Its Missionary Aspect
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sant Dnyaneshwar - Poems
Classic Poetry Series Sant Dnyaneshwar - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Sant Dnyaneshwar(1275 – 1296) Sant Dnyaneshwar (or Sant Jñaneshwar) (Marathi: ??? ??????????) is also known as Jñanadeva (Marathi: ????????). He was a 13th century Maharashtrian Hindu saint (Sant - a title by which he is often referred), poet, philosopher and yogi of the Nath tradition whose works Bhavartha Deepika (a commentary on Bhagavad Gita, popularly known as "Dnyaneshwari"), and Amrutanubhav are considered to be milestones in Marathi literature. <b>Traditional History</b> According to Nath tradition Sant Dnyaneshwar was the second of the four children of Vitthal Govind Kulkarni and Rukmini, a pious couple from Apegaon near Paithan on the banks of the river Godavari. Vitthal had studied Vedas and set out on pilgrimages at a young age. In Alandi, about 30 km from Pune, Sidhopant, a local Yajurveda brahmin, was very much impressed with him and Vitthal married his daughter Rukmini. After some time, getting permission from Rukmini, Vitthal went to Kashi(Varanasi in Uttar Pradesh, India), where he met Ramananda Swami and requested to be initiated into sannyas, lying about his marriage. But Ramananda Swami later went to Alandi and, convinced that his student Vitthal was the husband of Rukmini, he returned to Kashi and ordered Vitthal to return home to his family. The couple was excommunicated from the brahmin caste as Vitthal had broken with sannyas, the last of the four ashrams. Four children were born to them; Nivrutti in 1273, Dnyandev (Dnyaneshwar) in 1275, Sopan in 1277 and daughter Mukta in 1279. According to some scholars their birth years are 1268, 1271, 1274, 1277 respectively. -
Aurobindo Ghosh, “The Renaissance in India” (1918)
Aurobindo Ghosh, “The Renaissance in India” (1918) Aurobindo Ghosh (later Sri Aurobindo) (1872–1950) was a central political, religious, and philosophical fi gure in the Indian renaissance. Bengali born and Cambridge-educated, he was trained in Victorian English literature, sat his Cambridge examinations in classics, and taught English at Baroda Col- lege. He became involved in radical politics and while imprisoned discovered Indian philosophy. He spent the remainder of his life at his ashram in Pondi- cherry, producing an enormous volume of religious and philosophical work, including his masterpiece The Life Divine. Many Indian philosophers of the colonial period visited him in Pondicherry, and his infl uence on Indian phi- losophy is considerable. In this essay he addresses the meaning of the Indian renaissance for India’s national identity. Aurobindo Ghosh 3 The Renaissance in India I There has been recently some talk of a Renaissance in India. A number of illuminating essays with that general title and subject have been given to us by a poet and subtle critic and thinker, Mr. James H. Cousins, and others have touched suggestively various sides of the growing movement towards a new life and a new thought that may well seem to justify the description. This Renais- sance, this new birth in India, if it is a fact, must become a thing of immense importance both to herself and the world, to herself because of all that is meant for her in the recovery or the change of her time-old spirit and national ideals, to the world because of the possibilities involved in the rearising of a force that is in many respects unlike any other and its genius very diff erent from the mentality and spirit that have hitherto governed the modern idea in mankind, although not so far away perhaps from that which is preparing to govern the future. -
Isavasya Upanishad
ISAVASYA UPANISHAD 1 SHANTI MANTRA Om poornamadah poornamidam I Poornaath poorna mudachyate I Poornasya poorna madaaya I Poorname vaava sishyate I Om shanti shanti shanti hi II Om, That is Full, This also is Full, From Fullness comes that Fullness, Taking Fullness from Fullness, Fullness Indeed Remains. Om Peace, Peace, Peace. Isavasya Upanishad Shukla Yajur Veda 18 Mantras - Jnana Yoga Verse 1 - Jnana Yoga Sara Elaboration . Verse 4 - 8 - Nivritti Marga Verse 2 - Karma Yoga Sara - Karma Yoga Elaboration. Verse 9 - 14 - Pravirthi Marga - One who does not follow Karma Verse 3 - Upasakas prayer Yoga / Jnana Verse 15 - 18 Yoga criticised. for Krama Mukti 3 INTRODUCTION 1. Dasa Upanishad : 2. Isavasya and Brihadaranyaka belongs to shukla yajur veda. • Isavasya Upanishad or Isho Upanishad (2 Names). Mantra Upanishad Brahmana Upanishad - Beginning of Veda - Later portion of Veda. - Isavasya Upanishad - Commentary on Mantra / Portion - Mundak Upanishad - Brihadaranyaka Upanishad (Commentary on Isavasya Upanishad) - Prasno Upanishad (Commentary on Mundak Upanishad) 3. Most words used in contextual meaning not in dictionary meaning. 4 4) Shanti Mantra : 1st Explanation That is Whole, this is Whole ; from the Whole, the Whole becomes manifest. From the Whole, when the Whole is negated, what remains is again the Whole. Atma, Chaitanyam, Conciousness Svarupam Jivatma Paramatma Atma Chaitanyam, 3 Sharirams (Prakrti, Atma Chaitanyam, 3 Prapanchas (Maya, Conciousness Svarupam Matter, Nama / Rupa) Conciousness Svarupam Matter, Nama / Rupa) Sthula Sukshma Karana Sthula Sukshma Karana Vishwa Teijasa Pragya Virat Hiranyagarbha Ishvara 5 1) Poornam Adhaha, Poornam Idam : Poornam Adhah Poornam Idam Paramatma is Poornaha, Jivatma is Poornaha, infinite, infinite, whole whole • Equating them we can say, Jivatma and Paramatma are one and the same, both infinite. -
An Introspection of Film Censorship in India
Corpus Juris ISSN: 2582-2918 The Law Journal website: www.corpusjuris.co.in AN INTROSPECTION OF FILM CENSORSHIP IN INDIA -SUBARNO BANERJEE1 AND RITOJIT DASGUPTA2 ABSTRACT Cinema has been considered to be one of the most potent instrument of expression over a considerable amount of period. It is often considered to be a magnificent medium to communicate with people and impart knowledge and awareness. A traditional theatre system existed much before screen cinema could assert its authority in India and is said to have played a major role in nurturing emotions of freedom struggle through its plays in the pre-independence era. It was in 1913 India produced its first full-length feature film Raja Harishchandra. Cinema gradually became a powerful medium and went on to impact the lives of people, thoughts and even their political views. The medium has been witnessed to gain huge popularity and at present has become an integral part of common man’s leisure. Various statistics claim that India constitutes one of the largest film industries in the world in terms of number of films produced every year. Freedom of speech and expression is one of the most sacrosanct rights and is regarded as an integral concept in modern liberal democracies3. Society can develop only by free exchange of ideas4. However, since the drafting of the Constitution in 1947, freedom of speech and expression was considered controversial and received periodical dissent. According to Article 19(1) (a) of Part III of the Constitution of India, citizens shall have a right to freedom and expression. Films enjoy the same status and right so far as constitutional freedom relating to expression of ideas and spreading of ideas and messages are concerned but at the same time it places certain necessary restrictions on the content, with a view towards maintaining integrity of the state, public order, decency and morality and also communal and religious harmony, given the history of communal tension in the nation. -
Cambridge Ordinary Level HINDUISM 2055/01 Paper 1 October/November 2018 MARK SCHEME Maximum Mark
Cambridge Assessment International Education Cambridge Ordinary Level HINDUISM 2055/01 Paper 1 October/November 2018 MARK SCHEME Maximum Mark: 100 Published This mark scheme is published as an aid to teachers and candidates, to indicate the requirements of the examination. It shows the basis on which Examiners were instructed to award marks. It does not indicate the details of the discussions that took place at an Examiners’ meeting before marking began, which would have considered the acceptability of alternative answers. Mark schemes should be read in conjunction with the question paper and the Principal Examiner Report for Teachers. Cambridge International will not enter into discussions about these mark schemes. Cambridge International is publishing the mark schemes for the October/November 2018 series for most Cambridge IGCSE™, Cambridge International A and AS Level components and some Cambridge O Level components. This document consists of 18 printed pages. © UCLES 2018 [Turn over 2055/01 Cambridge O Level – Mark Scheme October/November PUBLISHED 2018 Generic Marking Principles These general marking principles must be applied by all examiners when marking candidate answers. They should be applied alongside the specific content of the mark scheme or generic level descriptors for a question. Each question paper and mark scheme will also comply with these marking principles. GENERIC MARKING PRINCIPLE 1: Marks must be awarded in line with: • the specific content of the mark scheme or the generic level descriptors for the question • the specific skills defined in the mark scheme or in the generic level descriptors for the question • the standard of response required by a candidate as exemplified by the standardisation scripts. -
Hinduism and Hindu Philosophy
Essays on Indian Philosophy UNIVE'aSITY OF HAWAII Uf,FU:{ Essays on Indian Philosophy SHRI KRISHNA SAKSENA UNIVERSITY OF HAWAII PRESS HONOLULU 1970 Library of Congress Catalog Card Number 78·114209 Standard Book Number 87022-726-2 Copyright © 1970 by University of Hawaii Press All Rights Reserved Printed in the United States of America Contents The Story of Indian Philosophy 3 Basic Tenets of Indian Philosophy 18 Testimony in Indian Philosophy 24 Hinduism 37 Hinduism and Hindu Philosophy 51 The Jain Religion 54 Some Riddles in the Behavior of Gods and Sages in the Epics and the Puranas 64 Autobiography of a Yogi 71 Jainism 73 Svapramanatva and Svapraka!;>atva: An Inconsistency in Kumarila's Philosophy 77 The Nature of Buddhi according to Sankhya-Yoga 82 The Individual in Social Thought and Practice in India 88 Professor Zaehner and the Comparison of Religions 102 A Comparison between the Eastern and Western Portraits of Man in Our Time 117 Acknowledgments The author wishes to make the following acknowledgments for permission to reprint previously published essays: "The Story of Indian Philosophy," in A History of Philosophical Systems. edited by Vergilius Ferm. New York:The Philosophical Library, 1950. "Basic Tenets of Indian Philosophy," previously published as "Are There Any Basic Tenets of Indian Philosophy?" in The Philosophical Quarterly. "Testimony in Indian Philosophy," previously published as "Authority in Indian Philosophy," in Ph ilosophyEast and West. vo!.l,no. 3 (October 1951). "Hinduism," in Studium Generale. no. 10 (1962). "The Jain Religion," previously published as "Jainism," in Religion in the Twentieth Century. edited by Vergilius Ferm. -
Reg. No Name in Full Residential Address Gender Contact No. Email Id Remarks 9421864344 022 25401313 / 9869262391 Bhaveshwarikar
Reg. No Name in Full Residential Address Gender Contact No. Email id Remarks 10001 SALPHALE VITTHAL AT POST UMARI (MOTHI) TAL.DIST- Male DEFAULTER SHANKARRAO AKOLA NAME REMOVED 444302 AKOLA MAHARASHTRA 10002 JAGGI RAMANJIT KAUR J.S.JAGGI, GOVIND NAGAR, Male DEFAULTER JASWANT SINGH RAJAPETH, NAME REMOVED AMRAVATI MAHARASHTRA 10003 BAVISKAR DILIP VITHALRAO PLOT NO.2-B, SHIVNAGAR, Male DEFAULTER NR.SHARDA CHOWK, BVS STOP, NAME REMOVED SANGAM TALKIES, NAGPUR MAHARASHTRA 10004 SOMANI VINODKUMAR MAIN ROAD, MANWATH Male 9421864344 RENEWAL UP TO 2018 GOPIKISHAN 431505 PARBHANI Maharashtra 10005 KARMALKAR BHAVESHVARI 11, BHARAT SADAN, 2 ND FLOOR, Female 022 25401313 / bhaveshwarikarmalka@gma NOT RENEW RAVINDRA S.V.ROAD, NAUPADA, THANE 9869262391 il.com (WEST) 400602 THANE Maharashtra 10006 NIRMALKAR DEVENDRA AT- MAREGAON, PO / TA- Male 9423652964 RENEWAL UP TO 2018 VIRUPAKSH MAREGAON, 445303 YAVATMAL Maharashtra 10007 PATIL PREMCHANDRA PATIPURA, WARD NO.18, Male DEFAULTER BHALCHANDRA NAME REMOVED 445001 YAVATMAL MAHARASHTRA 10008 KHAN ALIMKHAN SUJATKHAN AT-PO- LADKHED TA- DARWHA Male 9763175228 NOT RENEW 445208 YAVATMAL Maharashtra 10009 DHANGAWHAL PLINTH HOUSE, 4/A, DHARTI Male 9422288171 RENEWAL UP TO 05/06/2018 SUBHASHKUMAR KHANDU COLONY, NR.G.T.P.STOP, DEOPUR AGRA RD. 424005 DHULE Maharashtra 10010 PATIL SURENDRANATH A/P - PALE KHO. TAL - KALWAN Male 02592 248013 / NOT RENEW DHARMARAJ 9423481207 NASIK Maharashtra 10011 DHANGE PARVEZ ABBAS GREEN ACE RESIDENCY, FLT NO Male 9890207717 RENEWAL UP TO 05/06/2018 402, PLOT NO 73/3, 74/3 SEC- 27, SEAWOODS, -
Vedic Brahmanism and Its Offshoots
Vedic Brahmanism and Its Offshoots Buddhism (Buddha) Followed by Hindūism (Kṛṣṇā) The religion of the Vedic period (also known as Vedism or Vedic Brahmanism or, in a context of Indian antiquity, simply Brahmanism[1]) is a historical predecessor of Hinduism.[2] Its liturgy is reflected in the Mantra portion of the four Vedas, which are compiled in Sanskrit. The religious practices centered on a clergy administering rites that often involved sacrifices. This mode of worship is largely unchanged today within Hinduism; however, only a small fraction of conservative Shrautins continue the tradition of oral recitation of hymns learned solely through the oral tradition. Texts dating to the Vedic period, composed in Vedic Sanskrit, are mainly the four Vedic Samhitas, but the Brahmanas, Aranyakas and some of the older Upanishads (Bṛhadāraṇyaka, Chāndogya, Jaiminiya Upanishad Brahmana) are also placed in this period. The Vedas record the liturgy connected with the rituals and sacrifices performed by the 16 or 17 shrauta priests and the purohitas. According to traditional views, the hymns of the Rigveda and other Vedic hymns were divinely revealed to the rishis, who were considered to be seers or "hearers" (shruti means "what is heard") of the Veda, rather than "authors". In addition the Vedas are said to be "apaurashaya", a Sanskrit word meaning uncreated by man and which further reveals their eternal non-changing status. The mode of worship was worship of the elements like fire and rivers, worship of heroic gods like Indra, chanting of hymns and performance of sacrifices. The priests performed the solemn rituals for the noblemen (Kshsatriya) and some wealthy Vaishyas. -
Women in Hindu Dharma- a Tribute
Women in Hindu Dharma- a Tribute Respected Ladies and Gentlemen1, Namaste! Women and the Divine Word:- Let me start my talk with a recitation from the Vedas2, the ‘Divinely Exhaled’ texts of Hindu Dharma – Profound thought was the pillow of her couch, Vision was the unguent for her eyes. Her wealth was the earth and Heaven, When Surya (the sun-like resplendent bride) went to meet her husband.3 Her mind was the bridal chariot, And sky was the canopy of that chariot. Orbs of light were the two steers that pulled the chariot, When Surya proceeded to her husband’s home!4 The close connection of women with divine revelation in Hinduism may be judged from the fact that of the 407 Sages associated with the revelation of Rigveda, twenty-one5 are women. Many of these mantras are quite significant for instance the hymn on the glorification of the Divine Speech.6 The very invocatory mantra7 of the Atharvaveda8 addresses divinity as a ‘Devi’ – the Goddess, who while present in waters, fulfills all our desires and hopes. In the Atharvaveda, the entire 14th book dealing with marriage, domestic issues etc., is attributed to a woman. Portions9 of other 19 books are also attributed to women sages10. 1 It is a Hindu tradition to address women before men in a group, out of reverence for the former. For instance, Hindu wedding invitations are normally addressed ‘To Mrs. and Mr. Smith’ and so on and not as ‘To Mr. And Mrs. Smith’ or as ‘ To Mr. and Mrs. John Smith’ or even as ‘To Mrs. -
Philosopher Sant Shri Dnyaneshwara
{dídmMo AmV© ‘mPo ‘Zr àH$mebo& AdKo {M Omb| Xoh ~«åh&& PHILOSOPHER SAINT SHRI DNYANESHWARA An Embodiment of Knowledge-Divine & Peace Universal Prayer for Divine Grace World Peace Centre (Alandi) MAEER's MIT, Pune, India (UNESCO Chair for Human Rights, Democracy, Peace & Tolerance) Pasayadan & Dr. Vishwanath Karad MIT World peaceuniversity What the whole world earnestly aspires has dawned in my mind. Therefore my whole existence is now one with the Brahman. Compiled, Edited & Presented by Prof. Dr. Vishwanath D. Karad President, MIT World Peace University Universal Prayer for Divine Grace World Peace Centre (Alandi) MAEER's MIT, Pune, India (UNESCO Chair for Human Rights, Democracy, Peace & Tolerance) Pasayadan & Dr. Vishwanath Karad MIT World peaceuniversity What the whole world earnestly aspires has dawned in my mind. Therefore my whole existence is now one with the Brahman. Compiled, Edited & Presented by Prof. Dr. Vishwanath D. Karad President, MIT World Peace University INDEX PREAMBLE 1 THE LIFE-SKETCH OF PHILOSOPHER SAINT SHRI 13 DNYANESHWARA SANJIVAN SAMADHI OF PHILOSOPHER SAINT SHRI 22 DNYANESHWARA DNYANESHWARA - A POST QUANTUM SCIENTIST AND A 26 SOCIAL REFORMER THE SINE WAVE OF HUMAN LIFE – A Play of Consciousness 30 PHILOSOPHER SAINT SHREE DNYANESHWARA TO ALBERT 38 EINSTEIN THE GREATEST GIFT OF INDIA TO THE WORLD YOGA & AUM 46 (AUM) = E = MC2 - A universal Equation For “transforming the 50 Pilgrim Centers of the world into knowledge centers of the world” PHILOSOPHER SAINT SHRI DNYANESHWARA - AN 58 EMBODIMENT OF SPIRITUAL CONSCIOUSNESS -
Asher-Greve / Westenholz Goddesses in Context ORBIS BIBLICUS ET ORIENTALIS
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2013 Goddesses in Context: On Divine Powers, Roles, Relationships and Gender in Mesopotamian Textual and Visual Sources Asher-Greve, Julia M ; Westenholz, Joan Goodnick Abstract: Goddesses in Context examines from different perspectives some of the most challenging themes in Mesopotamian religion such as gender switch of deities and changes of the status, roles and functions of goddesses. The authors incorporate recent scholarship from various disciplines into their analysis of textual and visual sources, representations in diverse media, theological strategies, typologies, and the place of image in religion and cult over a span of three millennia. Different types of syncretism (fusion, fission, mutation) resulted in transformation and homogenization of goddesses’ roles and functions. The processes of syncretism (a useful heuristic tool for studying the evolution of religions and the attendant political and social changes) and gender switch were facilitated by the fluidity of personality due to multiple or similar divine roles and functions. Few goddesses kept their identity throughout the millennia. Individuality is rare in the iconography of goddesses while visual emphasis is on repetition of generic divine figures (hieros typos) in order to retain recognizability of divinity, where femininity is of secondary significance. The book demonstrates that goddesses were never marginalized or extrinsic and thattheir continuous presence in texts, cult images, rituals, and worship throughout Mesopotamian history is testimony to their powerful numinous impact. This richly illustrated book is the first in-depth analysis of goddesses and the changes they underwent from the earliest visual and textual evidence around 3000 BCE to the end of ancient Mesopotamian civilization in the Seleucid period. -
News Letter Jun2014-Aug2014
Dharma Sandesh kÉqÉïxÉlSåzÉ a quarterly newsletter of Bharatiya Mandir, Middletown, NY AÉ lÉÉå pÉSìÉÈ ¢üiÉuÉÉå rÉliÉÑ ÌuɵÉiÉÈ| Let noble thoughts come to us from everywhere. RigVeda 1.89.1 n Dharma. Let us all pray to the Paramatma (mÉUqÉÉiqÉÉ) to lÉqÉxiÉå Namaste shower His blessings upon all His children!! Á – OM. With the blessings and grace of the Sincerely, Supreme Lord (mÉUqÉÉiqÉÉ), we are proud to start our Your Editorial Board sixth year of the publication of Dharma Sandesh. Web: www.bharatiyamandir.org Email: [email protected] Summer is in full swing here. After the brutal winter, we welcome the warmer weather with open arms and full smiles. People are making vacation plans and xÉÑpÉÉÌwÉiÉÉ Subhaashitaa children are happy that school is almost over. In this section, we present a Sanskrit quotation and its Many children are graduating from high school and interpretation/meaning. college, and they are excited to move on to new and exciting programs and endeavors in their lives. The xÉÇUÉåWÌiÉ AÎalÉlÉÉ SakÉÇ uÉlÉÇ mÉUzÉÑlÉÉ WûiÉqÉç | Mandir, as it does every year, has arranged for a Puja uÉÉcÉÉ SÒÂMçüiÉÇ oÉÏpÉixÉÇ lÉ xÉÇUÉåWÌiÉ uÉÉMçü ¤ÉiÉqÉç || by all the graduating students on Sunday, July 6. All graduates are invited to participate in the Puja and samrohati- agninaa-dagdham-vanam-parashunaa-hatam | seek the blessings of Paramatma (mÉUqÉÉiqÉÉ). vaachaa-duruktam-bibhatsam-na-samrohati-vaak-kshatam|| We will be performing Akhand Ramayan Paath A forest burnt down by a fire will eventually grow (AZÉhQû UÉqÉÉrÉhÉ mÉÉPû) under the guidance of Swami Sri back. A forest cut down by an axe will eventually Madanji of Panchavati Ashram on June 28 and 29.