Charu C Mishra Assoc. Prof. (English) KG Arts & Science College Raigarh, Chhatisgarh India Abstract Thanks to our drama professor who initiated us to the sheer joy of reading the high flown language and acting in Shakespeare‟s plays that eventually left us spellbound for life. Watching Shakespeare‟s plays in theatre for the yester year English educated Indians has been a hobby. This infatuation with the greatest dramatist has led some Film directors to experiment on the themes of comedies and tragedies. In recent years, director Vishal Bhardwaj holds the credit of adapting themes of his great tragedies to contemporary situation and work wonder through his experimentation. Maqbool is a 2003 Indian crime drama, an adaptation of the play Macbeth. The film had its North American premiere at the 2003 Toronto International Film Festival and was screened in the Marché du Film section of the 2004 Cannes Film Festival. Bhardwaj then moved on to adapt Othello in his 2006 film Omkara which won him commercial as well as critical success and Francis Ford Coppola's attention. Haider is the third installment of Bhardwaj's Shakespearean trilogy. The film is a modern-day adaptation of William Shakespeare's tragedy Hamlet, set amidst the insurgency-hit Kashmir during conflicts of 1995 and civilian disappearances. The film was screened at the 19th Busan International Film Festival and released worldwide on 2 October 2014 to wide critical acclaim, and garnered attention from the media due to its controversial subject matter. The present paper intends to study how the movies inspired by Shakespeare still appeal 21st century audience to concur his universality in changing times. -
Connections IIT Gandhinagar 2014-2015, Volume VII, Issue III Connectionsconnections Is the Quarterly Newsletter for Friends of IIT Gandhinagar Jan - Mar 2015
Connections IIT Gandhinagar 2014-2015, Volume VII, Issue III ConnectionsConnections is the quarterly newsletter for friends of IIT Gandhinagar Jan - Mar 2015 Institute News IITGN FOUNDATION APPOINTS USAID SUPPORT EXECUTIVE DIRECTOR A Joint Declaration of Intent was signed on IIT Gandhinagar Founda- Jan 23, 2015, ahead of President Obama’s In- tion, a US-based charitable dia visit, between the Ministry of Human Re- trust, announced the appoint- source Development (MHRD) and the United ment of Mr Ravi Mistry as States Agency for International Development its first Executive Director. (USAID) for providing support to Indian In- Mr Mistry will primarily be responsible for stitutes of Technology. The declaration calls designing and managing the Foundation’s for intensifying collaborations in Research and worldwide capital campaign with primary fo- Development (R&D) and entrepreneurship and identifies IIT Gandhinagar as the initial IIT cus on the US. He will also serve as a liaison for support. A team of three USAID representatives, comprising Mr Mitch Kirby, senior between donors and IITGN on important education advisor; Dr Sheila E Desai, India senior science and technology advisor; and Dr initiatives supported by the donors. Mr Mis- Eric M Johnson, senior research economist with RTI International, visited IITGN on Feb try was previously a member of the founding 10, 2015 to assess institutional needs and discuss strategies with senior IITGN administrators. team of Virident Systems, a technology Their discussions covered a wide range of possible areas of support including strengthen- startup based in the Silicon Valley. ing research capabilities, student and faculty exchanges, leadership development, networking, communication strategies, and entrepreneurship. -
Deutsch-Indischer Filmclub Im Restaurant RADHA
Deutsch-Indischer Filmclub im Restaurant RADHA Jeden Mittwoch um 20:00 Uhr (Achtung: neue Anfangszeit!) werden anspruchsvolle Filme und Fernsehsendungen zu einem indischen Thema in kulinarisch-relaxter Atmosphäre präsentiert. Die Filme stammen aus den Genres: - Klassiker des indischen Films und des deutschen Films zu indischen Themen - Dokumentationen über indische Filme und die indische Filmindustrie - Deutsche Filme und Fernsehsendungen zu indischen Themen - Gute neuere Filmproduktionen aus Indien EINTRITT FREI – Indisches Filmclub-Spezial-Büffet nur 4,95 Euro Das Restaurant RADHA befindet sich in der Hardenbergstraße 9a, 10623 Berlin -Charlottenburg, zwischen Steinplatz und Ernst-Reuter-Platz, gegenüber TU-Mensa, Bus 245, Tel: 030 – 31 51 83 82 Gute Ideen und Mitarbeit beim Filmclub sind herzlich willkommen! Kontakt: [email protected] 4. Juli: MAQBOOL Regie: Vishal Bharadwaj, Indien, 2003, 132 Min., Literaturadaption/Spielfilm, Farbe, Urdu und Hindi mit englischen Untertiteln (UT) Cast: Pankaj Kapoor, Irfan Khan, Tabu, Om Puri, Naseeruddin Shah, Piyush Mishra, Ajay Gehi Macbeth meets the Godfather in present-day Bombay. The Scottish tragedy set in the contemporary underworld of India's commercial capital; two corrupt, fortune telling policemen (Om Puri and Naseeruddin Shah respectively) take the roles of the weird sisters. Jahangir Khan/Abbaji (Pankaj Kapoor) is the aging leader of a criminal gang. Nimmi (Tabu) is his mistress. Members of the gang include Maqbool (Irfan Khan), Kaka (Piyush Mishra) and his son Guddu (Ajay Gehi). Things turn ugly when his mistress, Nimmi, starts to have an affair with one of his men, Maqbool, who has aspirations of succeeding Abbaji one day. Nimmi and Maqbool plot and carry out his death; the sea plays the role of Birnham wood. -
Los Angeles a Dissertation Submitted in Partial Satisfaction of the Requirements for the Degree Doctor of Philosophy in Ethnomu
UNIVERSITY OF CALIFORNIA Los Angeles FIND THE TRUE COUNTRY: DEVOTIONAL MUSIC AND THE SELF IN INDIA’S NATIONAL CULTURE A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by VIVEK VIRANI 2016 © Copyright by Vivek Virani 2016 ABSTRACT OF THE DISSERTATION Find the True Country: Devotional Music and the Self in India’s National Culture by Vivek Virani Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2016 Professor Daniel M. Neuman, Chair For centuries, the songs of devotional poet-saints have been an integral part of Indian religious life. Countless regional traditions of bhajans (devotional songs) have been able to maintain their existence by adapting to serve the contemporary social needs of their participants. This dissertation draws on fieldwork conducted over 2014-2015 with contemporary bhajan performers from many different genres and styles throughout India. It highlights a specific tradition in the Central Indian region of Malwa based on poetry by Kabir and other Sants (anti- establishment poet-saints) performed by lower-caste singers. This tradition was largely unheard- of half a century ago, but is now a major part of Malwa’s cultural life that has facilitated the creation of lower-caste spiritual networks and created a space for those networks to engage in discourse about social issues. Malwa’s bhajan singers have also become part of India’s popular ii religious and musical life as certain performers have attained celebrity status and been recognized at the national level as living bearers of the Sant tradition. This dissertation follows performers and songs from Malwa into new contexts and explores the processes by which performers and audiences in diverse styles and contexts use Sant bhajans to construct understandings of the self. -
AMTS Loses Rs 12L
IIT-Gn gets Coke Studio on board Blithchron-2015, the annual culfest of the institute that is likely to be thronged by 20,000 students, will see performance by Chennai-based Swarathma band PDPU and HL College. Students com- Kuldeep.Tiwari @timesgroup.com ing from outside Ahmedabad, will get accommodation and food on the TWEETS @kuldeep_2105 campus, said students committee that ndian Institute of Technology – is organising the event. Gandhinagar (IIT-Gn)’s annual culfest Blithchron-2015 is free SWARATHMA BAND I and open to all! Not enough? Swarathma is a Bangalore-based Indi- Coke Studio is on also board! Now an folk/fusion band. don’t hold your excitement as the According to the institute, the cur- two-day event that will see spectacular rent line-up features Vasu Dixit (vo- performances in singing, dancing and cals and rhythm guitar), Pavan Kumar band performances begins today. KJ (percussion and backing vocals), Coke Studio is calling Chennai- Varun Murali (lead guitar), Sanjeev based Swarathma band that fuses In- Nayak (violin) and Jishnu Dasgupta dian folk music with Carnatic classical (bass guitar and backing vocals). Swa- to create a mesmerising fusion, for the rathma was formed in 2002 in Mysore performance at the institute. The Last year, the Blithchron attracted 15,00o students from across the country when vocalist and songwriter Vasu band that consists of five members Dixit met Abhinanth Kumar on the will perform on Sunday with a Coke tion of the event, said, “This is the sev- case their talent. That’s why the entry 15,000 visitors.