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25302 Cmp.Pdf GRAN TEATRE DEL LICEU Temporada 1988-1989 � � CONSORCI DEL GRAN TEATRE DEL LICEU Generalitat de Catalunya Ajuntament de Barcelona GALERlt\SMarcando estilo. Ministerio de Cultura Diputació de Barcelona i ·BARCELONA. Puerta del Angel. Diagonal MADRID. Callao. Goya Arapiles. Vaguada. Serrano PALMA DE MALLORCA • VALENCIA· ALICANTE· MURCIA· ALBACETE I Y ALBACETE II Societat del Gran Teatre del Liceu • ZARAGOZA· OVIEDO· VALLADOLID· VITORIA BILBAO· BURGOS. EIBAR • LAS PALMAS SANTA CRUZ DE TENERIFE· SEVILLA· CORDOBA· GRANADA. JAEN • CADIZ. BADAJOZ DON BENITO. ( I t J ® Parsifal Drama sacre en 3 actes Text i Música de Richard Wagner 75è aniversari de l'estrena mundial (fora de Bayreuth) al Gran Teatre del Liceu Funció de Gala Dijous, 8 de desembre, a les 20 h., funció núm. 36, torn B Diumenge, 11 de desembre, a les 17 h., funció núm. 37, torn T Dimarts, 13 de desembre, a les 20 h., funció núm. 38, torn A Divendres, 16 de desembre, a les 20 h., funció núm. 39, torn e Dilluns, 19 de desembre, a les 20 h., funció núm. 40, torn D En la representació del dia 13 el Consorci del Gran Teatre del Liceu vol adherir-se als actes de commemoració del Centenari de l'Exposició Universal de Barcelona de 1888 ® Parsifal Amfortas Simon Estes Contamos con la experiencia de un cuarto de Titurel Kurt Rydl dedicados a la Gestión de Patrimonios siglo y Artur Korn al Asesoramiento de Inversiones. Hace ahora (dia 19) 25 años que sAFEI «lnversiones y Estudios Fi­ Gurnemanz Kurt Moll nancieros, S.A.» fue pionera en el sector de ser-­ Kurt Rydl (dia 19) vicios financieros, iniciando su actividad de Ad­ Peter Hofmann ministración y Gestión de Carteras de Valores. Parsifal Hoy estamos presentes en todos los mercados William Pell (dia 19) financieros tanto nacionales como extranjeros Klingsor Anthony Raffell Kundry Eva Randová 1r Cavaller del Graal Michael Knapp 2n Cavaller del Graal Alfred Kainz Escuders Josef Becher, Ewald Aichberger, 'Barbara Carter, 25AÑ"OSDE Christine Obermayr Noies Flor Milena Rudiferia, Hiroko Shiraishi, Christine Obermayr, Barbara Carter, PATRIMONIO.y ofrecemos nuestros servicios en Madrid, San Carmen Sebastián, Barcelona, Bilbao, Valencia y Luxem­ Anhorn burgo, siendo uno de los primeros grupos es­ Axelle Gall pañoles de carácter independiente, por volu­ men de Patrimonios gestionados e Inversiones financieras asesoradas. Gracias a nuestra total indeperidencia, a la proximidad de nuestra ges­ tión con los clientes; a un servicio personaliza­ do con y accesible cualquier volumen de inver­ Director d'Orquestra Uwe Mund sión y patrimonio, hoy seguimos de gozando Direcció d'Escena Jean-Pierre realitzada la confianza de un gran número de personas. Ponnelle, Porque queremos seguir contan- per Florian Leibrecht do con su apoyo, seguir trabajan- Assistent a la Direcció d'Escena Vera Calabria do con la vista en el futu- puesta Directors del Cor Romano Gandolfi ro; en los próximos 25 años, Y es que creemos en los Patrimo- Vittorio Sicuri nios duraderos. � !:j Adjunt a la Direcció del Cor Miquel Ortega Decorats Jean-Pierre Ponnelle SAFE. Vestuari Pet Halmen Cor de nois de l'Escola Pia Balmes. Director: Antoni Coll Violí concertino Josep M. Alpiste ORQUESTRA SIMFÒNICA I COR DEL GRAN TEATRE DEL LICEU SAFE. BARCELONA, S.A. Avda. Diagonal, 534, I? Tel.: 93-2009922 08006 Barcelona bonsai, obra d'art vivent, és una creació artistica aconseguida amb sentit estètic i destresa, que vol (Untraure tot J'esplendorde la bellesa natural d'una planta. ) KenjiMul'3ta Contingut argumental (És sabut de tots que els arguments operístics wagnerians són rics en referències mítiques i en connexions literàries la relació exhaustiva de les quals podria enfarfegar el present text, per la qual cosa oferim només un breu apunt argumental) Acte I Som al bosc sagrat al peu del castell de Monsalvat, on tot el que hi apareix és digne de sagrat respecte. Gurnemanz i els seus com­ panys s'interessen per la salut d'Amfortas -ferit per Klingsor amb la llança sagrada- que baixa al llac disposat a banyar-se per tal d'alleugerir el seu mal. Gurnemanz sap que només una cosa, que no vol descobrir, pot guarir l'ancià. Kundry, una estranya figura femenina, porta un flascó balsàmic que fa arribar al rei Amfortas; la seva agressivitat desperta reserves en els escuders de Gurnemanz. Tanmateix, aquest sol-licita la compassió dels presents al-ludint a l'estat lamentable en què fou trobada per Titurel, el pare d' Amfor­ tas, i a la precarietat de la vida de Kundry. Un cop Amfortas ha estat banyat i alleugerit pel bàlsam de Kundry, Gurnemanz passa a LACLAUÉS relatar la història del calze i la llança de Crist, lliurats per a la seva custòdia a Titurel per la qual cosa fundà l'Orde dels Cavallers del Graal. Klingsor, refusat com a membre de l'Orde va intentar sem­ SER ELS MILLORS, brar la discòrdia entre els cavallers fins al punt que distragué l'aten­ ció d'Amfortas per mitjà d'una encisadora donzella, arravatant-li la llança amb la qual el ferí de ferida inguarible. NOELS De sobte, un jove desconegut és arrossegat fins allà; ha ferit de mort un cigne sagrat i no sap explicar qui és. Kundry no triga a descobrir MÉSGRANS. Parsifal, de qui coneix bé la història. Gurnemanz demana al jove que els acompanyi a la celebració de l'Eucaristia, tot imaginant que Mutua de Seguros de Sabadell, co1.lectiu depersones o bé una de aquest és l'elegit que esperen. entitat d'assegurances solvent, sola, una-casa o tota una urbanit- Durant la celebració de l'Eucaristia, se sent la veu de Titurel que demana al seu fill Amfortas que descobreixi el calze sagrat, cosa que i ofereixassesso- zació. Per a nosaltres el més àgil professioml, tem a causa de la ferida, però ho fa. Un doll de llum inunda la sala. el això rament i servei tantperassegurar important és client, Rer Acabat l'àpat sagrat, la ferida d'Amfortas reviscola; una solemne processó el retira. Gurnemanz interroga aleshores Parsifal, a l'espera que aquest es mostri com l'elegit, però el jove no sembla haver entès :::�� =:rds res. Acte II ,\\11 Som ara al castell de Klingsor; aquest, a través de la màgia, exerceix MUTUA DE SEGUROS DE SABADELL un poder omnímode sobre Kundry per tal que, amb l'ús dels seus encants femenins, sedueixi tota aquella persona que ell vol destruir. SeuSociaJ. CI Indústria, 16 - Tel. 7259133 - 08202 SABADELL - Delegació Barcelona: R:!mbJa de Catalunya, l, 1"-,2' - Tel. 301 5533 08007 BARCELONA Sabent per mitjà d'un mirall màgic que Parsifal s'acosta al castell, Klingsor ordena que es posi en marxa la trampa. De sobte, ens tro­ bem al bell mig d'un bosc, on les noies-flor rodegen Parsifal i n'inten­ ten la seducció. Com que aquestes no poden res contra ell, és Kundry, transformada en una bellesa espectacular, qui crida Parsifal pel seu nom. La dona aprofita el fet que coneix molt bé la infantesa de l'heroi i entendreix el jove; en el mateix moment de l'inici del bes fatídic, Parsifal recorda el dolor d' Amfortas i la sagrada missió a què ha estat cridat; Kundry també recorda el càstig a què està sotmesa i la necessitat que té de trobar algú que se li resisteixi per tal de veure's alliberada. Klingsor apareix amb intenció de destruir Parsifal, però el jove li agafa la llança i fa el signe de la creu de manera que fa desaparèixer el mag i el seu castell. Mentre cau el teló Kundry con­ templa redimida el comiat de Parsifal. IDEAS Acte III FELICES IDEAS QUE ENVUELVEN NUESTROS MEJORES RE­ Tornem a ser als dominis del Graal. Han passat els anys i tots han CUERDOS. PERFUMES y DE LAS envellit. a COSMÉTICOS Gurnemanz recull Kundry la seva cabana per tal que rea­ litzi treballs domèstics. Arriba aleshores Parsifal guarnit com a cava­ PRIMERAS FIRMAS INTERNACIONALES PARA ller; despullat de les seves armes a precs de Gurnemanz, explica els intents de trobar guariment per a Amfortas. HOMBRE Y MUJER. IDEAS PARA EL REGALO QUE Per la seva banda, Gurnemanz explica a Parsifal que Amfortas no QUIERE SER ALGO MÁS QUE UN DETALLE. COR­ s'atreveix ja a descobrir el Graal i en quin lamentable estat de deca­ dència es troben els cavallers. Titurel mort ha i es preparen les exè­ BATAS, FOULARDS, PARAGUAS, NÉCESSAIRES, quies. Parsifal és rentat amb l'aigua del manantial sagrat i ungit. Finalment, ell mateix bateja Kundry, mentre tots senten els encisos BOLSOS,JUEGOS DE TOCADOR ... IDEAS DE RE­ del Divendres Sant. Els cavallers GIA PARA REGALAR EN NAVIDAD. FELICES FIESTAS. arriben duent la llitera d'Amfortas; tots malden per ta] iniciï la que cerimònia de descobriment del Graal, però el vell se sap impossibilitat. Gurnemanz i Parsifal es barregen entre els cavallers; U M el heroi la i jove agafa llança toca la ferida d'Amfortas, que queda emocionat; després avança vers el Graal, que prèviament els cava­ llers havien preparat, i el descobreix; un blanc colom es diposita sobre el seu cap. Kundry cau morta mentre els cavallers s'agenollen i Par­ sifal beneeix l'assemblea amb el calze. A o N A PASSEIG DE GRÀCIA.)9 • MUNTANER. )4) • FRANCESC PÉREZ I CABRERO. 6 • DIAGONAL. 678 • DIAGONAL. 47) (BULEVARD ROSA) • SANTALÓ. 60 PASSEIG DE GRÀCIA. 55 (BULEVARD ROSA). ® Estructura escènica El Festival escènic sagrat que Richard Wagner presentà el 1882 com a testament espiritual és un producte operístic que sobrepassa tota mida, que representa una proposta escènica tan ambiciosa com cap altre compositor no podria oferir amb èxit i que exigeix (segons resa el sentit popular del terme «parsifal») una atenció superior en mol­ tes ocasions a allò que es pot demanar en un teatre d'òpera.
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