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Why AAP Must Form Govt in Delhi Abhijit Banerjee, Hindustan Times New Delhi, December 19, 2013
Sat,21 Dec 2013 analysis Promises to keep: why AAP must form govt in Delhi Abhijit Banerjee, Hindustan Times New Delhi, December 19, 2013 First Published: 22:23 IST(19/12/2013) Last Updated: 11:57 IST(20/12/2013) AAP convener Arvind Kejriwal shows victory sign with party members Manish Sishodia, Prashant Bhushan, Yogendra Yadav and Kumar Vishwas in Delhi. (PTI) The good first: anyone who cares about India should be rejoicing that the Aam Aadmi Party (AAP) managed to do what it did. I am a fan of Sheila Dikshit — she is surely one of the best Congress chief ministers in modern memory — and I wish it did not have to happen at her expense, but the sheer improbability of what the AAP achieved has to be celebrated. Omar Abdullah, in a recent piece, gives the example of NT Rama Rao and the remarkable ride of the Telugu Desam Party — but it is very different to be the entrant in what was essentially a one-party state than when there is two-party competition. To see this consider the choice of an AAP sympathiser in Delhi: whether it makes sense for him to turn that sympathy into a vote turns on what he thinks everyone else will do. If all the BJP supporters continue to vote for the BJP but some Congress supporters like him waver and vote for the AAP, all that would happen is that BJP would end up winning, which, for him, is the worst possible outcome. For it to make sense for him to give up on his old loyalties and switch to the AAP he needs have faith that enough BJP supporters are doing the same, unless the switch from the Congress is massive enough to give victory to the AAP on its own. -
Political and Planning History of Delhi Date Event Colonial India 1819 Delhi Territory Divided City Into Northern and Southern Divisions
Political and Planning History of Delhi Date Event Colonial India 1819 Delhi Territory divided city into Northern and Southern divisions. Land acquisition and building of residential plots on East India Company’s lands 1824 Town Duties Committee for development of colonial quarters of Cantonment, Khyber Pass, Ridge and Civil Lines areas 1862 Delhi Municipal Commission (DMC) established under Act no. 26 of 1850 1863 Delhi Municipal Committee formed 1866 Railway lines, railway station and road links constructed 1883 First municipal committee set up 1911 Capital of colonial India shifts to Delhi 1912 Town Planning Committee constituted by colonial government with J.A. Brodie and E.L. Lutyens as members for choosing site of new capital 1914 Patrick Geddes visits Delhi and submits report on the walled city (now Old Delhi)1 1916 Establishment of Raisina Municipal Committee to provide municiap services to construction workers, became New Delhi Municipal Committee (NDMC) 1931 Capital became functional; division of roles between CPWD, NDMC, DMC2 1936 A.P. Hume publishes Report on the Relief of Congestion in Delhi (commissioned by Govt. of India) to establish an industrial colony on outskirts of Delhi3 March 2, 1937 Delhi Improvement Trust (DIT) established with A.P. Hume as Chairman to de-congest Delhi4, continued till 1951 Post-colonial India 1947 Flux of refugees in Delhi post-Independence 1948 New neighbourhoods set up in urban fringe, later called ‘greater Delhi’ 1949 Central Coordination Committee for development of greater Delhi set up under -
List of Female Indian Chief Ministers
List of female Indian chief ministers Total S. Name Portrait State Term(s) tenure Party No. (days) Sucheta 2 October 1963 Uttar Indian National 1 Kripalani – 13 March 1258 (25 June 1908 – 1 Pradesh Congress , 1967 December 1974) 14 June 1972 – Nandini 3 March 1973 Satpathy Indian National 2 Odisha 6 March 1974 – 1278 (9 June 1931 – 4 Congress 16 December August 2006) 1976 Shashikala Kakodkar 12 August 1973 Maharashtrawadi 3 Goa 2084 (7 January 1935 – – 27 April 1979 Gomantak Party 28 October 2016) 6 December Anwara Taimur Indian National 4 (b. 24 November Assam 1980 – 30 June 206 Congress 1936) 1981 V. N. Janaki 7 January 1988 (30 November All India Anna Dravida 5 Tamil Nadu – 30 January 23 1923 - 19 May Munnetra Kazhagam 1996) 1988 24 June 1991 – Jayalalithaa 12 May 1996 (24 February 1948 14 May 2001 – All India Anna Dravida 6 Tamil Nadu 5238 – 5 December 21 September Munnetra Kazhagam 2016) 2001 2 March 2002 – 12 May 2006 Total S. Name Portrait State Term(s) tenure Party No. (days) 16 May 2011 – 27 September 2014 23 May 2015 – 5 December 2016[†] 13 June 1995 – 18 October 1995 21 March 1997 Mayawati Uttar – 21 September 7 (b. 15 January 2562 Bahujan Samaj Party Pradesh 1997 1956) 3 May 2002 – 29 August 2003 13 May 2007 – 15 March 2012 Rajinder Kaur 21 November Bhattal Indian National 8 Punjab 1996 – 12 83 (b. 30 September Congress February 1997 1945) 25 July 1997 – 11 February 1999 Rabri Devi 9 Bihar 9 March 1999 – 2746 Rashtriya Janata Dal (1 January 1959-) 2 March 2000 11 March 2000 – 6 March 2005 Sushma Swaraj 13 October 10 (14 February 1953 Delhi 1998 – 3 51 Bharatiya Janata Party – 6 August 2019) December 1998 Total S. -
Hazaaron Khwaishein Aisi a Thousand Dreams Such As These
52 Hazaaron khwaishein aisi A Thousand Dreams Such as These Regie: Sudhir Mishra Land: Indien, Frankreich 2003. Produktion: Pritish Nandy Communi- Synopsis cations Ltd. (Bombay), Artcam International (Paris); mit Unterstüt- Set against a backdrop of immense political turmoil in the zung des Centre National de la Cinématographie/Fonds Sud (Paris) country, HAZAARON KHWAISHEIN AISI is the story of und Montecinema Verità (Ascona, Schweiz). Regie: Sudhir Mishra. Siddharth Tyabji, the son of left liberal parents; Geeta Rao, Buch: Sudhir Mishra, Shiv Kumar Subramanyum, Ruchi Narain. Kame- the daughter of a brilliant but conservative scientist; and ra: Jacques Bouquin. Ausstattung: Ashok Bhagat. Musik: Shantanu Vikram Malhotra, a small-town boy totally contemptuous Moitra. Ton: Jean-Claude Brisson, Madhu Apsara. Schnitt: Catherine of his father’s inconsequential political idealism. D’Hoir. Produzent: Rangita Pritish Nandy. Produktionsleitung: Bobbie The story begins at a prestigious Delhi college where the Ghosh, Sushil Datta, Joel Farges, Elise Jalladeau. three have completed their undergraduate studies and are Darsteller: Kay Kay Menon (Siddharth Tyabji), Chitrangda Singh (Geeta charting out their future. Geeta is in love with Siddharth Rao), Roshan ’Shiney’ Ahuja (Vikram Malhotra), Saurabh Shukla (Polizei- but politics is Siddharth’s first love. Vikram, however, is oberst in Bihar), Arif Zakaria (Daryll), Anupam Shyam (Jhanda Singh), madly in love with Geeta. Siddharth decides to join the Ram Kapoor (Arun Mehta), Aditya Bhattacharya (Politiker Nadiq), Naxal movement in the villages of Bihar to fight for the Yashpal Sharma (Randhir Singh), Sohrab Ardeshir (Maharadscha). cause of the peasants there. Geeta goes to England for Format: 35mm, 1:1.85, Farbe. Länge: 135 Minuten, 24 Bilder/Sek. -
Women Leaders in Indian Political Parties and Their Contribution and Struggles
International Journal of Disaster Recovery and Business Continuity Vol.11, No. 3, (2020), pp. 2641–2647 Women Leaders In Indian Political Parties And Their Contribution And Struggles 1K.Nithila, 2Dr.V.Veeramuthu, Ph.D., Ph.D. Scholar, Head of the Department, Department Of Political Science, Department Of Political Science, Government Arts College (Autonomous), Government Arts College (Autonomous), Salem-636007, Salem-636007, Abstract: The making of the Constitution brought women legal equality. Though the constitutional provisions allowed the women to leave the relative calm of the domestic sphere to enter the male- dominated political sphere, the involvement of women in politics has been low key. The political contribution of women is a social process crucial to development and progress. The status of women is measured internationally by the participation of women in politics and their empowerment. Women remain seriously underrepresented in decision-making positions. but still, awareness should be created among women to participate in politics with courage. The findings on the participation of women in politics are increasing. It is significant in the study on political empowerment and participation of women in politics. To secure women’s rightful place in society and to enable them to decide their destiny and for the growth of genuine and sustainable democracy, women's participation in politics is essential. This will not only uplift their personality but will open the way for their social and economic empowerment. Their contribution to public life will solve many problems in society. It concludes that the participation of women is essential as demand for simple justice as well as a necessary condition for human existence. -
Delhi Postpoll 2013-Survey Findings
Delhi Postpoll Survey 2013-Survey Findings F5: Area/Locality Area/Locality N (%) 1: Rural area of Delhi 771 33.6 2: Urban area of Delhi 1526 66.4 Total 2297 100.0 F6: Type of area Type of area N (%) 1: Posh area 446 19.4 2: DDA colony 327 14.2 3: Less developed colony 1243 54.1 4: Slum 281 12.2 Total 2297 100.0 Q1: While talking to people about the recent elections to the Vidhan Sabha, we find that some people were not able to vote. How about you - were you able to vote or not? Options N (%) 1: Could not vote 219 9.5 2: Voted 2065 89.9 8: Don't remember 13 .6 Total 2297 100.0 a: (If Voted ) Whom did you vote for? Parties N (%) 01: Congress 507 22.1 02: BJP 693 30.2 03: BSP 110 4.8 04: AAP 609 26.5 05: CPI (M) 2 .1 06: CPI 2 .1 07: NCP 6 .3 CNNIBN-CSDS Survey Page 1 Delhi Postpoll Survey 2013-Survey Findings Parties N (%) 08: JD(U) 20 .9 09: SP 6 .3 10: RJD 4 .2 11: LJP 8 .3 12: Akali Dal 9 .4 88: Other Smaller party 14 .6 96: Independents 47 2.1 97: NOTA 13 .6 98: Can't Say/Don't know 16 .7 99: N.A. 232 10.1 Total 2297 100.0 b: (If Voted ) When did you finally make up your mind about whom to vote for? Options N (%) 1: On the day of voting 249 10.8 2: A day or two before voting 220 9.6 3: Earlier, during the campaign 334 14.5 4: Even before the campaign started 1158 50.4 8: Can't say 104 4.5 9: N.A. -
Cyfy 2017 Conference Booklet Final 02.Indd
CONFERENCE BOOKLET 3 & 4 OCTOBER THE TAJ MAHAL HOTEL MANSINGH ROAD NEW DELHI Partners Contents Welcome Note Organisers Agenda Speakers Contents Welcome Note ince the internet’s commercial availability in the 1990s, cyber While focusing on these competing narratives, it is sometimes for- governance has increasingly reshaped politics, economics gotten that it is technology that drives policy and not the other way and indeed societies. In the year since the last CyFy in 2016, around. From the humble beginnings of the steam engine, which Sa series of tumultuous events has thrown cyber governance into the kick started the fi rst industrial revolution, innovation has always proverbial eye of the storm. Artifi cial intelligence, Russian infl uence defi ned the organizing principles of society. As we hold our breath operations and social media echo chambers all converged in 2016 for the next breakthrough in artifi cial intelligence, we are also slowly to make the American elections one of the most divisive in history. waking up to the realization that our decisions, however big or small, Riding on a wave of populist sentiment, the election of President are likely to be driven by a machine conscience. But are we con- Donald Trump has thrown up questions around America’s role in scious of this reality? global governance generally and cyber policy specifi cally. AI will not only script new rules of relationships and jobs but may And the implications extend beyond the American shores. In a world eventually determine who lives and who dies. The fi erce debate over where power is diffusing rapidly, the United States is no longer the lethal autonomous weapons exemplifi es two uncertainties – the sole determinant of the future of cyberspace. -
The Home and the World: Women and Gender in South Asia WAGS 207 Fall 2011 Webster 220
The Home and the World: Women and Gender in South Asia WAGS 207 Fall 2011 Webster 220 Amrita Basu Krupa Shandilya 301 Cooper House 30E Johnson Chapel x2942 x5464 Office hours: Wednesdays: 4-6 pm Office hours: M/W.:10-11 am Course Materials Books for Purchase: Available from Food for Thought Books, 106 N. Pleasant Street, Amherst 413.253.5432 Rabindranath Tagore, Home and the World Rokeya Sakhawat Hussain, Sultana’s Dream Mahasweta Devi, Imaginary Maps Amitav Ghosh, River of Smoke Books for purchase are marked P on the syllabus. All other required readings for this course can be found on E-Reserve (E) and/or in the Course Reader packet – Multilith. The Multilith is not a required purchase but is highly recommended. To buy it, you will need to submit a Multilith Order Form for Course Materials found on the WAGS homepage. Estimated cost is $35-50. You will receive an e-mail when it arrives. Films are marked (F). We will be discussing the following films over the course of the semester: Chokher Bali (dir. Rituparno Ghosh) Mother India (dir. Mehboob Khan) Khamosh Pani (dir. Sabiha Sumar) Hazaaron Khwaishein Aisi (dir. Sudhir Mishra) Satta (dir. Madhur Bhandarkar) The Terrorist (dir. Santosh Sivan) (F) Fire (dir. Deepa Mehta) Sarkar (dir. Ram Gopal Varma) Khuda ke Liye (dir. Sohaib Mansoor) Films will be streamed on the course website under the e-reserves tab. Please plan to see them before we discuss them. Course Requirements 1. We expect you to attend class regularly and inform us by email if you miss a class. -
Page 1 of 15 AHIMSA TIMES
AHIMSA TIMES - JUNE 2008 ISSUE - www.jainsamaj.org Page 1 of 15 Vol. No. 96 Print "Ahimsa Times " June, 2008 www.jainsamaj.org Board of Trustees Circulation + 80000 Copies( Jains Only ) Email: Ahimsa Foundation [email protected] New Matrimonial New Members Business Directory GOLDEN PRINCIPLES OF MAHAVIR COULD SOLVE THE PROBLEMS: HAMID ANSARI - Vice President M. Hamid Ansari met Jain Spiritual leader, founder of Sukhi Parivar Foundation Gani Rajendra Vijay and Sahitya Manishee Acharya Shrimad Vijay Virendra surijee at Vice President House to discuss about present scenario and tribal problems. While discussing on above topic Gani Rajendra Vijay told that if anybody wants to move ahead in field of spiritual practice then he has to overcome the outer world attraction. Vice President welcomed Sahitya Manishi Acharya Shrimad Vijay Virendra Suriji and Sukhi Parivar Movement founder Gani Rajendra Vijay at Vice President House, who reached Delhi by padyatra from Gujarat, Rajasthan, Haryana and Madhya Pradesh. Gani Rajendra Vijay also said that the human values are rapidly declining despite the implementation of education system, reforms and innovative practices. Sahitya Manishi Acharya Shrimad Vijay Virendra Suriji said that Sukhi Parivar Abhiyan is a revolutionary process for maturity of thoughts, change in behaviors and all round development of the personality. It purifies the heart and the consciousness. It gives practical training of the fundamental elements of Indian ethics, culture and helps in emotional development. While responding to the ideas expressed by Gani Rajendra vijay, Vice President M. Hamid Ansari said "Today our nation needs more moral education and teaching of non violence. We want peace and harmony because there is no alternative to it. -
A Report on ROLE of ARCHITECTS SEISMECALLY SAFE BUILT ENVIRONMENT
GoI-UNDP Disaster Risk Management Programme A SEMINAR ON ROLE OF ARCHITECTS TOWARDS SEISMECALLY SAFE BUILT ENVIRONMENT (JANUARY 06, 2004) PROGRAMME REPORT A report by: STATE PROJECT OFFICER Office of the Divisional Commissioner (State Nodal Agency for GoI-UNDP DRM Programme) Government of National Capital Territory of Delhi 5, Shamnath Marg, Delhi-110054 ROLE OF ARCHITECTS TOWARDS SEISMECALLY SAFE BUILT ENVIRONMENT BACKGROUND The GoI–UNDP Disaster Risk Management Programme is a national initiative to reduce vulnerability of communities in some of the most hazards prone districts of India (169 Districts and 17 States). The Programme aims to enable State Government’s to minimize losses to developmental gains and to reduce a vulnerability to various disasters. The programme relies upon a community based approach to disaster management and seeks to mobilize capacity of community and Government functionaries at all level and other stake holders in an organized manner. This Project envisages the broad components as awareness generation, development of preparedness and response plans at the community and administrative levels, development of a techno-legal regime for the states, capacity building at all levels and knowledge networking on international and national best-practices among all the cities and urban centres in the programme. NEED OF THE PROGRAMME Increasing vulnerability of Delhi to various man made and natural hazards calls for greater attention of all for mitigation and preventive aspects of disaster risk management and to build partnerships and alliances at all levels. The need for greater preparedness at all levels has prompted many stakeholders to be constantly working towards multi-hazard preparedness and mitigation at different levels. -
U N I V E R S I T Ä T H E I D E L B E
U N I V E R S I T Ä T H E I D E L B E R G WiSe 2016/17 Verzeichnis der Lehrveranstaltungen - kommentiert Transcultural Studies (Stand: 11.09.2017) Die ausführliche Darstellung der Veranstaltungen findet sich unter https://lsf.uni-heidelberg.de Transcultural Studies Transcultural Studies In diesem Bereich erscheinen Kurse verschiedener Fakultäten der Geistes-, Kultur- und Sozialwissenschaften, die sich an einem transkulturellen Ansatz orientieren. Die Lehrveranstaltungen des M.A. Transcultural Studies sind unter der entsprechenden Überschrift aufgeführt. Forschungskolloquien für fortgeschrittene Studierende und DoktorandInnen finden sich unter "Colloquia". M.A. Transcultural Studies Please choose the course listing according to the Examination Rules and Regulations under which you enrolled and are studying. Terms and Regulations of Examination as of WS 2011/12 To know which classes you are supposed to take in a given semester and module please refer to the Description of Modules (as of winter term 2011/12) and the Examination Rules and Regulations ("Prüfungsordnung" from 24.2.2011, last changes 29.7.2015). Academic Writing in English 9719KJC675; Übung; Sprache: Englisch; SWS: 2; LP: 4 Mi; wöch; 16:00 - 18:00, 26.10.2016 - 08.02.2017; Voßstr. 2, 4400 / R 112; Chatterjee, S. Voraussetzung Students are required to register via email to [email protected] until 21 October 2016. Inhalt This semester-long course offers concrete guidelines and practical strategies for composing and editing academic texts in English. It aims to educate students in the tried-and-true methods of essay writing (thesis development, paragraph construction and composition), which students will apply practically in writing and developing a research paper (10-20 pages of written prose which can be part of a student’s MA thesis, or a paper for another course). -
Gangs of Wasseypur As an Active Archive of Popular Cinema
M A D H U J A M U K H E R J E E Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema This paper studies Gangs of Wasseypur (Parts 1 and 2, 2012) as a definitive text via which Anurag Kashyap’s style became particularly provocative and pointed. While a range of films (both directed and produced by Kashyap) seemingly bear a certain ‘Kashyap mark’ in the manner in which they tackle subjects of violence and belligerent speech with an unpredictable comic sense, I argue that, more importantly, these films work within a particular visual framework with regard to its mise-en- scène (including the play of light, camera movement, modes of performance), as well as produce recognisable plot structures (involving capricious and realistic events), settings and locations (like the city’s underbelly, police stations, etc.), and so on. Indeed, Kashyap has made a set of films—including Paanch (unreleased), No Smoking (2007) and Ugly (2014)—which deal with similar issues, and explore contemporary cityscapes, especially Mumbai, with fervidness, thereby commenting on urban dystopia.1 Furthermore, these films speak to what has been analysed as the ‘Bombay noir’ mode by Lalitha Gopalan, by means of thoughtful art and set design, engaging (and often hand-held) camera movements and swish-pans, uses of blue or yellow filters, character prototypes, and reflective performances, which generate a world that is engulfed by a deep sense of disquiet and distress. This paper draws attention to such stylistic explorations, especially JOURNAL OF THE MOVING IMAGE 91 to the ways in which it has developed through Kashyap’s recent films.