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2014 Annual Report
2014 Annual Report SOLD Five sell-out seasons,including Bellini’s Norma, new OUT Australian opera The Riders, Sondheim’s Into the Woods, children’s production Hansel and Gretel and youth opera The Play of Herod. In partnership with Arts Centre Melbourne, Victorian Opera staged the first ‘relaxed performance’ for children with disabilities attempted in Victoria with children’s production Hansel and Gretel. Two new works staged: Iain Grandage and Alison Croggon’s The Riders, co-produced with Malthouse Theatre, and Richard Mills’ The Play of Herod. Children’s production Hansel and Gretel was staged in a special performance at The Royal Children’s Hospital. Aspiring singers from across Melbourne and regional Victoria joined Victorian Opera and Orchestra Victoria to perform in The Big Sing at Hamer Hall. Regional community choir workshops and masterclasses conducted in Mildura, Wodonga, Stawell, Bendigo and Warragul. The Riders received critical acclaim and two Green Room Awards including ‘New Australian Opera’. The second intake of the National Graduate Opera Program, including seven opera singers and a répétiteur, commenced their Master of Music (Opera Performance) delivered in partnership between Victorian Opera and Melbourne Conservatorium of Music, The University of Melbourne. Victorian Opera launches Australia’s first year-round youth Opera Chorus VOYCE (Victorian Opera Youth Chorus Ensemble). [Image credit: The Riders (cover) photograph by Jeff Busby.] Contents Company Profile 2 Mission 2 Chairman’s Report 3 Artistic Director’s Report 5 Managing Director’s Report 7 Education and Community Engagement Report 9 Activities 2014 11 Artists & Creatives 2014 19 Individual Giving 21 Partners 23 Victorian Opera Board, Staff & Developing Artists 24 Financial Report 27 1 / Victorian Opera Annual Report // 2014 2 Company Mission Profile Victorian Opera: Uniquely Victorian, Victorian Opera aspires to present Uniquely Australian. -
Project Tosca Overview
PROJECT TOSCA OVERVIEW Project Tosca is a large, ambitious project in which Opera Queensland will work with seven Queensland communities to find and train local performers for a 2020 tour of Tosca. Tosca is an opera by Giacomo Puccini, which premiered 120 years ago in Rome. The story follows the powerful Tosca, a famous opera singer who is devoted to the painter Cavaradossi but Scarpia, the tyrannical Chief of Police, has his own plans for her. What ensues is a gripping tale of lust, betrayal and cold-blooded murder that careens at breakneck pace. The production is set in 1970 Italy and takes a step back into a world of iconic style and lush glamour at a time of dramatic political and social change. Opera Queensland stars Antoinette Halloran, Rosario La Spina and José Carbó shine alongside the Company’s Principal Artists, Community Chorus and Queensland Symphony Orchestra Ensemble, conducted by Dane Lam. Aspiring performers from seven communities – Cairns, Townsville, Mackay, Rockhampton, Gladstone, Toowoomba and Gold Coast – will have the opportunity to audition for a coveted spot. During Project Tosca, around 400 successful applicants will participate in a program of free professional training in singing, stagecraft and Italian language skills before taking to the stage in their local theatres alongside Queensland’s best singers and with the support of an ensemble of musicians from the Queensland Symphony Orchestra. Auditions to find 40 adult and 16 children chorus members in each community will occur throughout March, April and May 2020, with Tosca regional tour commencing on Saturday 8 August in Cairns and closing at the Gold Coast on Saturday 29 August. -
(WA Opera Society
W.A.OPERA COMPANY (W.A. Opera Society - Forerunner) PR9290 Flyers and General 1. Faust – 14th to 23rd August; and La Boheme – 26th to 30th August. Flyer. 1969. 2. There’s a conspiracy brewing in Perth. It starts September 16th. ‘A Masked Ball’ Booklet. c1971. D 3. The bat comes to Perth on June 3. Don’t miss it. Flyer. 1971. 4. ‘The Gypsy Baron’ presented by The W.A. Opera Company – Gala Charity Premiere. Wednesday 10th May, 1972. Flyer. 5. 2 great love operas. Puccini’s ‘Madame Butterfly’ ; Rossini’s ‘The Barber of Seville’ on alternate nights. September 14-30. Flyer. 1972. D 6. ‘Rita’ by Donizetti and ‘Gallantry’ by Douglas Moore. Sept. 9th-11th, & 16th, 17th. 1p. flyer. c1976. 7. ‘Sour Angelica’ by Puccini, Invitation letter to workshop presentation. 1p..Undated. 8. Letter to members about Constitution Amendments. 2p. July 1976. 9. Notice of Extraordinary General Meeting re Constitution Change. 1p. 7 July 1976. 10. Notice of Extraordinay General Meeting – Agenda and Election Notice. 1p. July 1976. 11. Letter to Members summarising events occurring March – June 1976. 1p. July 1976. 12. Memo to Acting Interim Board of Directors re- Constitutional Developments and Confrontation Issues. 3p. July 1976. 13. Campaign letter for election of directors on to the Board. 3p. 1976. 14. Short Biographies on nominees for Board of Directors. 1p.. 1976. 15. Special Priviledge Offer. for ‘The Bear’ by William Walton and ‘William Derrincourt’ by Roger Smalley. 1p. 1977. 16. Membership Card. 1976. 17. Concession Vouchers for 1976 and 1977. 18. The Western Australian Opera Company 1980 Season. -
Grand Finale for 3 Years Work Opera Australia with Crown Resorts Foundation and Parramatta Park Present the Western Sydney Community Choirs
MEDIA RELEASE – MARCH 2015 Grand Finale for 3 Years Work Opera Australia with Crown Resorts Foundation and Parramatta Park present the Western Sydney Community Choirs Nearly 300 singers from all across west and south-west Sydney will share the stage at The Crescent, Parramatta Park on March 15 to celebrate the culmination of their journey which began with Opera Australia in 2012. The Community Choirs project is an initiative to give amateur singers access to professional conductors and venues to improve their craft and deepen their understanding of opera. The project has seen the formation of the Western Sydney Community Choirs, which have gone on to perform at the Sydney Opera House in 2012 and 2014. The third and final performance will bring the talents of the Western Sydney Community Choirs closer to home with a one-off, free concert at Parramatta Park. Along with Penrith Symphony Orchestra, the near 300-strong Choir from 13 communities will perform a night of opera hits under the stars. This significant free public performance in Western Sydney has been enabled through a grant from the Crown Resort’s Foundation’s Western Sydney Arts Initiative, in recognition of the valuable outcomes that Opera Australia’s Community Choir program achieves. Opera Australia’s Simon Kenway has been the conductor of the Western Sydney Community Choirs since its inception and will lead the choirs on the night along with four guest artists from Opera Australia - Ayse Göknur Shanal (Soprano), Sian Pendry (Mezzo), Rosario La Spina (Tenor) and Shane Lowrencev (Baritone). “Originally, the Communities Choirs project was about improving access to opera and providing a free mechanism for singers to improve their skills under professional tuition,” says Simon. -
Rusalkadvorˇák Cheryl Barker CHAN 10449(3) Opera Australia Richard105 Hickox
RUSALKADvorˇák Cheryl Barker CHAN 10449(3) Opera Australia Richard105 Hickox CCHANHAN 110449(3)0449(3) BBooklet.inddooklet.indd 1104-10504-105 220/11/070/11/07 117:01:587:01:58 Antonín Dvořák (1841 – 1904) RUSALKA An opera in three acts Libretto by Jaroslav Kvapil, after Undine by Friedrich Heinrich de la Motte Fouqué A production by Opera Australia recorded live at the Lebrecht Music & Arts Photo Library Sydney Opera House in March 2007 Wood Nymphs Sarah Crane soprano Taryn Fiebig soprano Dominica Matthews mezzo-soprano Water Sprite Bruce Martin bass Rusalka Cheryl Barker soprano Ježibaba Anne-Marie Owens mezzo-soprano Prince Rosario La Spina tenor Gamekeeper / Huntsman Barry Ryan baritone Kitchen Boy Sian Pendry soprano Foreign Princess Elizabeth Whitehouse soprano Wedding Guests; Water Nymphs Opera Australia Chorus Michael Black chorus master Kate Golla assistant chorus master Australian Opera and Ballet Orchestra Richard Hickox Stephen Mould assistant conductor Antonín Dvořák Aubrey Murphy concertmaster 3 CCHANHAN 110449(3)0449(3) BBooklet.inddooklet.indd 22-3-3 220/11/070/11/07 117:01:017:01:01 Opera Australia Chorus soprano Chloris Bath mezzo Caroline Clack tenor Dean Bassett cello Zoltan Szabo cor anglais Andrew Malec trombone Gregory van der Struik Helen Borthwick Jane Dunstan David Corcoran Eszter Mikes-Liu* William Farmer Annabelle Chaff ey Vanessa Lewis Warren Fisher Henry Urbanavicius** clarinet Peter Jenkin Nigel Crocker Angela Brewer Ke-Lu Ma David Lewis Margaret Iddison Richard Rourke* Lisa Cooper Lynette Murray Kent McIntosh -
Key Personnel Bios
2018 TMO COMPOSER DEVELOPMENT PROGRAM KEY PERSONNEL BIOS a) THE METROPOLITAN ORCHESTRA Under the Baton of Founding Artistic Director & Chief Conductor Sarah-Grace Williams, The Metropolitan Orchestra(TMO) is recognised as one of the country’s most versatile orchestras delivering accessiBle, first-class and viBrant concert experiences. TMO’s annual season includes a variety of events tailored to different demographics from their highly acclaimed and regularly sold-out Met Concert series, to audience outreach programs, development programs for composers and performers, performances for young audiences and newly arrived refugees, interstate tours, free concerts and more. The orchestra’s sparkling eight year history includes a star-studded array of special events including performances with Sumi Jo (Opera House), David Helfgott (City Recital Hall), Elaine Paige (State Theatre), John Farnham with Olivia Newton-John (Entertainment Centre and Tempus Two), James Morrison (The Concourse), Kate CeBerano (Opera House); special events such as BBC’s Blue Planet and Planet Earth in Concert (Opera House), Doctor Who Symphonic Spectacular (Opera House and Entertainment Centre), Opera in the Vineyards (Wyndham Estate and Roche Estate), the National RugBy League Grand Final and sailing the South Pacific annually as resident orchestra aboard the Bravo! Cruise of the Performing Arts. Other renowned artists who have appeared with TMO include Jose Carreras, Kiri Te Kanawa, Anthony Warlow, Teddy Tahu Rhodes, Antoinette Halloran, David HoBson, Marina Prior, -
David Dichiera
DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story. -
Spoleto Festival Usa Program History 2017 – 1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2017 – 1977 Spoleto Festival USA Program History Page 2 Table of Contents, Organized by Year 2017 .................................... 3 2016 .................................... 6 1996 .................................... 76 2015 .................................... 10 1995 .................................... 79 2014 .................................... 13 1994 .................................... 82 2013 .................................... 16 1993 .................................... 85 2012 .................................... 20 1992 .................................... 88 2011 .................................... 24 1991 .................................... 90 2010 .................................... 27 1990 .................................... 93 2009 .................................... 31 1989 .................................... 96 2008 .................................... 34 1988 .................................... 99 2007 .................................... 38 1987 .................................... 101 2006 .................................... 42 1986 .................................... 104 2005 .................................... 45 1985 .................................... 107 2004 .................................... 49 1984 .................................... 109 2003 .................................... 52 1983 .................................... 112 2002 .................................... 55 1982 .................................... 114 2001 ................................... -
FLEETWOOD NEWS of Town, and Mrs
Ada — ICES Engagements THE KUTZTOWN PATRIOT Serving The East Penn Valley For More Than Seventy-five Years MARY LOUISE WEIDNER TO WED ROBERT GEIST he nbov*» £t a family party on Christmas KUTZTOWN, PA., THURSDAY, JANUARY 1, 1953 NO. 35 Eve-Mr- and Mrs Warren E. Weid- VOL. LXXVIII ner announced the engagement of their daughter Mary Louise to Rob- ert M. Geist. son of Mr. and Mrs. Year 1952 A Busy One Clarence Geist, Mertztown. R. 1. Guests were present from Cuba, 5 Michigan. Philadelphia, Florida, For East Penn Valley; and the East Penn Valley. J and Dorsey °f- The bride-to-be is a KHS senior. m??Y NEW KM& ** j^ert, : Build Mr Geist attended the Topton Memorable Happenings Schools and is with the U. S. Ma rines in Miami, Florida. America has come a long way . from the log cabin freely with his fellows in the achievement of his ob >AlT Heil-Hertzog jective. Four Ministers Welcomed; Mr and Mrs. Paul Hertzog, to the skyscraper . from the covered wagon to the Installation Sunday New Police Chief and Mertztown. R. 1. announce the en jet plane . from the hand plow to atomic energy. It is these rights that spur each man to create and pro gagement of their daughter Marian r Borough Manager <emb« FDic ' to Donald Heil, son of Mr. and Mrs. duce to the limits of his capacity . that prompt each The year 1952 was a memorable James Heil. Macungie. The road has never been easy, but it has always been The bride-to-be is employed by business to give its customers more for less. -
Parsifal Teatr Wielki Poznan 19
IERWJZE W DZIEJACH Hl/TORII TEATRU WIELKIEGO W POZNANIU PRZEDJTAWIENIE „PARllFALA" WIEŃCZY DZIEJE GMACHU POD PE TEATR~ GAZEM W NAJZYM JTULECIU. NIEMCY, NA POCZĄTKU WIEKU, WY WIELKI JTAWILI WPRAWDZIE TO UROCZY/TE MIJTERIUM JCENICZNE, A PRZED Im. STAN!Sł.A\VA MONIUSZIO JTAWl ENIE 17 JIERPNIA 1919 ROKU NA TEJ /CENIE BYŁO OJTATNIM W POZNANIU DYREKTOR NACZELNY NIEMIECKIM JPEKTAKLEM ZANIM „WYBUCHŁA" POUKA. CZUJĄC JIĘ PRA .flAWOMIR PIETRAJ" WNUKAMI TAMTEGO CZAJU, PODEJMUJEMY POUKIMI /IŁAMI ZAJZCZYT NY TRUD WYKONANIA TEGO ARCYDZIEŁA PO MIĘDZYWOJNIU, HAŃBIE OKUPACYJNEJ, LECZENIU POWOJENNYCH RAN I PRÓBACH CORAZ MĄDRZEJ JZEGO POROZUMIENIA W OJTATNICH DZIEJIĘCIOLECIACH. CHCEMY POWIEDZIEĆ NIEMCOM, ŻE W RAMACH IDEAŁÓW WJPÓLNEJ EUROPY, PODAWANIU JOBIE RĄK POWINNY RÓWNIEŻ TOWARZYJZYĆ POD RICHARD NIOJlE TONY MUZYKI WAGNERA, UŻYTEJ JAKO JYMBOLU WIĘZI I ZGODY, WAGN€R A NIE - PODZIAŁU I NIENAWl/CI. DLATEGO WJPÓŁPRACUJEMY NAD REALI ZACJĄ „PARJIFALA" Z NIEDERIACHJIJCHE JTAATJTHEATER W HANOWERZE, JEGO ARTYJTAMI HAN/EM-PETEREM LEHMANNEM (REŻYJERIA) I EKKEHAR DEM GRUBLEREM (JCENOGRAFIA) ORAZ FUNDACJĄ POUKO-NIEMIECKĄ, POMAGAJĄCĄ NAM FINANJOWO. KAŻDE WYKONANIE „PAR.fi FALA" DLA ARTYJTÓW I PUBLICZNO/Cl JEJT PREMIERA 4 GRUDNIA 1999 WIELKIM .fwlĘTEM I NIEZWYKŁYM PRZEŻYCIEM. TRUDNO LEPIEJ UWIEŃCZYĆ DZIEJE OPEROWEGO POZNAfl-!IA W KOŃCZĄCYM JIĘ WŁA/NIE XX WIEKU. RICHARD KUNDRY VERA BANIEWICZ WA.GN€R RYCERZE GRAALA KAROL BOCHAŃ.fKI ALEKJANDER BURANDT RAFAŁ KORPI K PAWEŁ MYJZKOW.fKI UROCZYJTE MIJTERIUM JCENICZNE W 3 AKTACH GIERMKOWIE DYMITR FOMENKO LIBRETTO RICHARD -
Aida Study Guide GUISEPPE VERDI
Aida Study Guide GUISEPPE VERDI The performances this season will take place on October 2, 6, 9, 12, 15, 18, 21, 24, 27, 30, November 2, 5, 2010. Book your school group tickets now! Call COC Group Sales at 416-306- 2356 or e-mail [email protected]. Sung in Italian with English SURTITLES™ Canadian Opera Company 2010/2011 New Production Table of Contents Page Content 2 Background & Characters 3 Synopsis 5 Giuseppe Verdi, A Brief Biography 6 The Life & Times of Giuseppe Verdi 7 Verdi's Music 9 What to Look For 12 How the Opera Came to Be 13 Modern-Day Slavery 14 Listening Guide 18 Exploring Patriotism, Lesson Plan Canadian Opera Company 2010/2011 coc.ca Aida Study Guide Background & Characters Historical Background Aida was written for the two-year-old Cairo Opera House in 1871. Previously the composer Giuseppe Verdi had rejected the offer to write an inaugural hymn for the opening of the Suez Canal in 1869 but the Khedive (Ismail Pasha, the Viceroy of Egypt for the Ottoman Empire and a fan of all things European) was determined to commission a mag- nificent opera to open the new opera house in Cairo. Verdi wouldn't do this either, so the new opera house opened with Verdi's existing Rigoletto in 1869. A director/librettist Camille du Locle persuaded Verdi to take on a future commission with a little psychology 101. He told him that if Verdi didn't want the job, German composer Richard Wagner might be interested and would probably do a very good job with it! He also told Verdi that the Khedive would be willing to give him almost anything: "If you were to ask for a pyramid (the biggest one, of course) as a bonus, he's just the sort of person who might give it to you." Verdi wrote Aida for the Cairo Opera House and the opera premiered there on December 24, 1871. -
Così Fan Tutte (8 Perf) | Simon Boccanegra (9 Perf)
MEDIA RELEASE – SYDNEY WINTER SEASON 2016 Opera Australia celebrate their 60th anniversary Season with new and rare diamonds Carmen 16 May (18 perf) | The love for Three Oranges (8 perf) | Così fan tutte (8 perf) | Simon Boccanegra (9 perf) - Opera Australia (OA) will celebrate its 60th anniversary in style this June - launching a phenomenal winter season at the Sydney Opera House that includes new delights and classic favourites. John Bell’s new production of Carmen is set to sizzle, an all Australian cast will bring Russian gem The Love for Three Oranges to life, the Du Ponte trilogy meets its final chapter with David McVicar’s Così fan tutte and drama and intrigue reach new heights with Verdi classic Simon Boccanegra. “For our 60th anniversary programming, I wanted to offer Sydney audiences four distinct opera experiences,” said Opera Australia Artistic Director Lyndon Terracini An entirely new production of Carmen, directed by John Bell will be seen for the first time in Sydney, bringing with it some of opera’s biggest names – French singer Clémentine Margaine, Australian star Milijana Nikolic (Carmen), thrilling Korean tenor Yonghoon Lee and the power of American tenor Brandon Jovanovich (Don José). One hundred and forty-one years after its premiere, Carmen remains one of the world’s favourite operas, continuing to inspire contemporary music, fashion and film. “Carmen is a must see opera, even if you’ve never set foot in an opera house,” said Lyndon Terracini. Eye-popping costumes, physical comedy and sets of acid colour tell the tale of The Love for Three Oranges, an opera that never takes itself too seriously.