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Amanda Snyder Portland Modernist
BONNIE LAING-MALCOLMSON Amanda Snyder Portland Modernist PORTLAND ART MUSEUM OREGON Contents 9 Director’s Foreword Brian J. Ferriso 13 A Portland Modernist Bonnie Laing-Malcolmson Published on the occasion of the exhibition Amanda Snyder: Portland Modernist, Organized by the Portland Art Museum, Oregon, June 30 – October 7, 2012. 44 Biography This publication is made possible by a generous bequest of Eugene E. Snyder. Copyright © 2012 Portland Art Museum, Oregon All rights reserved. No portion of this publication may be reproduced without the 49 Checklist of Exhibition written permission of the publisher. Library of Congress Cataloguing-in-Publication Data. Amanda Snyder: Portland Modernist p. 58; cm Published on the occasion of an exhibition held at the Portland Art Museum, Portland, OR. June 30 – October 7, 2012 Includes exhibition checklist, artist biography, and illustrations ISBN 9781883124344 Published by Portland Art Museum 1219 SW Park Avenue Portland, Oregon 97205 Publication coordinator: Bruce Guenther Design: Bryan Potter Design Photography: Paul Foster Printed: Image Pressworks, Portland Director’s Foreword With the opening of The Arlene and Harold Schnitzer Center for Northwest Art in 2000, and the subsequent establishment of a permanently endowed Curator of Northwest Art in 2006, the Portland Art Museum signaled its intention to create an historical record of our artistic community and its participants through an active exhibition, collection, and publication program. This commitment has resulted in the creation of an ongoing one-person contemporary exhibition series for artists of our region, APEX, and the biennial Contemporary Northwest Art Awards, as well as a renewed focus on historic figures through landmark survey exhibitions like Hilda Morris and Lee Kelly. -
2013 Financial Statements and Report of Independent Accountants
GaryMcGee & Co. LLP CERTIFIED PUBLIC ACCOUNTANTS Portland Art Museum Financial Statements and Other Information as of and for the Years Ended June 30, 2013 and 2012 and Report of Independent Accountants P O R T L A N D A R T M U S E U M TABLE OF CONTENTS Page Report of the Treasurer 3 Report of Independent Accountants 4 Financial Statements: Statements of Financial Position 6 Statements of Activities 8 Statements of Cash Flows 10 Notes to Financial Statements 11 Supplementary Financial Information: Schedule of Operating Revenues and Expenses of the Northwest Film Center 30 Notes to Schedule of Operating Revenues and Expenses of the Northwest Film Center 31 Other Information: Governing Board and Management 32 Inquiries and Other Information 34 Report of the Treasurer The financial statements and other information con- The financial statements have been examined by the tained in this report have been prepared by manage- Museum’s independent accountants, GARY MCGEE & ment, which is responsible for the information’s integ- CO. LLP, whose report follows. Their examinations rity and objectivity. The financial statements have were made in accordance with generally accepted au- been prepared in accordance with generally accepted diting standards. The Audit Committee of the Board accounting principles applied on a consistent basis and of Trustees meets periodically with management and are deemed to present fairly the financial position of the independent accountants to review accounting, the PORTLAND ART MUSEUM and the changes in its net auditing, internal accounting controls, and financial assets and cash flows. Where necessary, management reporting matters, and to ensure that all responsibili- has made informed judgments and estimates of the ties are fulfilled with regard to the objectivity and in- outcome of events and transactions, with due consid- tegrity of the Museum’s financial statements. -
Cairns Part E the Rainforest City Cairns Master Plan City Centre
CAIRNS PART E THE RAINFOREST CITY CAIRNS MASTER PLAN CITY CENTRE CAIRNS PART E THE RAINFOREST CITY CAIRNS MASTER PLAN CITY CENTRE August 2014 - Cairns Regional Council 119-145 Spence Street - PO Box 359 - Cairns - QLD 4870 Ph: (07)4044 3044 F: (07)4044 3022 E: [email protected] This document is available on the Cairns Regional Council website: www.cairns.qld.gov.au Acknowledgements This document would not have been possible without the collaborative efforts of a number of people and organisations. Cairns Regional Council would like to thank all contributors for their involvement, passion and valuable contributions to this section of the master plan. We would particularly like to thank Architectus for allowing us to use their material and imagery; and acknowledge their valuable contribution to the preparation of this document. References Cairns City Centre Master Plan Report October 2011 (Architectus) The Project Team includes the following Council officers: Brett Spencer Manager Parks and Leisure Helius Visser Manager Infrastructure Management Malcolm Robertson Manager Inner City Facilities Debbie Wellington Team Leader Strategic Planning Jez Clark Senior Landscape Architect Claire Burton Landscape Architect C CONTENTS 1.0 INTRODUCTION............................................ 10 1.1 What is the purpose of this document? ...................................10 1.2 What area does this document cover? ....................................10 1.3 Who will use this document?.....................................................12 1.4 -
Annual Report for the Year 2003–2004
2003–2004 ANNUAL REPORT SAM Students with Sanislo Feast SAM CONNECTS ART TO LIFE CONTEMPORARY CHINESE ARTIST LI JIN’S A FEAST made a permanent impression on the fourth- and fifth-grade students at Sanislo Elementary School. Inspired by the fifty-nine- foot-long painting depicting food from a traditional Chinese dinner on a background of recipes written in Chinese calligraphy, the students set out to re-create their own version. Art teachers Ruth Winter and Carolyn Autenrieth designed the project to celebrate the diversity of cultures at their school. Students painted their favorite ethnic foods, and staff helped transcribe the recipes into the students’ original languages. On display at the Seattle Asian Art Museum last spring, the students’ work, Sanislo Feast, a fifty-foot-long art scroll portraying food and languages from seventeen different nations and cultures, reflected the heritage of Sanislo students and staff. Students, families and teachers commemorated the unveiling of their “masterpiece” with a special celebration at SAAM. cover: Li Jin, China, born 1958, A Feast, 2001, ink on Xuan paper, 39 3/8 x 708 5/8 in., Courtesy of the artist and CourtYard Gallery, Beijing right: Wolfgang Groschedel and Kunz Lochner, Equestrian armor for Philip II, ca. 1554, etched steel and gold, Patrimonio Nacional, Real Armería, Madrid SEATTLE ART MUSEUM TABLE OF CONTENTS 1 Director’s Letter 17 Betty Bowen Award 2 Board of Trustees 18 Reaching Out to Youth & Families 3 Broadening, Deepening, Diversifying 19 Teaching and Learning 4–5 One Museum, Three -
View PDF for This Newsletter
Newsletter No. 152 September 2012 Price: $5.00 Australasian Systematic Botany Society Newsletter 152 (September 2012) AUSTRALIAN SYSTEMATIC BOTANY SOCIETY INCORPORATED Council President Vice President Peter Weston Dale Dixon National Herbarium of New South Wales Royal Botanic Gardens Sydney Royal Botanic Gardens Sydney Mrs Macquaries Road Mrs Macquaries Road Sydney, NSW 2000 Sydney, NSW 2000 Australia Australia Tel: (02) 9231 8171 Tel: (02) 9231 8111 Fax: (02) 9241 2797 Fax: (02) 9251 7231 Email: [email protected] Email: [email protected] Treasurer Secretary Frank Zich John Clarkson Australian Tropical Herbarium Dept of National Parks, Recreation, Sport and Racing E2 building, J.C.U. Cairns Campus PO Box 156 PO Box 6811 Mareeba, QLD 4880 Cairns, Qld 4870 Australia Australia Tel: +61 7 4048 4745 Tel: (07) 4059 5014 Fax: +61 7 4092 2366 Fax: (07) 4091 8888 Email: [email protected] Email: [email protected] Councillor (Assistant Secretary - Communications Councillor Ilse Breitwieser Pina Milne Allan Herbarium National Herbarium of Victoria Landcare Research New Zealand Ltd Royal Botanic Gardens PO Box 40 Birdwood Ave Lincoln 7640 South Yarra VIC 3141 New Zealand Australia Tel: +64 3 321 9621 Tel: (03) 9252 2309 Fax: +64 3 321 9998 Fax: (03) 9252 2423 Email: [email protected] Email: [email protected] Other Constitutional Bodies Public Officer Hansjörg Eichler Research Committee Annette Wilson Bill Barker Australian Biological Resources Study Philip Garnock-Jones GPO Box 787 Betsy Jackes Canberra, ACT 2601 Greg Leach Australia Nathalie Nagalingum Christopher Quinn Affiliate Society Chair: Dale Dixon, Vice President Papua New Guinea Botanical Society Grant application closing dates: Hansjörg Eichler Research Fund: ASBS Website on March 14th and September 14th each year. -
Peter Agostini Christopher Cairns Bruce Gagnier Jonathan Silver George Spaventa
Five Sculptors Peter Agostini Christopher Cairns Bruce Gagnier Jonathan Silver George Spaventa March 31 - April 30, 2006 Cantor Fitzgerald Gallery Haverford College wishes to acknowledge the loan of sculpture from the following individuals: Diane Agostini Richard Bechtel Mark and Johanna Chehi Jock Ireland Stanley Kunitz Lindsey Lawrence Deborah Masters Paul Resika Harriett Vicente Anita Shapolsky Gallery Elizabeth Harris Gallery The Jonathan and Barbara Silver Foundation Lori Bookstein Fine Arts This show has been organized by Alexis, Christopher, and Nicholas Cairns with assistance by Vita Litvak and Rebecca Strattan. Photo Credits: Christopher Cairns - 8, 9, 12, 16, 20; Chris Carone - 10, 13; Vita Litvak - 2, 4, 5, 6, 14, 17, 18, 21 Five Sculptors: One Aesthetic The five sculptors whose works are presented in this exhibition, Peter Agostini (1913-1993), George Spaventa (1918-1978), Jonathan Silver (1937-1992), Bruce Gagnier (b. 1941), and Christopher Cairns (b.1942) all lived and worked in New York City during a seminal period in each artist’s development. Their intersecting circumstances and interconnected experiences created a culture of creative energy, collaboration, and competition. The five formed a guild of sorts, based on a shared aesthetic of working from the figure, informing and influencing one another’s work while forging individual creative paths and lines of inquiry. They are not “figurative” artists in the current parlance, but artists whose subject is the figure. Their shared aesthetic is an extension of late 19th century and early modern European art as represented by Cezanne, Picasso, Braque, Giacometti, and deKooning. The works in this show – whose influences range from dreams to Abstract Expressionism to the Medici Chapel, from African masks to Leonardo’s horses – reveal the artists’ dedication to their subject. -
44 Records of the Index of American Design
Finding Aid for the Records of the Index of American Design, 1929-2018 (bulk 1936-1942) Summary Information Repository National Gallery of Art, Gallery Archives Sixth Street and Constitution Avenue, NW Washington, DC 20565 [email protected] Title Records of the Index of American Design Identifier 44 Creator United States. Works Progress Administration. Index of American Design. Date 1929-2018 (bulk 1936-1942) Extent 290 cubic feet (734 boxes); approximately 29,000 digital files Abstract This collection documents the activities of the Index of American Design, a Federal Art Project to preserve and document the development of American folk and decorative arts from the colonial period through 1900 while providing relief work to unemployed artists, researchers, and photographers during the Great Depression. Materials consist of correspondence, memoranda, reports, lists, data sheets, publications, photograph prints and negatives, color notes. Historical Note Created in 1935, the Index of American Design (Index) was a program in the Fine Arts Divisions of the Federal Art Project (FAP) under the Works Progress Administration (WPA). The Index project had three objectives: to employ and maintain the skills of artists who found themselves unemployed during the depression years; to preserve America’s artistic and cultural heritage by documenting the development of arts and crafts in different parts of the country; and to create a series of portfolios from the Index watercolor renderings that would serve as a permanent guide for artists, scholars, and the public. The initial idea for the Index project began with discussions between Romana Javitz, head of the New York Public Library’s Picture Collection, and artists who were conducting research in the collection for WPA projects. -
Marsden Hartley (American, 1877-1943), Still Life, No
THE ARMORY SHOW AT 100 October 18, 2013 - February 23, 2014 Marsden Hartley (American, 1877-1943), Still Life, No. 1, 1912. Oil on canvas, 31 ½ x 25 5/8 in. Columbus Museum of Art, Ohio: Gift of Ferdinand Howald, 1931.184. Vincent van Gogh (Dutch, 1853-1890), Mountains at Saint Rémy (Montagnes à Saint- Rémy), 1889. Oil on canvas, 28 ¼ x 35 ¾ in. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Justin K. Thannhauser, 1978, 78.2514.24 Maurice Prendergast (American, 1859-1924), Landscape with Figures, ca. 1910-12. Oil on canvas, 38 ½ x 52 ¾ in. Edward W. Root Bequest, 57.212, Munson-Williams-Proctor Arts Institute, Utica, New York. Image, Art Resource, NY Henri Matisse (French, 1869-1954), Blue Nude, 1907. Oil on canvas, 36 ¼ x 55 ¼ in. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.228. © 2013 Succession H. Matisse / Artists Rights Society (ARS), New York. Photography by Mitro Hood. John Sloan (American, 1871-1951), Sunday, Women Drying Their Hair, 1912. Oil on canvas, 26 1/8 x 32 1/8 in. Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, Museum Purchase, 1938.67. © 2013 Delaware Art Museum / Artists Rights Society (ARS), New York Paul Gauguin (French, 1848-1903), Parau na te Varua ino (Words of the Devil), 1892. Oil on canvas, 36 1/8 x 26 15/16 in. National Gallery of Art, Washington, Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman. Courtesy of the National Gallery of Art, Washington John Marin (American, 1870-1953), Woolworth Building, No. -
European & American Art Council
EUROPEAN & AMERICAN ART COUNCIL Newsletter March 2015 Curator's Column NOTE OUR NEW LECTURE TIMES President's Message In This Issue Dear Council Members, President's Message This month's newsletter seems to be a "SAVE Curator's Message THE DATE" message. I am certain that you are beginning to organize your calendars as our March Lecture weather becomes warmer and the days longer. Consequently, planning for our Spring activities Upcoming Events continues unabated with your Board. Guest Curator The Board is planning our March 19, 2015 evening meeting; hosting another Sunday afternoon reception for New Members our own David Margulis, April 19, 2015 in conjunction with the Italian Style exhibition; and our proposed trip to the Tacoma Art Past Lecture Museum, Wednesday May 13, 2015. Film In addition this is the time of year when the art councils begin their nominating process for next year's Executive Board. Our Giovanni Battista own Sarah Monro is chairing this committee and doing an Moroni outstanding job. Our European and American Art Council Annual meeting will be held on June 17, 2015 where I will present you a Board of Directors review of our 2014-2015 activities, acquisitions, and travel. In addition, members will be electing the 2015-2016 Board. President Just to keep us "on our toes", our Annual Meeting will include a Carol Ann Caveny tour by Dawson Carr, Ph.D., The Janet and Richard Geary Vice-President Curator of European Art, Portland Art Museum, introducing us to the exhibition: "Gods and Heroes, Masterpieces works from the Sarah Munro Ecole des Beaux-Arts, Paris". -
PDX CONTEMPORARY ART Is Pleased to Present New Paintings by Portland-Based Artist Adam Sorensen
FOR IMMEDIATE RELEASE Kill: February 30, 2020 WHO: Adam Sorensen WHAT: Skeleton WHEN: January 15 - February 29, 2020 WHERE: PDX CONTEMPORARY ART 925 NW Flanders Street, Portland, OR 97209 HOURS: 11:00 – 6:00 Tuesday – Saturday ADMISSION: Free Open First Thursday February 6, 2020, 6:00 – 8:00 EXHIBITION NOTES: PDX CONTEMPORARY ART is pleased to present new paintings by Portland-based artist Adam Sorensen. Bringing together many sources, including reference to the Hudson River School painters of the American West, the Romanticism of Caspar David Friedrich, animation aesthetics, and the ukiyo-e traditions of Japanese woodcuts, Adam Sorensen makes landscape paintings that are familiar, yet otherworldly. On one hand optimistic and sublime, these paintings depict watery rills, lakes, and rivers that transport the viewer to a place with elements that are easily recognizable, but altogether feel utopian. Adam Sorensen, FlusSkelett, 2019, oil on linen, 38” x 34” With this utopia comes a sinister absence— a landscape that feels untouched and unaltered by life. Skeleton makes reference to a reexamination and excavation of past work, with many of the paintings in the show referencing and revisiting works that the artist has made over his fifteen year-long career. Adam Sorensen received a Bachelors of Fine Arts from Alfred University in New York and a Post-Baccalaureate Certificate in painting from the Studio Art International, Florence, Italy. His work has been featured in numerous solo and group exhibitions, including shows at PDX CONTEMPORARY ART (Portland, OR), Whatcom Museum (Bellingham, WA), Archer Gallery (Vancouver, WA), Worksound (Portland, OR), and the Newberg Gallery at the Glasgow School of Art (Glasgow, Scotland). -
Events and News June 2015
Events and News June 2015 In This Issue Saturday, June 20th Two Gallery Tour Tour of Two Retrospectives in NW CAC Annual Meeting Portland followed by the CAC Annual Meeting and Reception Recommended: Lecture on Ai Weiwei Recommended: Stan Douglas New at the Museum Quick Links Portland Art Museum To update your contact information please click here and then click "Update Profile/Email Address" CAC Board of Directors 2014-2015 President Pam Berg Vice President Daniel Peabody Treasurer Jeff Miller Secretary Linda Mantel Membership Richard Testut Travel Christopher Perry 2:00 pm Program Chair & Immediate Past President Mel Katz: James Minden From Painting to Sculpture Hospitality Chair Tamara English Laura Russo Gallery 805 NW 21st Avenue, Portland Board Members At- Large You are invited to join CAC members on tour of two David Adams Michael Greicus retrospective shows at two Portland galleries. We will Glenda Goldwater start at the Laura Russo Gallery at 2 pm where we will Kate Johnson view a retrospective of work by Mel Katz (b. 1932 Bruce Morrison Brooklyn, NY) from paintings and wall sculptures to his Council most recent machine cut, anodized aluminum wall Coordinator Jan mounted sculptures. A continuing theme for Katz is his Quivey career-long fascination with shape and contour and a 503-276-4242 playfulness with positive and negative shapes. His [email protected] work is in the collection of the Portland Art Museum. (Exhibiting concurrently with the gallery exhibition, at the Hallie Ford Museum of Art in Salem is Mel Katz: On and Off the Wall: A Retrospective which runs from June 6 - August 23, 2015.) Then we will each each travel on our own about eight blocks away to... -
Annual Report
July 1, 2007–June 30, 2008 AnnuAl RepoRt 1 Contents 3 Board of Trustees 4 Trustee Committees 7 Message from the Director 12 Message from the Co-Chairmen 14 Message from the President 16 Renovation and Expansion 24 Collections 55 Exhibitions 60 Performing Arts, Music, and Film 65 Community Support 116 Education and Public Programs Cover: Banners get right to the point. After more than 131 Staff List three years, visitors can 137 Financial Report once again enjoy part of the permanent collection. 138 Treasurer Right: Tibetan Man’s Robe, Chuba; 17th century; China, Qing dynasty; satin weave T with supplementary weft Prober patterning; silk, gilt-metal . J en thread, and peacock- V E feathered thread; 184 x : ST O T 129 cm; Norman O. Stone O PH and Ella A. Stone Memorial er V O Fund 2007.216. C 2 Board of Trustees Officers Standing Trustees Stephen E. Myers Trustees Emeriti Honorary Trustees Alfred M. Rankin Jr. Virginia N. Barbato Frederick R. Nance Peter B. Lewis Joyce G. Ames President James T. Bartlett Anne Hollis Perkins William R. Robertson Mrs. Noah L. Butkin+ James T. Bartlett James S. Berkman Alfred M. Rankin Jr. Elliott L. Schlang Mrs. Ellen Wade Chinn+ Chair Charles P. Bolton James A. Ratner Michael Sherwin Helen Collis Michael J. Horvitz Chair Sarah S. Cutler Donna S. Reid Eugene Stevens Mrs. John Flower Richard Fearon Dr. Eugene T. W. Sanders Mrs. Robert I. Gale Jr. Sarah S. Cutler Life Trustees Vice President Helen Forbes-Fields David M. Schneider Robert D. Gries Elisabeth H. Alexander Ellen Stirn Mavec Robert W.